471. [John Minihan Collection] – [Beckett, Samuel] / [Minihan, John] – Wakeman, John and Hilary.

The Shop – A Magazine of Poetry – Issue number 8 / Spring 2002 [Specially signed John Minihan – Samuel Beckett – Issue with cover illustration bearing the rare color-photograph of Samuel Becket by John Minihan showing Beckett in his Hyde Park Hotel-Room in London, 1980. Also included in this issue is a black-and-white photograph of Beckett, printed opposite David Wheatley’s essay “Beckett’s Last Word”].

Dublin, THE SHOP, 2002. 20,5 cm x 24 cm. 77 pages with illustrations by Hammond Journeaux, Mary Norman, Joakim Saeflund, Rody Treacy and photographs by John Minihan Original, illustrated Softcover. Signed by John Minihan on the cover. Rare !

472. [John Minihan Collection] – [Beckett, Samuel] Doherty, Francis.

Samuel Beckett.

London, Hutchinson University Library, 1971. 8°. 156 pages. Original Softcover. Very good condition with some signs of external wear. From the library of irish photographer John Minihan. Includes an interesting newspaper-clipping on Beckett: “Celebrating Beckett”.

473. [John Minihan Collection] – [Beckett, Samuel] Kenner, Hugh.

A Reader’s Guide to Samuel Beckett.

Second Impression of First Syracuse University Press Edition. Syracuse, New York, Syracuse University Press, 2000. 14cm x 20,5cm. 208 pages. Original softcover. Very good condition with only minor signs of external wear. From the library of irish photographer John Minihan.

474. [John Minihan Collection] – [Brandt, Bill] Scarf, Aaron.

Bill Brandt. Photographs.

Exhibition programme The Arts Council London 30 April – 31 May 1970. London, Arts Council of Great Britain. 1970. 21cm x 24cm. 16 unnumbered pages. Original softcover. Very good condition with only minor signs of wear. From the library of irish photographer John Minihan.

475. [John Minihan Collection] – Dewitz, Bodo von.

Kiosk. 1839 – 1973 A History of Photojournalism. Concept and selection by Robert Lebeck.

Bi-Lingual edition (English and German). Göttingen, Steidl, 2001. 28.5cm x 25.5cm. 328 Pages. Original, illustrated Hardcover. Very good condition with only very minor signs of wear. From the library of irish photographer John Minihan.

476. [John Minihan Collection] – Evans, Martina.

Facing the Public.

London, Anvill Press, 2009. 8°. 61 pages. Original Softcover in excellent condition. Inscribed and signed by the author to irish photographer John Minihan.

477. [John Minihan Collection] – [Heaney, Seamus] Minihan, John.

First Day Cover of the commemorative stamp for Seamus Heaney. Signed by irish photographer John Minihan, whose portrait of Heaney was used for the stamp. The first day cover is illustrated with a quote from Heaney’s “Bogland”: “We have no prairies – To slice a big sun at evening – Everywhere the eye concedes to – Encroaching horizon…”

Dublin, Anpost, 2014. 19 cm x 13 cm. 1 page. Original Softcover. Excellent condition. Signed and dated by John Minihan on August 28th, 2014.

478. [John Minihan Collection] – Helmut Gernsheim.

A Concise History of Photography Third Revised Edition with 307 illustrations, including 26 in full colour.

New York, Dover Publications, 1986. 21 cm x 28.5 cm. 150 pages. Original softcover. Excellent condition with only very minor signs of external wear.

479. [John Minihan Collection] – Hogan, Desmond.

The Diamonds at the Bottom of the Sea and Other Stories.

London, Hamish Hamilton, 1979. 13 cm x 20.5 cm. 181 pages. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Very good condition with only minor signs of external wear. Foxing to edges, pastedowns and endpapers. Internal pages fine. Manuscript letter from the author Desmond Hogan to irish photographer John Minihan loosely inserted.

480. [John Minihan Collection] – Hogan, Desmond.

The Leaves on Grey.

London, Hamish Hamilton, 1980. 13 cm x 20 cm. 119 pages. Original Hardcover with illustrated dustjacket. Very good+ condition with only minor signs of external wear. Manuscript Postcard from author Desmond Hogan to irish photographer John Minihan loosely inserted.