301. [Calder, Alexander].

“Calder – Autobiographie”.

Paris, Maeght Éditeur, 1972. Quarto. 209 pages / Illustrated. Reliure originale / Original, illustrated Hardcover. Extremely rare, as new condition in original shrinkwrap from the publisher (Unopened !!!).

302. Finkelpearl, Tom.

Dialogues in Public Art. Interviews with Vito Acconci, John Ahearn, David Avalos… (et al.).

Cambridge (Mass.)/London, M.I.T. Press, 2000. Small Quarto (19 cm wide x 23.5 cm high). 453 pages / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear.

303. [Ireland, Patrick / Brian O’Doherty,] Lippard, Lucy R.

Patrick Ireland – Drawings 1965-1985.

Washington, D.C., Published for the National Museum of American Art by the Smithsonian Institution Press, 1986. Quarto (23 cm wide x 23 cm high). 63 pages / With illustrations (some color). Softcover. Very good condition with only minor signs of wear.

304. Quiney, Anthony.

Period Houses – A guide to authentic architectural features.

London, Philip, 1989. Octavo (19.5 cm wide x 27 cm high). 191 Spages / Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear.

305. Lenihan, Liam.

The writings of James Barry and the Genre of History Painting, 1775-1809.

Farnham/Burlington, VT, Ashgate, 2014. Octavo (16.2 cm wide x 24 cm high). XII, 206 pags / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Inscribed and signed by Liam Lenihan.

306. Gorham, Maurice.

Ireland from Old Photographs.

London, Batsford, 1979. Quarto (18.7 cm x 24.7 cm). 156 unnumbered pages with 206 stunning, historical photographs of 19th century Ireland. Illustrated Softcover. Excellent condition with only minor signs of wear. Small personal inscription (not by the author).

307. Payne, A.H.

“The Builder’s Practical Director” or “Building for All Classes Containing Plans, Sections and Elevations for the Erection of Cottages, Villas, Farm Buildings, Dispensaries, Public Schools &c. With Detailed Estimates, Quantities, Prices &c. Illustrated By Numerous Plates and Diagrams – [Bound with: “The Builder’s Practical Director – “Supplementary Series”] – [With stunning designs of Houses, Stucko and Plasterer-Work as well as unusual illustrations like “Bridge of One Span of 100 Feet over the Mohawk River near the City of Rome (USA)”]. [With 192 Plates in total including Supplement].

First Edition. Two Volumes in One [Complete with the rare Supplement]. Leipzig and Dresden / London, A.H.Payne, no year (c.1855). Quarto (23 cm wide x 28 cm high). Volume I: Frontispiece, Illustrated Titlepage, 264, (2) pages plus 132 Lithographic plates (many in multi-colour) / Volume II: “Supplement” – 126 pages plus an additional 60 Plates. Hardcover / Original, very decorative half-leather-binding with gilt lettering and ornament on spine. Very good condition with only minor signs of wear. Some signs of foxing.

308. Posner, Richard.

Intervention and Alchemy: A Public Art Primer. [Signed by Richard Posner on the Titlepage].

Minnesota, First Bank System, 1990. 21.5cm x 16.5cm. With illustrations and photographs. Original Hardcover. Very good condition with only minor signs of external wear.

309. [Pardington, Fiona/ MacLean, Alison/ Hunter, Alexis/ Morison, Julia/ Webster, Christine/ Reihana, Lisa/ Darragh, Judy/ Tweedie, Merylyn etc.]

Pleasures and Dangers. Artists of the ‘90s. Edited by Trish Clark and Wystan Curnow.

New Zealand, Longman Paul, 1991. 27cm x 21.5cm. 173 pages. Original illustrated softcover. Excellent condition with only minor signs of external wear. Name of preowner opposite titlepage.

310. Hockney, David.

“David Hockney” by David Hockney. Introductory Essay by Henry Geldzahler.

Second Edition. London, Thames and Hudson, 1980. 22cm x 27.5cm. 312 pages with 434 illustrations, including 60 plates in full colour. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only very minor signs of external wear.

311. [Dou, Gerard] Martin, W.

Gerard Dou. Translated from the Dutch by Clara Bell.

London, George Bell and Sons, 1902. 13 cm x 20 cm. XII, 152 pages. Several black and white plates throughout. Original Hardcover in protective collector’s Mylar. Good condition with only minor signs of external wear. Endpapers and pastedowns markedly discoloured with signs of an old dampstain and some tanning of first and last few pages. A little colour staining between cover and endpaper. Internal pages and plates in good condition. Some foxing throughout. Rare. [Bell’s Handbooks of the Great Masters in Painting & Sculpture. Edited by G.C. Williamson, Litt.D.]

312. McIntyre, Peter.

Peter McIntyre’s New Zealand.

6th edition. Wellington Auckland Sydney, A.H. and A.W. Reed, 1969. 29.5cm x 35cm. 124 pages including 56 stunning colour Plates. Original Hardcover [without the original dustjacket]. The book in excellent condition with only minor signs of wear. What a wonderful publication.

313. Rauschenberg, Robert.

Stedelijk Museum Amsterdam 23 februari – 7 april 1968.

Catalogus nr.433. Amsterdam, Stedelijk Museum, 1968. 27,5 cm x 21 cm. 72 pagina’s / pages. Met talrijke illustraties in kleur en zwart-wit / With many black-and-white and colour illustrations throughout book. Original Softcover. In zeer goede staat met slechts weinig sporen van slijtage / Very good condition with only minor signs of external wear.

314. Singelenberg, Pieter/ Several authors.

Nederlandse Architectuur. Volume I: 1856-1934 Berlage (Haags Gemeentemuseum 30/8 – 16/11 1975), Volume II: 1880-1930 Americana (Rijksmuseum Kröller-Müller), Volume III: 1893-1918 Architectura (Architectuur Museum Amsterdam 5/9 – 16/11 1975), Volume IV: 1910-1930 Amsterdamse School (Stedelijk Museum Amsterdam 13/9 – 9/11 1975).

Set of 4 volumes. Amsterdam, van Gennep, 1975. 27,5 cm x 21 cm. Volume I: 96 pagina’s / pages, Volume II: 112 pagina’s / pages, Volume III: 112 pagina’s / pages, Volume IV: 112 pagina’s / pages. Met talrijke illustraties in zwart-wit / With many black-and-white illustrations throughout catalogs. Illustrated Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

315. [Premsela, Benno] Berg, Len van den / Brand, Jan / Broeksma, Friso / Ex, Sjarel / Waals, Tessa van der (Editors).

Benno Premsela. Een vlucht naar voren.

Utrecht, Centraal Museum Utrecht, 1996. 34 cm x 25 cm. 35 pagina’s / pages. Met talrijke illustraties in kleur en zwart-wit / With many black-and-white and colour illustrations throughout the book. Original Hardcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage. Signed, rare! / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear. Signiert!

316. Peintner, Max.

Ewigkeit im Tagbau [″Eternity in the Open Pit” / An Artists Monograph on the impact of Industry to everyday Life and City and Landscape].

Linz, Neue Texte, 1977. 24,5 cm x 28,5 cm. 95 seiten. Mit zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen. Original Hardcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren. Mit handschriftlicher Widmung des Autors / signiert.

317. [Soutter, Louis] Kutter, Irène / Turske, Veith (Redaktion).

Louis Soutter. Werke von 1923 bis 1942. Eröffnungsaustellung der M. Knoedler Zürich AG. 27. November 1981 bis 23. Januar 1982.

Bilingualedition: German / English. Zürich, M. Knoedler Zürich AG, 1981. 23,5 cm x 22,5 cm. 268 Seiten. Mit 79 Illustrationen [268 pages with 79 Illustrations]. Original Softcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren / Excellent condition with only very minor signs of wear.

318. Angelini, Luigi.

La Famiglia Bergamasca dei Manni Marmorari Intarsiatori. Estratto de “La Rivista di Bergamo” – Ottobre – Novembre 1960.

Bergamo, Stamperia Conti, 1960. 30,5 x 23,5 cm. 22 pages. With many black-and-white illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear. Written inscription by previous owner.

319. Charry Lara, Fernando.

Nocturnos y Otros Sueños. Prólogo de Vicente Aleixandre. Ilustraciones de Fernando Botero.

Bogotá, El Áncora Editores, 1991. 33,5 cm x 25 cm. 125 pages. With colour illustrations throughout the book. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear. Inscribed / signed by author.

320. Canaletto, Giovanni Antonio.

Sämtliche Radierungen. Mit einer Einleitung von Alfons Uhl.

Nördlingen, Uhl, 1981. 2° [Large Folio]. 2 nn. Blatt, 30 Reproduktionen von Radierungen auf 19 Tafeln / 30 Reproductions in original size. Alle Blatt lose in Originalmappe. / All 30 Reoriductions loosely inserted in original Folder. 2 nn. Blatt, 30 Reproduktionen von Radierungen auf 19 Tafeln. Alle Blatt lose in Originalmappe. Sehr guter Zustand. Großfolio.

321. Suriano, Gregory R.

The British Pre-Raphaelite Illustrators.

Second Edition. USA & UK, Oak knoll Press and The British Library, 2005. 29 x 22 cm. 352 Pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of external wear.

322. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

323. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

324. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

325. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

326. Crane, Walter.

Bookmark “April” – Designed by Walter Crane for the Scottish Widows’ Fund in the “Bonus Year 1913”.

Original Lithographed Bookmark. [London], Scottish Widows Fund / Mutual Life Assurance Society, 1913. 6 cm wide x 15,5 cm high. Slightly creased but complete and not torn.

327. Palmer, Brooke.

“Solstice Seasons” – A Quadriptych of Passage: A Composition of four seasonal Artpieces which transport the viewer to four of the world’s most magical Places of Ritual and Ceremony: I. “Spring at Newgrange” / II. “Summer at Stonehenge” / III. “Autumn at Iniskim Umaapi” / IV. “Winter at Drombeg”.

Four Paintings / Acrylic on circular Birch Wood Panels / Epoxy resined. Toronto, 2023/2024. Dimensions of each Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel).

328. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. “Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

329. Ruskin, John.

Sesame and Lilies: Two Lectures delivered at Manchester in 1864: Of Kings’ Treasuries and Of Queens’ Gardens.

Third edition, with preface. London, Smith, Elder & Co., 1866. 12 x 17.5cm. (23), 196 pages. Original clothbound hardcover with gilt lettering and gilt edges. Spine sunned, minor marks to boards and joint beginning to loosen but otherwise in very good condition. Inscribed with previous owner’s name on half-title page. Stamp on front free endpaper.

330. Jullian, Philippe.

Dreamers of Decadence. Symbolist painters of the 1890’s.

First English Edition. London, Pall Mall Press Limited, 1971. 18cm x 25.5cm. 272 pages with 149 illustrations including 16 in full colour. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. Very rare with dustjacket and in this excellent condition.