Willoughby, Bob. (1927 – 2009)

Elga Andersen – Bonjour Tristesse – Paris 1957. [Signed by Bob Willoughby / Comes with recent Book of Willoughby’s Jazz Photography in slipcase]

Photographic Print (Poster Reproduction). London, Music of Mind, c. 1980. Beautifully Framed. Size of frame with signed Poster: 51 cm x 70.5 cm. Very good condition. Framed. Glass with very minor split in one corner. Signed in now slightly faded crayon by Jazz – photographer Bob Willoughby. The print comes with a wonderful publication of Bob Willoughby’s Jazz Photography (″Photographs & Recollections” – Jazz – Body and Soul – with a Foreword by Dave Brubeck). From the personal collection and former residence of Bob Willoughby, Coolmain Castle in West Cork, Ireland (near Kilbrittain).

Robert Hanley “Bob” Willoughby (June 30, 1927 – 18 December 2009) was an American photographer. Popular Photography called him “The man who virtually invented the photojournalistic motion picture still.″
Willoughby was born in Los Angeles, California. He pursued photography after receiving a camera as a gift on his 12th birthday. Willoughby studied photography at the film school at the University of Southern California and worked under graphic designer Saul Bass at the Kahn Institute of Art.

Between 1948 and 1954, his exhibitions of photographs of jazz musicians and dancers led to a contract with Globe Photos. Later, he worked for Harper’s Bazaar magazine where his photographs illustrated arts and culture articles.

His big break came when he was assigned by six magazines to photograph Judy Garland during the filming of A Star is Born (1954). Subsequently he was hired by Warner Brothers to film the extensive “Born in a Trunk” sequence. This was the first time a motion picture studio hired a special or unit photographer to specifically take photographs for sale to magazines. The result was a Life magazine cover featuring a close-up portrait of the pixie-faced singer in costume. It was her second Life cover and his first.

Much of Willoughby’s popularity stemmed from his ability to capture film stars in unguarded moments of repose and vulnerability. Director Sydney Pollack said in the introduction to Bob’s autobiography: “Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the ‘soul’ of his film in one still photograph. It’s rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of They Shoot Horses, Don’t They?”.

In 1963, Willoughby built the first remote radio-controlled camera for on-set still photography. This led to other innovations that enabled him to take still photographs identical to the film footage.

Willoughby continued to photograph for the rest of his life. He lived in Ireland for 17 years where he used his photographic skills to illustrate ancient Irish poetry text with photographs of the countryside. In addition, he authored books on photography and other subjects. He lived his last years in Vence, France, where he continued a very active professional life. (Wikipedia)

• Keywords: Bonjour Tristesse (Otto Preminger Film) · Catalogue Four – International Art · Coolmain Castle · Elga Andersen (Helga Hymen) · Film & TV Rare · Jazz · Jazz Photography · Kilbrittain · Music · Original Art – Photography · Photography · Photography – Rare · Signed · West Cork
• Language: English
• Inventory Number: 465AG

EUR 780,--