291. [Fermor, Patrick Leigh] Doughty, Charles M.

Travels in Arabia Deserta. With an Introduction by T. E. Lawrence. [Patrick Leigh Fermor’s personal copy] / [Also including all three Volumes of his autobiographical journey (one of them signed), on foot across Europe from the Hook of Holland to Constantinople in the years 1933 – 1934].

Second Impression of the ‘New and definitive Edition’. Two Volumes (complete set). London, Jonathan Cape, 1943. 20 cm x 26 cm. Volume I: Frontispice- Portrait of Doughty, 674 pages. Volume II: 696 pages. With both Volumes including each the beautiful large colour-fold-out-map in the rear showing “North Western Arabia and Negd”. Hardcover / Publisher’s original buckram with gilt lettering on spine and original dustjackets in protective collector’s Mylar. Deckled fore- and tail-edges. Coloured top edges. Very good condition with only minor signs of external wear. Dustjackets slightly stained and price-clipped. Interior is bright and clean. Patrick Leigh Fermor’s personal copy with his name in ink on the endpaper of Volume II: “Patrick Leigh Fermor. London, July 1945.”. Leigh Fermor obviously rewarded himself with the purchase of Doughty’s masterpiece directly after World War Two. Stunning item, manifesting Doughty’s heavy influence on Patrick Leigh Fermor’s Travel writing. The set includes also three first editions in original dustjackets, of Patrick Leigh Fermor’s famous Travel writings: A Time of Gifts, Between the Woods and the Water [SIGNED], The Broken Road (with the second book, “Between the Woods and the Water” signed by Patrick Leigh Fermor.

292. Rath, Hanns Wolfgang [d.i. Carl Friedrich Schulz-Euler].

Seelen, Die Ein Klang Umspinnt – Verse.

Frankfurt am Main, Verlag Carl Fr. Schulz, 1916. Oktav. Frontispiz mit einem photographischen Portrait von Rath [Lichtbildaufnahme von Hugo Erfurth=Dresden], 36 nn. Seiten. Stoffeinband. Limitierte Auflage: Fünfzehn Exemplare wurden auf Büttenpapier abgezogen und handschriftlich bezeichnet. Die trägt die Nummer 8. Von nur fünfzehn Exemplaren ! Voll signiert von Hanns Wolfgang Rath. Gedruckt im Sommer 1916. Aussergewöhnlich gut erhalten. Von grosser Seltenheit.

293. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

294. [Beethoven, Ludwig van] Göbel, E. F. [C. Jäger].

Ludwig van Beethoven (1770 – 1827).

Stunning, original 19th century Gouache of Beethoven by E.F. Göbel; after a painting of Beethoven by Carl Jaeger (1833-1887), which is now in the possession of the Library of Congress. Germany, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 48 cm x 34,5 cm. Outer margins slightly frayed only. Extraordinary 19th century painting with fresh impression of the signature-face of this timeless composer.

295. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

296. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

297. [Quine, Willard Van Orman].

Collection of Rare offprints & Rare Books from the personal library of Philosopher Willard Van Orman Quine [″Van”]. Including inscribed and signed dedication – copies from colleagues in the field of Philosophy and Logic [Signed / Inscribed Association copies].

[Cambridge, Mass. and other locations, c. 1975 – c. 1995. Octavo. Original Hardcover with original dustjacket Original Stapled Offprints etc. [The Library of Living Philosophers Volume XVIII].

298. [Adorno, Theodor W. / Horkheimer, Max / Benjamin, Walter] Haag, Karl-Heinz / Schweppenhäuser, Prof. Dr. Hermann.

Wichtige Frankfurter Schule-Sammlung von sehr bedeutenden Arbeitsexemplaren / Widmungsexemplaren / Autorenexemplaren, Autographen und Manuskript-Notiz-Zetteln des deutschen Philosophen Karl-Heinz Haag. Die Arbeitsexemplare (Sieben Buchtitel in neun (9) Bänden) und handschriftlichen Notizen und Autographen (Postkarten), stammen aus der privaten Bibliothek des Adorno und Horkheimer- Schülers, Karl-Heinz Haag. Die in der Sammlung enthaltenen Manuskript-Notizen und Autographen (Postkarten von Horkheimer) sind inhaltsreich und teilweise auch deshalb sehr bedeutend, weil es unter Insidern bekannt ist, dass Haag auch während seiner aktiven Zeit innerhalb der Frankfurter Schule notorisch wenig veröffentlicht und schriftlich kommentiert hat. Beiliegt ausserdem ein Zeitungsausschnitt zur Adorno-Lehrstuhl-Nachfolge. / Important, stunning collection of seven, signed or/and annotated association-copies (working-copies) from the private library of german philosopher Karl-Heinz Haag. Haag was pupil, friend and colleague of Adorno and Horkheimer and was one of the members of the Frankfurt School of Social Theory and Social Research. The collection of annotated books (Seven Booktitles in nine (9) volumes) also includes ephemera (Autograph postcards, newspaper-clipping, as well as several manuscript – pages of significant notes and thoughts by Karl-Heinz Haag regarding topics discussed in some of these publications). The collection is especially important because Haag published and commented notoriously little during and after his tenure in Frankfurt. [See complete set of photographs of this collection on our website].

Frankfurt u.a., Suhrkamp / Institute of Social Research / Kohlhammer etc., 1955 – 1972. Octavo. Paginierung / Collation: 1. Adorno – Aspekte der Hegelschen Philosophie (Inscribed, signed): 59 Seiten mit zahlreichen Annotationen /59 pages, heavily annotated / 2. Haag – Kritik der neueren Ontologie (Author’s copy): 59 Seiten / 59 pages / 3. Adorno – Drei Studien zu Hegel (Inscribed, signed): 172 Seiten mit zahlreichen Annotationen / 172 pages with annotations / 4. Horkheimer – Zur Kritik der instrumentellen Vernunft (Inscribed, signed): 353 Seiten mit vielen Anmerkungen und Anstreichungen / 353 pages, heavily annotated / 5. Horkheimer – Kritische Theorie (Inscribed, signed): XIV, 376, XI, 358 Seiten mit zahlreichen Anmerkungen und Anstreichungen / XIV, 376, XI, 358 pages, heavily annotated / 6. Schweppenhäuser – Tractanda (Inscribed, signed): 141 Seiten / 141 pages. Original Softcover and Hardcover – Volumes. Sehr guter Erhaltungszustand aller Publikationen mit teilweise eingelegten, handschriftlichen Notizen sowie ein alter Zeitungsartikel in dem der Zersetzungsprozess der Frankfurter Schule kommentiert wird. / All publications in very good condition with minor signs of wear. Amazing provenance and possibly one of the last important collections surfacing from the library of a member of the Frankfurt School. The inter-connection between Adorno – Haag – Horkheimer, reflected in Haag’s annotations, lends itself for study and new publications of criticism.

299. Foster, Vere [Henry Louis / Lewis] / [Emily Albinia “Alba” Foster] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

Amazing Vere Foster-Collection including Educational Materials and as a centerpiece the “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page-letter, revealing several important details about the immediately favorable reviews and reception of the book [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels″£ with Blackie’s agent and gave instructions to send them but a few days later found they had been “untouched”. / The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. [See Full list of items which are part of this collection, on our website under the topic “Libraries & Collections”].

First Edition. London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (15 cm x 22 cm). Pagination: Frontispiece, IX, [3], 497 pages with 18 Illustrations (including frontispiece and one Vignette of the two Duchesses opposite page 1). Hardcover / Original, publisher’s green cloth with gilt lettering on spine. Very good condition with some minor signs of wear only. This is an astonishing find for the Vere Foster Research Community and the letter gives significant insight into the importance the publication had for him, its reception as seen by Vere Foster and it solves the riddle why an altertaion was necessary for the second edition [which Vere Foster explains in a brief note to the reader at the beginning of the second edition]. The heartfelt inscription to his niece Albinia Foster is also of great importance and to our knowledge the only presentation-copy of this book on the international market for the several decades we can look back at auction records.

300. Fleckenstein, Josef.

Sonderdruck-Sammlung / Kleinschriften-Sammlung / Offprint-Collection of Prof.Dr.Josef Fleckenstein, one of the worlds most eminent historians for the medieval period / middle Ages (Mittelalter), and especially the development and background of knights, knighthoods, chivalry. The collection includes roughly 5000 (fivethousand) offprints and pamphlets in 166 folders, alphabetized, neatly sorted and assisted by a special, old-fashioned card catalog. Most of the offprints and pamphlets were sent to Prof.Fleckenstein by international colleagues in his field of medieval studies, history and related studies. The majority of the publications are in german but many are also in italian, french and english as well. Many of the publications are signed and beautifully inscribed to Fleckenstein.

Germany, different publishers, c.1960 – 2002. Octavo. More than 100000 pages (onehundredthousand pages). Original Softcovers. Very good condition with only minor signs of external wear. Ask for images. Price includes international shipping per courier.