1. Finden, E. [Engraver] / Westall, William [Artist / After a Painting from William Westall].

Glenmire Bridge – Near Cork [Glanmire].

Original, 19th century Steel Engraving. London, Charles Tilt in Fleet Street, [1829]. 21 cm x 12 cm. Good condition with minor signs of wear to outer margins.

2. Winkles, B. [Engraver] / Petrie, George [Artist / After a Drawing by George Petrie].

Bank of Ireland, Dublin (South Portico) – “The Original Parliament House”.

Original, 19th century Steel Engraving. London, Charles Tilt in Fleet Street, [1829]. 23 cm x 18 cm. Very good condition.

3. Dungiven / Banagher Glen – Anonymous.

Near Dungiven with Banagher Glen.

Original, late 18th century, early 19th century Watercolour of scenery near Dungiven (County Londonderry). [Dungiven], c.1790-1810. 24 cm x 16.3 cm. Besides some darkening to one part of the image in very good condition.

4. [John Minihan Collection] – [Heaney, Seamus] Minihan, John.

First Day Cover of the commemorative stamp for Seamus Heaney. Signed by irish photographer John Minihan, whose portrait of Heaney was used for the stamp. The first day cover is illustrated with a quote from Heaney’s “Bogland”: “We have no prairies – To slice a big sun at evening – Everywhere the eye concedes to – Encroaching horizon…”

Dublin, Anpost, 2014. 19 cm x 13 cm. 1 page. Original Softcover. Excellent condition. Signed and dated by John Minihan on August 28th, 2014.

5. Hunt, John.

Irish Medieval Figure Sculpture 1200 to 1600. – John Hunt Centenary Exhibition.

Limerick, The Hunt Museum, 2000. Slim Quarto. 64 unnumbered pages with illustrations. Original Softcover. Excellent condition with only minor signs of external wear.

6. [McKenna, Stephen] García, Ángel González.

Stephen McKenna – Paintings, Drawings, Watercolours – a selection 1969-2004 Curated by Patrick T. Murphy.

Dublin, Royal Hibernian Academy, 2005. 24,5 cm x 30,5 cm. 191 pages with Illustrations throughout. Original Hardcover. Excellent condition with only minor signs of wear.

7. Scott, Dr Yvonne / Parlon, Tom.

Art in State Buildings 1995-2005.

Dublin, Stationery Office, 2006. 23 cm x 30 cm. XXII, 192 pages. Original Softcover. Excellent condition with only minor signs of wear.

8. Crespo, Ulrike.

Ulrike Crespo – Cold Landscape.

Heidelberg / Berlin, Kehrer-Verlag, 2013. 27 cm. 143 Seiten mit zahlreichen Photographien. Original, illustrated Softcover. Excellent, as new condition with only minor signs of external wear.

9. [Heaney, Seamus / Flanagan, T.P.] Kennedy, S. B.

T.P. Flanagan, RHA, PPRUA. [Signed by Seamus Heaney and T.P.Flanagan] Foreword by Seamus Heaney / Catalogue by Martyn Anglesea / An appreciation by John Belmore with notes on selected pictures by T.P. Flanagan and J.K. Jamison. A special edition of this book is limited to one hundred signed copies of which seventy-five are offered for sale. This is one of the 25 copies which were not for sale. It is signed by Seamus Heaney and T.P.Flanagan on the front free endpaper and its provenance is an eminent irish art collection.

Dublin, Four Courts Press in association with the Ulster Museum, 1995. Folio (24 cm x 28 cm). 96 pages with many illustrations in colour and photographs. Softcover. Some staining to endpaper and edge, leading into the outer margins of some pages. Text and illustrations not affected. While the staining is not pretty, this is one of the rare occasions to acquire one of the scarcer signed items from Seamus Heaney (1 of 25 copies from an edition of only 100 signed copies).

10. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !