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Inanna Modern – Vintage Photographs 19th Century (12 items)

Manuscript Autobiography, Diary and vintage photo album of the Chapman - Barwise

1. Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

EUR 950,-- 

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Ireland (Carrick-A-Rede / Giant's Causeway

3. 19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

EUR 580,-- 

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Couvée, Album mit 31 grossformatigen, originalen Photographien

4. Couvée, M. M.

19th Century Album with 31 fantastic, large vintage photographs of Germany, Austria and Italy. Many of these early photographs are on Frankfurt am Main, but also Berlin, Heidelberg and classic travel – locations along the Rhine are included / Also interspersed are some other european destinations like Lugano, Venice and Salzburg (these all in colour). – All Photographs original Albumen Prints. / Album mit 31 grossformatigen, fantastischen, originalen Photographien von deutschen und europaeischen Stadtansichten des 19. Jahrhunderts, vorwiegend Frankfurt am Main [mit traumhaften und ungewoehnlichen Ansichten von Frankfurt und Sachsenhausen / Kaiserstrasse mit Strassenbahn / Rossmarkt / Goetheplatz / Alte Oper / Palmengarten / Wiesbaden – Kursaalplatz / Eschenheimer Turm / Kaiser-Wilhelm-Denkmal / Main mit Untermainbruecke und Angler mit zwei Jungen davor / aber auch Stadtansichten von Berlin (″Blick nach den Linden” in Farbe – in colour), Lugano (in Farbe – in colour), Boppard (in Farbe – in colour), Heidelberg (in Farbe – in colour), Salzburg, Königstein im Taunus (in Farbe – in colour), Remagen (in Farbe – in colour), Coblenz, Lahneck, Sooneck, Braubach und Marxburg, Wiesbaden, Bingen und Venedig (in Farbe – in colour)/

La Haye / Dresden, Couvée / Stengel & Co., c. 1895 – 1900. Quer Quart / Oblong Quarto. 31 large photographs mounted on cardboard. Original Hardcover / Exzellente Halblederausgabe mit vergoldetem Titel auf dem Vorderdeckel. / Album with gilt lettering. Ungewoehnlich gut erhaltenes Album mit phantastischen Aufnahmen die auch das buergerliche Leben mit eingefangen haben. / Excellent condition with only minor signs of external wear.

EUR 1.280,-- 

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Taylor, Collection of six (6) items/original, vintage and personal materials

5. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

EUR 2.800,-- 

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