1. [Berkeley, Busby] Pike, Bob / Martin, Dave.

The Genius of Busby Berkeley [Buzz Berkeley].

[Reseda, California], CFS Books [a division of the creative film society], 1973. Folio. 194 pages with numerous photographs. Original, illustrated Softcover. Excellent condition with only minor signs of external wear. From the personal library of producer David Puttnam.

2. Pildas, Ave / Irwin Smith, Lucinda.

Movie Palaces – Survivors of an Elegant Era. Text by Lucinda Smith, Foreword by King Vidor.

New York, Clarkson N. Potter, Inc/Publishers New York, 1980. 23.5 cm x 30.5 cm. 128 pages. Illustrated with 181 full colour photographs and 15 black-and-white photographs by Ave Pildas. Original Hardcover with dustjacket. The dustjacket with some tears but otherwise the publication overall in very good condition with only minor signs of external wear.

3. Gandert, Gero.

Der Film der Weimarer Republik – 1929. Ein Handbuch der zeitgenössischen Kritik (Deutsch / German).[Film in the Weimar Republic] Im Auftrag der Stiftung Deutsche Kinemathek herausgegeben von Gero Gandert.

Berlin, New York, Walter de Gruyter, 1993. 20 cm x 27 cm. XXVII, 916 pages. Original Hardcover with dustjacket in slipcase. Dustjacket photograph – Louise Brooks in ‘Das Tagebuch einer Verlorenen’. Excellent, close to new condition with only minor signs of external wear.

4. [Sutherland, Donald] Emery, Prudence / Fulton, Dave (Editors).

Donald Sutherland in The Disappearance.

California, World Sales Inter-Ocean Films Ltd., / Jay-Em Corporation, No Year. 28.5 cm x 28.6 cm. 13 pages. Featuring 16 glossy photographs. One large fold-out photograph. Original Softcover. Very good+ condition with only minor signs of external wear. Pages slightly separated from centre. Otherwise in clean condition.

5. Lloyd, Ann / Robinson, David.

Movies of the Forties. Edited by Ann Lloyd. Consultant Editor David Robinson.

London, Orbis Publishing, 1984. 21.3 cm x 28.9 cm. 218 pages. With many black and white and colour illustrations. Original Softcover. Excellent condition with only minor signs of external wear.

6. Lloyd, Ann / Robinson, David.

Movies of the Thirties. Edited by Ann Lloyd. Consultant Editor David Robinson.

London, Orbis Publishing, 1984. 21.3 cm x 28.9 cm. 224 pages. With many black and white and colour illustrations throughout. Original Softcover. Excellent condition with only minor signs of external wear.

7. Crawley, Tony.

Bébé: The Films of Brigitte Bardot.

London, LSP Books, 1975. 21.5 cm x 27.5 cm. Frontispiece.256 pages. Black and white illustrations. Original Softcover. Very good+ condition with only minor signs of external wear. Some minor wear to cover and spine. Minor discolouration to edges and endpaper. Otherwise clean, bright and binding strong.

8. [Solinas, Franco] Cosulich, Callisto.

Scrivere il cinema: Franco Solinas.

Rimini, Maggioli Editore, 1984. 8°. 96 pages. Original Softcover. Editione Italiano.

9. [Puttnam, David] Titford, John.

The Titford Family 1547-1947. Come Wind, Come Weather.

Chichester, Phillimore & Co., 1989. 4°. XXX, 242 pages. Original Hardcover with illustrated dustjacket. Inscribed and Signed by John Titford to producer David Puttnam: “For David Puttnam with best wishes – John Titford – Higham, Derby, April 1989”. From the personal library of producer David Puttnam.

10. Parker, Juli L.

Representations of Murderous Women in Literature, Theatre, Film, and Television. Examining the Patriarchal Presuppositions Behind the Treatment of Murderesses in Fiction and Reality.

Lewiston, Edwin Mellen Press, 2010. XVIII, 424 pages. Original Hardcover. Some staining to the rear board. Otherwise in very good condition with only minor signs of wear.

11. [Puttnam, David] Norman, Diana.

The Morning Gift.

London, Hodder and Stoughton, 1985. 8°. 285 pages. Original Hardcover with illustrated dustjacket. Front endpaper missing. Beautifully inscribed and signed by Diana Norman to producer David Puttnam: “The only thing of value i can give you – a sample of my own blood, sweat + tears – With my best Love – Diana”. From the personal library of producer David Puttnam.

12. Tyler, Parker.

Magic and Myth of the Movies.

London, Secker & Warburg, 1971. 14,5 cm x 21 cm. 252 pages, illustrated throughout. Original Softcover. Creasing to spine, slight staining to edges, otherwise in Very condition with only minor signs of wear.

13. Powdermaker, Hortense.

Hollywood, the Dream Factory. An Anthropologist Looks at the Movie-Makers.

Boston, Little, Brown and Company, 1950. 13 cm x 19,5 cm. 342 pages. Original Softcover. Staining to covers, othwerwise in Very good condition with only minor signs of wear.

14. Spottiswoode, Raymond.

A Grammar of the Film. An Analysis of Film Technique.

Second Edition. London, Faber and Faber, 1955. 14 x 21 cm. 326 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with minor signs of external wear. Rare publication.

15. [Puttnam, David] Bain Hogg, Jocelyn.

the firm [Inscribed and signed by photographer Jocelyn Bain Hogg to british porducer David Puttnam: “To Lord Puttnam – with very best wishes and many thanks for starting me off on my path – Jocelyn”. With a Foreword by Bruce Reynolds.

London, Westzone Publishing / Butler & Tanner, 2001. 4°. 160 pages with 80 black-and-white photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Bookblock frail and slightly loosened but overall in very good condition with only very minor signs of wear. From the personal library of producer David Puttnam.

16. Mackey, Thora.

For the Children – A Celebration of Families. Photographs by Robert Doyle and Mac O’Sullivan. Foreword by Samantha Mumba.

Dublin, Unicef, 2004. 4°. 96 pages with numerous photographs of celebrities with a family-member or their whole family. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only very minor signs of wear.

17. Epstein, Jean.

L’Intelligence d’une Machine.

No. 24 / 100 exemplaires / No.24 of only 100 printed copies. Place of Printing, Jacques Melot, 1946. 22.7cm x 14cm. 193 (2) pages. Hardcover / Beautiful modern half morocco with marbled paper – covered boards. Gilt lettering on spine. Original softcover bound in. The excellent new binding preserves this early classic of Cinema well. Nice collector’s edition. [″Les Classiques du Cinéma”].

18. Kittler, Friedrich A.

Gramophone, Film, Typewriter. Translated, with an Introduction, by Geoffrey Winthrop-Young and Michael Wutz.

Stanford, Stanford University Press, 1999. 8°. XLI, 315 pages. Original Softcover. Very good condition with only minor signs of external wear (bookblock a little wavy).

19. Winner, Michael.

Winner Takes All: A Life of Sorts.

London, Robson Books, 2004. Octavo. 360 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.

20. Boorman, John.

Money into Light: The Emerald Forest A Diary.

London / Boston, Faber & Faber, 1985. 13.5 cm x 21 cm. XIII, 241 pages with illustrations. Original softcover. Very good condition with minor signs of external wear. Back cover clipped on bottom left hand corner. Writing on title page. Clean inside.

21. Brownlow, Kevin.

The Parade’s Gone By.

London, Sphere, 1973. 20 cm. 689 pages. Illustrations in black and white throughout. Original softcover. Very good condition with only very minor signs of external wear, for example, creasing of the spine and very slight stain on the upper front cover.

22. [Dietrich, Marlene] Bemmann, Helga.

Ihr Weg zum Chanson.

Wilhelmshaven, Florian Noetzel Verlag, 1987. 22,5 cm x 29,5 cm. 239 seiten. Mit zahlreichen schwarz-weißen Abbildungen und Illustrationen. Original Hardcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

23. Rush, Christopher.

A Twelvemonth And A Day.

Aberdeen, Aberdeen University Press, 1989. 15cm x 23cm. 265 pages. Original Softcover. Excellent condition with only very minor signs of external wear.

24. [Eisenstein, Sergeij] Taylor, R.

The Eisenstein Reader.

London, British Film Institute, 1998, 15.5 cm x 23 cm, VII, 211 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

25. Monaco, J.

How to Read a Film – The World of Movies, Media, and Multimedia. Language, History, Theory.

New York, Oxford University Press, 2000, 16.5 cm x 23.5 cm, 672 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

26. Bergman, Ingmar.

Wild Strawberries – a Film by Ingmar Bergman. translated from the Swedish by Lars Malmstrom and David Kushner.

New York Simon & Schuster 1957, 14 cm x 20.5 cm, 124 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. [Modern Film Scripts]

27. Carroll, N.

Mystifying Movies – Fads & Fallacies in Contemporary Film Theory.

New York, Columbia University Press, 1988, 14.5 cm x 23 cm, X, 262 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper.

28. Bergman, Ingmar.

Persona & Shame – The Screenplays of Ingmar Bergman. Translated by Keith Bradfield.

London, Calder & Boyars 1972, 13 cm x 20 cm, 191 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. Some erasable light pencil underlining and notation in places.

29. Arp, R. / Barkman, A. / McRae, J.

The Philosophy of Ang Lee.

Kentucky, The University Press of Kentucky. 2013, 16 cm x 23.5 cm, 303 pages. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes. Signed and inscribed to Parkes by James McRae.

30. Semprun, Jorge.

Stavisky. Text by Jorge Semprun for the film by Alain Renais.

New York, The Viking Press, 1975, 12.5 cm x 19.5 cm, VIII, 163 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. A Richard Seaver Book.

31. Auster, Paul.

Smoke & Blue in the Face – Two Films written by Paul Auster.

New York, Hyperion, 1995. 15 cm x 23.5 cm. VIII, 290 pages. Original Softcover. Very good condition with only minor signs of external wear. First Edition. Signed by Paul Auster.

32. [Brook, Peter] O’Connor, Gary.

The Mahabharata – Peter Brook’s Epic in the Making. Photography by Gilles Abegg.

London, Hodder & Stoughton, 1989. 19 cm x 25 cm. 159 pages. Original Hardcover with original dustjacket. Excellent condition with only very minor signs of external wear.

33. [Stone, Oliver] Beaver, Frank.

Oliver Stone – Wakeup Cinema.

New York, Twayne Publisher, 1994. 22 x 14 cm. vi, 238 Pages. Original Hardcover with original dustjacket. Excellent condition with only minor signs of external wear.