1. Arp, R. / Barkman, A. / McRae, J.

The Philosophy of Ang Lee.

Kentucky, The University Press of Kentucky. 2013, 16 cm x 23.5 cm, 303 pages. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes. Signed and inscribed to Parkes by James McRae.

2. Bergman, Ingmar.

Persona & Shame – The Screenplays of Ingmar Bergman. Translated by Keith Bradfield.

London, Calder & Boyars 1972, 13 cm x 20 cm, 191 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. Some erasable light pencil underlining and notation in places.

3. Bergman, Ingmar.

Wild Strawberries – a Film by Ingmar Bergman. translated from the Swedish by Lars Malmstrom and David Kushner.

New York Simon & Schuster 1957, 14 cm x 20.5 cm, 124 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. [Modern Film Scripts]

4. Carroll, N.

Mystifying Movies – Fads & Fallacies in Contemporary Film Theory.

New York, Columbia University Press, 1988, 14.5 cm x 23 cm, X, 262 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper.

5. [Eisenstein, Sergeij] Taylor, R.

The Eisenstein Reader.

London, British Film Institute, 1998, 15.5 cm x 23 cm, VII, 211 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

6. Epstein, Jean.

L’Intelligence d’une Machine.

No. 24 / 100 exemplaires / No.24 of only 100 printed copies. Place of Printing, Jacques Melot, 1946. 22.7cm x 14cm. 193 (2) pages. Hardcover / Beautiful modern half morocco with marbled paper – covered boards. Gilt lettering on spine. Original softcover bound in. The excellent new binding preserves this early classic of Cinema well. Nice collector’s edition. [″Les Classiques du Cinéma”].

7. [Lee, Spike / Puttnam, David / Columbia Pictures].

Spike Lee’s Gotta Have it : Inside Guerilla Filmmaking [Inscribed and signed by Spike Lee to british producer Davis Puttnam (then Columbia CEO / Chairman of Columbia Pictures) who was instrumental in green-lighting Spike Lee’s ‘first major studio film’ (see Patrick Goldstein’s article in the LA Times in Feb.,1988) “School Daze”. The inscription reads: “To David Puttnam / Thanks for Everything / I appreciate it / Fuck Columbia !!! / love, Spike Lee” and is reflective of Spike Lee’s and David Puttnam’s experiences at Columbia (according to the Patrick Goldstein – article, Lee later complained that he constantly faught with Columbia, accusing them of trrying to ‘ghettoize’ his film.

First Edition. New York, Simon and Schuster, 1987. Octavo. 366 pages, illustrated throughout. Illustrated softcover in Collector’s Mylar and bespoke made Solanderbox. Excellent condition with only minor signs of wear. Extremely rare, stunning association-copy between two icons of film-making.

8. Lloyd, Ann / Robinson, David.

Movies of the Thirties. Edited by Ann Lloyd. Consultant Editor David Robinson.

London, Orbis Publishing, 1984. 21.3 cm x 28.9 cm. 224 pages. With many black and white and colour illustrations throughout. Original Softcover. Excellent condition with only minor signs of external wear.

9. Macnab, Geoffrey.

Searching for Star: Stardom and Screen Acting in British Cinema (Rethinking British Cinema).

London / New York, Cassell, 2000. 13,5 cm x 21,5 cm. VIII, 216 pages, 14 illustrations. Original Softcover. Very good condition with only minor signs of wear.

10. Monaco, J.

How to Read a Film – The World of Movies, Media, and Multimedia. Language, History, Theory.

New York, Oxford University Press, 2000, 16.5 cm x 23.5 cm, 672 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.