31. Roberts, David. (1796 – 1864)

Site of Cana [Lebanon] of Galilee, April 21st, 1839 [″Cana, Vue Generale” – “Cana – General View”].

Original, mid-19th century, vintage Lithograph after the original painting in the Victoria & Albert Museum. [The original Lithograph is shown in the wonderful David Roberts-publication on page 23 and 24 in full colour. The History of the image is explained in full on page 22. The original monograph on David Roberts and his work, accompanies the Lithograph as a gift to any future buyer, showing on 120 colour plates 123 colour-facsimile-illustrations and reproductions from his Journal from his visits to the Holy Land]. London, Cassell etc., c. 1850. Beautifully Framed. Size of frame with Lithograph: 62 cm x 45.5 cm. Size of actual Lithograph: c. 34 cm x 50 cm. Excellent condition !

32. Stroobant, François. (1819-1916)

Nürnberg (Baiern) – Nuremberg (Baviere) – Nuremberg (Bavaria).

Originale Lithographie von Stroobant, gedruckt bei Simonau & Toovey bei Charles Muquardt ca. 1850 – Details [Brüssel/Brussels/Bruxelles], Imp. Simonau & Toovey [Charles Muquardt], [1850]. Mounted overall size: 45.7 cm x 48.5 cm. Lithograph-Image only: 29.5 cm x 27.7 cm. Very good condition with only very minor signs of foxing.

33. France – Asselineau, Léon-Auguste. (1808 – 1889).

Èglise de St Germain-L’Auxerrois, À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition

34. France – Asselineau, Léon-Auguste. (1808 – 1889).

Intèrieur De St. Ètienne Du Mont À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.3 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition.

35. France – Asselineau, Léon-Auguste. (1808 – 1889).

La Maison Carée, À Nîmes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Very good condition with slight amounts of browning to outer margins only.

36. France – Maurice.

Costumes des Bressannes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [c.1860]. Plate Size: 20 cm x 30 cm. Sheet Size: 26.4 cm x 35 cm. Original lithograph. Excellent condition.

37. France – Mercereau, Charles. (1822 – 1864).

Le Pas de Roland, pres de Combo, (Environs de Bayonne) / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27 cm x 22 cm. Sheet Size: 34.6 cm x 26.3cm. Original lithograph. Excellent condition.

38. North Africa – Justi, Ferdinand. (1837 – 1907).

Travellers’ Journey.

Original water colouring. [no place], [c.1870]. Plate Size: 19 cm x 12.3 cm. Sheet Size: 26.8 cm x 21.7 cm. Original 19th century artwork. In near excellent condition. Signed by artist.

39. [Vanity Fair] Bowles, Thomas Gibson / [Fantastic collection of political caricature portraits of 19th century American Politicans / British Politicians]

Vanity Fair: A Weekly Show of Political, Social & Literary Wares – Complete Annual for the year 1872 with 51 full-page portraits of victorian statesmen of england as well as the united states of america (Hamilton Fish, Ulysses S. Grant, Horace Greeley etc.), politicians, writers, artists, “men of the day” and men of influence, portrayed in chromolithography / chromolithographs in colour (January 6, 1872 – June 29, 1872 & July 6, 1872 – December 28, 1872 ).

London, Vanity Fair, 1872. Folio. 208, 208 pages. Complete set. Interleaved with 51 chromolithographic portraits. Beautifully restored, original Hardcover (half-leather with orginal spine (gilt letttering and ornament). With new, linen-covered boards, using the original pastedowns and endpapers. A stunning Volume in excellent condition. All illustrations in wonderful colour.

40. George, Sir Ernest. (1839-1922).

“Bartholomew Close” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).