201. Laffan, William / Monkhouse, Christopher.

IRELAND – Crossroads of Art and Design, 1690 – 1840. Edited by William Laffan and Christopher Monkhouse – With the assistance of Leslie Fitzpatrick.

New Haven/London, Yale University Press / The Art Institute of Chicago, 2015. 25.5 cm wide x 28 cm high. Frontispiece, 288 pages, heavily illustrated throughout. Original Hardcover with illustrated dustjacket. Excellent condition with only minor signs of wear.

202. Le Brocquy, Louis.

The Head Image.

Kinsale, Gandon Editions, 1996. 24 cm wide x 30 cm high. Frontispiece, 183 pages with fantastic illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very rare in this Excellent condition with only minor signs of wear.

203. [Lear, Edward and others] The Fine Art Society.

Spring ‘91 – 7 May – 7 June / Illustrations with descriptions include for example: George Frederic Watts – “Sir Galahad” / Edward Lear – “Campagna di Roma” / Edward Lear – “Dar Mar Sabbas, Palestine, 30th April, 1858” / Edward Lear – “Karyes”, 12th September 1856 / John Frederick Lewis – “An Arab” and “Interior of the Mosque of Santa Sophia, Constantinople 1840-41” etc. etc.

London, The Fine Art Society PLC., 1991. 20.5 cm x 25.5 cm. 70 pages. 72 colour photographs throughout. Original Softcover catalogue. Excellent condition with only minor signs of external wear.

204. [Leighton, Lord Frederic] Williamson, George C.

Frederic Lord Leighton.

London, George Bell & Sons, 1902. 10 cm x 16 cm. 56 Pages plus additional press reviews and 8 pages of publisher’s advertising. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only very minor signs of external wear. [Bell’s Miniature Series of Painters].

205. Lenihan, Liam.

The writings of James Barry and the Genre of History Painting, 1775-1809.

Farnham/Burlington, VT, Ashgate, 2014. Octavo (16.2 cm wide x 24 cm high). XII, 206 pags / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Inscribed and signed by Liam Lenihan.

206. Litchfield, Frederick.

Illustrated History of Furniture. [With Chapters on Japanese Furniture and Early Machine-Made Furniture as well as an Appendix with Names of Furniture-Artists and Furniture Manufacturers]. From the Earliest to the Present Time. With numerous illustrations.

Third Edition. London, Truslove & Hanson, 1893. 21 x 29 cm. XX, 280 pages with many illustrations throughout the text. Original Hardcover. Leather with gilt lettering. Very good condition with minor signs of external wear (Upper spine with minor damage). From the library of furniture-historian Claudia Kinmonth. The free front endpaper is detached and loosely inserted.

207. Lloyd, Nathaniel.

A History of the English House – From the Primitive Times to the Victorian Period.

Second Edition. London, The Architectural Press, 1949. Quarto: (23 cm wide x 31 cm high). 487 pages with a large section of 888 (!) illustrations. Original Hardcover / Original green publisher’s cloth with gilt lettering on spine and frontcover. Binding slightly stained and bumped but overall firm and especially the interior in absolutely excellent condition.

208. Lohan, Rena / OPW.

Guide to the Archives of the Office of Public Works.

Dublin, Stationery Office, 1994. Quarto (21.5 cm wide x 29.7 cm high). xx, 307 pages illustrations, maps (some color). Original Hardcover with illustrated dustjacket. Excellent, as new condition with only minor signs of wear.

209. Long, Richard.

Richard Long.

New York, N.Y., Thames and Hudson / Solomon R. Guggenheim Museum, 1986. 27 cm. 237 pages with 244 illustrations, 29 in colour and 215 in duotone. Original Hardcover with dustjacket. Excellent condition with some minor signs of wear only.

210. Lucey, Conor.

House and Home in Georgian Ireland. Spaces and cultures of domestic Life.

Dublin, Four Courts Press, 2022. Octavo. 210 pages with illustrations throughout the volume. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition with only minor signs of wear.

211. Lyles, Anne.

Turner The Fifth Decade : Watercolours, 1830-1840.

London, Tate Gallery Publications, 1992. 20.9 cm x 27 cm. 86 pages. With black and white and colour illustrations. Original Softcover. Very good+ condition with only minor signs of external wear.

212. [Mackintosh, Chales Rennie] Billcliffe, Roger / Murray, John.

Charles Rennie Mackintosh: The Complete Furntiture, Furniture Drawings and Interior Designs.

London, Cameron & Tayleur Ltd., 1986. 24.8 cm x 35 cm. 272 pages. Original Hardcover with dustjacket. Excellent condition with only minor signs of external wear. The price for this heavy book includes international shipping per Courier !

213. [MacMahon, Ella [Eleanor Harriet] / Watson, Aaron / Edwardes, Charles / Bonney, Professor / etc.].

Historical Houses of the United Kingdom [and Ireland] – Descriptive, Historical, Pictorial. [The two articles on Lismore Castle and Kilkenny Castle were written by irish romance novelist Ella MacMahon].

London / Paris / Melbourne, Cassell & Company, 1892. Quarto (23 cm x 27.5 cm high). Frontispice, VIII, 328 pages with numerous text-illustrations and severl full-page illustrations of the Houses and Castles. Original, decorative Hardcover with gilt lettering and ornament on spine and cover. Bidning shaky but bookblock firm. Wonderful publication with many historical building-details of irish and english houses. To our knowledge the full-page illustrations of Kilkenny Castle and Lismore Castle are not found in any other publication.

214. Maguire, Brian.

REMAINS [The Arizona Series] / [Signed by the artist Brian Maguire in Cork, 2021].

Cork, Crawford Art Gallery, 2021. Quarto (28.5 cm wide x 28 cm high). 48 pages with illustrations throughout. Original, illustrated Hardcover. Excellent condition with only minor signs of wear.Signed by the artist !

215. Marc, Franz. (1880-1916)

“Reh im Blumengarten”.

Original Art-Print from the 1960s or 1970s, reframed from its original Frame with the original back of the old frame stating “Kunsthandlung O. Hofstätter”. Germany, c.1970. Print-Size: 36 cm wide x 32 cm high. Framed: 51 cm x 51 cm. Excellent condition. High Quality Artprint of the late 1960s or early 1970s. Franz Marc’s Masterpiece in a beautiful modern frame. The price includes international free shipping per UPS Courier.

216. Margolis, Joseph.

The Mode of Existence of a work of Art.

The Review of Metaphysics, 1958. 8°. 9 pages. Softcover. Offprint form “The Review of Metaphysics” – 1958.

217. Maskerade / Ceremony of Dutch Students – Bos, Gerardus Johannes (1825 – 1898).

Maskerade gehouden door de leden van het Leidsche Studenten – Corps den 24sten Juni 1890, ter viering van den 315ste Verjaardag der Leidsche Hoogeschool, Voorstellende De intocht van Karel V binnen Nijmegen in 1546.

Original Lithographs. Leiden, P.Somerwil, 1890. Each Lithograph measures 36 cm wide x 25 cm high. Excellent condition. Lacks the title-page-sheet but all the 27 beautiful, coloured lithographic plates are complete.

218. McCarthy, Patricia.

Life in the Country House in Georgian Ireland.

New Haven and London, Yale University Press, 2016. Quarto: (25 cm wide x 28 cm high). 260 pages with illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, as new condition. The rare Hardcover-Edition.

219. McCulloch, Alan (editor) / Henshaw, John.

The Golden Age of Australian Painting – Impressionism and the Heidelberg School.

Melbourne, Lansdowne Press, 1969. 26 cm x 31 cm. 196 pages. 110 colour illustrations on 94 tipped-in plates and 36 mononchrome illustrtions. Hardcover [publisher’s original maroon cloth] with gilt lettering on spine. With marvelously illustrated and slipcase with titling to front board. Extremely Rare / Very good+ condition with only minor signs of external wear. Stunning illustrations in excellent condition. Interior near perfect. Discreet bookseller’s label on front pastedown. Binding firm and strong and bookblock tight and square. Slipcase shows some shelfwear but is in good condition.

220. McIntyre, Peter.

Peter McIntyre’s New Zealand.

6th edition. Wellington Auckland Sydney, A.H. and A.W. Reed, 1969. 29.5cm x 35cm. 124 pages including 56 stunning colour Plates. Original Hardcover [without the original dustjacket]. The book in excellent condition with only minor signs of wear. What a wonderful publication.

221. McKeon, Richard.

The Philosophic Bases of Art and Criticism.

Modern Philology, 1944. 8°. 62 pages. Softcover. Part I and II (complete). Offprint from “Modern Philology” – 1943-1944.

222. McVeigh, Patrick.

Colour in Design and The Psychological Effects It Has On People.

Limerick, Thomond College of Education, 1990. 20.8 cm x 29.3 cm. 49 pages. Original Softcover. Very good+ condition with only minor signs of external wear. Only very minor stains to cover.

223. Mead, Margaret.

The Maoris and their Arts.

New York, The American Museum of Natural History, 1928. 8°. Frontispiece-Map of New Zealand, 37 pages with several illustrations. Original, illustrated Softcover. Rare First Edition from 1928. Very good+ condition. Inventorynumber on frontcover. The publication precedes Margaret Mead’s first book. [Guide Leaflet Series No.71]

224. Michalowski, Janusz Maciej.

Jan Matejko. W kregu sztuki (Polish Edition).

Warsaw, Arkady, 1979. 24.5 cm x 27.5 cm. 72 pages. With 18 coloured boards and 41 black and white reproductions. Original Hardcover. Very good+ condition with only minor signs of external wear. Only very minor foxing to pastedowns, endpapers, half-title and bibliography pages. From the reference library of Hans Christian Andersen Translator- Erik Haugaard.

225. Mirò, Joan / Dupin, Jacques / Eluard, Paul / Char, René / Prévert, Jacques / Queneau, Raymond.

Exhibition Catalogue “Fondation Maeght 1968 – Saint Paul 06” [With four original colour Lithographs: 1. Cover / 2. One original single-page Lithograph in colour and 3./4.: One Double-Page Lithograph in colour by Joan Mirò].

Saint Paul, Fondation Maeght, 1968. Small Quarto (19.7 cm wide x 22.6 cm high). 212 colour reproductions. Original, illustrated Softcover – Edition with original cover-art by Miro. Very good condition with only minor signs of wear. Some minro foxing and fingerstaining to edge. Otherwise excellent.

226. Miró, Joan / Sam Hunter [Introduction].

Joan Miró – His Graphic Work. Introduction by Sam Hunter – With 79 Gravure Illustrations and 14 Color Plates [Includes Two original Lithographs].

First Edition. New York, Harry N. Abrams, 1958. Quarto (28 cm wide x 32.7 cm high). XXXV, 108 pages. Original Hardcover with the beautiful, original, illustrated dustjacket. With publisher’s paper-band loosely inserted and in original slipcase. Very Minor signs of removed sellotape to binding and dustjacket only. A very firm and clean copy of this important catalogue raissonee in very good condition with only minor signs of wear. With the wonderful photograph of Miro, flanked by apprentices, in his studio.

227. [Money, Keith] / [Secretariat (Horse)] / [Mill Reef – (Horse)] / [Brigadier Gerard (Horse)].

Equestrian Art and Racing Memorabilia at Park Paddocks, Newmarket – Friday, 5 May 1989. [With Paintings listed of “Secretariat”, “Mill Reef” and “Brigadier Gerard” by eminent Ballet-Photographer and Equestrian Painter, Keith Money.

London / Newmarket, Christie’s, 1989. Quarto. 124 pages plus Index. Illustrated Softcover. Some pages loosened. Otherwise in very good condition with only minor signs of wear. From the private library of Keith Money with name of a relative on endpaper (D.A.Money).

228. Moschetti, [Prof. Allesandro].

Roma – [Original 19th century Tourist Guide with 40 (forty) Lithographic Plates on Rome in Piranesi-style / Rome in Antiquity].

[Rome], Incisioni del Prof. Moschetti, Epoca 1822. Small Octavo. 40 illustrations as Leporello. Original, blindstamped Hardcover with illustrated cover. With the original bands fully intact. Very good condition with only minor signs of wear. Very rare Piranesiesque Guide, including the famous Pyramide (Caio Cestio) and Veduti.

229. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

230. Mulligan, Kevin V.

BALLYFIN – The Restoration of an Irish House & Demesne.

Tralee, Churchill House Press, 2011. Folio (25 cm wide x 31 cm high). 240 pages with illustrations throughout. Original Hardcover with illustrated dustjacket. Excellent, firm condition with only minor signs of wear.

231. [Murray, Peter / Brooke, Peter / Kissane, Sean / Kennedy, Roisin / Coulter, Riann / Hall, Dickon / Crawford Art Gallery].

Analysing Cubism.

First and only edition of this rare Exhibition Catalogue. Cork, Ireland, IMMA / Crawford Art Gallery, 2013. 30 cm. 149 pages. With illustrations, mainly in colour. Original, illustrated Hardcover. Excellent, close to new condition with only minor signs of wear.

232. Nares, James.

James Nares: “Written Drawings” (Art Random) (English and Japanese Edition).

Kyoto, Kyoto Shoin, 1991. 23.3 cm x 30.9 cm. Frontispiece. 48 pages. Original Hardcover. Very good+ condition with only minor signs of external wear. Minor dampstain to page edges. Inscribed and signed by the artist James Nares to his mother and her partner Winky / WIth manuscript letter signed by James Nares to his Mum i which he also declares “I am working like crazy – Have 1 Show in Nov. (NY) in Dec. (LA + Canaray Islands) – I’m Lucky that it’s what I like to do best – Much Love – James”

233. [Nares, James] Cox, Beatrice (editor)

Exploring the Arts. [James Nares’ personal copy – received as “Robb Art Prize – Senior Section – Lent, 1965”].

London, Longacre Press, 1961. 21 cm x 26.5 cm. 191 pages with numerous monochrome illustrations throughout. Hardcover [publisher’s original maroon cloth] with gilt lettering on spine. Very good condition with only minor signs of external wear. Some foxing to endpapers and hint of browning to leaf edges but interior otherwise bright and clean. Front endpapers carry inked inscription ‘Robb Art Prize Senior Section, James Nares, Lent 1965.’

234. New Yorker, The.

The New Yorker Album of Sports and Games.

London, Hamish Hamilton, 1958. 23 cm x 30 cm. 96 pages. Original Hardcover (green cloth with New Yorker logo embossed on front cover in red, title in embossed silver on spine). Design and Layout by Carmin Peppe. Good condition with signs of external wear and an inscription on front free endpaper.

235. Nock, Arthur Darby.

Faiths and Symbols. An introduction by Arthur Darby Nock. For an exhibition held in the Gallery of The Century Association during April 1943.

New York, The Century Association, 1943. 8°. 16 pages. Softcover / Original printed wrappers. Near fine.

236. North, Marianne.

A Vision of Eden – The Life and Work of Marianne North. Preface by J. P. M. Brenan ; Foreword by Anthony Huxley ; Biographical note by Brenda E. Moon.

New York, Holt, Rinehart and Winston, 1980. 26 cm. 240 pages. Illustrated. Original Hardcover with dustjacket. Excellent condition with some minor signs of wear only.

237. O’Flaherty, Liam.

The Wild Swan and other Stories. By Liam O’Flaherty with a Frontispiece by P.V.Moon and a Foreword by Rhys Davies. Being No.10 of the Furnival Books.

London, William Jackson (Books) Ltd. [Joiner & Steele], 1932. Octavo (16.3 cm wide x 25.4 cm high). Frontispiece-Woodcut, 60 pages. Original Hardcover (Buckram). Very good condition with only minor signs of wear. Beautifully signed by Liam O’Flaherty.

238. Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

239. O’Reilly, Paul M. (Editor).

EV+A 1998 – Circus ZZ / Exhibition of Visual+ Art.

Limerick / Kinsale, Gandon Editions / Limerick City Gallery of Art, 1998. Quarto. (25 cm wide x 22.4 cm high). 166 pages. Original Softcover. Very good condition with only minor signs of wear. Rare !!

240. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

241. [Oxford University-History / The Bodleian Library] Best & Lloyd Limited.

Architectural Lighting. [Extremely Rare Art Deco Lighting Catalogue of Best & Lloyd Limited – With several imgae sof Lighting applied to Nos. 10 and 11 Downing Street as well as the image of “The Bodleian Library now lit by artificial light for the First Time since its foundation” (this dates the catalogue to 1929/1930)].

London, The Kynoch Press, [Best & Lloyd Limited, Handsworth – Birmingham and 40 Gt. Marlborough St.], no year (c.1929/1930). Octavo (19 cm wide x 25.4 cm high). 63 pages with numerous photographs of Art Deco Lights, Art Deco Lighting products, Art Deco Lighting Fixtures, etc. Original Hardcover. Spine slightly damaged / Very good condition with only minor signs of wear.

242. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

243. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

244. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. ″Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

245. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

246. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

247. Paolozzi, Eduardo.

The Metallization Of A Dream. Reproductions. With a commentary by Lawrence Alloway.

Handnumbered: No.218 [of c. 400]. London, Lion and Unicorn Press, 1963. Quarto (22 cm wide x 26.5 cm high). Frontispiece, 64 pages with illustrations (some in colour) throughout the publication. With four (4) photo-lithographs. Original, illustrated, blindstamped Hardcover. Unusually excellent condition with only minor signs of wear.

248. [Pardington, Fiona/ MacLean, Alison/ Hunter, Alexis/ Morison, Julia/ Webster, Christine/ Reihana, Lisa/ Darragh, Judy/ Tweedie, Merylyn etc.]

Pleasures and Dangers. Artists of the ‘90s. Edited by Trish Clark and Wystan Curnow.

New Zealand, Longman Paul, 1991. 27cm x 21.5cm. 173 pages. Original illustrated softcover. Excellent condition with only minor signs of external wear. Name of preowner opposite titlepage.

249. Parsons, Jack / Beard, Tyler.

Lone Star Living – Texas Homes and Ranches [Signed / Inscribed by PhotographerJack Parsons].

Boston / New York / London, Bulfinch Press, 2003. Quarto (24 cm wide x 28.8 cm high). 230 pages with photographs throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. Beautifully signed / inscribed by Jack Parsons.

250. Partridge, Frank.

Autumn Exhibition English Sporting Paintings 1960.

London, Tillotsons Ltd, 1960. 23.5cm x 30cm. 40 pages. Original paperback (softcover). Very good condition with only minor signs of wear.