Geigy-Hagenbach, Karl.

Album von Handschriften berühmter Persönlichkeiten von Mittelalter bis zur Neuzeit [Album with historical signatures of famous personalities from the Medieaval times until the Modern Period].

Trilingual edition in english, french and german. Basel, Rud. Gering, 1925. 4°. 4 Bl., 206 Seiten. Hardcover / Originales Halbleinen. Sehr guter Zustand mit nur ganz geringen Gebrauchsspuren. Einführung in deutsch, englisch und französisch / Introduction en francaise, anglaise et allemande / Introduction in french, englisch and german. Excellent condition of this rare publication.

Grossman, Henryk / Grossman, Henryk / Meyer, Gerhard.

Originales, hektagrophiertes Typoskript mit Manuskript – Eintraegen und handschriftlichen Ergaenzungen von Henryk Grossmann: “Marx und die Klassische Oekonomie oder Die Lehre vom Kapitalfetisch” – Von Henryk Grossmann signiert und an seinen Exil – Kollegen, den Ökonom Gerhard Meyer gesendet. [Beiliegend: 11-seitige Kritik von Meyer an Grossman’s Arbeit / Meyer (dokumentiert wurde der Erhalt der Kritik mit einem handschriftlichen Vermerk “received July 3, 1937) / Auf dem Typoskript der Kritik befinden sich bereits auf der ersten Seite handschriftliche Anmerkungen z.B. zu Grossmann’s Buch “Akkumulations- und Zusammenbruchsgesetz des kapitalistischen Systems” nimmt] /

[New York], [1937]. A 4. Paginierung: Das Typoskript hat 192 Seiten, die Arbeit von Gerhard Meyer 11 Seiten, ausserdem beiliegende handschriftliche Aufgabenstellung (3 Seiten). Original Softcover. Sehr selten ! Es handelt sich hier wahrscheinlich um einen Vorlaeufer des hektographierten Typoskripts “Marx, die klassische Nationalökonomie und das Problem der Dynamik” (New York: Institut für Sozialforschung, 1941).

Hale, Sir Matthew [William Hayward Roberts / Reverend William Roberts of Worplesdon].

The Primitive Origination of Mankind, considered and examined According to The Light of Nature. [The first ever publication to deal with “Evolution” / With extensive and very interesting, contemporary manuscript annotations by two or three contemporary owners of this book: William Hayward Roberts (English born schoolmaster, poet and biblical critic, cleric and Provost of Eton College), his son, Rev. William Roberts of Worplesdon, fellow and vice-provost of Eton College and one Edward D’Oyly / Bookplate – Exlibris of the “Roberts”-family mounted verso titlepage]. Written by the Honourable Sir Matthew Hale Knight: Late Chief Justice of His Majesties Court of King’s Bench.

First Edition. London, Printed by William Godbid, for William Shrowsbery [sic] [Shrewsbury] at the Sign of the Bible in Duke-Lane, 1677. Large Quarto. Frontispiece-portrait (original copper-engraving of Sir Matthew Hale by dutch print artist Frederick Hendrik Van Hove), [10], 380 pages. Modern Hardcover / Beautiful 20th century quarter-leather-binding with wonderful ornament and gilt lettering on spine. New endpapers and with original Bookplate / Exlibris of the Roberts – family verso the titlepage. With some stunning, extensive contemporary annotations and comments in ink, starting with page 1 and ending with page 355. While the annotations are more intense during the first 180 pages, they get more sparse towards the end. Loosely inserted is also a page of contemporary manuscript-notes reflecting on some of the passages in Hale’s work, outlining some paragraphs on Newton (Astronomy), Navigation (Argo), The Discovery of America etc. Hale’s publication is known to be the first ever publication to deal with “Evolution” [see Garrison-Morton] and the annotations in this superb copy embrace the controversy of the publication by reflecting for example on page 69:″the absurdity of the Hypothesis of the Ancients is refuted, who held that Human Nature had an Origination”. While Hale philosophises on page 76 in his text “That there are in our inferior world divers Bodies, that are concreted out of others, is beyond all dispute. We see it in the Meteors…the insinuations of the Aether and Air….other animals and some Vegetables have a more regular production from Seed as some perfecter sort of Vegetables and the nobler Animals and Men, which seminal Principle is a mixture of the divers particles of Matter and Spirits, derived and elicited from the Plant or Animal.” Our contemporary annotater simply reflects on one paragraph preceding the above with: “Mixed Bodies not eternal”. On page 93 it is reflected n the annotations that “God might have made the world sooner” – “But had he made it Millions of years sooner, it would not have answered his “ultimum posse” [of Almighty God] / Newton is mentioned, Paracelus, Cabalists [Cabbalists], etc. etc. Reflections in the annotations like “The Opinion of Americans with regard to the Being of a God” make this copy an amazing source of dispute, conflict and debate prior to Darwin’s “Origin of Species”. All annotations in a very readable hand. Excellent condition with only the portrait slightly frayed and minor signs of an ink-stain to the outer margins of 10 pages towards the end of the book. This work was beautifully rebound; clearly by a master-bookbinder.

Jasinski, René.

Original Manuscript of Jasinski’s work ‘Molière et le Misanthrope’ together with 4 pages of conclusion to the chapters with annotations and extensive corrections by Jasinski.

[Cambridge, Massachusetts], no year [c.1948-1949] Octavo. 94 pages of manuscript notes and chapters 1, 2 and 4 of the final work with the 4 pages of conclusions in an envelope titled “Professor Rene Jasinski – 25 Little Hall, Cambridge 38 – Massachusetts”. With the dedication page planned and outlined: “A ma soeur Cécile affectueusement – R.J.”. Softcover. The paper brittle and several of the pages held together by paperclips. Some of the pages with tears and stronger signs of fraying. The defining work that secured Jasinski a place at Harvard.

Kuryluk, Ewa.

Century 21 [First edition, with a manuscript postcard from Ewa Kuryluk to Brad Morrow, editor of Conjunctions, laid-in. Signed by Ewa Kuryluk].

Normal, IL, Dalkey Archive Press, 1992. Large Octavo. 340 pages with 24 pages of black-and-white photographic illustrations. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only very minor signs of wear.

Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

[Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

Palmer, Alice Freeman.

Manuscript Letter, signed (MLS) by Alice Freeman Palmer, American educator, President of Wellesley College, Dean of Women at then newly founded University of Chicago and most importantly, Advocate for College Education for Women. The letter, written in Cambridge, Mass. on March 16th, 1899 comes in its original envelope and is a wonderful example for her caring personality not only for women’s education but also for a mother’s anxiety who was worried about her son’s education and who found the courage to write to Alice Freeman Palmer and ask for her help. The six-page-manuscript-letter is addressed to a Mrs. Richmond in Adams, Massachusetts. Alice Freeman Palmer responds to Mrs. Richmond’s worries that her son may not be able to afford a second year at Harvard University. Alice Freeman Palmer writes: “My dear Mrs. Richmond, I have read your letter with the warmest interest and have discussed the possibilities with my husband, who is a Professor in Harvard. He has seen the Dean in confidence and they will do all they can to secure some Price Greenleaf Aid for your son for next year – as much as possible. Dean Briggs will send a blank to your son which he should fill out and return. I think the decision is mde here in June and then you will know how much you can reky on from that source. If your son decides to return to Harvard, my husband wil secure one hundred and fifty dollars in addition, to pay his tuition from a fund which he has for students whom he wishes to help; so that he can have any Greenleaf aid he receives & use in addition to his tuition bills. For how much can he get on in Cambridge ? We will do all we can to secure him work and as will the Dean but we cannot be sure there are as many students applying for the same thing. We hope he will get $ 250 from the Gren Leaf Fund. If he does and has 150.00 for his tuition, would it not be wise for him to come, hoping that you might do a little for him, and might get some work from time to time and live very economically, and so get through the year. He must do such good work in his sophomore year that he can stand a chance for a scholarship at the end, and I should think that would be likely. I hope very heartily that he can return to Harvard and you may be sure that we will help him in any way we can. He must come and see us at once and let me know how we can assist him. We shall hold your letter in strict confidence you may know. You can trust the Dean absolutely and his help is essential in getting your son the aid he needs; for the numbers who need aid quite as sorely are many more than the means to aid them. But your letter has made me feel that a boy as Frailed as yours deserves the chances to finish his college course, and I hope he can find a way to the next three years without any more delay. Let us hope too that your husbands business will improve, and your anxieties be removed and the other boys find their way after too ! Sincerley Yours, Alice Freeman Palmer”. [The Letter was loosely inserted in to an edition of George Herbert Palmer’s publication: “The Life of Alice Freeman Palmer”. The book is part of this collection.

Boston and New York, Houghton Mifflin/The Riverside Press Cambridge,, 1908. Octavo. Portrait-Frontispiece, 349, [3] pages with 6-page Autographed letter signed (ALS), loosely inserted. Original Hardcover. Excellent condition with some minor signs of wear only.

Porter Jr., LCDR William Hamilton / [Howard Chandler Christy].

Archive of Naval Captain, Lieutenant commander [LCDR] William Hamilton Porter Jr.‘s Love Letters to his wife Amy Manning Porter and letters to his mother Barbara Hamilton Porter, from his service during and after graduating from United States Naval Academy Annapolis MD, 1914. The Collection includes not only the Yearbook of the Brigade of Midshipmen, called “Lucky Bag”, signed with nearly all Graduates and with numerous amazing photographic illustrations of sports like American Football, Lacrosse, early photographs of Basketball and Baseball – Teams, images of visits to Ireland etc., but the collection includes nearly 50 manuscript letters by LCDR Porter from the USS Alden, USS Columbia, writing back home to his wife Amy between 1916 and 1920, reflecting his first tour of duty and sending letters from Constantinople, Smyrna, Venice, Dalmatia, Split, Naples, Samsoun, etc. The collection is full of reports of life on ship and upcoming tours to Naples, Genoa and Villefranche, relationship to the captain, Porter’s view on politics etc. Telegram about “USS Alden and two Destroyers of the 26th Division to be designated by USADRA proceed to Manila”. / Fantastic archive of an Annapolis Graduate with amazing artwork by Howard Chandler Christy in the “Lucky Bag” and a collection of letters in all its complete scarcity of completeness. The collection also includes the original letter of “Washington Granite Monumental” to Porter’s wife upon Porter’s burial at Arlington National Cemetery (he died in 1937).

Baltimore (Maryland) / Annapolis / USS Alden etc., 1916-1920. Octavo. Lucky Bag [Vol. XXI [Volume 21] of the Annual of the Brigade of Midshipmen at Annapolis / Two Ringfolders with original letters, telegrams and some photographs. Excellent condition with some minor signs of wear only. Check out a large collection of high quality photographs on our website, depicting Baseball, Crew Rwoing, Handball, Basketball and Baseball at the Academy in Annapolis. Rare collection with the wonderful original signatures of nearly all Graduates who served with LCDR Porter.

Preetorius, Emil / [Heidegger, Martin].

Sammlung von zwei originalen Typoskripten von Emil Preetorius, Entwuerfe von Texten mit handschriftlichen Korrekturen; eines der Typoskripte von Preetorius voll signiert: I. “Vom Geheimnis des Sichtbaren” – Fuer die Festschrift “Martin Heidegger zum 70.Geburtstag”. 3- seitiges Typoskript mit handschriftlichen Ergaenzungen und Korrekturen Preetorius’. / II. “Zum Geleit”. 3-seitiges Typoskript zu den Anfaengen der Kunstmesse in Muenchen. Es handelt sich hier wohl um einen Vortrag zum 2.Jahr der “Deutschen Kunst – und Antiquitaeten-Messe im Muenchner Haus der Kunst” (c.1957). Scharfe Kritik am deutschen Kunsthandel, von Emil Preetorius voll signiert und mit zahlreichen handschriftlichen Einschueben und Korrekturen. / III. Kopie eines Vortrages des Rotarieres Preetorius am 30.September 1930 ueber “Das Problem der kuenstlerischen Qualitaet”.

[Muenchen], c.1957. A 4. 6 Seiten original typoskripte; 4 Seiten Kopien. Original Softcover. Sehr guter Zustand dieser Autographen.