571. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

572. One of the most beautiful works of 18th century Illustrated Italian History – Bartoli, Pietro Santi / Giacomo de Rossi / [Trajan – Caesar Nerva Trajanus].

Colonna Traiana [The rare 18th-century Folio-Edition on Trajan’s Column, in which, atypically, all Oblong-Folio-Planches have a centerfold and which includes the often missing, large 1,1 meter – foldout-plan of Trajan’s Column] – Colonna Traiana Eretta Dal Senato, E Popolo Romano All’Imperatore Traiano Augusto Nel Suo Foro In Roma. Scolpita Con L’Historie Della Guerra Dacica La Prima E La Seconda Espeditione, E Vittoria Contro Il Re Decebalo. Nuovamente Disegnata, Et Intagliata Da Pietro Santi Bartoli. Con L’Espositione Latina D’Alfonso Ciaccone, Compendiata Nella Vulgare Lingua Sotto Ciascuna Immagine, Accresciuta Di Medaglie, Inscrittioni, E Trofei, Da Gio. Pietro Bellori. Con diligente cura, e spesa ridotta à perfettione, e data in luce da Gio. Giacomo de Rossi dalle sue stampe, in Roma, alla Pace con Privilegio del S. Pontefice.

Roma, [Giacomo de Rossi] alla Pace con Privilegio del S. Pontefice, [1751]. Folio: (26.5 cm wide x 37 cm high). All planches usually in Oblong-Folio are center-folded in this version, allowing it to be bound in Folio. Pagination: 9 unnumbered plates, [including titlepage, engraved dedication to Louis XIV, and also the large Trajan-Foldout, measuring 110 cm x 36 cm)], followed by 119 plates folded into 238 plates, [while our copy is lacking the 14 pages with Alphonso Ciacono’s “Historia Utriusque Belli Dacici A Trajano Cæsare” and Index and Colophon at the end of the Volume, this flaw is rather unimportant because this Volume is all about the masterful art of over 125 engravings and the powerful Homage by Pietro Santi Bartoli to Trajan, Rome’s “Optimus Princeps”]. Fully restored Folio in dark green Morocco, bound to 18th century – style by an english master-bindery. Unusually excellent condition with the tiniest of wormhole-damage to the Dedication pages. The plates all in exceptional condition. The large Column-Plate spellbinding.

573. [Walter Benjamin Collection] – [Benjamin, Walter] Haas, Willy / [Stefan Zweig / Heinrich Mann / Thomas Mann / etc.].

Die literarische Welt. [Mit zahlreichen Erstdrucken von Essays und Rezensionen von Walter Benjamin: “Die Technik des Schriftstellers in dreizehn Thesen” / Walter Benjamin – “Skandal im Théatre-Français” / Buch-Chronik der Woche von Walter Benjamin: “C.A.Bernoulli – Johann Jakob Bachofen und das Natursymbol” / Walter Benjamin – “J.P.Hebel – Ein Bilderrätsel zum 100.Todestag des Dichters” / Buch-Chronik der Woche von Walter Benjamin: “Franz Hessel” / Walter Benjamin – “Der Kaufmann im Dichter” / Walter Benjamin – “Aussicht ins Kinderbuch” (mit Abbildungen von Titeln aus der Sammlung Benjamin) / Walter Benjamin – “Noch ein Paar Neue Kinderreime” / Walter Benjamin – “Kinder” [I.Karussellfahrendes Kind / II. Zu Spaet gekommenes Kind / III. Verstecktes Kind”] / Titelseite als Kalenderblatt mit Karikatur-Portraits von Mitarbeitern der “Literarischen Welt”: u.a. Walter Benjamin, Walter Mehring, Willy Haas u.v.a. “Zum Neuen Jahr lasst Blumen sprechen” / “Wandkalender der “Literarischen Welt” fuer 1927 – Verse von Walter Benjamin / Zeichnungen von Rudolf Grossmann / Walter Benjamin – “Der Regisseur Meyerhold – In Moskau erledigt ?” – “Ein literarisches Gericht wegen der Inszenierung von Gogols ‘Revisor’” / Walter Benjamin – “Zur Lage der Russischen Filmkunst” / Walter Benjamin und Oscar A.H.Schmitz – “Eine Diskussion ueber russische Filmkunst und kollektivistische Kunst ueberhaupt” [Schmitz eroeffnet die Diskussion mit “Potemkinfilm und Tendenzkunst” – Walter Benjamin antwortet daraufhin dem “Bildungsphilister” Schmitz mit einer Polemik].

First Edition. Two Volumes with 94 Issues in total (31 issues in duplicate / 31 Hefte doppelt). Berlin, Ernst Rowohlt, 1925 – 1927. Folio. Pagninierung / Pagination of both Volumes: Volume I: The following 42 issues available in this collection are: 1. Jahrgang / Annual (1925): Nr. 2 und Nr. 4 / 2. Jahrgang (1926): Nr. 14, 19, Nr. 36 – Nr. 52 (17 Issues) / 3. Jahrgang / Annual (1927): Nr. 1-21 [Each issues with 8 pages with illustrations] / [Jedes Heft mit 8 Seiten incl. Abbildungen] / Volume II: 3. Complete Third Annual of 52 Issues for 1927): Kompletter 3. Jahrgang: Nummer 1-52. [Each issues with 8 pages with illustrations]. Illustrations in original woodcut-textillustrations are by Rudolf Großmann (several), Lili Réthi, B. F. Dolbin (several), Frans Masereel (several), George Grosz (Kinderzeichnungen), Renée Sintenis, Alfred Kubin, Max Beckmann, Man Ray and others. Hardcover (original title-wrappers inside a privately printed half-cloth binding) / Hardcover / Privater Halbleinenband der 20er Jahre. Small cutout to page 5 of Issue 2 (Advertising ? 8.4 x 14.5 cm) / (1 cm-tear to outer margin of all issues in Volume one – text not effected) / Titlepage of Issue 49, IInd Annual (1926), missing. Otherwise in very good condition with only minor signs of wear. While it would usually be desirable to have these issues in their original, unbound form, these two privately bound Volumes are actually a blessing and led to these issues to be preserved in unusually excellent condition. A Rare run of this peridocal, with a provenance of one “Frl. Nippoldt” (Miss Nippoldt), Weissenburgstr. 17 / Kleiner Ausschnitt auf Seite 5 der Nummer 2 von 1925 (Werbung) / (1 cm Einriss in den Rand der Nummern von Band 1 – Text nicht betroffen) / Titelblatt der Nummer 49 des II.Jahrgangs (1926) fehlt / Sonst sehr gut erhalten. Auch wenn eine ungebundene Broschur-Version dieser seltenen Zeitschrift einer Privatbindung normalerweise vorzuziehen ist, so ist in diesem Fall die Wahl der Bindung sehr gelungen und man ist fast dankbar wie gut die einzelnen Ausgaben dadurch erhalten wurden. Einige der Ausgaben haben einen alten Besitzvermerk: “Frl. Nippoldt” – “Weissenburgstr.17”, sowie gelegentliche, interessante Kommentare und Annotationen im Text (mit Bleistift)”.

574. [John Minihan Collection] – [Minihan, John] Heaney, Seamus / Nash, Graham / Jimi Hendrix / Samuel Beckett / Christie’s / Sotheby’s etc.

Stunning collection of more than 100 items of Books and Extra-Large [XXL] signed vintage photographs from John Minihan’s personal library and collection [Samuel Beckett (several Beckett – Photographs, Francis Bacon, Seamus Heaney (Two (2) photographs of Seamus Heaney), Jimi Hendix, Michael Longley, President Michael D. Higgins, etc.]. [See full list with images and description on our website under the section “LIBRARIES & COLLECTIONS”]. The collection holds signed books, unsigned books, inscribed books, reference-works (catalogues etc.) on old cameras and photographic equipment as well as signed original photographs from the personal library of irish photographer John Minihan. Full details under “Libraries & Collections” on our website. The collection also includes a signed original essay on Francis Bacon, an original self-portrait of Minihan in form of a reflection-photograph during his visit to Argentina, a stunning self-portrait of Minihan, taken shortly after he took the iconic photograph of Samuel Beckett in the Cafe in Paris, a signed Seamus Heaney – First Day-Cover, signed and inscribed books, a signed book with printed Beckett – Images, a signed original Vinyl with an early photographic cover-image by Minihan (Michael Mannion), more than 30 reference works which inspired John Minihan / catalogues / publications on the History and Technology of Photography, publications on the value and evaluation of photographs and rare auction records on vintage and rare photographs of the19th and 20th century, etc.

New York / London / Dublin / Ballydehob (West Cork) / Skibbereen (West Cork), Christie’s / Sotheby’s / etc., 1977 – 2022. Octavo / Quarto etc. More than 4500 pages with photographic records, descriptions and illustrations, framed photographs, signed books. Original Softcover and Hardcover – publications. Very good condition with only minor signs of external wear. The price includes an upgrade to worldwide free shipping of the collection per UPS Express Courier.

575. Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

Original Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.