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Catalogue Winter 2020 / 2021 (33 items)

Beaulieu, Le Robinson de douze ans.

3. Beaulieu, Mad. Mallès de / [Robinson Crusoe].

Le Robinson de douze ans – Histoire intéressante d’un jeune Mousse Français abondonné dans une ile déserte. Ornée de Gravures par Mme Mallès de Beaulieu, Auteur des Coules d’une Mère à sa Fille.

Paris, P.-C. Lehuby, no date (approx. 1818). Small – Octavo. Engraved frontispiece, Titlevignette, 288 pages with two further engravings (4 in total). Hardcover. Original, blue paper-covered boards, extensively decorated with gilt floral motifs and an inset illustration of the young Robinson and his dog on a beach. Very good condition. Interior remarkably clean. Fine example of a so-called Robinsonade, a fashionable adaptation of the original Robinson Crusoe story, in this case based on another “Robinsonade”, this is a somewhat modified and inspired version of Johann David Wyss’ famous publication “The Swiss Family Robinson”, which he published initially “to teach his sons about family values, good husbandry, the uses of the natural world and self-reliance” (Wikipedia). In her publication “History and the Construction of the Child in Early British Children’s Literature”, Jackie C. Home writes that “The Bibliothèque Nationale de France online catalogue lists 35 French language editions of Mallès de Beaulieu’s novel, published between 1818 and 1923, suggesting that the novel was one of the most popular titles fro children in nineteenth-century France.”

EUR 380,-- 

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[de Man, Collection of five books from the library of Paul de Man and Pat de Man

8. [de Man, Paul] Durling, Robert M. / Rosiek, Jan / Weiss, T.[Theodore Russell Weiss] / Hughes, Langston / Levin, Harry.

Collection of five books from the library of Paul de Man and Pat de Man. Three of the books inscribed/signed by the author’s. The Collection includes: 1. Robert M. Durling – The Figure of the Poet in Renaissance Epic. [Inscribed by Durling: “For Paul de Man – with fond regards – Bob”] / 2. Jan Rosiek – Figures of Failure – Paul de Man’s Criticism 1953-1970 [Unsigned / Not inscribed] / 3. T. Weiss – The Catch – The Twayne Library of Modern Poetry [Inscribed by Weiss: “To Pat + Paul, for real friendship + a book of their own soon. Ted”] / 4. Edward J. Mullen – Langston Hughes in the Hispanic World and Haiti [Inscribed by Langston Hughes: “Ma cheri Pat, may this slight token of appreciation for your past (and hopefully) future, intellectual ministrations to your petit frère recall to you fond memories of your peregination. Love, Langston – Chritmas, 1979 (Late, as usual)”] / 5. Karry Levin – Grounds for Comparison [Unsigned / Not inscribed].

Cambridge (Mass.) / Aarhus / New York and others, Harvard University Press / Archon Books / Twayne Publishers / Aarhus University Press, 1951 – 1992. 8°. Volume I.: VIII, 280 pages / Volume II: 247 pages / Volume III: 77 pages / Volume IV: 193 pages / Volume V: 423 pages. Three Volumes in original Hardcover with original dustjacket in protective Mylar / One Volume in Softcover / One Volume in Hardcover. Very good condition. From the library of Paul de Man. Especially the Durling – Volume of interest. Inscribed by the author: “For Paul de Man with fond regards – Bob”.

EUR 780,-- 

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Montague / Dorgan - Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections

29. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

EUR 2.800,-- 

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Viereck, Collection of Manuscript Material by the author Georg Sylvester Viereck.

33. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

EUR 2.400,-- 

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