51. Ó Broin, Liam.

Drogheda. Text and Drawings.

Drogheda, Millmount Craft Centre, 1993. 21 cm x 30 cm. 108 pages. 42 reproductions of pencilled throughout volume. Map of the River Boyne are near front. Original Hardcover with original dustjacket in protective collector’s mylar. Beautifully illustrated pastedowns and endpapers. Near fine condition with only minor signs of external wear. Interior very bright and clean. Signed by the author/artist on the titlepage. Name of pre-owner verso endpaper.

52. O’Malley, Tony.

Works 14.

First Edition. Dublin, Gandon Editions, 1994. 15cm x 20cm. 31 pages. Original paperback (softcover). Very good condition with only minor signs of wear.

53. O’Reilly, Paul M. (Editor).

EV+A 1998 – Circus ZZ / Exhibition of Visual+ Art.

Limerick / Kinsale, Gandon Editions / Limerick City Gallery of Art, 1998. Quarto. (25 cm wide x 22.4 cm high). 166 pages. Original Softcover. Very good condition with only minor signs of wear. Rare !!

54. Pakenham, Valerie. (Photography by Thomas Pakenham).

The Big House in Ireland.

First edition. London, Cassell & Co., 2000. 30 x 25 cm. 192 pages, 207 illustrations. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition with only minor signs of external wear.

55. Palm House Conservatory Belfast – Anonymus.

Palm House Conservatory – Botanical Garden in Belfast.

Original 19th century Gouache painting with title in ink mounted separately. Belfast, c. 1880. Beautifully framed. The frame with the Gouache measures: 36 cm x 38.5 cm. The Gouache itself measures: 15 cm high x 19 cm wide. Excellent condition of this beautiful original artwork showing the spectacular 19th century Palm House with surroundings.

56. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. ″Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

57. Petrie, George / [Douglas Bland Hague Provenance].

The Ecclesiastical Architecture of Ireland – Anterior to the Anglo-Norman Invasion: Comprising: An Essay On The Origin and Uses of the Round Towers of Ireland.

First Edition. Dublin, Printed by M.H.Gill, 1845. Quarto (26 cm wide x 30 cm high). XIX, 521 pages with hundreds of text-illustrations on Round Towers and Antiquities in Ireland. Original Hardcover with original spine-label of the Royal Irish Academy. Very good condition with only minor signs of wear. From the library of Historian Douglas Bland Hague ( (1917-1990), with his library-stamp to the font free endpaper. [The Transactions of the Royal Irish Academy – Volume XX].

58. Phoenix Park Dublin – Anonymus.

Phoenix Park in Dublin with Wellington Monument.

Original 19th century Gouache painting with title in ink mounted separately. Dublin, c. 1880. Beautifully framed. Size of the Gouache in the frame: 36 cm x 38.5 cm. The Gouache itself measures: 15 cm high x 19 cm wide. Excellent condition of this very accomplished and atmospheric work, capturing the full romance of the early 19th century Phoenix Park.

59. Pohli, Paula.

“This – That – These – Those – ? –”.

Original Linocut – Experimental Art, philosophizing on Pronouns. [County Mayo], Paula Pohli, no year [c.2015]. 15 cm x 29 cm. Excellent condition. Signed and limited edition (No.2 of only 25).

60. Potterton, Homan.

Illustrated Summary Catalogue of Paintings. Introduction by Homan Potterton, Director.

Dublin, Gill and Macmillan, 1981. 24.2cm x 18.7cm. xxxxii, 363 pages. With 2,200 illustrations. Original illustrated softcover. Very good condition with only minor signs of external wear.

61. Pritchett, V.S. / Evelyn Hofer (Photographer).

DUBLIN – A Portrait. Photographs by Evelyn Hofer.

London / Sydney / Toronto, The Bodley Head, 1967. Quarto (22 cm x 28 cm). 99 pages with 16 pages of photographs in full colour and 78 photographs in monochrome gravure. Original Hardcover with original dustjacket in protective collector’s mylar. Some minor tears to dustjacket, now in protective sleeve, but else in unusually very good condition with only minor signs of wear. A fantastic publication.

62. [Rosenstiel]

Rosenstiel’s Markham Collection: 1999. [With sections on artwork reflecting: Guinness (Toucan) / Marsha Hammel’s paintings of Jazz Musicians etc.].

London, Rosenstiel’s Widow & Son Ltd. 1999. 22,5 cm x 30,5 cm. [c. 352] pages with Illustrations throughout. Original Hardcover / Light Blue Cloth with gilt lettering to front cover and spine. Some rubbing to edge of rear board, `minor dampstain, sunning to spine and boards, otherwise in very good and firm condition with only minor signs of wear.

63. Scott, Dr Yvonne / Parlon, Tom.

Art in State Buildings 1995-2005.

Dublin, Stationery Office, 2006. 23 cm x 30 cm. XXII, 192 pages. Original Softcover. Excellent condition with only minor signs of wear.

64. Scott, Patrick / [Pearce, Eric (Publisher)].

PATRICK SCOTT – COLOUR [Fantastic Catalogue and Reference-Work – Published by Eric Pearce on the Occasion of the Exhibition “PATRICK SCOTT – COLOUR” at the Doswell Gallery, Rosscarbery, Co.Cork, 24 August – 24 September 2018]. Text by Eric Pearce – Introduction by Christina Kennedy, Senior Curator Head of Collections IMMA. Graphic Design by edit+ (Stuart Coughlan).

First Edition. [Rosscarbery], Doswell Gallery / Impress, 2018. Quarto (20.2 cm wide x 29 cm high). 119 pages, illustrated throughout. Original, illustrated Softcover. Absolutely stunning, near mint condition with only minor signs of wear. Loosely inserted is the original invitation to the preview-opening of the exhibition by curator Róisín [Foley], with a personal note from her to preowner of this catalogue. Extremely rare publication.

65. Scott, Patrick / [Pearce, Eric (Publisher)].

PATRICK SCOTT – COLOUR [Signed and Inscribed by Eric Pearce] / [Fantastic Catalogue and Reference-Work – Published by Eric Pearce on the Occasion of the Exhibition “PATRICK SCOTT – COLOUR” at the Doswell Gallery, Rosscarbery, Co.Cork, 24 August – 24 September 2018]. Text by Eric Pearce – Introduction by Christina Kennedy, Senior Curator Head of Collections IMMA. Graphic Design by edit+ (Stuart Coughlan).

First Edition. [Rosscarbery], Doswell Gallery / Impress, 2018. Quarto (20.2 cm wide x 29 cm high). 119 pages, illustrated throughout. Original, illustrated Softcover. Absolutely stunning, near mint condition with only minor signs of wear. Signed / Inscribed by Eric Pearce on the titlepage. Extremely rare publication !

66. Scully, Sean.

FIGURE / ABSTRACT – [Signed and INSCRIBED by Sean Scully] – With texts by / Mit Beiträgen von Marc O’Sullivan. Beate Reifenscheid and / und Sean Scully. With 180 Illustrations.

First Edition. Ostfildern, Hatje/Cantz Verlag, 2015. Quarto (24.5 cm wide x 30.3 cm high). 200 pages with 180 illustrations of Artwork by Sean Scully throughout the Volume. Original, illustrated Hardcover. Excellent, firm condition with only minor signs of wear to the rear cover only. Signed in full by Sean Scully on the titlepage and inscribed to a friend.

67. Scully, Sean.

FIGURE / ABSTRACT – [Signed by Sean Scully] – With texts by / Mit Beiträgen von Marc O’Sullivan. Beate Reifenscheid and / und Sean Scully.

First Edition. Ostfildern, Hatje/Cantz Verlag, 2015. Quarto (24.5 cm wide x 30.3 cm high). 200 pages with 180 illustrations of Artwork by Sean Scully throughout the Volume. Original, illustrated Hardcover. Very slightly bumped corners only. Otherwise in very good and firm condition with only minor signs of wear. Signed in full by Sean Scully on the titlepage. Perfect gift for a Scully enthusiast !

68. Smyth, Nicola Josephine. (*1969)

“Alien Trees I”.

Original Artwork / Acrylic on Canvas. Ireland, 2015. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

69. Smyth, Nicola Josephine. (*1969)

“Alien Trees II”.

Original Artwork / Acrylic on Canvas. Ireland, 2013. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

70. Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

71. Smyth, Nicola Josephine. (*1969)

“But you didn’t”.

Original Artwork / Acrylic on Canvas. Ireland, 2011. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

72. Smyth, Nicola Josephine. (*1969)

“In the Cornfield I”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Framed: 74,5 cm wide x 90,5 cm high. Artwork (canvas): 63 cm wide x 78 cm high. Signed.

73. Smyth, Nicola Josephine. (*1969)

“In the Cornfield II”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Unframed. Artwork (canvas): 90 cm wide x 100 cm high. Signed.

74. Smyth, Nicola Josephine. (*1969)

“Les Fleurs Malade”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Artwork (canvas): 60 cm wide x 77 cm high. Signed.

75. Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

76. Smyth, Nicola Josephine. (*1969)

“My Forest of Dreams”.

Original Artwork / Acrylic on Canvas. Ireland, 2020. Framed: 46 cm wide x 81 cm high. Artwork (canvas): 35 cm wide x 70 cm high. Signed.

77. Smyth, Nicola Josephine. (*1969)

“Soulmates”.

Original Artwork / Oil on Canvas. Ireland, 2015. Framed: 61 cm wide x 81 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

78. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

79. Street, Evelyn.

Beara Hills / Caha Mountains with Hungry Hill and Sugarloaf [West Cork].

Oil on Canvas. Bantry (West Cork), 1971. Framed: 159 cm wide x 129 cm high. Canvas: 152 cm wide x 122 cm high. Unusually excellent condition of this striking XXL – Painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

80. Street, Evelyn.

Sugarloaf Mountain (Gabhal Mhór) – Part of Caha Mountains, southwest of Glengarriff in County Cork, Ireland.

Oil on Canvas. Bantry (West Cork), 1972. Unusually excellent condition of this painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

81. [Tuohy, Patrick] Murphy, Patrick J.

Patrick Tuohy. From conversations with his friends. [With a Catalogue of known works by Patrick Tuohy]

First Edition. Dublin, Town House, 2004. 20 x 25 cm. 206 pages including numerous illustartions and an index. Original Hardcover with dustjacket in protective collector’s mylar. Excellent good condition with only minor signs of external wear. Private giftinscription on titlepage and endpaper.

82. Turrell, James.

Long Green.

Zürich, Turske and Turske, 1990. 26cm x 30cm. 151 pages. With 58 illustrations. Original Hardcover. Excellent, close to new condition.

83. Walker, Dorothy.

Modern Art in Ireland. Foreword by Seamus Heaney.

First Edition. Dublin, Lilliput Press, 1997. Quarto (24.5 cm wide x 28.5 cm high). 239 pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

84. Westropp, Michael Seymour Dudley.

Irish Glass – A History of Glass-Making in Ireland from the Sixteenth Century. Revised Edition with additional Text and 40 Illustrations. Edited by Mary Boydell.

Dublin, Allen Figgs, 1978. 22,2 cm x 29,1 cm. Frontispiece, XVII, 248 pages with many photographs and text-illustrations. Original green hardcover. Excellent condition with only minor signs of external wear.

85. [Yeats, Jack B.] Rosenthal, T.G.

The Art of Jack B.Yeats. Chronology, List of Exhibitions, Bibliography and Notes on the Plates by Hilary Pyle.

London, Andre Deutsch, 1993. Folio. Frontispiece, XI, 308 pages with illustrations throughout. Original, illustrated Softcover. Very good condition with only minor signs of wear. Small giftinscription to endpaper.

86. Youngs, Susan (Editor).

‘The Work of Angels’ – Masterpieces of Celtic Metalwork, 6th-9th Centuries AD. With contributions by Paul T. Craddock, Dáibhí Ó Cróinín, Raghnall Ó Floinn, Michael Ryan and Leslie Webster.

London, British Museum Publications Ltd., 1990. 22 cm x 27.5 cm. 223 pages. 185 black and white and 56 colour illustrations. Original softcover. Very good condition with only minor signs of external wear.