151. [Rickmer Rickmers, Willi] Jäger, Gustav (Herausgeber).

Der Tourist – Organ für Natur- und Alpenfreunde [plus einige Jahrgaenge der Beilagen “Das Alpenhorn” und “Bei Nebel und Regen” beigebunden]. 27 Bände in 20 / Es fehlen die No.39 und 40 im Jahrgang 1869 (dies sind die Seiten 609-640 und es fehlen die Jahrgaenge 1893 bis 1896) . Einige Jahrgaenge sind in zwei Baenden erschienen und hier immer in einem Band gebunden. Diese wurden von uns aber bei der Gesamtzahl von 27 Baenden nicht doppelt gezaehlt und immer als “ein Band” gewertet. / 27 volumes of a consecutive run from 1869 bound in 20 volumes with only four annuals (1893-1896) as well as two numbers missing [No.39 and 40 in Volume 1 (year 1869)]. [Als weitere Zugabe: Dublette des Jahrgangsband 1876-1877 vom “Alpine-Club” (London) mit einer beigebundenen Ausgabe: Gustav Jaeger – “Der Fuehrer auf der Kronprinz Rudolfbahn von der Donau bis Laibach enthaltend: Die Beschreibung der Kunstbauten und Eisenbahnfahrten auf der Hauptlinie und den Seitenfluegeln, sowie die Schilderung der Ortschaften und Ausfluege von saemtlichen Bahnstationen in Nieder- und Oberoesterreich, Steiermark, Kaernten und Krain. Wien, 1876. 213 (6) Seiten].

Wien, Carl Finsterbeck, 1869 – 1892 & 1897-1898. 14.5 cm x 21.5 cm / 24.5 cm x 30.5 cm / 25 cm x 32.5 cm. 23.5 cm x 31.5 cm ca. 9800 Seiten (siehe Paginierung im englischen Teil der Beschreibung). [Mit der farbigen Lithographie “Der Sonnblick” im Maltathal in Band 1 (1869 / eingebunden nach Seite 202) sowie der zweiten Lithographie “″Glokner” (eingebunden nach Seite 728)/ Lithographie in Band 2 (1870) fehlt [Allerdings haben wir der Ausgabe den 2. Jahrgangsband 1870 als Dublette beigelegt und die Dublette fuer 1870 enthaelt die seltene Lithographie “Der Blaue Tumpf im Maltathale (Kaernten)” [siehe die Photos]. Die Reihe enthaelt ausserdem das wunderbare, grosse Panorama vom “Hochwechsel” / Circa. 9,200 pages – Vol.I (1869), 768 pages with both Lithographs as called for (pages 609-640 missing) plus “Das Alpenhorn” (Nummern 29 – 48 des 1.Jahrgangs) / Vol.II (1870), 696 pages with the Lithograph missing – Angebunden: “Das Alpenhorn” – Kompletter II.Jahrgang [Als Zugabe: Band 2 liegt hier bei mit der Lithographie] / Vol.III (1871), 726 pages plus “Das Alpenhorn” Teil des III.Jahrgangs / Vol.IV (1872), 552 pages plus der komplette IV. Jahrgang “Das Alpenhorn” / Vol.V (1873), 436 pages plu Jahrgang V of “Das Alpenhorn” / Vol.VI (1874), 442 pages plus Jahrgang VI of “Das Alpenhorn” / VII. (1875), 412 pages mit “Das Alpenhorn” Jahrgang VII. / Vol.VIII (1876) – 2 Volumes in 1: 228 pages & 244 pages plus “Das Alpenhorn” Jahrgang VIII / Vol.IX (1877) – 2 Volumes in 1: 204 & 236 pages plus 48 pages “Bei Nebel und Regen” & “Das Alpenhorn” IX.Jahrgang / Vol.X (1878)-2 Volumes: 234 & 242 pages plus einige Nummern von “Bei Nebel und Regen” & “Das Alpenhorn” / Vol.XI-XII (1879-80) c.416 pages / Vol.XIII-XIV (1881-82), c.384 pages / Vol. XV-XVI (1883-84), c.384 pages / Vol.XVII-XVIII (1885-1886), c.384 pages/ Vol.XIX-XX (1887-88), c.384 pages / Vol.XXI-XXII (1889-90), c.384 pages / Vol.XXIII-XXIV (1891-92), c.384 pages / Vol.14 (1897), 458 pages / Vol.15 (1898), 586 pages / Vol.16 (1899), 668 pages. / In addition the periodical includes a duplicate of Volume II (Annual for 1870) and this Duplicate includes the rare original Lithograph. Originale Halbleinenbaende des 19.Jahrhunderts mit Rueckenvergoldung. / Hardcover. Contemporary cloth with gilt lettering on spine / [2 with marbled boards, the remainder with dark cloth boards]. 3 volumes with navy cloth boards. Zehn Baende in Gross-Quart, die anderen in Oktav-Format. Sehr guter Zustand dieser seltenen, korrespondierenden Reihe mit nur wenigen Gebrauchsspuren an den Bindungen. Very good condition with only minor signs of external wear. Some minor abrasions to cloth for volumes 1872 and 1875. Baende fuer die Jahre 1872 und 1875 mit kleinen Einrissen am Ruecken. Periodikum aus der Bibliothek von Wilhelm Gustav Rickmer Rickmers, mit seinem Exlibris in nahezu allen Baenden / Minor rubbing only to head and heel of spines and board corners. Interiors clean and bright for the most part. Slight tanning throughout. Former copies from the library of Wilhelm Gustav Rickmer Rickmers, with his large, beautiful and artistic bookplate “Bibliotheka Rickmersiana” [designed and monogrammed by Otto Barth] in most of the Volumes. Also Bookplate of Bibliothek Central-Ausschuss Deutscher und Österreichischer Alpenverein. Library stamp on front endpaper / The collection subsequently was part of the library of the Alpine Club in London.

152. Du Chaillu, Paul.

My Apingi Kingdom: With Life in the Great Sahara. And Sketches of the Chase of the Ostrich, Hyena, &c. Numerous Engravings.

New York, Harper & Brothers, no year (c.1870). 12.5 cm x 19 cm. Frontispiece with tissueguard, VIII, 254 pages. 33 illustrations. Hardcover [publisher’s original maroon cloth] with gilt lettering and design on spine. Gilt pictoral on front board. Blind stamp to rear board. Coloured pastedowns and endpapers. Very good+ condition with only minor signs of external wear. Interior bright and clean with sharp corners. Tissue guard in very good condition. Preowner details on front endpaper: “James Hill – Westell Farm – Kewell, Read 1916”.

153. Howard, Jacob M(erritt).

San Juan Island – Speech of Hon.Jacob M.Howard, of Michigan, delivered in executive Session of the Senate, April 16, 1869.

Washington, F.&J.Rives & Geo. A.Bailey, 1870. 8°. 13 pages. Softcover. Original Pamphlet. Original brochure. Inscribed by Howard on the frontcover “Compl(imen)ts of J.M.H.”

154. Germany – Justi, Ferdinand. (1837 – 1907).

Elder’s Advice. / Hessische Trachten-Szene.

Original Gouache. [no place], [c.1870]. Plate Size: 14 cm x 17.5 cm. Sheet Size: 21.6 cm x 32.7 cm. Original 19th century artwork. In excellent condition. Discreet duplicate stamp of ‘Regia Berolin.’ on reverse. Artist’s

155. 19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

156. Baker, Samuel W. Baker.

The Nile Tributaries of Abyssinia and the Sword Hunters of the Hamran Arabs. With Illustrations and Maps.

4th Edition. London, Macmillan & Co., 1871. 13.5 cm x 19.5 cm. Frontispiece, XIX, 413 pages. 24 illustrations from original sketches by Sir S.W. Baker on indivdual plates. Map of Nile Basin as frontispiece. Fold-out colour map near front showing routes of ‘Nile Tributaries of Abyssinia.’ Hardcover [publisher’s original green cloth] with gilt lettering and design on spine. Black tooled borders and design on front board. Deckled top and fore- edges. Very good condition with only minor signs of external wear. Light tanning and occasional minor foxing throughout. Interior unmarked. Binding firm and solid and textblock square and tight.

157. Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

158. Marryat, Frederick.

Peter Simple.

London, George Routledge, 1873. 18 cm. 448 pages with frontispiece portrait of Marryat and 6 plates. Hardcover / Half leather of the early 20th century with gilt lettering on spine. Very good condition with only very minor signs of external wear. Binding slightly detached from the excellent condition bookblock. From the reference library of Hans Christian Andersen – Translator Erik Haugaard. With his Exlibris to the pastedown.

159. Madden, Thomas More.

The Spas and Their Use – Medical Hand-Book of the Principal Watering Places on the Continent – Belgium, Germany, Switzerland, France and Italy.

Third edition. London, T.C. Newby, 1874. 14.8 cm x 19.8 cm XI, 369 pages. Hardcover [publisher’s original green cloth] with gilt lettering and elaborate ornamentation to spine. Very good condition with only minor signs of external wear. Firm binding with bookblock tight and square. With protective Mylar. Discreet bookseller’s label on lower front pastedown.

160. [Saadi of Shiraz] Sa’di / Abu-Muhammad Muslih al-Din bin Abdallah Shirazi.

Golestan [Gulistan / Rose Garden] – Original 19th century printed version in Persian / Farsi with some contemporary manuscript notes in pencil. Complete title: Great praise and admiration be upon the Creator of the earth, human kind and spirit Infinite blessings and greetings to the God’s beloved court that in this time with the songs of nightingale in the magic and harmonious flower garden of Honourable Sheikh Saadi Shirazi, may God have mercy on him, and great acknowledgement of the book Golestan. Thanks to the great number of believers, God’s follower Qazi Ibrahim Hajji, the noble pious Hajji Qazi Nour Mohammad Milpabadi and Nour-e-Din Bin Heikhakhan, for the second time.

Bombay, In the Printing House Heydari, 1875. Octavo. 252 pages. Hardcover / Contemporary 19th century half leather with marbled paper-covered boards. It is clear from three consecutive little wholes to the bookblock that this version of the Rose Garden was previously bound as a blockbook and rebound in 19th century boards. First 9 and last 7 pages with a faded stain, possibly from the glue of a former wrapper. Otherwise in very good condition with only minor signs of external wear. Some occasional manuscript notes in pencil in english.