181. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°173 – Octobre 1968 [With 8 lithographes originales (including front and rear cover) / Two (2) of these lithographs are fantastic double-page lithographs)]. Avec Essais: “Un geant enfant” par Giovanni Carandente / “Note sur les “fleches” par Jacques Dupin /

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1968. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 14 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

182. Bawden, Edward / [The Curwen Press].

Pottery Making at Poole.

[Plaistow, Newham], Printed at The Curwen Press, no year [c.1925]. Small Octavo (10 cm wide x 15.8 cm high). 12 pages (including printed wrappers). Original, printed card-wrappers (sewn binding). Unusually excellent condition with only minor signs of wear and no tears. Interior very bright. Extremely Rare !

183. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°141 – Novembre 1963 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs of Stabiles]. Avec Essais: “L’ombre de l’avenir” par James Jones (Traduction d’Henri de Turenne) / Essais: “Qu’est-ce qu’un calder ?” par Michel Ragon / Avec “Comment faire by Calder (juxtaposed to his portrait) / With photographic section of seven pages showing “Stabiles dans l’atelier” (″Tamanoir” / “Tamanoir et Bucephale”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1963. Folio (27.8 cm wide x 37.8 cm high). 32 pages plus 2 pages of lithographed Cover. (Text paginated up to page 16 and then continued without pagination). Including an excellent full-page-colour-photograph of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. One of the most exciting CALDER – editions of Derrière le Miroir.

184. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

185. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°201 – Janvier 1973 [With 6 lithographes originales of “Mobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Retour au Mobile” par Maurice Besset et Essai: Calder ou le Poids de L’Air” par Andre Balthazar / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1973. Folio (27.8 cm wide x 37.8 cm high). 30 pages including lithographed Cover (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

186. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°212 – Janvier 1975 [With 8 lithographes originales (including front and rear cover) / Two of these lithographs are fantastic double-page colour-lithographs of which one is figurative (card-players “Les Joueurs de Cartes”)]. Avec Essais: “Un Tournant chez Calder” par Mario Pedrosa.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1975. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover (In this edition the Text reverts back to being paginated (until page 11 only) excluding the cover). This Volume also includes a section of black-and-white as well as colour-photographs of Sculpture by Calder, all photographs by Clovis Prévost. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

187. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°221 – Decembre 1976 [With 7 lithographes originales of “Mobiles” et “Stabiles” including front cover, rear cover and the Duck) / Two (2) of these lithographs are fantastic double-page colour-lithographs)]. With a special suite (unpaginated) of a portrait-photo of CALDER and an essay by Jean Davidson “Forme Humaine”. Othher Essays are included: “L’Art et la comédie” par Jean Fremon, avec le poeme “La complainte du mobile”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1976. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover and 4 pages of suite with Calder’s portrait and Jean Davidson’s homage (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Mobile-Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

188. Scott, Patrick / [Pearce, Eric (Publisher)].

PATRICK SCOTT – COLOUR [Signed and Inscribed by Eric Pearce] / [Fantastic Catalogue and Reference-Work – Published by Eric Pearce on the Occasion of the Exhibition “PATRICK SCOTT – COLOUR” at the Doswell Gallery, Rosscarbery, Co.Cork, 24 August – 24 September 2018]. Text by Eric Pearce – Introduction by Christina Kennedy, Senior Curator Head of Collections IMMA. Graphic Design by edit+ (Stuart Coughlan).

First Edition. [Rosscarbery], Doswell Gallery / Impress, 2018. Quarto (20.2 cm wide x 29 cm high). 119 pages, illustrated throughout. Original, illustrated Softcover. Absolutely stunning, near mint condition with only minor signs of wear. Signed / Inscribed by Eric Pearce on the titlepage. Extremely rare publication !

189. Skinner, David.

Wallpaper in Ireland 1700 – 1900.

Tralee, Churchill House Press, 2014. Quarto (25 cm 216 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Unusually excellent, as new condition. A fantastic, extremly important and now very (very !) rare publication.

190. [Daniele, Francesco / Johann Josef von Wilczek / Thomasius, Christian].

Le Forche Caudine – Illustrate con due Appendici. [Compreso “Prospetto Della Valle Caudina Dalla Parte Della Campania”]. Second edition, augmented and, according to Brunet, preferable to the original first edition, which was printed in Caserta in 1778.

Seconda Edizione. Napoli, Appresso Angelo Trani, 1811. Folio (44.5 cm x29 cm). XIII, (3), 102 pages plus (6) pages advertising and Index (Indice). With 22 (twentytwo) illustrations overall. Including a large fold-out-plan (97 x 43 cm) of the Valle Caudine, several Vignettes, Allegorical/Historical Illustrations and four beautiful landscape engravings of the Valle Caudine by Alessandro d’Anna / XIII, (3), 102 pagine più (6) pagine pubblicitarie e Index (Indice). Con 22 (ventidue) illustrazioni in totale. Tra cui una grande illustrazione (97 x 43 cm) della Valle Caudine, diverse vignette, illustrazioni allegoriche / storiche e quattro bellissime incisioni paesaggistiche della Valle Caudine di Alessandro d’Anna. Hardcover / Fantastic modern, Nigerian goatskin with gilt lettering on spine and fine quality late 19th-century cloth over boards. New endpapers and all bound in style by english master-binders. Excellent condition of the binding. The stunning and most wonderful interior with only very occasional signs of an old dampstain to the outer margins and the beautiful, large fold-out-plan with some mild browning to one part of the center-fold. A typographical masterpiece of italian printmaking.