321. Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

322. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. “Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

323. Palmer, Brooke.

“Solstice Seasons” – A Quadriptych of Passage: A Composition of four seasonal Artpieces which transport the viewer to four of the world’s most magical Places of Ritual and Ceremony: I. “Spring at Newgrange” / II. “Summer at Stonehenge” / III. “Autumn at Iniskim Umaapi” / IV. “Winter at Drombeg”.

Four Paintings / Acrylic on circular Birch Wood Panels / Epoxy resined. Toronto, 2023/2024. Dimensions of each Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel).

324. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

325. Crane, Walter.

Bookmark “April” – Designed by Walter Crane for the Scottish Widows’ Fund in the “Bonus Year 1913”.

Original Lithographed Bookmark. [London], Scottish Widows Fund / Mutual Life Assurance Society, 1913. 6 cm wide x 15,5 cm high. Slightly creased but complete and not torn.

326. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

327. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

328. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

329. Calder, Alexander.

Three Young Rats And Other Rhymes – Drawings by Alexander Calder. Edited with Introduction by James Johnson Sweeney.

One of 3000 copies of the second edition (MOMA 1946). New York, The Museum of Modern Art, 1946. Quarto (24.5 cm wide x 31.5 cm high). XVIII, (1), 130, (4) pages with illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. The jacket slightly frayed but now protected in Mylar. Overall the volume in a very good condition with only minor signs of wear.

330. [Calder, Alexander].

“Calder – Autobiographie”.

Paris, Maeght Éditeur, 1972. Quarto. 209 pages / Illustrated. Reliure originale / Original, illustrated Hardcover. Extremely rare, as new condition in original shrinkwrap from the publisher (Unopened !!!).

331. Mulligan, Kevin V.

BALLYFIN – The Restoration of an Irish House & Demesne.

Tralee, Churchill House Press, 2011. Folio (25 cm wide x 31 cm high). 240 pages with illustrations throughout. Original Hardcover with illustrated dustjacket. Excellent, firm condition with only minor signs of wear.

332. Chearnley, Samuel / (Edited by William Laffan).

Miscelanea Structura Curiosa.

Tralee, Churchill House Press, 2005. Quarto. 180 pages, with illustrations throughout. Original Hardcover with illustrated dustjacket. Dustjacket slightly stained, otherwise in very good condition with only minor signs of wear.

333. King, Linda / Sisson, Elaine.

Ireland, Design and Visual Culture: Negotiating Modernity, 1922-1992. Edited by Linda King and Elaine Sassoon.

First Edition. Cork, Cork University Press / School of Creative Arts IADT, 2011. Octavo (17 cm wide x 24 cm high). 312 pages. Illustrated throughout. Original Hardcover with illustrated dustjacket. Unusually excellent, as new condition with only minor signs of wear. One of the most remarkable and one of the rarest books on Irish Design and Visual Culture.

334. Summerson, John.

Architecture in Britain 1530-1830 (Pelican History of Art).

London, Penguin Books, 1953. 18.4 cm x 26.4 cm. XVIII, 373 pages. Illustrated with black and white plates. Original Hardcover. Very good+ condition with only minor signs of external wear. With only minor foxing to edges, front pages and endpaper. Pages slightly tanned. Rear endpaper separated from book block. Gilt lettering to spine and emblem on front cover. Binding strong.