1. Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

2. Abolitionism – Woolman, John.

Some Considerations on the Keeping of Negroes – Recommended to the Professors of Christianity of every Denomination. In: “A Journal of the Life, Gospel Labours, and Christian Experiences of that Faithful Minister of Jesus Christ, John Woolman, Late of Mount Holly, in the Province of New Jersey, North America. To which are added, His works, containing his last Epistle and other Writings”.

First Irish Edition. Dublin, Printed by R.M.Jackson, 1794. Octavo. XV, 464 pages. Hardcover / Original 18th-century full leather with original spine-label. Binding firm but rubbed with some minro damaged to the boards. Overall in very good condition.

3. Ainsworth, Henry.

Two Treatises by Henry Ainsworth. The First, “Of the Communion of Saints”. The Second: “An Arrow Against Idolatry” etc. – To this Edition is prefixed, some “Account of the Life and Writings of the Author”.

Edinburgh, Printed by D.Paterson, 1789. Octavo. LXIX, 344 pages with two titlepages announcing the two titles separately. Hardcover / Original 18th century leather, professionally restored with a modern spine to the style of the period. The Volume in protective collector’s Mylar. Very good condition with some minor signs of wear only. Rare edition with an early biographical account on Henry Ainsworth. Heavily annotated with contemporary comments. Annotations on pastedown, endpaper and within text are focused on crossreferencing Ainsworth’s publication with other contemporaries and their conflicting or corresponding thoughts on Idolatry (Hugh Broughton “on the consent of times” gets mentioned etc.).

4. Alzati, Cesare.

Cristianità ed Europa – Miscellanea di Studi in Onore di Luigi Prosdocimi. Volume I – Tomo 2. [Articles include for example: James A. Brundage – The Lawyer as his clients Judge – The Medieval Advocate’s Duty to the Court etc. etc.] A cura di Cesare Alzati.

Roma/Freiburg/Wien, Herder, 1994. Gr.-8°. 494 pp (p. 357 – 851). Softcover. Articles in Italiano, Francais, Deutsch, English. Very good condition. [Volume I – Tomo 2.]

5. [Ammonas] Chitty, Derwas J. [Trans].

The Letters of Ammonas, Successor of Saint Antony. Revised and with an introduction by Sebastian Brock.

Oxford, SLG Press Ltd., 1979. 14 x 20.5cm (4), 21 pages. Original softcover. Excellent condition. [Fairacres Publications, No. 72].

6. Anderton, James.

The Protestants Apology for the Roman Church. [incomplete 17th century version of the 1608 edition / With manuscript annotations and dating by the owners of the book on page 512: Father John Coyne / Richard Power in 1683]. [Deuided into three seuerall tractes. VVherof the first concerneth the antiquity & continuance of the Roman Church & religion, euer since the Apostles times. The second 1. that the Protestants religion was not so much as in being, at, or before Luthers first appearing. 2. that the marks of the true church are apperteyning to the Roman, and wholy wanting to the seuerall churches, begun by Luther & Caluin. The third that Catholicks are no lesse loyall, and dutifull to their soueraigne, than Protestants. All which is vndertaken, & proued by testimonies of the learned Protestants themselues. VVith a conclusion to the reuerend iudges, and other the graue and learned sages of the law. By Iohn Brereley priest.]

[St. Omer], Permissu Superiorum, no year [c.1683]. Small Quarto. Pages 1 – 104 missing, pages 105 – 751 complete. Contemporary pigskin binding with original title in manuscript hand to spine. Poor condition with many damaged pages, frayed and traces of dried mold. Prt II and III of the book are complete: The Second Chapter: That the true Church must have her Pastours administration of the word and Sacraments evermore to continue / The Third Tract – Conteining the confessed Antiquity of Catholicke Priesthood, Confession, Absolution, Masse &c. and of the penall lawes made against them.

7. Andrews, Lancelot.

The Pattern of Catechistical Doctrine at large; or, A learned and pious Exposition of the Ten Commandments. With an introduction, containing the use and benefit of catechizing, the generall grounds of Religion, and the truth of Christian religion in particular, proved against Atheists, Pagans, Jews and Turks. The Third Edition, corrected and perfected, according to the Authors own Copy and thereby purged from many thousands of Errors, Defects, and Corruptions, which were in arude imperfect Draught formerly Published, as appears in the Preface to the Reader.

London, Printed for M.G. and are to be sold by George Swinnock, at the Crane in Cheap-side, 1675. Folio (20 cm wide x 29,5 cm high). [XIV], 530 pages. Original Hardcover (full 17th century leather) with recently renewed spinelabel. In protective Mylar. Very good condition with only minor signs of wear. Original pastedowns were saved but new pastedowns and endpapers were renewed. Manuscript entry of preowner “William Meade” on rear endpaper: “Ex Libris Guilliellmi Meade”. From the library of Richard Meade (Ballymartle).

8. Anonymous.

Blessed Mary of Saint Euphrasia Pelletier, First Superior-General of the Congregation of our Lady of Charity of the Good Shepherd of Angers.

London, Burns Oates & Washbourne Ltd., 1933. 14 x 22cm. (8), 419 pages, with black and white plates. Original hardcover. Spine faded, minor signs of shelf wear, otherwise excellent condition. Pre-owner’s stamp on title page.

9. [Anonymous] Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

[La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.

10. [Aquinas, St. Thomas] de Wohl, Louis.

The Quiet Light – A Novel of St.Thomas Aquinas.

New York, Image Books, 1962. 10.5 cm x 18 cm. 319 pages. Original Softcover. Very good- condition with only minor signs of external wear. Some evidence of dogears. Minor discoloration inside covers and endpapers. Rare.