41. Arcades Project of Walter Benjamin – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

42. [Sutherland, Graham].

Collection of three Portraits of Graham Vivian Sutherland at work in the Tate Gallery, while working on the Mural which he was doing for the “Festival of Britain” and a personal study of Sutherland seated.

Vintage Photographs. [London], c. 1951. All three images framed: 29.7 cm x 36 cm and smaller. Excellent conditions, mounted and framed. The price for these three framed photographs includes international free shipping per UPS Courier.

43. Tulchin, Lewis.

Creative Figure Photography [Erotic – Nude – Photography – Techniques].

London / New York & South Brunswick, Thomas Yoseloff Ltd. / A.S.Barnes and Company, 1967. 4°. 139 pages with numerous black-and-white photographs of nudes of which some were altered by hand with original drawings and sketching over the photographic images. Original Hardcover with original dustjacket. Very good condition with only very minor signs of wear.

44. Chlumsky, Milan.

Das Heidelberger Schloss in der Fotografie vor 1900 [The Castle of Heidelberg in 19th century photographs].

Heidelberg, Edition Braus, 1990. 4°. 139 pages with numerous black-and-white-photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only very minor signs of wear.

45. Huber, Martin.

Die Uhren von A.Lange & Söhne Glashütte / Sachsen [The Watches by A.Lange & Söhne Glashütte / Glashuette / Sachsen].

4.erweiterte Auflage / 4th, extened edition. Muenchen / Munich, Callwey, 1982. 4°. 115 pages with photographic illustrations of historical watches plus reproductions of original pricelists in the rear. Original Hardcover with original dustjacket. Very condition with only minor signs of external wear. / German edition in excellent, close to new edition.

46. Sattmann, Didi.

Die Wiener Szene.

Wien, Orac, 1987. 22 cm x 29.9 cm. 112 pages. With many black and white illustrations. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. Minor dampstain to dustjacket rear. Very minor discolouration to edges. Otherwise clean. Inscribed and signed by Photographer and Artist Nanci Ann Coyne to Harry Zohn.

47. Bronsky, Eric / Samors, Neal.

Downtown Chicago in Transition. Foreword by Joel Daly.

Second Edition. Chicago, Chicago’s Books Press, 2007. 22,5 cm x 29 cm. 253 pages with illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

48. Willoughby, Bob. (1927 – 2009)

Elga Andersen – Bonjour Tristesse – Paris 1957. [Signed by Bob Willoughby / Comes with recent Book of Willoughby’s Jazz Photography in slipcase]

Photographic Print (Poster Reproduction). London, Music of Mind, c. 1980. Beautifully Framed. Size of frame with signed Poster: 51 cm x 70.5 cm. Very good condition. Framed. Glass with very minor split in one corner. Signed in now slightly faded crayon by Jazz – photographer Bob Willoughby. The print comes with a wonderful publication of Bob Willoughby’s Jazz Photography (″Photographs & Recollections” – Jazz – Body and Soul – with a Foreword by Dave Brubeck). From the personal collection and former residence of Bob Willoughby, Coolmain Castle in West Cork, Ireland (near Kilbrittain).

49. [John Minihan Collection] – O’Connor, Ulick.

Executions.

First edition. Dingle, Brandon Books, 1992. 15 x 23 cm. 183 pages. Hardcover (Original cloth with dustjacket). Very good condition. From the collection of photographer John Minihan. Inscribed by Ulick O’Connor to John Minihan on the front free endpaper. Few clean markings inside.

50. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.