51. [The Ebenezer Sibly Edition] – Culpeper, Nicholas / Ebenezer Sibly (Astrologer and Writer of the Occult).

Culpeper’s English Physician And Complete Herbal. To which are now first added, upwards of One Hundred additional Herbs, with a display of their Medicinal and Occult Properties, physically applied to the Cure of all Disorders incident to Mankind. To which are annexed Rules for compounding Medicine according to the true System of Nature; Forming a complete Family Dispensatory and Natural System of Physic. Beautified and enriched with Engravings of upwards of Four Hundred and Fifty different Plants and a set of Anatomical Figures. Illustrated with Notes and Observations, critical and Explanatory. By E[benezer] Sibly, Fellow of the Harmonic Philosophical Society at Paris; and Author of the Complete Illustration of Astrology. [With the Famous Quote of Dryden on the Titlepage: “Happy The Man, Who, Studying Nature’s Laws, Through Known Effects Can Trace The Secret Cause”.] [Volume I: Containing the Herbal / Volume II: Containing the Medical (as well as the Occult and Astrological Part].

Two Volumes in One (complete set). London, Printed for the Author, And Sold at The British Directory Office, Ave Maria Lane; and By Champante and Witrow, Jewry-Street, Aldgate, [Printed in the Anno Lucis [Year of Light], The Masonic Year 5793 [which is the year 1793 in the Gregorian Calendar]. Quarto. Pagination: Volume I (Herbal): Frontispiece – Portrait of Nicholas Culpeper with Astrological Properties, XVI, 396 pages including an extensive “Index to the Herbs and Plants” / Volume II: (Medical, Occult and Astrological Part): Frontispiece [The two Rare Engravings of Celestial Influx of the Body of Man and Woman are both included], 256 pages with an explanatory Index to the Medical Part, basically being an Index of Diseases cured by the Foregoing Herbs and Plants. Hardcover / original 18th century leather with restored spine by a Masterbinder in the style of the 18th century. This is the most firm and strong version of a Culpeper we ever handled ! With the scarce portrait of Culpeper ! This is the very rare occasion of a complete Culpeper with the Astrological Plates of Celestial Impact on the body of men and women separately illustrated. A stunning publication with all the secret knowledge of plant properties of the 18th century laid out in front of you.

52. Gogol, Nikolai.

Das Bildnis. Eine Novelle. Mit Zeichnungen von W. Masjutin. Ins Deutsche uebertragen von Alexander Eliasberg.

Stuttgart, Verlag Julius Hoffmann, 1920. Quarto. 96 Seiten. Hardcover / Modernes Halbleder mit Rueckenschild in neuem Spezial – Schuber mit eingebundener Originalbroschur. Excellent condition with only minor signs of external wear.

53. [David Hockney Collection] – Hockney, David.

David Hockney – Collection of rare and important publications as well as an original photograph of Hockney. The collection includes: 1. “Fax Dibujos / Fax Cuadros” / 2. An Original Black-and-White Photograph of David Hockney on archival paper / 3. “The Blue Guitar” – Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso – “The Man with the Blue Guitar” – Wallace Stevens / 4. David Hockney – “A Retrospective” / 5. “Billboards” by Sally Henderson & Robert Landau with an Introduction by David Hockney / 6. David Hockney – “Some very new Paintings” / 7. David Hockney prints 1954-1977 / 8. “David Hockney” by David Hockney (with several interesting newspaper-clippings on Hockney loosely inserted).

Mexico, Centro Cultural/Arte Contemporáneo, 1990. Quarto (24.4 cm wide x 28 cm high). 120 pages. Softcover / Original spiral bound. Unusually excellent, FINE condition of Fax Dibujos, with only very minor signs of wear. Extremely rare, especially in this condition / [The Hockney Portrait-Photograph, which comes with the FAX Dibujos-publication, is stamped verso with Copyright by Universal Pictorial Press and Agency Ltd. in London and dated in 1976. – Provenance of the Photo: This photograph comes from the private Press-Photgraphs-Collection of irish photographer John Minihan, accumulated during his early years as photographer on Fleet Street, London] / The other monographs on or by Hockney are all in excellent condition. Find the David Hockney-Collection on our website under “Library & Collection”, where you will see a full list, with all books catalogued and with corresponding images.

54. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

55. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°113 – 1959. [With two (2) fantastic, original double-page lithographs of “Stabiles”]. Avec Essais: “STABILES” par Georges Salles / “LE LURON AUX PROTEGE-GENOUX” par Jean Davidson.

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1959. Folio (27.8 cm wide x 37.8 cm high). 28 pages (Text paginated and each double-page-Lithograph counts as 4 pages). Plus photographic front- and rear-cover with portrait-photograph of Alexander Calder. Original, illustrated softcover / brochure. Very good condition with only minor signs of wear.

56. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°141 – Novembre 1963 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs of Stabiles]. Avec Essais: “L’ombre de l’avenir” par James Jones (Traduction d’Henri de Turenne) / Essais: “Qu’est-ce qu’un calder ?” par Michel Ragon / Avec “Comment faire by Calder (juxtaposed to his portrait) / With photographic section of seven pages showing “Stabiles dans l’atelier” (″Tamanoir” / “Tamanoir et Bucephale”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1963. Folio (27.8 cm wide x 37.8 cm high). 32 pages plus 2 pages of lithographed Cover. (Text paginated up to page 16 and then continued without pagination). Including an excellent full-page-colour-photograph of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. One of the most exciting CALDER – editions of Derrière le Miroir.

57. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°156 – Fevrier 1966 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs (including cover)]. Avec Essais: “Oiseleur du Fer” (Solomon Grundy) par Jacques Prevert / Essai: “Alexander Calder” [Biographical Essay on Calder and his Mobiles] par Meyer Schapiro / Essai: “Les Gouaches de Calder” par Nicholas Guppy / Essai: “De L’Art’s Students League aux Totems…” par Alexander Calder.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1966. Folio (27.8 cm wide x 37.8 cm high). 28 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 15 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Totems and Gouaches of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

58. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°173 – Octobre 1968 [With 8 lithographes originales (including front and rear cover) / Two (2) of these lithographs are fantastic double-page lithographs)]. Avec Essais: “Un geant enfant” par Giovanni Carandente / “Note sur les “fleches” par Jacques Dupin /

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1968. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 14 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

59. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

60. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°201 – Janvier 1973 [With 6 lithographes originales of “Mobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Retour au Mobile” par Maurice Besset et Essai: Calder ou le Poids de L’Air” par Andre Balthazar / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1973. Folio (27.8 cm wide x 37.8 cm high). 30 pages including lithographed Cover (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.