1. [Barry, James] Pressly, William L.

James Barry’s Murals at The Royal Society of Arts – Envisioning a New Public Art.

Cork, CUP (Cork University Press), 2014. Folio (24.5 cm wide x 33.4 cm). Frontispiece, XVIII, 395 pages. Original Hardcover with illustrated dustjacket. Excellent condition with only minor signs of wear.

2. [Connor, Jerome] Ó Murchú, Giollamuire.

Jerome Connor – Irish-American Sculptor (1874-1943). Edited by Fionnuala Croke.

[Dublin], National Gallery of Ireland, 1993. Quarto. 86 pages with llustrations of Coonor’s work throughout. Original, illustrated softcover. Very good condition with only minor signs of wear and some minor damage to spine and frontcover only. A very rare book now !

3. Crespo, Ulrike.

Ulrike Crespo – Cold Landscape.

Heidelberg / Berlin, Kehrer-Verlag, 2013. 27 cm. 143 Seiten mit zahlreichen Photographien. Original, illustrated Softcover. Excellent, as new condition with only minor signs of external wear.

4. [Eason & Son Ltd.].

Souvenir of Cork & Killarney. With 19 [tipped in] Illustrations [early photographs], complete with Letterpress.

Dublin / Belfast, Eason & Son, Ltd., no year [c. 1910]. 28,5 cm x 22 cm. 13 pages with tipped in photographic postcard illustrations in different sizes. Original, illustrated softcover. Breathtaking publication in unusually excellent condition with only very minor signs of external wear. This very rare publication is a true gem for all collectors of local Cork and Kerry photography. The photographs are all accompanied by a very informative text. Very Rare !

5. Fitzgibbon, Margaret.

Fitzgibbon – One That Always Remains – With an Essay by Aidan Dunne (″Human Ties”).

Cork, Triskel Arts Centre, 1992. Octavo. 32 pages including a photograph and short-biography of the aartist to the rear of the publication. Wih several image sof sculpture and art by Margaret Fitzgibbon. Original Softcover. Excellent condition with some minor signs of wear only. Signed and inscribed by the artist in September 1992.

6. Gibbings, Robert.

Sweet Cork of Thee. With engravings by the author.

First edition. New York, E.P. Dutton, 1951. 14,5 cm x 21,5 cm. 235 pages. Original Hardcover. Green Cloth with gilt lettering and decor. Very good condition with some minor signs of external wear. From the library of swiss – american – irish poet Chuck Kruger. With his name to front free endpaper. Occasional markings in the text.

7. Harbison, Peter.

Cooper’s Ireland – Drawings and Notes from an Eighteenth-Century Gentleman.

Dublin, The O’Brien Press, 2000. 23.s cm x 23.5 cm. 288 pages. 132 black and white plates throughout. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Very good+ condition with only minor signs of external wear.

8. [Heaney, Seamus / Flanagan, T.P.] Kennedy, S. B.

T.P. Flanagan, RHA, PPRUA. [Signed by Seamus Heaney and T.P.Flanagan] Foreword by Seamus Heaney / Catalogue by Martyn Anglesea / An appreciation by John Belmore with notes on selected pictures by T.P. Flanagan and J.K. Jamison. A special edition of this book is limited to one hundred signed copies of which seventy-five are offered for sale. This is one of the 25 copies which were not for sale. It is signed by Seamus Heaney and T.P.Flanagan on the front free endpaper and its provenance is an eminent irish art collection.

Dublin, Four Courts Press in association with the Ulster Museum, 1995. Folio (24 cm x 28 cm). 96 pages with many illustrations in colour and photographs. Softcover. Some staining to endpaper and edge, leading into the outer margins of some pages. Text and illustrations not affected. While the staining is not pretty, this is one of the rare occasions to acquire one of the scarcer signed items from Seamus Heaney (1 of 25 copies from an edition of only 100 signed copies).

9. Hunt, John.

Irish Medieval Figure Sculpture 1200 to 1600. – John Hunt Centenary Exhibition.

Limerick, The Hunt Museum, 2000. Slim Quarto. 64 unnumbered pages with illustrations. Original Softcover. Excellent condition with only minor signs of external wear.

10. [John Minihan Collection] – [Heaney, Seamus] Minihan, John.

First Day Cover of the commemorative stamp for Seamus Heaney. Signed by irish photographer John Minihan, whose portrait of Heaney was used for the stamp. The first day cover is illustrated with a quote from Heaney’s “Bogland”: “We have no prairies – To slice a big sun at evening – Everywhere the eye concedes to – Encroaching horizon…”

Dublin, Anpost, 2014. 19 cm x 13 cm. 1 page. Original Softcover. Excellent condition. Signed and dated by John Minihan on August 28th, 2014.