4461. [Sinan, Mimar Koca (c. 1489-1588) / The ‘Great Architect Sinan] Necipoglu, Gülru.

The Age of Sinan – Architectural Culture in the Ottoman Empire.

Reprinted with corrections. London, Reaktion Books, 2011. 592 pages. Illustrated. SOFTCOVER – EDITION / Original Publisher’s Illustrated Softcover-Binding. Excellent condition with only minor signs of wear.

4462. [Bauhaus] Herzogenrath, Wulf.

Bauhausfotografie – Eine Ausstellung des Instituts fuer Auslandsbeziehungen.

Koeln, Dr.Cantz’sche Druckerei, 1983. Quarto (21.4 cm wide x 29.7 cm high). 95 pages. Illustrated. Illustrated Softcover. Einband mit kleineren Einrissen unterhalb des Einband-Fotos. Sonst sehr gut erhalten.

4463. [Tey, Josephine / Daviot, Gordon] / [Gielgud, John].

Josephine Tey – John Gielgud Collection of stunning Association copies of Plays which crucially defined both of their careers as writers and actors. The collection includes important, signed and inscribed association – copies of the two significant productions “Richard of Bordeaux” and “Queen of Scots”, both from John Gielgud’s personal library and with manuscript inscriptions to John Gielgud [and Laurence [Larry] Olivier] by Josephine Tey, aka Gordon Daviot, aka Elizabeth MacKintosh. The collection includes: 1. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux – A Play in Two Acts” – With John Gielgud’s Bookplate (Ex Libris). The ultimate Association-copy, warmly and lengthy inscribed by Josephine Tey to John Gielgud. First Edition. London, Victor Gollancz, 1933 / 2. “Richard of Bordeaux” – Original Programme of “The Streatham Hill Theatre”, 1934. Signed by John Gielgud / 3. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – Original File-copy with dustjacket and Publisher’s wrapper “The Play of the Year” at the New Theatre” – First Edition, 1933 / 4. Gordon Daviot [Josephine Tey] Gordon Daviot – “Richard of Bordeaux – A Play in Two Acts” – [Fifth Edition, 1933] – Special Cast, Producer and Production-Signed copy and inscribed to one “Eileen Grainger”, with the most interesting dedications in manuscript signatures – Signed and inscribed by lead actor and producer John Gielgud [Richard II], Signed and inscribed by leading Lady, actress Gwen Ffrangcon-Davies, Signed and inscribed by Gordon Daviot [Josephine Tey], Also beautifully signed and inscribed with a musical score by Shakespeare-composer and Musical Director for John Gielgud, Herbert Menges OBE ! / 5. “Queen of Scots – A Play in Three Acts” – The Ultimate Association-copy, inscribed by Josephine Tey to her producer: “John Gielgud – from ‘his Gordon Daviot’ / July 1934” / 6. Gordon Daviot – “Queen of Scots – A Play in Three Acts” – Association-copy, signed and warmly and lengthy inscribed by Josephine Tey to Laurence Olivier / 7. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – A Softcover-Version of the Play in Fourth Impression, 1933 / 8. Josephine Tey – “The Daughter of Time” – First Edition, Second Impression (Second Printing). London, Peter Davies, July 1951 [The First Edition was in June 1951]. Original Hardcover with the slightly frayed original dustjacket in Mylar / 9. John Gielgud – “Early Stages” – New and Revised Edition. London, The Falcon Press, 1948. With pages of detail about the work of John Gielgud with Gordon Daviot [Josephine Tey] / 10. Jennifer Morag Henderson – “Josephine Tey – A Life” – With a Foreword by Val McDermid. Sandstone Press, 2015 //

London, Victor Gollancz, 1933 – 1948. Octavo. Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear.

4464. Walpole, Hugh.

Portrait of a Man with Red Hair – A Romantic Macabre [Signed and Inscribed by Hugh Walpole].

First Edition. London, MacMillan and Co., Limited, 1925. Octavo. XI,264 pages. Hardcover / Original Publisher’s cloth with gilt lettering on spine. In bespoke slipcase. Very good condition with only minor signs of wear. Beautifully inscribed by Hugh Walpole: “With the best wishes of Hugh Walpole – May 1927”.

4465. [Le Harivel, Adrian (Editor)].

Irish Watercolours and Drawings. [Exhibition at the National Gallery of Ireland, 20 August – 29 September, 1991].

Dublin, The National Gallery of Ireland, 1991. Quarto (22.5 cm x 29 cm wide). 176 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, as new condition with only minor signs of wear.

4466. [ffrench, John] Lamb, Peter.

The Life and Work of John ffrench – Irish Ceramic Artist (1928-2010).

Limited Edition (No.74 of 100 of a special signed edition). Kinsale, Gandon Editions, 2017. Quarto. 336 pages with illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, as new condition, with the DVD “A Life of Colour” included in the rear of the publication (this film is only included in the special edition). Extremely Rare !

4467. Bristow, Joseph (ed.).

The Cambridge Companion to Victorian Poetry.

Cambridge, Cambridge University Press, 2002. 15 x 23 cm. XXXVII, 321 pages. Original Softcover. Very good condition with minor signs of external wear.

4468. [Nimmo, Alexander] Villiers-Tuthill, Kathleen.

Alexander Nimmo & The Western District – Emerging infrastructure in pre-Famine Ireland.

Clifden, Connemara Girl Publications, 2006. Quarto. XVI, 248 pages. Illustrated throughout. With the Map of Ballynahinch Barony as a Frontispiece. Hardcover / Original Publisher’s cloth with the original, illustrated dustjacket. Excellent condition with only minor signs of wear.

4469. Bowen, John R. / O’Brien, Conor.

Cork Silver and Gold – Four Centuries of Craftsmanship.

Cork, Collins Press, 2005. Oblong-Quarto. 200 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition with only minor signs of wear.

4470. [Siger de Brabant] / [Siger de Courtrai].

Collection of eight (8) Volumes of Works by Siger de Courtrai and Siger de Brabant. The collection includes: 1. G.Wallerand – “Les Oeuvres de Siger de Courtrai” (Louvain, 1913) / 2. Siger de Brabant d’après ses oeuvres inédites [2 volumes] I: “Les oeuvres inédites” – II: “Siger dans l’histoire de l’Aristotélisme” – Louvain, 1931-1942 [Les Philosophes Belges] / 3. Cornelio Andrea Graiff – “Siger de Brabant Questions sur La Metaphysique” – [Philosophes Medievaux – Tome I] (Louvain, 1948) / 4. Antonio Marlasca – “Les Quaestiones Super Librum de Causis De Siger de Brabant” – Edition Critique [Philosophes Medievaux – Tome XII] (Louvain / Paris, 1972) / 5. Bernardo Bazan – “Siger de Brabant – Quaestiones In Tertium de Anima – De Anima Intellectiva – De Aeternita Mundi” – [Philosophies Medievaux – Tome XIII] – (Louvain / Paris, 1972) / 6. Bernardo Bazan – “Siger de Brabant – Ecrits de Logique, De Morale et de Physique” [Philosophies Medievaux – Tome XIV] (Louvain / Paris, 1974) / 7. William Dunphy – Siger de Brabant – “Quaestiones In Metaphysicam” – [Philosophies Medievaux – Tome XXIV] – (Louvain-la-Neuve, 1981) / 8. Amand Maurer – “Siger de Brabant – Quaestiones In Metaphysicam” – [Philosophies Medievaux – Tome XXV] – (Louvain-la-Neuve, 1983) /

Eight Volumes (bound in seven Volumes). Louvain, Editions de L’Institut Supérieur de Philosophie de l’Université Louvain, 1931 – 1983. Quarto and Octavo. Pagination: 1. Volume: 175 pages / 2.Volume: Volume I and II (bound in one): I: VII, 355 pages / II: VIII, continuation of pagination as pages 357-759 pages plus Errata-Leaf / 3. XXXII, 399 pages / 4. 211 pages / 5. 151 pages / 6. 196 pages / 7. 457 pages / 8. 480 pages //. Hardcover / Original Publisher’s cloth and Original Softcover Volumes. Very good condition with only minor signs of wear. Item No.2of the collection with a split spine (needs rebinding). All other Volumes strong and firm and in excellent condition. Provenanace: From the private collection of german philosopher Philipp W. Rosemann, with his library-stam to the endpapers. Original Provenance of some of these Volumes is the “Universite Catholique de Louvain – Bibliotheque de L’Institut Superieur de Philosophie” (with several Volumes bearing the Exlibris of the University-Library but Professor Rosemann having acquired these directly from the library during a sale of duplicates etc.).