201. Hirakawa, Akira.

Stone Rubbing I & Stone Rubbing II.

2 volumes (Complete Set). No place [Tokyo], No Publisher [Toho Shobo], No Year [1968]. 21.8 cm x 30 cm. Two original paper folders with together 24 original prints (12 prints in each folder). Original Softcover (Folder). Very good+ condition with only minor signs of external wear. Both Folders have some minor wear. All prints in very good condition. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

202. [Gray, Cleve / Motherwell, Robert] Smith, David.

David Smith – Exhibition Catalogue April 18 – May 13, 1950. [Cleve Gray’s personal copy]. [With a two page introduction / statement by Robert Mothwell].

New York, Willard Gallery, 1950. Small Octavo. 8 unnumbered pages. Original, illustrated softcover / stapled. Very good condition with only minor signs of external wear. Copy of american abstract expressionist painter Cleve Gray, with his name in ballpen on cover. One part of Motherwell’s introductory – statement with a pencil mark at the side highlighting this section: “When I saw David places his work against the mountains and sky, the impulse was plain, an ieffable desire to see his humanness related to exterior reality, to nature at least if not man, for the marvel of the felt scale that exists between a true work and the immovable world, the relation that makes both human”.

203. Genovesi, Antonio.

Antonii Genuensis in regia Neapolitana Academia Antecessoris Elementorum Artis Logico-Criticae Libri V. [Elements of the Art Academy of Naples and Genoa and Anthony Antecessoris Logico-Criticae V.]

Editio Novissima ad Postremam Neapolitanam. Bassani, 1779. 8°. XVI, 352 pages. Softcover. With manuscript annotations on the last page. Binding rubbed and with tear to upper spine.

204. [Dante Alighieri] / [Thomas Hobbes] / [Sir Isaac Newton] / [Edmund Halley] / [Malkin, Arthur Thomas].

Gallery of Portraits of important philosophers, scientists and men of letters [with Portraits of Carl von Linne / Portrait of Thomas Hobbes / Portrait of Edmund Halley / Portrait of Sir Isaac Newton / Ignatius von Loyola / Cromwell / Sir Humphry Davy etc.].

No Place [London], [Charles Knight & Co.], No Year [1832]. Circa 225 pages. Features thirty black and white portraits, with many black and white illustrations throughout. Original Hardcover with half-leather and buckram boards. Gilt lettering and blind design on spine with raised bands with gilt ornament. Very good condition with only minor signs of external wear. Only minor foxing throughout. Some tissue guards loose. With marbled edges and marbled both endpapers and pastedowns. Name of previous owner written in blue ink on free front endpaper “Richard Allen”, also featured within in pencil and dated ‘1832’. From the reference library of Hans Christian Andersen Translator Erik Haugaard.

205. [Combe, William] / [Thomas Rowlandson].

The Tour of Doctor Syntax – In Search of the Picturesque – A Poem [plus: “Volume Second”: “The Second Tour of Doctor Syntax – In Search of Consolation – A Poem”].

Volume One in Fourth Edition / Volume Two in First Edition. Two Volumes. London, Published by R. Ackermann at the Repository of Arts, 1813 – 1820. Large Octavo. Pagination: Volume I: Frontispiece, engraved titlepage, [2], 276, plus 1 page with “Directions to the Binder for placing the Plates”. With 31 handcoloured illustrations (including Frontispiece and titlepage) by caricaturist Thomas Rowlandson / Volume II: Frontispiece, [1], 277 pages plus 1 page with “Directions to the Binder for placing the Plates”. With 22 (of 24) handcoloured illustrations by caricaturist Thomas Rowlandson. Hardcover / Original half leather with original spine-labels and ornaments. Both Volumes with some rubbing but both in firm, original condition. Interior of Volume I with some mild foxing and fingerstaining only but all plates excellent. Interior of Volume II with a tear and loss of paper to the front free endpaper, some mild foxing, one plate and one textpage (page 11) slightly detached and with fraying). Minor wormholedamage to rear board (neglectable). Overall these two Volumes are in very good condition !

206. Charry Lara, Fernando.

Nocturnos y Otros Sueños. Prólogo de Vicente Aleixandre. Ilustraciones de Fernando Botero.

Bogotá, El Áncora Editores, 1991. 33,5 cm x 25 cm. 125 pages. With colour illustrations throughout the book. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear. Inscribed / signed by author.

207. Caesar, Gaius Julius.

Portrait Plaque of Caesar – DIVI IULI.

[Italy], c.1920. 43 cm x52 cm. Oval shaped Plaque. Excellent condition with only minor signs of external wear.

208. [Bruegel, Peter] Claessens, Bob / Rousseau, Jeanne / Chevalier, Haakon [trans.]

Our Bruegel.

Antwerp, Mercatorfonds, 1969. 26 cm x 34 cm. Portrait frontispiece, 233 pages. 97 paintings, 28 drawings and 6 plates. Some fold-out illustrations. Hardcover [publisher’s original brown buckram boards] with gilt lettering on white spine. Gilt design on front board. Pastedowns and endpapers beautifully illustrated with rustic scenes. Very good condition with only minor signs of external wear. Interior is in excellent condition that allows for the proper consideration of the lavishly produced and stunningly presented illustrations, many of which are tipped-in.

209. Blunt, Anthony.

Art and Architecture in France, 1500-1700 (The Pelican History of Art).

Middlesex, Penguin Books Ltd., 1953. 18.4 cm x 26.4 cm. XVII, 312 pages. With 192 black and white plates. Original Hardcover. Very good+ condition with only minor signs of external wear. Only very minor foxing to edges, endpapers, half-title and title pages. Pages lightly tanned. Binding tight. Gilt title on spine and emblem on front cover. Interior clean. The price for this heavy book includes international shipping per Courier !

210. [Bell, Charles] Simons, Phillida Brooke.

The Life and Work of Charles Bell. Including The Art of Charles Bell: An Appraisal by Michael Godby.

Vlaeberg South Africa, Fernwood Press, no year (c.1998). 28 cm x 24.5 cm. Frontispiece, 176 pages. Numerous coloured and monchrome illustrations. Hardcover / publisher’s original half leather with slate gray boards. Gilt lettering on spine with raised bands. Gilt pictoral on front board. Housed in grey cloth-covered book case with coloured vignette on front board. Fine, absolutely excellent condition throughout. Interior in excellent condition. Hand-numbered 21 of a collectors’ special edition of only 100 copies. Signed by author on the certification page. Presentation inscription in calligraphy to Christopher Robin White. Front endpaper beautifully embossed. Superbly produced work.

211. Batselier, Dom Pieter / Callender, Elsie (trans.)

Saint Benedict – Father of Western Civilization.

Antwerp, Mercatorfonds, 1981, 26 cm x 33 cm. 476 pages. 476 beautiful mononchrome and colour illustrations. Original Hardcover with original dustjacket in protective collector’s mylar. Near fine condition. Interior in excellent condition also.

212. Baldry, A. L.

The Wallace Collection at Hertford House.

London, Goupil & Co., 1904. 22.5 cm x 30.2 cm. 302 pages. With black & white illustrations throughout. Original Hardcover in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. The price for this heavy book includes international shipping per Courier !

213. Wells, Percy A. (1867-1956) / [Letter by Morris, Mary ‘May’ (Designer)] / [Letter by Allom, Sir Charles Carrick (english decorator)] / [Letter by Garnett, Prof. William (Experimental Physics)] / [Letter by Henry, Jacob Solomon (Furniture Maker)] / Letter by Hems, Harry (English architectural and ecclesiastical sculptor)] / [Letter: Image, Selwyn (British Artist & Designer of the Arts & Crafts Movement)] / [Letter: Russell, Sir Sydney Gordon (English Designer & Craftsman) / [Letter: Quennell, Marjorie (Courtney) (British historian, illustrator and Museum Curator at The Geffrye Museum) //

Small Archive / Manuscript Material, Letters, Designs, Books and Pamphlets as well as vintage photographs of Furniture like Chairs (Percy A. Wells Chair), Wardrobe, Advertising of Exhibitions [chaired for example by Christopher Hussey], etc. etc. This material all originates from Percy A. Wells’ personal collection and sensationally also includes a manuscript notebook / sketchbook with his drawings, designs and a detailed, typescript with autobiographical memories in which Wells details his decades of being involved in Furniture Design. Loosely inserted in the manuscript notebook / sketchbook, is a signed manuscript letter on stationery of Kelmscott Manor by Mary ‘May’ Morris, daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists’ model, Jane Morris [included is ephemeral material which for example informs about a pair of Episcopal Gloves, designed by William Morris’s daughter [May Morris] and the clipping continues: “Those who remember Morris’s attitude towards the Church will smile and reflect upon time’s revenges”]. The collection includes an abundance of information which easily can lead to a monograph on the life of Percy A. Wells. Detailed description of the Archive and all materials contained below (more details will be listed constantly).

Dulwich / Shoreditch / London a.o., Percy A.Wells Private Library, c.1900-c.1920. Octavo / Quarto / Folio. Hardcover Folder with loosely inserted material like letters and photographs, envelopes, signed and inscribed books and rare pamphlets with designs etc. Very good condition with only minor signs of wear. Fantstic Archive and lots of unpublished material of one of the more eminent Cabinet, Furniture and Chair – Designers which resulted from inspiration by William Morris’ Kelmscott – School. Percy A. Wells Chairs are still in regular demand today and sell for stunning prices (3000 £ etc.).

214. [Vanity Fair] Bowles, Thomas Gibson / [Fantastic collection of political caricature portraits of 19th century American Politicans / British Politicians]

Vanity Fair: A Weekly Show of Political, Social & Literary Wares – Complete Annual for the year 1872 with 51 full-page portraits of victorian statesmen of england as well as the united states of america (Hamilton Fish, Ulysses S. Grant, Horace Greeley etc.), politicians, writers, artists, “men of the day” and men of influence, portrayed in chromolithography / chromolithographs in colour (January 6, 1872 – June 29, 1872 & July 6, 1872 – December 28, 1872 ).

London, Vanity Fair, 1872. Folio. 208, 208 pages. Complete set. Interleaved with 51 chromolithographic portraits. Beautifully restored, original Hardcover (half-leather with orginal spine (gilt letttering and ornament). With new, linen-covered boards, using the original pastedowns and endpapers. A stunning Volume in excellent condition. All illustrations in wonderful colour.

215. Twining, Elizabeth.

Illustrations of the Natural Orders of Plants With Groups and Descriptions. [With 160 full-page chromolithographic plates in colour].

Original Sampson Low Edition – Reduced from the Original Folio Edition. Two Volumes (complete set). London, Sampson Low, Son and Marston, 1868. Slim-Quarto (17 cm x 25 cm). Volume I: XII, 80 plates / Volume II: [6], 80 plates. Both Volumes include the tissue-guards for protecting the plates and all corresponding explanatory text and Index is present. Hardcover / Original publisher’s half-leather with gilt lettering and ornament on spine. One of the earliest and rarest publications with chromolithographic botanical illustrations. Excellent condition besides some mild, faded dampstains to some plates. Important: These bindings are usually broken, which is NOT the case here. While the book came from the library of Daniel Conner (Connerville / Manch House), the book belonged to Henrietta L. Conner [Inscribed by Sophia Perry Hornik to Henrietta L. Conner in 1890].

216. [Rossetti] Beerbohm, Max / [Jack “Bohun” Lynch].

Rossetti and his Circle [Association Copy – Inscribed / Signed by Max Beerbohm to his friend, Biographer and fellow Caricaturist, “Jack [Bohun] Lynch”].

First Edition. London, William Heinemann, 1922. Quarto. Frontispiece, IX, [1] pages with 23 tipped-in plates (including the now famous Oscar Wilde – Caricature) with lettered tissue-guards. Original Hardcover with original dustjacket. The dustjacket very poor and fragmented but the Volume itself in excellent, firm condition. All colour-plates iwith tissue-guards in place and in wonderful condition. Excellent association-copy with the personal inscripton by Max Beerbohm to his friend Jack Lynch: “Jack Lynch”

217. Rollin, Mr. [Charles].

The History of the Arts and Sciences of Antients [with all 52 plates complete] – Under the following Heads : In Three Volumes. Volume I: Agriculture, Commerce, Architecture, Sculpture, Painting, Music, the Art Military / Volume II: Art Military, Grammar, Philology, Rhetoric, Poetry / Volume III: Poetry, History, Eloquence, Philosophy, Civil Law, Metaphysics and Physics, Physic, Botany, Chymistry [Chemistry], Anatomy, Mathematics, Geometry, Astronomy, Arithmetic, Geography and Navigation. By Mr. Rollin, Late Principal of the University of Paris, Professor of Eloquence in the Royal College and Member of the Royal Academy of Inscriptions and Belles Lettres. Translated from the French. The Second Edition. Illustrated with Fifty-two [52] Copper Plates, representing the Civil and Military Architecture of the Antients, their Temples, Machines, Engines of War, Painting, &c.

3 Volumes (complete set). London, Printed for J. and F. Rivington, 1768. Octavo. Volume I: [12], 374 pages with 12 plates (as called for) / Volume II: [4], 360 pages with 40 plates (as called for) [pages 71 – 74 and the two plates these two pages are holding, loosely inserted], [Plate on page 104 loosely inserted] / Volume III: [4], 516 pages including a thorough Index. Hardcover / Original 18th century full leather with gilt lettering and ornament to spines of all three Volumes. All Volumes in very good condition with only minor signs of wear. All Volumes firm and all plates complete and in really excellent condition and strong imprints. All plates folded beautifully without tears ! From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown. Rare in this complete and excellent condition. It is common to find this work with plates missing which makes this complete set extremely scarce.

218. Puget de la Serre, Jean.

L’Entretien des Bons Esprits sur les Vanitez du Monde.

Paris, Chez Mathurin Henault, Nicolas de la Vigne et Nicolas de la Coste, 1631. 12 cm x 16.5 cm. Frontispice, (6), 569 pages including a further 3 engravings (4 engravings including Frontispice). / Edition Originale, illustrée d’un frontispice gravé représentant la mort couronnée plus 3 gravures à représentations des Vanitez du Monde. Original Hardcover / Reliure d’époque de veau moucheté, dos à nerfs, caissons ornés, pièce de titre de maroquin marron, tranches rouges. Bon etat. Très rare ! / Minor repairs (professional) to the titlepage and only very minor lesion to some of the illustrations and some pages.

219. Porter Jr., LCDR William Hamilton / [Howard Chandler Christy].

Archive of Naval Captain, Lieutenant commander [LCDR] William Hamilton Porter Jr.‘s Love Letters to his wife Amy Manning Porter and letters to his mother Barbara Hamilton Porter, from his service during and after graduating from United States Naval Academy Annapolis MD, 1914. The Collection includes not only the Yearbook of the Brigade of Midshipmen, called “Lucky Bag”, signed with nearly all Graduates and with numerous amazing photographic illustrations of sports like American Football, Lacrosse, early photographs of Basketball and Baseball – Teams, images of visits to Ireland etc., but the collection includes nearly 50 manuscript letters by LCDR Porter from the USS Alden, USS Columbia, writing back home to his wife Amy between 1916 and 1920, reflecting his first tour of duty and sending letters from Constantinople, Smyrna, Venice, Dalmatia, Split, Naples, Samsoun, etc. The collection is full of reports of life on ship and upcoming tours to Naples, Genoa and Villefranche, relationship to the captain, Porter’s view on politics etc. Telegram about “USS Alden and two Destroyers of the 26th Division to be designated by USADRA proceed to Manila”. / Fantastic archive of an Annapolis Graduate with amazing artwork by Howard Chandler Christy in the “Lucky Bag” and a collection of letters in all its complete scarcity of completeness. The collection also includes the original letter of “Washington Granite Monumental” to Porter’s wife upon Porter’s burial at Arlington National Cemetery (he died in 1937).

Baltimore (Maryland) / Annapolis / USS Alden etc., 1916-1920. Octavo. Lucky Bag [Vol. XXI [Volume 21] of the Annual of the Brigade of Midshipmen at Annapolis / Two Ringfolders with original letters, telegrams and some photographs. Excellent condition with some minor signs of wear only. Check out a large collection of high quality photographs on our website, depicting Baseball, Crew Rwoing, Handball, Basketball and Baseball at the Academy in Annapolis. Rare collection with the wonderful original signatures of nearly all Graduates who served with LCDR Porter.

220. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

221. One of the most beautiful works of 18th century Illustrated Italian History – Bartoli, Pietro Santi / Giacomo de Rossi / [Trajan – Caesar Nerva Trajanus].

Colonna Traiana [The rare 18th-century Folio-Edition on Trajan’s Column, in which, atypically, all Oblong-Folio-Planches have a centerfold and which includes the often missing, large 1,1 meter – foldout-plan of Trajan’s Column] – Colonna Traiana Eretta Dal Senato, E Popolo Romano All’Imperatore Traiano Augusto Nel Suo Foro In Roma. Scolpita Con L’Historie Della Guerra Dacica La Prima E La Seconda Espeditione, E Vittoria Contro Il Re Decebalo. Nuovamente Disegnata, Et Intagliata Da Pietro Santi Bartoli. Con L’Espositione Latina D’Alfonso Ciaccone, Compendiata Nella Vulgare Lingua Sotto Ciascuna Immagine, Accresciuta Di Medaglie, Inscrittioni, E Trofei, Da Gio. Pietro Bellori. Con diligente cura, e spesa ridotta à perfettione, e data in luce da Gio. Giacomo de Rossi dalle sue stampe, in Roma, alla Pace con Privilegio del S. Pontefice.

Roma, [Giacomo de Rossi] alla Pace con Privilegio del S. Pontefice, [1751]. Folio: (26.5 cm wide x 37 cm high). All planches usually in Oblong-Folio are center-folded in this version, allowing it to be bound in Folio. Pagination: 9 unnumbered plates, [including titlepage, engraved dedication to Louis XIV, and also the large Trajan-Foldout, measuring 110 cm x 36 cm)], followed by 119 plates folded into 238 plates, [while our copy is lacking the 14 pages with Alphonso Ciacono’s “Historia Utriusque Belli Dacici A Trajano Cæsare” and Index and Colophon at the end of the Volume, this flaw is rather unimportant because this Volume is all about the masterful art of over 125 engravings and the powerful Homage by Pietro Santi Bartoli to Trajan, Rome’s “Optimus Princeps”]. Fully restored Folio in dark green Morocco, bound to 18th century – style by an english master-bindery. Unusually excellent condition with the tiniest of wormhole-damage to the Dedication pages. The plates all in exceptional condition. The large Column-Plate spellbinding.

222. Milner, Rev. [Bishop John Milner] / [Charles Heath] / [Henry Marten].

Sammelband with several publications bound in one Volume: 1. Rev. Milner – An Historical and Critical Account of Winchester Cathedral with an Engraved View and Ichnographical Plan of that Fabric. Extracted from the Rev. Mr.Milner’s History and and Antiquities of Winchester to which is added “A Review of its Modern Monuments” (Winchester, 1801 / 148 pages) / 2. Heath, Charles – The Excursion Down the Wye from Ross to Monmouth; Comprehending Historical and Descriptive Accounts of Wilton and Goodrich Castles; Also of Court Field, The Nursery of King Henry The Fifth; New Wear, with Every other Object in the Voyage. The Celebrated Family of Swift, who resided at Goodrich, are not overlooked: and, throughout the whole are Interspersed, A Variety of Amusing and Interesting Circumstances, Never Before collected: Particularly Memoirs and Anecdotes of the Life of John Kyrle, Esq. Rendered Immortal by the Muse of Pope, under the Character of “The Man of Ross”. By Charles Heath, Printer, Monmouth. Being Part the First of this Work, – which will include the Whole of the Voyage from Ross to Chepstow. Part II will contain Monmouth. Part III from thence to the Junction of the Wye with Severn. Pointing out every interesting Object in the Course of this much-admired Excursion. (London, 1799 / 246 unnumbered pages with mentioning on the last page of this section: “End of First Part” [This information seems to be the same in all versions of this book in international libraries and it is possible that Parts II and III were not published as advertised on the titlepage but in a different way]) / 3. Henry Marten – Monmouthshire [has its own titlepage but can very well be Part II and III of the previous Volume] – “Monmouthire – Historical and Descriptive Accounts of the Ancient and Present State of Chepstow Castle – Including Persfield, with the various Views in those pleasurable Regions – Also, Notices of Caerwent, An Ancient Roman Station; Moyne’s Court, Matherne, and St. Pierre – The Old and New Passages, on both sides of the Water – The Roads to Bristol and Gloucester; and a Variety of other interesting particulars deserving the Stranger’s Notice. Interspersed with curious Biographical Anecdotes relating to the Life of Henry Marten, one of the Judges of King Charles I. confined twenty years in this Castle. Collected from original Papers and unquestionable Authorities by Charles Heath, Printer, Monmouth (c.1802) //

Winchester / London, Ja. Robbins, Charles Heath, 1801 – 1802. Octavo. Pagination of the Sammelband: First Book: Rev.John Milner – Account of Winchester Cathedral Part: Frontispiece of “North West View of the Cathedral), [2], Fold-out-plan of “Ichnography of the Cathedral Church”, 148 pages / Second Book: Charles Heath: “The Excursion Down the Wye…etc.” – First Part: 246 unnumbered pages / Second / [and possibly Third] Part: 188 unnumbered pages. Hardcover / Original, decorative half-leather of the early 19th century with original spinelabel, restored and with new endpapers and new marbled paper-covers on original boards. In protective Mylar. One page with a minor cut (without text-loss). Otherwise in very good condition with some signs of external wear. This very rare work originates from the wonderful Meade – Collection in Ballymartle (near Kinsale, West Cork), with the name of one of the Meade – family-members written on the titlepage and the bookplate / Exlibris of Richard Meade to the original endpaper.

223. [Henry, David / Power, Francis / Carnan, Thomas / Sir Christopher Wren] Anonymous.

An Historical account of the Curiosities of London and Westminster, In Three Parts. Part I. Contains a full description of the Tower of London, and every thing curious in and belonging to it. Part II. Contains The History of Westminster-Abbey, from its foundation to the present time ; with its Antiquities, Tombs, and Inscriptions. Part III. Treats of the Old Cathedral of St. Paul’s and the new ; together with a full account of the Monument, London-Stone, the City-wall, Gates, and other Antique [Roman] remains.

With three separate titlepages. London, Printed for Francis Power and Thomas Carnan, 1785 – 1789. Small Octavo (11,5 cm x 17 cm). Part I: IV, 64 pages / Part II: IV, 139 pages plus 5 pages of a thorough Index / Part III: IV, 56 pages. Hardcover / Original half-vellum with marbled paper-covered boards. Binding with some minor signs of wear. Binding and spine firm. Overall in very good condition with only minor signs of external wear. Name of preowner Mary Gray written in ink on titlepages.

224. Heininger, C.P. (Publisher).

Historical Souvenir of San Francisco, California – with Views of Prominent Buildings, the Bay Islands, Stock Exchange etc. [Two Binding – Variations of the Fantastic original Tourist – Panorama of San Francisco / 12 years before the earthquake destroyed most of the buildings displayed in this Leporello / The Souvenir shows also a remarkable Birds Eye View of San Francisco ].

2 volumes ( 2 different editions of the same publications.) San Francisco, C.P. Heininger, 1889 / (ca.1898). 14.5 cm x 19 cm. 44 pages with illustrations (including bird’s eye view of San Francisco), 60-page-booklet with descriptions tipped into rear of the Leporello (the booklet cleanly detached but complete). Original, beautifully illustrated Hardcover Leporello / Accordion / Concertina – tourist publication with blindstamped emblemata “Eureka” to the rear board. Excellent condition with only minor signs of external wear for the later edition. The Leporellos both in unusually, excellent condition. No fraying to the folds of the Leporellos. Binding of the 1889 edition is poorer, The Leporello and the booklet of this version are completely detached. A few tears and damages between the folds. Both interior of booklets are very clean. Overall very good condition and all illustrations are superfresh! Extremely scarce.

225. Harvard Professors.

Collection of four vintage cabinet photographs of Harvard University Professors (19th century). The collection includes: Francis Brown (Professor of Philosophy) / [William Watson] Goodwin – (Professor of Greek) / Charles Franklin Dunbar – (Professor of Political Economy) / James Bradstreet Greenaugh – (Professor of Latin).

Cambridge (Mass.), Pach Brothers, c.1880. 10.5 cm x 16.5 cm (4.25” x 6.5”). Four cabinet photographs. Original Hardcover. Very good condition with only minor signs of external wear.

226. [Gloucester Cathedral] – Waller, Frederick S.

Gloucester Cathedral – Notes and Sketches by Frederick S.Waller.

Gloucester, John Bellows, 1890. Quarto (22 cm wide x 28 cm high). 14 pages text and six (6) full-page Lithographs, illustrating the Cathedral in detail and also including the wonderful Lithograph of a Birdseye-sketch of the Cathedral’s appearance as Norman Remains. Illustrated Softcover with lithographed wrappers. Very good condition with only minor signs of wear. An extremely rare publication on excellent paper and the plates in wonderful detail and condition. This is not the usual tourist pamphlet but a thorough architectural study of great importance for the History of this Abbey.

227. Gaugain, Mrs. [Jane].

The Lady’s Assistant in Knitting, Netting, And Crochet Work; With an Appendix Containing Directions and Remarks for Working in Embroidery or Worsted Work, Raised Cut Work, Tatting, &c. Illustrated by upward of forty coloured Patterns. Volume II.

Original Edition. Edinburgh / London, Published by I.L.Gaugain and Ackermann & Co., 1843. Oblong Octavo (17 cm x 10,8 cm). Titlepage, 8 handcoloured plates with 46 single illustrations of patterns, instructive hand-movements etc. by the author Jane Gaugain, Dedication-page by Jane Gaugain to Lady Henrietta Fergusson, 422 pages with peface, Index of Signs and 185 instructions. Hardcover / Original publisher’s cloth with gilt lettering on boards. Binding firm with endpaper slightly detached but the whole book overall in very good condition with only minor signs of wear. All plates present with beautiful, original 19th century hand-colouring.

228. Garton, Robin.

British Printmakers – 1855-1955. A Century of Printmaking from the Etching Revival to St Ives.

Special Collector’s Edition / Limited to 25 copies with Suite/3 prints. Devizes, Garton & Co, 1992. 26 cm x 32.5 cm. 326 pages. 585 illustrations. Hardcover / Publisher’s original quarter-leather with green buckram boards and raised bands. Gilt lettering on spine. Top edge gilt. With original green-cloth slipcase. Including the additional folio-suite of 3 prints: 1. ‘Nude with Pillow’ woodcut by John Nash / 2. ‘Abstract Flower Design’ by Enid Marx / 3. ‘Old Tree’ by Reynolds Stone. Near fine condition. Very rare edition of a stunning volume, excellently presented.

229. Clergue, Lucien.

Footprints of the Gods. With a Foreword by Lucien Clergue: “Twelve Years at Point Lobos” / With an Essay by Jim Hughes titled: “Sign of Life and Death”.

First US Edition. Boca Raton [Florida], Iris Publications, 1989. Small Folio (23 cm x 30.5 cm). 96 pages with spectacular photographs on 55 color plates throughout. Original softcover. This colour-photographic treatise is devoted entirely to the topography of Point Lobos, California, the beach made famous by Edward Weston, decades earlier. With an introduction by Jim Hughes. A very good copy in publisher’s illustrated wrappers. Spine slightly starting. Inscribed and signed by Lucien Clergue to the great American gallerist, Leo Castelli: “Pour Leo Castelli, son admirateur arlesien, avec l’hommage de Lucien Clergue – Arles, I/VII/89”. A wonderful association, additionally enriched by an artist-postcard of Lucien Clergue’s “Point Lobos” – Photograph, with a personal message to Leo Castelli by someone called “Ames” (?).

230. [Chiari, Giovanni] Vascellini, Gaetano.

Statue di Firenze [incluso: “Catalogo delle Statue del R. Giardino di Boboli colla Notizia dei Loro Autori”, “Catalogo delle Statue nel R. Palazzo de Pitti”, Catalogo delle Statue colla Notizia dei Loro Autori ec.” ec.]

Tres Parti (complete) [Tutto dichiarato come prima parte]. Firenze, Presso Giuseppe Volpini Cartolaro, no year [c. 1765]. Octavo. Collation complete. Pagination: Part I (Primo): Frontispiece copper-engraving with Florence in the background, 8 pages of text with introduction by Giovanni Chiari and the catalogue of statues in Boboli Garden, 25 plates each with 4 copper-engravings of Statues in Boboli Garden. Part II (Seconda): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues in Palazzo Pitti, 41 plates each with 4 copper-engravings of Statues in Pitti Palace. Part III (Terza): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues [″Catalogo delle Statue colla Notizia del Loro Autori ec. (incl. Michelangelo Buonarotti, Donatello etc.). Hardcover / Original bookblock rebound by Bayntun in Bath in a subtle and charming modern cloth with gilt lettering on new spine-label. Original endpapers preserved. Exceptional condition of this rare 18th century publication with only very faint signs of foxing. Provenance: Richard Meade, Ballymartle (with the Meade Family – crest as library stamp).

231. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

232. [Building News].

The Building News and Engineering Journal – Six Volumes bound in Five – With c. 600 original, stunning Lithographs of Architectural Buildings and Designs [Volume XIV (which is the complete Year 1867, January to December, but erroneously says 1868 on spine) / Volume XXII and Volume XXIII (which is the complete Year 1872, January to December) PLUS: Three Volumes with hundreds of plates / illustrations for the years 1873, 1877 and 1878. Being the very rare Illustrations / Plates – Volumes only (no text) for 1873: Volume The Twenty-Fourth / Volume Twenty-Fifth and 1877: Volume The Thirty-Second / Volume The Thirty-Third and 1878: Volume The Thirty-Fourth and Volume The Thirty-Fifth.

London, Office for Publication and Advertisements, 1868 / 1872 / 1873 / 1877 / 1878. (23 cm x 32.5 cm). All Five Volumes together contain c. 600 stunning lithographs / plates of which c. 180 are large, double-page-plates. [c. 60 plates missing or defect.] Original Hardcover / Original half leather with gilt lettering to spine. Overall very firm and in very good condition of the five volumes with occasional pages missing or some illustrations torn (see detailed descriptions of pagination). The 1873 Volume excellent. The Volumes 1877 and 1878 with some stronger fraying and dampstain-damage to the corners (Illustrations NOT effected). The price for these 5 heavy Volumes includes international free UPS Express shipping.

233. Britton, John.

The Architectural Antiquities of Great Britain Represented and Illustrated in a Series of Views, Elevations, Plans, Sections and Details, of [Various] Ancient English Edifices: With historical and descriptive accounts of Each. [Including the rare Volume V: “Chronological History and Graphic Illustrations of Christian Architecture in England – Embracing “A Critical Inquiry into the Rise, Progress and Perfection of this Species of Architecture; Also Eighty-six Plates of Plans, Sections, Elevations and Views with Historical and Descriptive Accounts of each Edifice and Subject; an Alphabetical List of Architects of the Middle Ages and Chronological Lists of Ancient Churches, Sepulchral Monuments, Pulpits, Fonts, Stone Crosses, etc. – A Dictionary of Architectural Terms and copious Indexes].

First Edition. Five Volumes [complete set]. London, Printed for Longman, Hurst, Rees and Orme; J.Taylor, Architectural Library and the Author, 1807 – 1835. Quarto (24 cm x 30 cm). Complete with 278 plates. Original Hardcover (Volume I professionally rebound, Volumes 2, 3, 4 and 5, professionally repaired. All Volumes in protective Mylar. Very good condition with only minor signs of wear. Only very few plates with faded dampstain to outer margins. An extraordinary set of architectural scenery in high-quality engravings.

234. Bielfeld, Baron [Jakob Friedrich von] / W[illiam] Hooper.

The Elements of Universal Erudition – Containing An Analytical Abridgment of the Sciences, Polite Arts, and Belles Lettres. Translated from the last Edition printed at Berlin by W[illiam] Hooper. [With the printed Dedication “To His Royal Highness, George, Prince of Wales”].

Three Volumes (complete set). London, Printed by G.Scott for J.Robson Bookseller in New-Bond Street and B. Law in Ave-Mary Lane, 1770. Octavo. Volume I: XV, 445 pages / Volume II: II, 433 pages plus two pages of an advertising of Books printed for J.Robson plus a large Fold-out- Illustration of musical scores / Volume III: II, 444 pages. Hardcover / Original 18th century full-leather with original spine-labels and gilt elemnts on spine. Very good condition with only minor signs of wear. From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown.

235. Thomas More – [More, Thomas]. (1478 – 1535).

Portrait of Sir Thomas More.

Original Engraving. [no year, c.1870]. Plate Size: 9.5 cm x 15 cm. Sheet Size: 13.5 cm x 21 cm. In very good condition with only minor traces of browning mostly to outer margins.

236. [Sutherland, Graham].

Collection of three Portraits of Graham Vivian Sutherland at work in the Tate Gallery, while working on the Mural which he was doing for the “Festival of Britain” and a personal study of Sutherland seated.

Vintage Photographs. [London], c. 1951. All three images framed: 29.7 cm x 36 cm and smaller. Excellent conditions, mounted and framed. The price for these three framed photographs includes international free shipping per UPS Courier.

237. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

238. Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

239. Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

240. Maskerade / Ceremony of Dutch Students – Bos, Gerardus Johannes (1825 – 1898).

Maskerade gehouden door de leden van het Leidsche Studenten – Corps den 24sten Juni 1890, ter viering van den 315ste Verjaardag der Leidsche Hoogeschool, Voorstellende De intocht van Karel V binnen Nijmegen in 1546.

Original Lithographs. Leiden, P.Somerwil, 1890. Each Lithograph measures 36 cm wide x 25 cm high. Excellent condition. Lacks the title-page-sheet but all the 27 beautiful, coloured lithographic plates are complete.

241. Marc, Franz. (1880-1916)

“Reh im Blumengarten”.

Original Art-Print from the 1960s or 1970s, reframed from its original Frame with the original back of the old frame stating “Kunsthandlung O. Hofstätter”. Germany, c.1970. Print-Size: 36 cm wide x 32 cm high. Framed: 51 cm x 51 cm. Excellent condition. High Quality Artprint of the late 1960s or early 1970s. Franz Marc’s Masterpiece in a beautiful modern frame. The price includes international free shipping per UPS Courier.

242. [County Kerry / Original Artwork of Lakes of Killarney] – Newman, John.

View of Muckross Lake from Brickeen Bridge. [Torc Lake, a name commonly used for Muckross Lake or Middle Lake due to the nearby Torc Mountain / Killarney].

Original chalk lithograph mounted on carton / stiff paper. [London], [J.Newman & Co.], c.1850. 32,5 cm x 24 cm. Closely cropped but in very good condition with only mild signs of foxing.

243. Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

244. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. “Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

245. Palmer, Brooke.

“Solstice Seasons” – A Quadriptych of Passage: A Composition of four seasonal Artpieces which transport the viewer to four of the world’s most magical Places of Ritual and Ceremony: I. “Spring at Newgrange” / II. “Summer at Stonehenge” / III. “Autumn at Iniskim Umaapi” / IV. “Winter at Drombeg”.

Four Paintings / Acrylic on circular Birch Wood Panels / Epoxy resined. Toronto, 2023/2024. Dimensions of each Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel).

246. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

247. Crane, Walter.

Bookmark “April” – Designed by Walter Crane for the Scottish Widows’ Fund in the “Bonus Year 1913”.

Original Lithographed Bookmark. [London], Scottish Widows Fund / Mutual Life Assurance Society, 1913. 6 cm wide x 15,5 cm high. Slightly creased but complete and not torn.

248. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

249. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

250. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

251. Skinner, David.

Wallpaper in Ireland 1700 – 1900.

Tralee, Churchill House Press, 2014. Quarto (25 cm 216 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Unusually excellent, as new condition. A fantastic, extremly important and now very (very) rare publication.

252. Adams, Maurice B.

Modern Cottage Architecture – Illustrated from Works of Well-Known Architects. Selected and Described by Maurice B. Adams.

Second Edition – Revised and Enlarged. London, B.T.Batsford, (1912). Quarto (19.2 cm wide x 27 cm high). XII, 81 pages Text plus LXXXIII plates and 4 unnumbered pages oof advertising. Original Hardcover. POOR condition of the binding. Last two pages detached. Bookblock firm and all illustrations in excellent condition. Excellent publication with architectural building-plans of english cottages at the turn of the 19th to the 20th century.

253. [Ravilious, Eric].

The Wood Engravings of Eric Ravilious.

Second Issue. [Number II 83 (of circa 500 copies)]. The Curwen Press, 1972. Tall Folio (31 cm wide x 43 cm high) Pagination: 113 leaves showing more than 400 of Ravilious’ engravings. Original Hardcover. Cloth-cover (not the spine itself / see image) at spine very slightly cracked. Overall firm and very good condition. Interior excellent !

254. [Wright, Frank Lloyd] Kaufmann jr., Edgar.

9 Commentaries on Frank Lloyd Wright.

New York, The Architectural History Foundation / The MIT Press, 1989. Small Quarto (22 cm wide x 23.5 cm high). 158 pages / Illustrated throughout. Original Hardcover (no dustjacket). Excellent condition.

255. Mulligan, Kevin V.

BALLYFIN – The Restoration of an Irish House & Demesne.

Tralee, Churchill House Press, 2011. Folio (25 cm wide x 31 cm high). 240 pages with illustrations throughout. Original Hardcover with illustrated dustjacket. Excellent, firm condition with only minor signs of wear.

256. Chearnley, Samuel / (Edited by William Laffan).

Miscelanea Structura Curiosa.

Tralee, Churchill House Press, 2005. Quarto. 180 pages, with illustrations throughout. Original Hardcover with illustrated dustjacket. Dustjacket slightly stained, otherwise in very good condition with only minor signs of wear.

257. King, Linda / Sisson, Elaine.

Ireland, Design and Visual Culture: Negotiating Modernity, 1922-1992. Edited by Linda King and Elaine Sassoon.

First Edition. Cork, Cork University Press / School of Creative Arts IADT, 2011. Octavo (17 cm wide x 24 cm high). 312 pages. Illustrated throughout. Original Hardcover with illustrated dustjacket. Unusually excellent, as new condition with only minor signs of wear. One of the most remarkable and one of the rarest books on Irish Design and Visual Culture.

258. Summerson, John.

Architecture in Britain 1530-1830 (Pelican History of Art).

London, Penguin Books, 1953. 18.4 cm x 26.4 cm. XVIII, 373 pages. Illustrated with black and white plates. Original Hardcover. Very good+ condition with only minor signs of external wear. With only minor foxing to edges, front pages and endpaper. Pages slightly tanned. Rear endpaper separated from book block. Gilt lettering to spine and emblem on front cover. Binding strong.

259. Singelenberg, Pieter/ Several authors.

Nederlandse Architectuur. Volume I: 1856-1934 Berlage (Haags Gemeentemuseum 30/8 – 16/11 1975), Volume II: 1880-1930 Americana (Rijksmuseum Kröller-Müller), Volume III: 1893-1918 Architectura (Architectuur Museum Amsterdam 5/9 – 16/11 1975), Volume IV: 1910-1930 Amsterdamse School (Stedelijk Museum Amsterdam 13/9 – 9/11 1975).

Set of 4 volumes. Amsterdam, van Gennep, 1975. 27,5 cm x 21 cm. Volume I: 96 pagina’s / pages, Volume II: 112 pagina’s / pages, Volume III: 112 pagina’s / pages, Volume IV: 112 pagina’s / pages. Met talrijke illustraties in zwart-wit / With many black-and-white illustrations throughout catalogs. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.