51. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

52. Pierre, Frédéric.

Du Coin De L’Oeil La Pleine Lune. [With thirteen (13) stunning, original and signed erotic, colour-engravings]. Gravé et imprimé par Frédéric Pierre à l’atelier de l’été Juin – Septembre 1991. Texte par A. Kallur / C. Aldridge / F. Pierre.

Henley-on-Thames / Stockholm, Published by Artwenty, September 1991. Folio (31.3 cm wide x 41.4 cm high). (3), 27, (1) sheets of finest BFK Rives Velin Paper with deckled edges. Hardcover / Original blue cloth with gilt lettering on spine and ornament on board. Excellent, as new condition. No.10 of only 21 copies, signed by the artist. The entire edition of this artist-book comprised of 28 copies of which 7 copies were numbered in roman numerals from I – VII and accompanied by an original, unique and signed engraving [please enquire for one of the roman numbered editions]. This is one of the 21 copies without the additional engraving. EXTREMELY Rare !!!

53. Pierre, Frédéric.

“Meme les Dieux ont ami de toi” [With five (5) original and signed erotic, colour-engravings]. 5 gravures érotiques par Frédéric Pierre.

1991. Quarto (25 cm wide x 30 cm high). Six sheets of folded velin of which the first sheet is the title and introductory Poems “The Fruit of your Body” and the following five sheets are the original erotic gravures, titled, limited and signed by the artist Frédéric Pierre. Hardcover / Original blue clamshell-box, housing the artwork. Excellent, as new condition. No.18 of only 21 copies, signed by the artist. EXTREMELY Rare !!!

54. Farkas, Lidia / Poharnok, Zoltan / Shires, Frances (Translator).

Sly Mike: A Hungarian Story – With ten original, coloured etchings by Lidia Farkas and Zoltan Poharnok. English Translation by Frances Shires.

No.115 of a signed, limited Edition of 250 copies. Budapest, Published by Dr.George Vajna & Co., (1937). Small Quarto (17.5 cm wide x 23 cm high). 44 unnumbered pages (inlcuding the etchings). The book is signed by both artists, Lidia Farkas and Zoltan Poharnok. Hardcover / Original, embroidered binding. Some foxing to binding but the endpapers intact and the binding in overall very good condition. All etchings in excellent condition. A wonderful, rare example of a very rare book !

55. Mirò, Joan / Dupin, Jacques / Eluard, Paul / Char, René / Prévert, Jacques / Queneau, Raymond.

Exhibition Catalogue “Fondation Maeght 1968 – Saint Paul 06” [With four original colour Lithographs: 1. Cover / 2. One original single-page Lithograph in colour and 3./4.: One Double-Page Lithograph in colour by Joan Mirò].

Saint Paul, Fondation Maeght, 1968. Small Quarto (19.7 cm wide x 22.6 cm high). 212 colour reproductions. Original, illustrated Softcover – Edition with original cover-art by Miro. Very good condition with only minor signs of wear. Some minro foxing and fingerstaining to edge. Otherwise excellent.

56. [Blake, WIlliam] / [Philip Gilbert] / [William Quiller Orchardson] / [John Fullwood] / [John La Farge] Hamerton, P.G.

The Portfolio – Monographs on Artistic Subjects [21 Volumes in 7 with each Volume including three Monographs on a Subject or an Artist’s Life and Work. Volumes include for example include: Josiah Wedgwood / John La Farge / William Blake / Japanese Wood-Engraving / Belgian Sculpture etc. see full List below]. Edited by P.G.Hamerton.

Original / First Edition. 21 Volumes bound in seven Volumes. London, Seeley and Co., 1894-1896. Quarto (19.2 cm wide x 27.2 cm high). c. 1600 pages with a total of 37 Etchings / Engravings. Hardcover / All Volumes in their original, very decorative Art Nouveau-Bindings with gilt lettering and ornament on spine and frontcover. All Bindings in protective Collectors-Mylar. Excellent, actually stunning condition with only minor signs of wear and occasional foxing to some of the illustrations only). One layer loosened in the 1895-Volume.

57. Hunting – Blome, Richard. (1635-1705).

Hunting Treats of Bloodhound, Hounds, Dogs, Four Footed Beasts, Wild Bore, Hare, Wolfe, Fox, Badger, Otter, Beaver etc. / Their Breeding, Feeding, Keeping, Entring and Ordering.

Original copper engraving (hand-coloured). Cambridge, c. 1710. 41 x 21 cm. Minor lesions to left outer margins. Small defect to left side of the engraving. A stunning example of Blome’s famous Hunting Treats in beautiful handcolouring. Beautifully framed.

58. Yorkshire – Kilby, Thomas. (1794 – 1868).

Wakefield, Yorkshire – Trinity Church & New Wells. [Published for Thomas Kilby’s “Scenery in the Vicinity of Wakefield”]

Hand-coloured Lithograph. [London], 1843. Beautifully Framed. Size of frame with Lithograph: 42.5 cm x 32.5 cm. Size of actual Lithograph: 37 cm x 27 cm. Excellent condition.

59. London Hospital – Maitland, William. (18th century).

“The Charter House Hospital” [London]. / Hand Coloured Architectural Birds Eye View of The Charter House Hospital, London

Handcoloured Copper Engraving. London, for “The History and Survey of London from its Foundation to the Present Time…”, c. 1750. Beautifully Framed. Size of frame with engraving: 43.5 cm x 33.5 cm. Size of the actual engraving: 36 cm x 24 cm. Frame with some minor signs of wear (rubbing to the frame with some discoloration). The engraving in excellent conditon with only faint signs of a former fold to upper left corner.

60. Tide [Flux et Reflux] – Anonymus.

Actions du Soleil et de la Lune considerees comme Causes du Flux et Reflux pour la Geographie Comparee. [Moon and Sun Influence on the Tide / “Flux and Reflux” / 18th century Map].

Original copper engraving. [Paris], c. 1780. 27.6 cm x 23 cm. Mounted on paper. Very good condition with only a faint dampstain to the lower left side. With an additional diagram mounted verso: “Equinoxe d’Automne dans ce Siecle” / “Equinoxe d’Automne du temps d’Hipparque” / “Equinoxe du Printems du Temps d’Hipparque” etc.

61. George, Sir Ernest. (1839-1922).

The “Paul Pindar” at Bishopsgate Street / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

62. George, Sir Ernest. (1839-1922).

“Wych Street” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

63. George, Sir Ernest. (1839-1922).

“Foubert’s Place” – Old Fishshop at Regent Street / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

64. George, Sir Ernest. (1839-1922).

“Crown Court”, Pall Mall / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

65. George, Sir Ernest. (1839-1922).

“St. Giles’s” – Cripplegate / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

66. George, Sir Ernest. (1839-1922).

“Bartholomew Close” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

67. George, Sir Ernest. (1839-1922).

“St.John’s Gate” – Clerkenwell / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

68. George, Sir Ernest. (1839-1922).

“Millbank” – Westminster / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

69. George, Sir Ernest. (1839-1922).

“Butcher’s Shops” – Aldgate / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

70. George, Sir Ernest. (1839-1922).

“Temple Bar” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

71. George, Sir Ernest. (1839-1922).

The “Oxford Arms” – Warwick Lane / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

72. George, Sir Ernest. (1839-1922).

“The Tower of London” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

73. George, Sir Ernest. (1839-1922).

The “Old George” – Tower Hill / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

74. George, Sir Ernest. (1839-1922).

“Shadwell” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

75. George, Sir Ernest. (1839-1922).

“London Bridge” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

76. George, Sir Ernest. (1839-1922).

“Staple Inn” – Holborn / Old London.

Original Etching. London, The Fine Art Society, 1884. Beautifully Framed. Size of frame with Etching: 41.5 cm x 52 cm. Size of actual etching: 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Beautifully mounted and framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

77. George, Sir Ernest. (1839-1922).

“Oxford Market” – Oxford Street / Old London.

Original Etching. London, The Fine Art Society, 1884. Beautifully Framed. Size of frame with etching: 41.5 cm x 52 cm. Siz of the etching itself: 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Beautifully mounted and framed (see images). With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

78. George, Sir Ernest. (1839-1922).

“Drury Lane” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

79. Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

80. Smyth, Nicola Josephine. (*1969)

“Soulmates”.

Original Artwork / Oil on Canvas. Ireland, 2015. Framed: 61 cm wide x 81 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

81. Smyth, Nicola Josephine. (*1969)

“In the Cornfield I”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Framed: 74,5 cm wide x 90,5 cm high. Artwork (canvas): 63 cm wide x 78 cm high. Signed.

82. Smyth, Nicola Josephine. (*1969)

“In the Cornfield II”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Unframed. Artwork (canvas): 90 cm wide x 100 cm high. Signed.

83. Smyth, Nicola Josephine. (*1969)

“Alien Trees I”.

Original Artwork / Acrylic on Canvas. Ireland, 2015. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

84. Smyth, Nicola Josephine. (*1969)

“Alien Trees II”.

Original Artwork / Acrylic on Canvas. Ireland, 2013. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

85. Smyth, Nicola Josephine. (*1969)

“But you didn’t”.

Original Artwork / Acrylic on Canvas. Ireland, 2011. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

86. Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

87. Smyth, Nicola Josephine. (*1969)

“My Forest of Dreams”.

Original Artwork / Acrylic on Canvas. Ireland, 2020. Framed: 46 cm wide x 81 cm high. Artwork (canvas): 35 cm wide x 70 cm high. Signed.

88. Smyth, Nicola Josephine. (*1969)

“Les Fleurs Malade”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Artwork (canvas): 60 cm wide x 77 cm high. Signed.