1.

72-dpi anime [Camera / Vector / Linear / Motion / Interactive] – With an interview of Erik Saks: “Untitled – 002 – Infinity” (″Define what ‘infinity’ means to modern culture”).

Berlin, Die Gestalten Verlag, 2001. 28,5 cm x 24 cm. 197 pages with illustrations throughout. Original Softcover. Slightly bumped corners, DVD is missing, otherwise in Very good condition.

2. Arp, R. / Barkman, A. / McRae, J.

The Philosophy of Ang Lee.

Kentucky, The University Press of Kentucky. 2013, 16 cm x 23.5 cm, 303 pages. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes. Signed and inscribed to Parkes by James McRae.

3. Auster, Paul.

Smoke & Blue in the Face – Two Films written by Paul Auster.

New York, Hyperion, 1995. 15 cm x 23.5 cm. VIII, 290 pages. Original Softcover. Very good condition with only minor signs of external wear. First Edition. Signed by Paul Auster.

4. Bergman, Ingmar.

Persona & Shame – The Screenplays of Ingmar Bergman. Translated by Keith Bradfield.

London, Calder & Boyars 1972, 13 cm x 20 cm, 191 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. Some erasable light pencil underlining and notation in places.

5. Bergman, Ingmar.

Wild Strawberries – a Film by Ingmar Bergman. translated from the Swedish by Lars Malmstrom and David Kushner.

New York Simon & Schuster 1957, 14 cm x 20.5 cm, 124 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper. [Modern Film Scripts]

6. [Berkeley, Busby] Pike, Bob / Martin, Dave.

The Genius of Busby Berkeley [Buzz Berkeley].

[Reseda, California], CFS Books [a division of the creative film society], 1973. Folio. 194 pages with numerous photographs. Original, illustrated Softcover. Excellent condition with only minor signs of external wear. From the personal library of producer David Puttnam.

7. [Berkeley, Busby] Thomas, Tony / Terry, Jim.

The Busby Berkeley Book. Foreword by Ruby Keeler.

Greenwich, Conn., New York Graphic Society, 1973. Folio. 192 pages with numerous photographs. Original Hardcover with original dustjacket. Very good condition with only minor signs of external wear.

8. Boorman, John.

Money into Light: The Emerald Forest A Diary.

London / Boston, Faber & Faber, 1985. 13.5 cm x 21 cm. XIII, 241 pages with illustrations. Original softcover. Very good condition with minor signs of external wear. Back cover clipped on bottom left hand corner. Writing on title page. Clean inside.

9. [Brook, Peter] O’Connor, Gary.

The Mahabharata – Peter Brook’s Epic in the Making. Photography by Gilles Abegg.

London, Hodder & Stoughton, 1989. 19 cm x 25 cm. 159 pages. Original Hardcover with original dustjacket. Excellent condition with only very minor signs of external wear.

10. Brownlow, Kevin.

The Parade’s Gone By.

London, Sphere, 1973. 20 cm. 689 pages. Illustrations in black and white throughout. Original softcover. Very good condition with only very minor signs of external wear, for example, creasing of the spine and very slight stain on the upper front cover.

11. Buñuel, Luis / Dali, Salvador / Vigo, Jean (Foreword).

Un Chien Andalou. Transcription and Introduction by Phillip Drummond.

London / Boston, Faber and Faber, 1994. 13 cm x 21.5 cm. XXVI, 38 pages. Several black and white photographs throughout the book. Original illustrated softcover slipcase with VHS Tape and book. Very good condition with only minor signs of external wear to box, book and VHS Tape. From the private library of irish photographer John Minihan.

12. Carroll, N.

Mystifying Movies – Fads & Fallacies in Contemporary Film Theory.

New York, Columbia University Press, 1988, 14.5 cm x 23 cm, X, 262 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes, with his name on the front free endpaper.

13. Crawley, Tony.

Bébé: The Films of Brigitte Bardot.

London, LSP Books, 1975. 21.5 cm x 27.5 cm. Frontispiece.256 pages. Black and white illustrations. Original Softcover. Very good+ condition with only minor signs of external wear. Some minor wear to cover and spine. Minor discolouration to edges and endpaper. Otherwise clean, bright and binding strong.

14. Cripps, Thomas.

Slow Fade to Black. The Negro in American Film, 1900-1942.

First Edition. New York, Oxford University Press, 1977. 24 cm. XI, 447 pages. With illustrations in black and white throughout. Original hardcover. Very good condition, ex-libris edition with only very minor signs of external wear. [Galaxy book ; GB484].

15. Cushing, Peter / Lee, Christopher / Karloff, Boris.

Collection of 22 vintage film stills from the Archives of the Christopher Lee Fan-Club (run by Gloria Lillibridge in Warwick, Rhode Island). With an extraordinary portrait of Peter Cushing and Christopher Lee in one image.

Vintage Photographic Prints on archival paper. [London], c.1974 – 1977. Most of the images are 20,5 cm x 25,5 cm. Excellent condition with only minor signs of wear. The collection also includes a photograph of Christopher Lee with his fans.

16. Derrida, Jacques & Fathy, Safaa.

Tourner les mots: au bord d’un film. [Signatures autographes de Jacques Derrida]

Edition limitée (No.60/70). Paris, Galilee, 2000. 8°. 169 pages with illustrations / photographs in colour. Softcover / Reliure Broché. Pages Unopened ! Signatures autographes de Jacques Derrida / First edition, one of seventy examples printed on “verge ivoire,” of this work produced as a companion to the film “D’ailleurs, Derrida”. Only seventy copies were produced, and most were distributed among the film’s collaborators. This copy signed by Derrida on the half title. Fine in publisher’s printed wrappers.

17. [Dietrich, Marlene] Bemmann, Helga.

Ihr Weg zum Chanson.

Wilhelmshaven, Florian Noetzel Verlag, 1987. 22,5 cm x 29,5 cm. 239 seiten. Mit zahlreichen schwarz-weißen Abbildungen und Illustrationen. Original Hardcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

18. [Eisenstein, Sergeij] Taylor, R.

The Eisenstein Reader.

London, British Film Institute, 1998, 15.5 cm x 23 cm, VII, 211 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

19. Epstein, Jean.

L’Intelligence d’une Machine.

No. 24 / 100 exemplaires / No.24 of only 100 printed copies. Place of Printing, Jacques Melot, 1946. 22.7cm x 14cm. 193 (2) pages. Hardcover / Beautiful modern half morocco with marbled paper – covered boards. Gilt lettering on spine. Original softcover bound in. The excellent new binding preserves this early classic of Cinema well. Nice collector’s edition. [″Les Classiques du Cinéma”].

20. Febel, Gisela [Hrsg.].

Europäischer Film im Kontext der Romania. Geschichte und Innovation.

Wien/Zürich/Berlin/Münster, Lit, 2007. 8°. 313 Seiten. Illustriert. Softcover / Kartoniert. Sehr guter, neuwertiger Zustand (Eine Kante miminal geknickt). KEINE Anstreichungen. KEIN Besitzvermerk. KEIN Mängelexemplar. [FOLIES ; Bd. 5]