Inscribed (154 items)

Pages from a Diary Written in Nineteen Hundred and Thirty. [Signed / Inscribed by George Yeats

101. Yeats, William Butler / [George [Georgie] Yeats / Mrs. Eva Hempel / Eduard Hempel].

Pages from a Diary Written in Nineteen Hundred and Thirty. [Signed / Inscribed by George Yeats to Mrs. [Eva] Hempel, wife of german ambassador to Ireland during World War II].

No.8 / 200 copies, of the original limited edition. Dublin, The Cuala Press, 1944 [September 1944]. Octavo. 58 pages. Original Hardcover. Inscribed by George Yeats on the front free endpaper: “Mrs. Hempel from George Yeats, April 1944”. This has to be of course “April 1945”. The impossibility of signing/inscribing a book in April 1944 if it was only published in September 1944 is easily explained with the classic everyday-mistake of still writing the previous year in the first few months of the following year. A stunning association. The signature and inscription is a solid match to George Yeats’ autographs in her later hand and William Butler Yeats and George Yeats were frequent visitors to the Hempel’s in Dublin. In addition, the low number of the edition (8/200) suggests this being one of the reference copies given to George Yeats, who contributed heavily to the volume and even added an explanatory note (in print) verso the titlepage. This copy is near fine, bound in the publisher’s quarter buckram over yellow, paper-covered boards. The books pages remained unopened. Eva Hempel’s husband Eduard Hempel is one of the most controversial figures in modern Irish history, excoriated by some as ‘Hitler’s man’, defended by others such as the country’s first President, Eamon De Valera. Certainly, Hempel presented William Butler Yeats in 1938 with a copy of ‘Germany Speaks’ whose inscription described an ‘unforgettable afternoon’ spent together by Yeats and Hempel. Eduard Hempel and his wife were accepted socialites in the Dublin world of World War II, famously receiving a condolence call by de Valera upon the death of Hitler. Eduard Hempel and his wife Eva were granted asylum in Ireland after world war II and stayed way beyond the end of World War II.

EUR 380,-- 

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Taylor, Collection of six (6) items/original, vintage and personal materials

102. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

EUR 1.000,-- 

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[Behring, Collection of nine important Emil von Behring - offprints from the Exile-library of Prof. Dr. Hans Sachs

106. [Behring, Emil von / Sachs, Hans].

Collection of nine important Emil von Behring – offprints from the Exile-library of Prof. Dr. Hans Sachs, german serologist who had to flee Nazi-germany and died in his Dublin exile in 1945. The collection also includes the original offprint of an obituary for Emil von Behring, published by Hans Sachs in the “Frankfurter Zeitung” in 1917. The rare Offprint by Paul H. Römer (with epilogue by Emil von Behring), is inscribed to Dr.Hans Sachs. The offprints included in this collection are (in order of their publication): 1. Emil von Behring und F(ranz) Nissen – Ueber bacterienfeindliche Eigenschaften verschiedener Blutserumarten – Ein Beitrag zur Immunitätsfrage (1890) / 2. Emil von Behring und (Erich) Wernicke – Ueber Immunisierung und Heilung von Versuchsthieren bei der Diphterie (1892) / 3. Emil von Behring – Über Heilprinzipien, insbesondere über das ätiologische und das isopathische Heilprinzip (1898) / 4. Emil von Behring – Tuberkulosebekämpfung – Vortrag gehalten auf der Versammlung von Naturforschern und Ärzten am 25. September 1903 in Kassel – [Mit Besitzer-Stempel von Dr.Hans Sachs auf Titelbroschur und Titelblatt / With ownership-stamp of Dr. Hans Sachs on cover and titlepage] / 5. Paul H. Römer (Nebst einem Nachwort von Emil von Behring) – Ueber die Einwirkung des galvanischen Stroms auf Tetanus-Gift, Tetanus-Antitoxin und Toxin-Antitoxin-Gemische – [Mit handschriftlicher Widmung von Paul Römer “Herrn Dr.Sachs sehr ergebenst – v. V.” [vom Verfasser] / Inscribed by Paul Römer to Dr.Hans Sachs] – [Paul Heinrich Römer, from Kirchhain (near Marburg, Germany), was an important colleague of Behring and Sachs. Subsequently, Römer’s experimental studies on Polio led to Jonas Edward Salk’s and Albert Bruce Sabin’s development of a Polio-vaccine. According to Rudolf Siegert [specialist for the History of the ‘Marburg-Virus’], Paul Heinrich Römer, who died at the early age of 40 in World War One, should have been credited with discovery of the Polio remedy / 6. Emil von Behring – Indikationen für die serumtherapeutische Tetanusbekämpfung (1914) / 7. Emil von Behring und Richard Hagemann – Ueber das Diphterieschutzmittel “TA” (Mit 1 Tafel) und Emil von Behring – Aufgaben und Leistungen meines neuen Diphterieschutzmittels und Richard Hagemann – Ueber von Behring’s neues Diphterieschutzmittel (1914) / 8. Emil von Behring – Experimentelle Analyse und Theorie der anaphylaktischen und apotoxischen Vergiftung (1914) / 9. Emil von Behring (Marburg) – Indikationen und Kontra-Indikationen fuer das neue Diphterieschutzmittel “TA” (1914) / 10. Hans Sachs (Frankfurt) – Nachruf / Obituary – Emil von Behring (Sonderabdruck aus der Frankfurter Zeitung – Erstes Morgenblatt vom 4.April 1917)//

Wiesbaden / Leipzig / Berlin / Marburg , Thieme / Elwert / u.a., 1890 – 1914. Octavo. Original Softcover. Very good condition with only minor signs of external wear / The earliest offprint by Behring and Nissen, with a faded dampstain to lower margins / Otherwise with some minor fraying to some of the offprints only. Rare, important collection and very interesting association between Emil von Behring, the first Nobel Laureate of Medicine and Dr.Hans Sachs, jewish serologist and pioneer in efficient diagnosis of syphilis and one of the sad examples of the purge of scientists by Hitler’s regime in 1930s germany. / The collection also comes with several important works of Reference including: 1. A copy of Derek S. Linton’s stunning work: “Emil von Behring – Infectious Disease, Immunology, Serum Therapy” – [Philadelphia, 2005] / 2. also part of the collection is Arthur M. Silverstein’s work on “A History of Immunology” – [San Diego, 1992] see images of this collection !

EUR 1.000,-- 

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Adorno / Horkheimer / Haag - Wichtige Sammlung von bedeutenden Arbeitsexexemplaren / Widmungsexemplaren / Autorenexemplaren der Frankfurter Schule

107. [Adorno, Theodor W. / Horkheimer, Max / Benjamin, Walter] Haag, Karl-Heinz / Schweppenhäuser, Prof. Dr. Hermann.

Wichtige Frankfurter Schule-Sammlung von sehr bedeutenden Arbeitsexemplaren / Widmungsexemplaren / Autorenexemplaren, Autographen und Manuskript-Notiz-Zetteln des deutschen Philosophen Karl-Heinz Haag. Die Arbeitsexemplare (Sieben Buchtitel in neun (9) Bänden) und handschriftlichen Notizen und Autographen (Postkarten), stammen aus der privaten Bibliothek des Adorno und Horkheimer- Schülers, Karl-Heinz Haag. Die in der Sammlung enthaltenen Manuskript-Notizen und Autographen (Postkarten von Horkheimer) sind inhaltsreich und teilweise auch deshalb sehr bedeutend, weil es unter Insidern bekannt ist, dass Haag auch während seiner aktiven Zeit innerhalb der Frankfurter Schule notorisch wenig veröffentlicht und schriftlich kommentiert hat. Beiliegt ausserdem ein Zeitungsausschnitt zur Adorno-Lehrstuhl-Nachfolge. / Important, stunning collection of seven, signed or/and annotated association-copies (working-copies) from the private library of german philosopher Karl-Heinz Haag. Haag was pupil, friend and colleague of Adorno and Horkheimer and was one of the members of the Frankfurt School of Social Theory and Social Research. The collection of annotated books (Seven Booktitles in nine (9) volumes) also includes ephemera (Autograph postcards, newspaper-clipping, as well as several manuscript – pages of significant notes and thoughts by Karl-Heinz Haag regarding topics discussed in some of these publications). The collection is especially important because Haag published and commented notoriously little during and after his tenure in Frankfurt. [See complete set of photographs of this collection on our website].

Frankfurt u.a., Suhrkamp / Institute of Social Research / Kohlhammer etc., 1955 – 1972. Octavo. Paginierung / Collation: 1. Adorno – Aspekte der Hegelschen Philosophie (Inscribed, signed): 59 Seiten mit zahlreichen Annotationen /59 pages, heavily annotated / 2. Haag – Kritik der neueren Ontologie (Author’s copy): 59 Seiten / 59 pages / 3. Adorno – Drei Studien zu Hegel (Inscribed, signed): 172 Seiten mit zahlreichen Annotationen / 172 pages with annotations / 4. Horkheimer – Zur Kritik der instrumentellen Vernunft (Inscribed, signed): 353 Seiten mit vielen Anmerkungen und Anstreichungen / 353 pages, heavily annotated / 5. Horkheimer – Kritische Theorie (Inscribed, signed): XIV, 376, XI, 358 Seiten mit zahlreichen Anmerkungen und Anstreichungen / XIV, 376, XI, 358 pages, heavily annotated / 6. Schweppenhäuser – Tractanda (Inscribed, signed): 141 Seiten / 141 pages. Original Softcover and Hardcover – Volumes. Sehr guter Erhaltungszustand aller Publikationen mit teilweise eingelegten, handschriftlichen Notizen sowie ein alter Zeitungsartikel in dem der Zersetzungsprozess der Frankfurter Schule kommentiert wird. / All publications in very good condition with minor signs of wear. Amazing provenance and possibly one of the last important collections surfacing from the library of a member of the Frankfurt School. The inter-connection between Adorno – Haag – Horkheimer, reflected in Haag’s annotations, lends itself for study and new publications of criticism.

EUR 3.800,-- 

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Collection of important and rare publications by and on american philosopher Stanley Cavell

108. [Stanley Cavell Collection] – Cavell, Stanley [Stanley Louis Goldstein].

Collection of important and rare publications by and on american philosopher Stanley Cavell. The books in this collection originate from the personal library of Stanley Cavell, his friends Victor and Jacqueline, as well as from the library of philosopher Graham Parkes [Please see each title described and photographed in our section “Libraries & Collections” and search for “Stanley Cavell Collection”]. The collection includes: 1. Must We Mean What We Say ? – Modern philosophical essays in morality, religion, drama, music and criticism. First Edition, 1969. Signed and inscribed by Stanley Cavell / 2. Stanley Bates and Ted Cohen – More on what we say. First Edition. Chicago, Middlebury College, 1972 / 3. Cavell, Stanley – Themes out of School. Effects and Causes. San Francisco, North Point Press, 1984. Signed and inscribed by Stanley Cavell / 4. Cavell, Stanley. The World Viewed – Reflections on the Ontology of Film. New York, The Viking Press, 1971. Signed and inscribed by Stanley Cavell in the year 1971, to his friends Victor and Jacqueline / 5. [Cavell, Stanley] Oksenberg Rorty, Amélie. The Many Faces of Philosophy. Reflections from Plato to Arendt. First Edition. Oxford and others, Oxford University Press, 2003. Signed and inscribed by the Editor to Cavell. / 6. [Cavell, Stanley] – Massimo Cacciari – Architecture and Nihilism: On the Philosophy of Modern Architecture – Stanley Cavell’s personal copy with notes and annotations. / 7. [Cavell, Stanley] Desan, Wilfrid – The Tragic Finale – An Essay on the Philosophy of Jean-Paul Sartre – with interesting annotations and textmarkings by Stanley Cavell / 8. Cavell, Stanley. Pursuits of Happiness – the Hollywood Comedy of Remarriage. Massachusetts, Harvard University Press, 1981. From the librray of philosopher Graham Parkes / 9.Cavell, Stanley. The World Viewed- Reflections on the Ontology of Film. Enlarged Edition. Massachusetts, Harvard Universaity Press, 1979. From the library of philosopher Graham Parkes.

New York / Cambridge / and others, Charles Scribner’s Sons / Harper / Yale University Press / Oxford University Press / Viking Press etc., 1969-2003. Large Octavo (17 cm x 23,5 cm). XXIX, 365 pages. Hardcover / Original cloth / Softcover. All books in very good or better condition; many signed or inscribed. A rare opportunity to look into the mind of an important philosophical thinker through his annotations and notes, especially in the book on Sartre.

EUR 1.000,-- 

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[Schneemann, Eshleman, Bearings.

113. [Schneemann, Carolee] Eshleman, Clayton.

Bearings. [Two fantastic association copies of this limited edition / Both copies from the library of Carolee Schneemann / Both, beautifully inscribed by Clayton Eshleman to Carolee Schneemann and one copy with an annotation and several interesting textmarkings by Carolee Schneemann].

First Edition. Santa Barbara, Capricorn Press, 1971. 22.5cm x 15.3cm. 22 (6) pages. Original illustrated softcover. Excellent condition of noth editions, with only minor signs of external wear. This is one of Eshleman’s most personal works, which explains why he inscribed it in two consecutive years to Carolee Schneemann. Clayton Esleman writes about the impact Rilke’s “Letters to a Young Poet” had on him in 1959. Carolee Schneemann has marked several passages which were important to her, among which is: “for in the sense that what is deeply sick in man today is his hate for his body, in that he has loaded the most energetic word he has for love-making with all the hostility he feels against the act of love. Don’t fuck with me, we say. Keep your fucking hands off. Fuck you. And that word, like a jungle interwoven with all kinds of lianas and vines of tensions, desires, and hate, can’t now possibly convey just its erotic energy – “. / Eshleman also leaves a short biographical note (in print) at the end of this Volume in which he critically describes his consequential status quo: “…..Moved to New York City the summer of 1966…..the bottom fell out: I left my family, moved into a hole in the corner of Greenwich Avenue and Bank Street and entered Reichian Therapy…..Presently living in Sherman Oaks, California, with my wife Caryl – and, as of last week, loaned orgone accumulator sitting expectantly in Garage….– 28 January 1971”.

EUR 480,-- 

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Vere Foster, The Two Duchesses - Presentation copy with important manuscript letter [signed and inscribed]

120. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

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David Puttnam - Collection of original Film / Movie - Memorabilia, inscribed/signed books and the extensive Record Collection

121. Puttnam, David.

Collection of Film / Movie & Music – Memorabilia with rare, inscribed/signed books, photographs and promotional ephemera as well as related materials from the private library of Lord David Puttnam and few other sources. The collection includes a large amount of international publications and important monographs on the History of Film and Movies and also several signed and/or inscribed/dedicated Vinyl-Records by early friends of David Puttnam (Ringo Starr, Barbra Streisand etc.) together with some publications on Literature, History, Photography. Also included are several amazing association-copies from David Puttnam’s time as producer at Columbia Studios; like a signed and spectecularly inscribed book by important Director Spike Lee, Director and friend Alan Parker etc. etc. We list here a few items but the complete list of items, described in detail and photographed, will be visible over time on our website under “Libraries & Collections”. Among the titles are for example: 1. A xeroxed copy of the second draft of “Chariots of Fire”, which David Puttnam signed in 2019 and to which he added a wonderful manuscript note and story of the Script: “This is a very interesting early Draft of ‘Chariots of Fire’ – A year later we started shooting the film in Cambridge – Almost exactly two years later the film won the BAFTA Best Picture Award and a few weeks later The ‘Oscar’ ! – Colin Welland also won for Best Screenplay that same evening. Reading this you can see why. Regards – David Puttnam”/ 2. Collection of signed vintage Vinyl owned by Lord David Puttnam, signed and inscribed Records by famous artists and musicians like Barbra Streisand, Ringo Starr, Jean-Michel Jarre as well as soundtracks of his own films (included are Local Hero [not signed by Mark Knopfler but signed by David Puttnam], Midnight Express) etc. / 3. Amazing, absolutely wonderful association copy of Alan Parker’s “Cartoon Version” of his movie “Evita” with which he thanked his cast and crew. This being a personally inscribed copy from Alan Parker to his friends David & Patsy Puttnam. Accompanied by a two-page letter, signed by Parker and citing a quote of David Puttnam reflecting on his own experiences in the movie-business with a bit of ironic advice for his friend Alan Parker on how to exit the movie-business. / 4. Collection of books by writers befriended to David Puttnam, often signed and/or inscribed (Nick Hornby – Fever Pitch etc.) / 5. Collection of monographs and biographies on and by Actors, Directors, Film and Movie-MakingTechnique, Sociology of Film etc. etc. / 6. Large collection of photographical stills as well as portraits of Directors on set during the act of directing, etc. etc.

London / UK / USA, c.1968-1996. Octavo. Original Hardcover with the rare illustrated dustjacket in protective collector’s Mylar. Very good condition with only minor signs of external wear.

EUR 25.000,-- 

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Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many and related items

125. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

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