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Ireland (Carrick-A-Rede / Giant's Causeway

19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

EUR 580,-- 

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Guilleminot, Bœspflug et Cie. - Collection of 34 glass slides produced during the Exposition Universelle of 1900, Paris

Arcades Project of Walter Benjamin – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

EUR 2.500,-- 

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Manuscript Autobiography, Diary and vintage photo album of the Chapman - Barwise

Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

EUR 950,-- 

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Vintage Photo Album of

[Davey & Hackney] / R.M.S.P. Arcadian.

Two Vintage Photo Albums / Portfolios of “Cruise No. 2 to ‘The Norwegian Fjords’ in June 1913 on the R.M.S.P. Arcadian”. Fantastic combination of two photo logbooks of one of the last trips for this beautiful passenger liner before she served with the Royal Navy and was sunk by a U-boat, the German submarine SM UC-74, in 1917. These luxury photographic records were created by Davey & Hackney, Alexandra Palace, London. I. Album One: On 24 pages (12 stiff cardboards with photographs on both sides) with 44 vintage high-quality photographs, the cruise was documented by not only focusing on the natural beauty of Norway but also by documenting the captain (Captain Custance) and crew of the Arcadian, one large photograph shows the captain and all his officers. Some striking images of the ship itself are showing this liner in all its glory. The ship was built in 1899 by Vickers, Sons & Maxim Ltd. for the Pacific Steam Navigation Company as SS Ortona. This unusually luxury Album also documents in an appendix with a small map of Norway the Itinerary of the cruise. All mileage covered and dates the cruise would reach the scheduled destinations in Norway are mentioned (Grimsby, Wed. 18 June / Leith, 235 miles, Thursday 19 June / Aalesund 493 Miles Sat. 21 June / and so on and so on). The cruise would stop at Molde (Moldefjord), Aandalsnaes (Romsdalfjord) / Oie (Jorundfjord) / Hellesylt (Sunelvsfjord) / Merok (Geirangerfjord) / Olden (Invikfjord) / Loen (Nordfjord) / Mundal (Fjaerlandsfjord) / Balholmen (Sognefjord) / Gudvangen (Naerofjord) / Sundal (Maurangerfjord) / Norheimsund (Hardangerfjord) / Bergen / back to Grimsby on July 2nd, 1913 with a total of 2127 miles covered in 14 days. The photographs of the “Arcadian” are differing in size from a beautiful full ship image in 17.5 cm x 28.7 cm to detailed photographs of the deck in 11.5 cm x 16.4 cm; a nice photo of the “Arcadian’s” Launch (with small steem funnel), interior of the ship (Dining Salon), a photograph of a visiting steam Tender (″The Grimsby Tender”), Deck tennis – scenes, Playing Bull Board, Letting go the Anchor with two crew members. / II. Album Two: This additional, smaller Album, on an additional 24 pages (12 stiff cardboards with photographs on both sides) shows a further 24 vintage, high-quality photographs. These additional photographs show The Hardangerfjord / Folgefond Glacier / An Arcade in the Dining Salon / Photograph of Captain Custance / Sundal / The Landing Stage in Norheimsund / Fysse / The Landing Stage in Trondheim with many locals waiting / The Landing Stage in Forhatten / Digermulen / The Raftsund Fjord / Lyngenfjord / A boat full of Lapps in traditional clothing, showing and offering livestock and handmade dolls for tourists on board the “Arcadian” / Hammerfest / North Cape & Midnight Sun from the “Arcadian” / Tromso, with a large gathering of schoolchildren / A Boxing Match on the “Arcadian”, showing two pugilists fighting it out to the bemusement of bystanders / Pillow Fighting as Pastime for Tourists on the “Arcadian” / Molde from the Hill, showing the “Arcadian” in the Fjord / Aandalsnes / View from Aandalsnes / Bergen and Bergen Harbour with a few nice local Yachts in the foreground // The quality of the photography in both of these Album is excellent.

London / Norway, Davey & Hackney Photo (Alexandra Palace), 1913. Sizes: Vol. I: Folio (25.5 cm x 32 cm) / Vol.II: Oblong Octavo (25 cm x 17 cm). Volume I: 12 cardboard sheets with 24 pages (of which 24 are with photographs) with foldable appendix / Volume II: 12 cardboard sheets with 24 pages (of which 24 are with photographs) Hardcover / Green soft morocco with gilt lettering on cover and ornament around the pastedowns of the inner boards. Some minor rubbing to the binding but overall in excellent, near Fine condition with only minor signs of external wear.

EUR 2.200,-- 

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