81. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

82. [Daniele, Francesco / Johann Josef von Wilczek / Thomasius, Christian].

Le Forche Caudine – Illustrate con due Appendici. [Compreso “Prospetto Della Valle Caudina Dalla Parte Della Campania”]. Second edition, augmented and, according to Brunet, preferable to the original first edition, which was printed in Caserta in 1778.

Seconda Edizione. Napoli, Appresso Angelo Trani, 1811. Folio (44.5 cm x29 cm). XIII, (3), 102 pages plus (6) pages advertising and Index (Indice). With 22 (twentytwo) illustrations overall. Including a large fold-out-plan (97 x 43 cm) of the Valle Caudine, several Vignettes, Allegorical/Historical Illustrations and four beautiful landscape engravings of the Valle Caudine by Alessandro d’Anna / XIII, (3), 102 pagine più (6) pagine pubblicitarie e Index (Indice). Con 22 (ventidue) illustrazioni in totale. Tra cui una grande illustrazione (97 x 43 cm) della Valle Caudine, diverse vignette, illustrazioni allegoriche / storiche e quattro bellissime incisioni paesaggistiche della Valle Caudine di Alessandro d’Anna. Hardcover / Fantastic modern, Nigerian goatskin with gilt lettering on spine and fine quality late 19th-century cloth over boards. New endpapers and all bound in style by english master-binders. Excellent condition of the binding. The stunning and most wonderful interior with only very occasional signs of an old dampstain to the outer margins and the beautiful, large fold-out-plan with some mild browning to one part of the center-fold. A typographical masterpiece of italian printmaking.

83. Preißler, Johann Daniel / Preißler, Georg Martin.

Die durch Theorie erfundene Practic, Oder Gründlich-verfasste Reguln deren man sich als einer Anleitung zu berühmter Künstlere (sic) Zeichen-Wercken bestens bedienen kan (sic). [Drei Werke in sechs Teilen auf zwei Bände verteilt !] Vier Theile inclusive dem vierten “Fortsetzungsband”. Zwei Anhänge angebunden – Anhang I: L’Anatomia Deipittori del Signore Carlo Cesio, das ist: deutliche Anweisung und gründliche Vorstellung von der Anatomie der Mahler (sic), wie in den Gliedern des menschlichen Leibs die vornehmste Gebeine und Musculn, nach ihren Namen, Stellen, Anfängen und Enden, auch fordersten Verrichtungen, bey ihren unterschiedlichen Bewegungen und Handlungen zu erkennen, anzusehen und vorzustellen seyn; anfänglich von dem Kunst=berühmten Meister Carlo Cesio in netten und deutlichen Tabellen, auch kurtzen, doch gründlichen in Italiänischer Sprache beygefügten Erklärungen an das Licht gegeben: Nun aber zu mehrern Aufnahm der Mahler= und Zeichen=Kunst in das Teutsche getreulich übersetzet mitgetheilet von Johann Daniel Preißlern, der Nürnbergischen Kunstmahler=Academie Directore bey welchem sie auch zu finden. / Anhang II: Gründliche Anleitung welcher man sich im Nachzeichnen schöner Landschafften oder Prospecten bedienen kan (sic), den Liebhabern der Zeichen-Kunst mitgetheilet und eigenhändig in Kupfer gebracht, von Johann Daniel Preißler. Mit 104 Kupfertafeln von Georg Martin Preißler.

Mischauflage (vierte bis siebente Auflage). 5 Teile in 2 Bänden (vollständig). Nürnberg, Kunst-Mahler-Academie, 1747-1780. Folio. Band I enthält die Teile 1-3 mit der Vorrede und dem “Nöthigen Vorbericht” aufgeteilt auf die ersten zwei Teile. Paginierung: Teil I: (2 Bll.), 19 ganzseitige Kupfertafeln / Teil II: (5 Bll.), 18 ganzseitige Kupfertafeln / Teil III: (4 Bll.), 17 ganzseitige Kupfertafeln, (3 Bll.). Eine Kupfer in einer Ecke minimal beschmutzt. Band II enthält den vierten “Fortsetzungs” – Band und im Anhang das Werk von Carlo Cesio. Paginierung: Teil IV: (4 Bll.), 18 ganzseitige Kupfertafeln / ANHANG I: L’Anatomia Deipittori / Anatomie der Mahler – Paginierung: (2 Bll.), 16 ganzseitige Kupfer (im Stile Vesalius’ und Eustachius’) / Anhang II: Nachzeichnen schöner Landschaften – Paginierung: (2), 16 ganzseitige Kupfertafeln // Wunderschöne Halblederbände des späten 18.Jahrhunderts oder frühen 19.Jahrhunderts. Das Halbleder auf fünf unechten Bünden mit zweifarbigen Rückenschildchen und reicher Rückenvergoldung. Exzellenter Erhaltungszustand mit nur einem der Kupferstiche mit minimaler Verschmutzung. Eine der schönsten Ausgabe einer Malerschule die wir je gesehen haben.

84. Pierre, Frédéric.

“Meme les Dieux ont ami de toi” [With five (5) original and signed erotic, colour-engravings]. 5 gravures érotiques par Frédéric Pierre.

1991. Quarto (25 cm wide x 30 cm high). Six sheets of folded velin of which the first sheet is the title and introductory Poems “The Fruit of your Body” and the following five sheets are the original erotic gravures, titled, limited and signed by the artist Frédéric Pierre. Hardcover / Original blue clamshell-box, housing the artwork. Excellent, as new condition. No.18 of only 21 copies, signed by the artist. EXTREMELY Rare !!!

85. Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

86. Bryant, William Cullen [Editor] / [Provenance: George Crichton – S.S.Germanic – 1879].

Picturesque America ; Or, The Land We Live In – A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes, Forests, Water-Falls, Shores, Canyons, Valleys, Cities, and Other Picturesque Features of our Country. With Illustrations on Steel [49] and Wood, by eminent American Artists.

First Edition. Two Volumes (complete set). New York, D.Appleton and Company, no year [c.1872 – 1874]. Royal Quarto. Volume I: VIII, IV, 568 pages with Illustrations throughout (see full list below) / Volume II: VI, 576 pages with Illustrations throughout (see full list below). Original Publisher’s decorative half leather with gilt lettering and ornament on spines. Bindings firm but in poor condition. Interior absolutely excellent with some minor staining to endpapers only. Inscription in both Volumes state that these Volumes belonge to George Crichton, S.S.Germanic, 1879, where they obviously were given to him as a gift “From John Walsh, Philadelphia, American Minister at St.James’s – London”. Stunning publication with 49 very valuable Steel-Engravings in beautiful condition.

87. [Calder, Alexander] Wilbur, Richard.

A BESTIARY – [One of 50 copies on luxurious Rives-mould, signed by Calder and Wilbur].

New York, Printed at the Spiral Press for Pantheon Books, 1955. Folio (24 cm wide x 32.5 cm high). Original Hardcover / Half red morocco, beige buckram boards with gilt lettering on spine and gilt stamped illustration to front board. A very fine copy in the original board slipcase with very minor signs of shelfwear to the slipcase only. Spine very sightly sunned. A fantastic book with quotes from Yeats and Kafka and many other writers, illustrated by Calder!

88. Hockney, David.

Fax Dibujos / Fax Cuadros [Together with an Original Black-and-White Photograph of David Hockney on archival paper].

Mexico, Centro Cultural/Arte Contemporáneo, 1990. Quarto (24.4 cm wide x 28 cm high). 120 pages. Softcover / Original spiral bound. Unusually excellent, FINE condition with only minor signs of wear. Extremely rare ! / [The Hockney Portrait-Photograph, which comes with the FAX Dibujos-publication, is stamped verso with Copyright by Universal Pictorial Press and Agency Ltd. in London and dated in 1976. – Provenance of the Photo: This photograph comes from the private Press-Photgraphs-Coloection of irish photographer John Minhan, accumulated during his early years as photographer on Fleet Street, London].

89. Dubuffet, Jean.

La botte à nique.

Genève, Albert Skira, 1973. Slim Fpolio Box with Oxtcavo Volume and Slim-Folio Screen-print separate. 112 pages (collation complèt) plus une sérigraphie (Silkscreen: ‘Quatre Figures’) dans une chemise séparée. Original Hardcover in original box with additional folder for the silkscreen. Complete, a fantastic publication ! Some signs of foxing ! Otherwsie in EXCELLENT condition with only minor signs of wear and including the often missing screen-print in the separate chemise. / Edition originale, Exemplaire No.38 des 165 exemplaires numérotés sur vélin d’Arches. Notre exemplaire est bien complet de sa sérigraphie présentée sous une chemise à part.

90. [Ravilious, Eric] Shakespeare, William.

“Twelfth Night or, What You Will” by William Shakespeare – With Engravings by Eric Ravilious. With 29 wood-engravings by Eric Ravilious, printed in Grey and Maroon.

No.47 of a limited Edition of 275 copies on Batchelor Paper. Waltham Saint Lawrence, Berkshire, The Golden Cockerel Press, 1932. Folio (24.3 cm wide x 34 cm high). Pagination: Endpaper, (2), 41 leaves, (1), Endpaper. With 29 wood-engravings throughout. Hardcover / Original half-leateher, bound by Sangorski & Sutcliffe, with their bindery-stamp to pastedown. Binding wonderfully firm and cloth only slightly rubbed, else an excellent copy pf a very scarce book from the beloved Golden Cockerel Press.