1. [Beckmann-Tube, Minna] Lenz, Christian.

Minna Beckmann-Tube.

First Edition. Munich, Staatsgalerie Moderner Kunst, 1998. 23cm x 29.5cm. 78 pages with 58 illustrations. Original paperback (softcover). Very good condition with only minor signs of wear. [Hefte des Max Beckmann Archivs – 2]

2. Benjamin, Walter.

Angelus Novus. Mit 4 ganzseitigen Holzschnitten von Gisela Oberbeck.

Limitierter Privatdruck in nur 90 signierten Exemplaren. München, Handsatzwerkstatt Fliegenkopf, 1992. 24,5 cm x 25 cm. 8 nn. Blatt mit 4 ganzseitigen, dramatischen Holzschnitten. Original Softcover / Blockbuchform mit handgebundenem Wellpappen-Umschlag der interessanterweise die Vergänglichkeit des Themas symbolisiert. Sehr guter Zustand. Signiert / Mit persoenlicher Widmung der Kuenstlerin. Excellent, as new condition with only minor signs of wear.

3. Conrad, Joseph.

Jugend. Erzählung.

Leipzig, IM Insel-Verlag 1962. 1962. 12 cm x18 cm. 62 pages. Illustrated with eight black-and-white woodcuts by Hans Alexander Mueller. Original Hardcover (Green and white patterned cloth – title on label with red border and decoration). Very good condition with only minor signs of external wear. Name of previous owner on front free endpaper. [Insel-Buecherei Nr.511].

4. Haacken, Frans. (1911 – 1979).

Totentanz / [Danse Macabre / Dance of Death – A cycle of nine original Woodcuts – A Danse Macabre] – Einige der Holzschnitte betitelt: Rex Tremendae Majestatis / Agnus Dei / Lux Perpetua / Domine Jesu / Lacrymosa / Dies Irae / Tuba.

Neun originale, signierte Holzschnitte / Holzschnittfolge von Haacken’s Handpresse mit Totentanz – Motiven. [Aachen], c.1950. Gerahmt: c. 28 cm x 35 cm. Holzschnitt: 16 cm x 22 cm. Alle Holzschnitte gerahmt. Sehr guter Zustand mit nur einigen kleineren Gebrauchsspuren an den Rahmen.

5. Hajek, Lubor.

The Osaka Woodcuts. Reproductions by W. Forman. Catalogue by J.V. Neustupny.

London, Spring Books, No Year [Circa 1950]. 20.7 cm x 26.3 cm. Colour Frontispiece. 99 pages. 53 pages of colour illustrations with 1 fold-out. Hardcover / Illustrated Japanese Blockbook-style-binding. Black cloth-case with button and string loop. Binding stained but else in Very good+ condition with only minor signs of external wear. Slipcase slightly worn. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

6. Lipsius, Justus.

De Cruce Libri Tres – Ad Sacram profanamque historiam utiles. Una cum Notis.

Secunda editio correctior. Antverpiae, Ex Officina Plantiniana [Christophe Plantin], 1595. Octavo. [14 unnumbered pages], 15 – 137, [6 unnumbered] pages. Original, 16th century Vellum. Binding cleanly loosened at the rear endpaper. Front endpaper intact and connected. Interior excellent with a tiny sign of a faded dampstain to the outer margins only. Otherwise all pages and woodcut-illustrations in Fine condition. Manuscript entry of a preowner (possibly “Henricus Smackers”).

7. [Masereel, Frans] Fürnberg, Louis.

Das Fest Des Lebens. Mit Holzschnitten von Frans Masereel.

Berlin, Rütten and Loening, 1963. 19cm x 27.5cm. 95, (1) pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear and some tears to the illustrated dustjacket.

8. [Masereel, Frans] Verhaeren, Émile / Uzanne, Octave.

Quinze Poèmes d’Émile Verhaeren. Illustrés de 57 Gravures sur Bois, Dessinees et Gravées par Frans Masereel et suivis d’un Souvenir a Verhaeren par Octave Uzanne.

Paris, Edtions Georges Cres & Cie, 1917. 4°. CIII pages. Hardcover / Full leather with gilt lettering to spine and gilt decorated boards. Boards with some stronger signs of wear. One of 1350 exemplaires sur papier anglais.

9. Wight, Thomas.

Colophon Woodcut: “Welcom The Wight That Bringeth Such Light” – Titled in a tablet: ‘Imprinted at London by T. East for Iohn Wight [In lilac ink below this line is also the name ‘W. Shawe’]. Wight’s effigy holds ‘Scientia’ and flanking him are ‘Rhetorica’ and ‘Gramatica’.

London, T.East for Iohn Wight, 1584. 17 cm x 11.8 cm. 1 sheet. Mounted on 19th century paper. Very good condition with only minor signs of a faded dampstain.