41. [Puttnam, David] / Hornby, Nick.

Fever Pitch. [Stunning association between Nick Hornby and David Puttnam].

First Edition, 7th Impression. London, Victor Gollancz Ltd., 1992. 8°. 247 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition. Signed and inscribed by Nick Hornby to David Puttnam. From the personal library of producer David Puttnam.

42. Gandert, Gero.

Der Film der Weimarer Republik – 1929. Ein Handbuch der zeitgenössischen Kritik (Deutsch / German).[Film in the Weimar Republic] Im Auftrag der Stiftung Deutsche Kinemathek herausgegeben von Gero Gandert.

Berlin, New York, Walter de Gruyter, 1993. 20 cm x 27 cm. XXVII, 916 pages. Original Hardcover with dustjacket in slipcase. Dustjacket photograph – Louise Brooks in ‘Das Tagebuch einer Verlorenen’. Excellent, close to new condition with only minor signs of external wear.

43. Buñuel, Luis / Dali, Salvador / Vigo, Jean (Foreword).

Un Chien Andalou. Transcription and Introduction by Phillip Drummond.

London / Boston, Faber and Faber, 1994. 13 cm x 21.5 cm. XXVI, 38 pages. Several black and white photographs throughout the book. Original illustrated softcover slipcase with VHS Tape and book. Very good condition with only minor signs of external wear to box, book and VHS Tape. From the private library of irish photographer John Minihan.

44. [Stone, Oliver] Beaver, Frank.

Oliver Stone – Wakeup Cinema.

New York, Twayne Publisher, 1994. 22 x 14 cm. vi, 238 Pages. Original Hardcover with original dustjacket. Excellent condition with only minor signs of external wear.

45. Auster, Paul.

Smoke & Blue in the Face – Two Films written by Paul Auster.

New York, Hyperion, 1995. 15 cm x 23.5 cm. VIII, 290 pages. Original Softcover. Very good condition with only minor signs of external wear. First Edition. Signed by Paul Auster.

46. Parker, Alan / [Puttnam, David].

Evita – A Cartoon Version by Alan Parker. Association copy of Alan Parker’s “Cartoon Version” of his movie “Evita” with which he thanked his cast and crew. This being a personally inscribed copy from Alan Parker to his friends David Puttnam & Patsy Puttnam. Accompanied by a two-page-letter, signed by Parker and citing a quote of David Puttnam reflecting on his own experiences in the movie-business with a bit of ironic advice for his friend Alan Parker on how to exit the movie-business.

Limited Edition (hand-numbered by Parker). London, Alan Parker, 1996. Duodecimo. 46 pages. Illustrated with cartoons. Original Hardcover. Binding slightly bumped. Otherwise in very good condition with only minor signs of external wear. From the personal library of producer David Puttnam.

47. [Eisenstein, Sergeij] Taylor, R.

The Eisenstein Reader.

London, British Film Institute, 1998, 15.5 cm x 23 cm, VII, 211 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

48. Street, Rita.

Computer Animation: A Whole New World. Groundbreaking work from today’s top animation studios.

Gloucester (Massachusetts), Rockport Publishers, 1998. 22,5 cm x 29 cm. 139 pages with Illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

49. Kittler, Friedrich A.

Gramophone, Film, Typewriter. Translated, with an Introduction, by Geoffrey Winthrop-Young and Michael Wutz.

Stanford, Stanford University Press, 1999. 8°. XLI, 315 pages. Original Softcover. Very good condition with only minor signs of external wear (bookblock a little wavy).

50. Derrida, Jacques & Fathy, Safaa.

Tourner les mots: au bord d’un film. [Signatures autographes de Jacques Derrida]

Edition limitée (No.60/70). Paris, Galilee, 2000. 8°. 169 pages with illustrations / photographs in colour. Softcover / Reliure Broché. Pages Unopened ! Signatures autographes de Jacques Derrida / First edition, one of seventy examples printed on “verge ivoire,” of this work produced as a companion to the film “D’ailleurs, Derrida”. Only seventy copies were produced, and most were distributed among the film’s collaborators. This copy signed by Derrida on the half title. Fine in publisher’s printed wrappers.