1. Animals – [Anonymous].

Collection of Animal Prints [with italian subtitles].

Original, hand-coloured copper engravings. Italy, [no year], c.1780. Plate Size: 8 cm x 12.3 cm. Sheet Size: 12.5 cm x 18.5 cm. Original prints. In very good condition. Brightly coloured. Some very minor traces of browning only.

2. [Beethoven, Ludwig van] Göbel, E. F. [C. Jäger].

Ludwig van Beethoven (1770 – 1827).

Stunning, original 19th century Gouache of Beethoven by E.F. Göbel; after a painting of Beethoven by Carl Jaeger (1833-1887), which is now in the possession of the Library of Congress. Germany, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 48 cm x 34,5 cm. Outer margins slightly frayed only. Extraordinary 19th century painting with fresh impression of the signature-face of this timeless composer.

3. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

4. Florence / Pisa – Carocci, G. et al.

Collection of six stunning, early 19th-century gouache-aquatints of Florence and Pisa including a rare segment showing a Funerary Procession in front of Giotto’s Campanile, part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. These very able and fantastically hand-coloured, original artworks, represent the peak of high-quality souvenirs for the European Traveller on their Grand Tour. [Loggia dei Lanzi / Cattedrale di Firenze / Piazza S. Trinita / Campanile Della Cattedrale di Firenze / Ponte S. Trinita / Campanile Di Pisa].

Original Aquatint (hand-applied water-colouring over copper engraving). Florence / Pisa, [c.1820]. Plate Sizes vary: 31 cm x 22.1 cm. Sheet Sizes vary: 34.6 cm x 26.5 cm. Original Gouache-Aquatint (hand-applied water-colouring over copper engraving). Florence/Pisa, [c.1820]. Plate-Sizes vary: c. 31 cm x 22.1 cm. Sheet Sizes vary: c. 34.6 cm x 26.5 cm. Besides some smaller damages to the Ponte S. Trinita-artwork in very good, actually stunning, condition. Clean, crisp and brightly coloured. All of these artworks are beautifully framed and the price includes worldwide free shipping per UPS – courier.

5. Fox Hunting – Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate III – At Fault.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good condition. Some minor traces of browning and paper imperfections to outer margins only.

6. Fox Hunting – Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate IV – The Death.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good- condition. Minor abrasion with slight tear to upper part of engraving.

7. France – Asselineau, Léon-Auguste. (1808 – 1889).

Èglise de St Germain-L’Auxerrois, À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition

8. France – Asselineau, Léon-Auguste. (1808 – 1889).

Intèrieur De St. Ètienne Du Mont À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.3 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition.

9. France – Maurice.

Costumes des Bressannes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [c.1860]. Plate Size: 20 cm x 30 cm. Sheet Size: 26.4 cm x 35 cm. Original lithograph. Excellent condition.

10. France – Mercereau, Charles. (1822 – 1864).

Le Pas de Roland, pres de Combo, (Environs de Bayonne) / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27 cm x 22 cm. Sheet Size: 34.6 cm x 26.3cm. Original lithograph. Excellent condition.

11. Geissler, Paul. (1881 – 1965).

Naples with Mount Vesuvius and Pompei in the background / Neapel mit Vesuv und Pompeji im Hintergrund.

Original Etching. Naples, c.1930. Beautifully Framed. Size of frame with etching: 42 cm x 50 cm. Size of actual etching: c. 38 cm x 30 cm. This original etching from the original plate comes from the estate of the artist and was posthumesly titled by the son of Paul Geissler. The etching is signed in the plate and has been produced probably after the 2nd world war. The german art critic Richard Braungart place Geissler “among the german masters of landscape and architectural etching”.

12. George, Sir Ernest. (1839-1922).

“Bartholomew Close” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

13. George, Sir Ernest. (1839-1922).

“Butcher’s Shops” – Aldgate / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

14. George, Sir Ernest. (1839-1922).

“Crown Court”, Pall Mall / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

15. George, Sir Ernest. (1839-1922).

“Drury Lane” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

16. George, Sir Ernest. (1839-1922).

“Foubert’s Place” – Old Fishshop at Regent Street / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

17. George, Sir Ernest. (1839-1922).

“London Bridge” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

18. George, Sir Ernest. (1839-1922).

“Millbank” – Westminster / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

19. George, Sir Ernest. (1839-1922).

“Oxford Market” – Oxford Street / Old London.

Original Etching. London, The Fine Art Society, 1884. Beautifully Framed. Size of frame with etching: 41.5 cm x 52 cm. Siz of the etching itself: 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Beautifully mounted and framed (see images). With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

20. George, Sir Ernest. (1839-1922).

“Shadwell” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

21. George, Sir Ernest. (1839-1922).

“St. Giles’s” – Cripplegate / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

22. George, Sir Ernest. (1839-1922).

“St.John’s Gate” – Clerkenwell / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

23. George, Sir Ernest. (1839-1922).

“Staple Inn” – Holborn / Old London.

Original Etching. London, The Fine Art Society, 1884. Beautifully Framed. Size of frame with Etching: 41.5 cm x 52 cm. Size of actual etching: 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Beautifully mounted and framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

24. George, Sir Ernest. (1839-1922).

“Temple Bar” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

25. George, Sir Ernest. (1839-1922).

The “Old George” – Tower Hill / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

26. George, Sir Ernest. (1839-1922).

The “Oxford Arms” – Warwick Lane / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

27. George, Sir Ernest. (1839-1922).

The “Paul Pindar” at Bishopsgate Street / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

28. George, Sir Ernest. (1839-1922).

“The Tower of London” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

29. George, Sir Ernest. (1839-1922).

“Wych Street” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

30. Germany – Justi, Ferdinand. (1837 – 1907).

Elder’s Advice. / Hessische Trachten-Szene.

Original Gouache. [no place], [c.1870]. Plate Size: 14 cm x 17.5 cm. Sheet Size: 21.6 cm x 32.7 cm. Original 19th century artwork. In excellent condition. Discreet duplicate stamp of ‘Regia Berolin.’ on reverse. Artist’s

31. Holland – Wijngaerde, Frans van den. (1614 – 1679).

A Collection of Battle Scenes from Famiano Strada’s De Thien eerste Boecken der Nederlandtsche Oorloge.

Original Engravings. Antwerp, Ian Cnobbaert, 1646. Plate Size: 32 cm x 25.5 cm. Sheet Size: 34 cm x 29 cm. In very good condition with only minor traces of browning to outer margins.

32. Istanbul – Aveline, Pierre.

Constantinople – Ville de Romanie et de l’Empire des Turcs.

Original hand-coloured copper engraving. Paris, Jean, [c.1750]. Plate Size: 51.5 cm x 34.5 cm. Frame Size: 64 cm x 50.5 cm. In very good, actually remarkable condition. Very minor traces of browning only. Generous margins.

33. Italy – [Anonymous].

Two Views of Italy – Florence and Naples.

Original engraving. [no place], [no year / c.1780]. Plate Size: 19.5 cm x 15 cm / 25 cm x 19.5 cm. Sheet Size: 21.3 cm x 21 cm / 27.2 cm x 20.5 cm. Original engraving. In very good condition.

34. Keil, Peter Robert. (1942 – )

“Selbstdarstellung”

Oil on Board. Signed: “Keil – Berlin” [Berlin], no year (c.1995). 50 cm x 70 cm. Das Bild mit einigen Schaeden an den Raendern / Some damage to the outer margins (see images).

35. London – [Wren, Christopher]. (1632 – 1732).

Views of Christopher’s Wren’s London Landmarks – St Paul’s Cathedral, St Stephens’ Walbrook – and the Ironmongers Hall.

Original engravings. London et al, Gentleman’s Magazine, and others, [c.1750]. Plate Size: 19.5 cm x 11.5 cm – 26 cm x 19 cm. Sheet Size: 21 cm x 13 cm – 29 cm x 21 cm. Four original engravings in good+ condition with very minor occasional browning only.

36. Mirò, Joan / Dupin, Jacques / Eluard, Paul / Char, René / Prévert, Jacques / Queneau, Raymond.

Exhibition Catalogue “Fondation Maeght 1968 – Saint Paul 06” [With four original colour Lithographs: 1. Cover / 2. One original single-page Lithograph in colour and 3./4.: One Double-Page Lithograph in colour by Joan Mirò].

Saint Paul, Fondation Maeght, 1968. Small Quarto (19.7 cm wide x 22.6 cm high). 212 colour reproductions. Original, illustrated Softcover – Edition with original cover-art by Miro. Very good condition with only minor signs of wear. Some minro foxing and fingerstaining to edge. Otherwise excellent.

37. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

38. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

39. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

40. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. “Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

41. Palmer, Brooke.

“Solstice Seasons” – A Quadriptych of Passage: A Composition of four seasonal Artpieces which transport the viewer to four of the world’s most magical Places of Ritual and Ceremony: I. “Spring at Newgrange” / II. “Summer at Stonehenge” / III. “Autumn at Iniskim Umaapi” / IV. “Winter at Drombeg”.

Four Paintings / Acrylic on circular Birch Wood Panels / Epoxy resined. Toronto, 2023/2024. Dimensions of each Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel).

42. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

43. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

44. Paris – [Anonymous].

A View of the Royal Palace of the Fontainbleau.

Original engraving. [no place], [no year / c.1780]. Plate Size: 23.3 cm x 19 cm. Sheet Size: 26.5 cm x 20.5 cm. Original engraving. In very good condition.

45. Philadelphia – Geissler, Paul. (1881 – 1965).

Philadelphia – Arch of City Hall looking out on Market Street.

Original Etching. 1928. Beautifully Framed. Size of frame with etching: 55 cm high x 47 cm wide. Size of actual etching: c. 38 cm x 46 cm. The etching is signed in the plate and also signed and titled in length by Paul Geissler in pencil. The german art critic Richard Braungart placed Geissler “among the german masters of landscape and architectural etching” / Excellent condition (mounted) and framed. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

46. Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate I – Brushing Into Cover.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good condition. Some minor traces of browning and tearing to outer margins only.

47. Smyth, Nicola Josephine. (*1969)

“Alien Trees I”.

Original Artwork / Acrylic on Canvas. Ireland, 2015. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

48. Smyth, Nicola Josephine. (*1969)

“Alien Trees II”.

Original Artwork / Acrylic on Canvas. Ireland, 2013. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

49. Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

50. Smyth, Nicola Josephine. (*1969)

“But you didn’t”.

Original Artwork / Acrylic on Canvas. Ireland, 2011. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

51. Smyth, Nicola Josephine. (*1969)

“In the Cornfield I”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Framed: 74,5 cm wide x 90,5 cm high. Artwork (canvas): 63 cm wide x 78 cm high. Signed.

52. Smyth, Nicola Josephine. (*1969)

“In the Cornfield II”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Unframed. Artwork (canvas): 90 cm wide x 100 cm high. Signed.

53. Smyth, Nicola Josephine. (*1969)

“Les Fleurs Malade”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Artwork (canvas): 60 cm wide x 77 cm high. Signed.

54. Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

55. Smyth, Nicola Josephine. (*1969)

“My Forest of Dreams”.

Original Artwork / Acrylic on Canvas. Ireland, 2020. Framed: 46 cm wide x 81 cm high. Artwork (canvas): 35 cm wide x 70 cm high. Signed.

56. Smyth, Nicola Josephine. (*1969)

“Soulmates”.

Original Artwork / Oil on Canvas. Ireland, 2015. Framed: 61 cm wide x 81 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

57. Street, Evelyn.

Beara Hills / Caha Mountains with Hungry Hill and Sugarloaf [West Cork].

Oil on Canvas. Bantry (West Cork), 1971. Framed: 159 cm wide x 129 cm high. Canvas: 152 cm wide x 122 cm high. Unusually excellent condition of this striking XXL – Painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

58. Street, Evelyn.

Sugarloaf Mountain (Gabhal Mhór) – Part of Caha Mountains, southwest of Glengarriff in County Cork, Ireland.

Oil on Canvas. Bantry (West Cork), 1972. Unusually excellent condition of this painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

59. Thomas More – [More, Thomas]. (1478 – 1535).

Portrait of Sir Thomas More.

Original Engraving. [no year, c.1870]. Plate Size: 9.5 cm x 15 cm. Sheet Size: 13.5 cm x 21 cm. In very good condition with only minor traces of browning mostly to outer margins.