1. Palmer, Brooke.

“Solstice Seasons” – A Quadriptych of Passage: A Composition of four seasonal Artpieces which transport the viewer to four of the world’s most magical Places of Ritual and Ceremony: I. “Spring at Newgrange” / II. “Summer at Stonehenge” / III. “Autumn at Iniskim Umaapi” / IV. “Winter at Drombeg”.

Four Paintings / Acrylic on circular Birch Wood Panels / Epoxy resined. Toronto, 2023/2024. Dimensions of each Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel).

2. Fleckenstein, Josef.

Sonderdruck-Sammlung / Kleinschriften-Sammlung / Offprint-Collection of Prof.Dr.Josef Fleckenstein, one of the worlds most eminent historians for the medieval period / middle Ages (Mittelalter), and especially the development and background of knights, knighthoods, chivalry. The collection includes roughly 5000 (fivethousand) offprints and pamphlets in 166 folders, alphabetized, neatly sorted and assisted by a special, old-fashioned card catalog. Most of the offprints and pamphlets were sent to Prof.Fleckenstein by international colleagues in his field of medieval studies, history and related studies. The majority of the publications are in german but many are also in italian, french and english as well. Many of the publications are signed and beautifully inscribed to Fleckenstein.

Germany, different publishers, c.1960 – 2002. Octavo. More than 100000 pages (onehundredthousand pages). Original Softcovers. Very good condition with only minor signs of external wear. Ask for images. Price includes international shipping per courier.

3. Foster, Vere [Henry Louis / Lewis] / [Emily Albinia “Alba” Foster] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

Amazing Vere Foster-Collection including Educational Materials and as a centerpiece the “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page-letter, revealing several important details about the immediately favorable reviews and reception of the book [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels″£ with Blackie’s agent and gave instructions to send them but a few days later found they had been “untouched”. / The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. [See Full list of items which are part of this collection, on our website under the topic “Libraries & Collections”].

First Edition. London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (15 cm x 22 cm). Pagination: Frontispiece, IX, [3], 497 pages with 18 Illustrations (including frontispiece and one Vignette of the two Duchesses opposite page 1). Hardcover / Original, publisher’s green cloth with gilt lettering on spine. Very good condition with some minor signs of wear only. This is an astonishing find for the Vere Foster Research Community and the letter gives significant insight into the importance the publication had for him, its reception as seen by Vere Foster and it solves the riddle why an altertaion was necessary for the second edition [which Vere Foster explains in a brief note to the reader at the beginning of the second edition]. The heartfelt inscription to his niece Albinia Foster is also of great importance and to our knowledge the only presentation-copy of this book on the international market for the several decades we can look back at auction records.

4. Levy, Arthur Joseph / Zangwill, Israel.

Archive / Collection of more than 350 items, letters, documents, ephemera, pamphlets, manuscript notes, receipts , manuscript letters from the private library of Providence (Rhode Island) lawyer, Arthur (Art) Joseph Levy. The collection includes an important, controversial typescript-essay (8 pages) on Israel Zangwill’s address before the American Jewish Congress at Carnegie Hall on October 14th, 1923 (″Watchmen, what of the Night ?”); with manuscript annotations and remarks on Israel Zangwill’s position “the hopes of Jewry for the establishment of a Jewish State in Palestine are doomed to disappointment”. The collection includes a plethora of interesting letterheads of jewish organizations and also important documentation of Levy’s contribution to and support for the “Palestine Foundation Fund”, (receipt from Boston, Mass. June 1923). Levy, who was a graduate of Brown and Boston University Law School, practiced law in Providence, Rhode Island and led an active life as a member and leader of several Jewish civic organizations, such as the Jewish Family and Children’s Service, which he established and led for twenty years, Rhode Island Jewish Historical Society, the Temple Beth-El Brotherhood, the Miriam Hospital, the Touro Fraternal Association and the Jewish Home for the Aged of Rhode Island. He was also a prominent member of the American Bar Association, the Brown University Alumni Association and the Brown Club of Rhode Island. Highly regarded as a jurist, he was a member of the Commission to Consolidate State Laws, a member of the Advisory Committee of the Federal Tax Institute of New England and an editor of the Rhode Island Bar Journal. Included in this archive are a group of letters written during World War I discussing his role in the Jewish Welfare Board of the United States Army and Navy, an invitation to a fund-raising dinner for the Jewish Orphanage of Rhode Island, a group of documents and letters discussing the establishment of a Jewish country club in Providence, several documents from the early 1920s concerning the mostly Jewish fraternity Phi Epsilon Pi and several items relating to Levy’s personal life, such as personal letters, bills from clothiers and invitations to social events. (Main source of the description of this archive is the research of our colleague Greg Talbot from The Lawbook Exchange).

Providence (Rhode Island), Cambridge (Massachusetts), New York, 1917 – 1931. Octavo and A4. Two heavy folders with original documents. Very good condition with only minor signs of external wear.

5. Arbuthnot, John / [Daniel Conner Library].

Tables of Antient Coins, Weights and Measures – Explained And Exemplified in Several Dissertations [Including: “A Dissertation concerning the Doses of Medicines given by Ancient Physicians” / Including “Of the Jewish Coins in which their weights are likewise considered”]. The Second Edition – To which is added, An Appendix, containing Observations on Dr.Arbuthnot’s Dissertations on Coins, Weights and Measures by Benjamin Langwith.

London, Printed for D. Browne, without Temple-Bar; A.Millar, in the Strand; and J.Whiston and B.White, in Fleet-Street, 1754. Quarto (24 cm x 29 cm). Collation [complete as called for by Index]: Title, 11 unnumbered pages, 327 pages plus 18 plates (partly folded) with Weights, Measures and Values of Several Foreign Coins explained. Original 18th-century binding, recently rebacked in 18th-century-style by two english master-bookbinders. Excellent condition with only minor signs of external wear. Front free endpaper with faded dampstain. Only very minor signs of foxing. Some minor wormhole – damage to the inner margins but not effecting the text. Wide margins. Extremely Rare Publication, now beautifully restored ! From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown.

6. Benjamin, Walter / Rang, Florens Christian / Rosenzweig, Franz.

Collection of interesting and important publications on and by Walter Benjamin, one of the most influential philosophers and aesthetic influencers of the 20th century. While the collection already contains a number of important publications, literary criticism and even a signed and annotated working-copy of Franz Rosenzweig’s “Stern der Erlösung” by Benjamin’s friend Florens Christian Rang, the collection is a work in progress and we invite offers from collectors and dealers. You can see detailed photography and descriptions in our section “Libraries & Collections”. So far the collection includes: 1. A stunning set of “Die Literarische Welt”, with many first edition articles by Benjamin and his contemporaries. Two Volumes with 94 Issues in total (31 issues in duplicate / 31 Hefte doppelt). Berlin, Ernst Rowohlt, 1925 – 1927. This original set of the early and fragile periodical with an abundance of essays, articles and reviews by Benjamin, are some of the finest examples of Benjamin’s exciting and versatile voice, forward and opinionated reflections on film and literature etc. / 2. Fantastic Collection of eight [pristine] Volumes of Philosophical Writings and Biographical Works by and on Walter Benjamin [I.Walter Benjamin – Selected Writings. Volume I (1913-1926), Volume II (1927-1934), Volume III (1935-1938) and Volume IV (1938-1940) – Translated by Rodney Livingstone and others – Edited by Marcus Bullock and Michael W.Jennings, Howard Eiland and Gary Smith / V. The Correspondence of Walter Benjamin (1910-1940) – Edited and Annotated by Gershom Scholem and Theodor W.Adorno – Translated by Manfred R.Jacobson and Evelyn M. Jacobson / VI. Walter Benjamin – Early Writings (1910 – 1917) – Translated by Howard Eiland and Others / VII. Theodor W. Adorno & Walter Benjamin – The Complete Correspondence (1928 – 1940) / VIII. Walter Benjamin – The Arcades Project – Translated by Howard Eiland and Kevin McLaughlin] / 3.[Benjamin, Walter] Baudelaire, Charles. Tableaux Parisiens. Deutsche Übertragung mit einem Vorwort über “Die Aufgabe des Übersetzers” von Walter Benjamin. / 4. Doderer, Klaus – Walter Benjamin und die Kinderliteratur. Aspekte der Kinderkulter in den zwanziger Jahren / 5. Berger, Willy R. – Walter Benjamin als Übersetzer Baudelaires [Aufsatz in: Teilnahme und Spiegelung. Festschrift für Horst Rüdiger] / Missac, Pierre. Walter Benjamin’s Passages. / 6. [Benjamin, Walter] Leinweber, J. Walter Benjamin – Sammlung J. Leinweber. [Mit einem Vorwort von Iring Fetscher]. Marburg, Antiquariat Dr. Jörg Leinweber, 1996. / 7. Walter Benjamin, Neuester Orbis Pictus oder Die Welt in Bildern für fromme Kinder. Aus der Sammlung von Walter Benjamin. Faksimiledruck im Inselverlag. / 8. [Rang, Florens Christian / Benjamin, Walter] Rosenzweig, Franz. Der Stern der Erlösung [Hand-Exemplar / Arbeitsexemplar des Walter Benjamin-Freundes “Florens Christian Rang”. Voll signiert von Rang auf dem Titelblatt. Besitzvermerk Rang’s in Tinte. Mit interessanten Text-Markierungen Rang’s in Buntstift und Bleistift, sowie zwei Annotationen zu Text-Verweisen im hinteren Einbanddeckel. Bedeutender Fund für die Florens Christian Rang-Forschung da Walter Benjamin beide, Franz Rosenzweig und Florens Christian Rang in einem Atemzug als bedeutende Kämpfer “gegen die Idolatrie des Geistes” nennt. Die Anstreichungen in Rosenzweig’s Werk bestätigen Benjamin’s Auffassung da Sie uns erlauben Rang’s Wandlung vom Nationalisten zum politisch moderat eingestellten Konservativen teilweise nachvollziehen zu koennen. Die Publikation Rosenzweigs fällt ausserdem in die kritische Phase von Rang’s Wandlung. Die “Deutsche Bauhütte”, Rang’s publizistisches Testament seiner Entfernung vom Nationalismus, erscheint nur drei Jahre später./ Association-copy with extremely interesting text-markings and some annotations to rear pastedown by Walter Benjamin’s friend, “Florens Christian Rang”/ Of utmost interest for the evaluation of Rang’s development from nationalist to empathetic centrist. Benjamin famously mentions both, Florens Christian Rang and Franz Rosenzweig as equally important influences for his Generation in “fighting the Idolatry of the Spirit/Mind”. This makes Rang’s personal copy of Rosenzweig’s masterpiece an enormously interesting find; possibly even a key to Rang’s ideological and religious transformation]. Erste Ausgabe. Frankfurt am Main, J.Kauffmann Verlag, 1921. / 9. [Benjamin, Walter] – Walter Benjamin’s Archive – Images – Texts – Signs. Translated by Esther Leslie. Edited by Ursula Marx – Gudrun Schwarz – Michael Schwarz – Erdmut Wizisla. / 10. Walter Benjamin – Angelus Novus. Mit 4 ganzseitigen Holzschnitten von Gisela Oberbeck. Signierte, limitierte Auflage von nur 90 Exemplaren. / 11. Hans Puttnies & Gary Smith – Benjaminiana. /

Berlin and others, 1923 – 1980. Octavo. Original Hardcover / Original Softcover. Very good condition with only minor signs of wear.

7. Palmer, Brooke.

Roaring Water Bay.

Epoxy resigned, circular Wood Panel. Toronto, 2024. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). “Roaring Water Bay” is one of the latest works of Canadian artist Brooke Palmer. Roaring Water Bay is one of the most picturesque and stunning Bays of Western Europe. If you are coming over the Hill from Bantry you are met with a fantastic View over the Bay, towards Sherkin Island and Cape Clear. Brooke Palmer’s painting invites you to dream in the abstract whirlpool of the waters he has captured in a maelstrom of white and blue. The Resin applied to finish the painting is indicative of a Day out on the Ocean with the Wind standing still and the splendour of restless maritime nature happening under the surface. “Roaring Water Bay” is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’ and it can be viewed in one of the two outlets for Brooke Palmer Art in Skibbereen, County Cork [Visit either “Inanna Modern” or “The Masonic Hall”, where Brooke Palmer’s Art is showcased among the setting of a Library].

8. [Gore-Booth, Colum Robert] / [Lady Eva Selina Laura Gore-Booth] / [Constance Georgine Markievicz née Gore-Booth] / [Lissadell House County Sligo].

Two Manuscript Sketch-Books [12” x 10”] bearing the Bookplate “Lady Gore Booth – Lissadell, Sligo [No.43]”. Both Folio-Size Sketch Books titled ‘The “Wood” Sketch Book’, both issued by ‘St. John’s Wood Art School’: 29, Elm Tree Road, London, NW 8. [Founded 1878]. Each Sketch-Book has 50 pages and most pages have manuscript sketches with a few loose sketches tipped in. The very accomplished drawings all appear to be in pencil and show landscapes, trees, horses, portraits, male and female figures, skulls. They all appear to be in the same hand. Also, tipped in is a b/w photo, 6” x 4” mounted on a card. It is signed in pencil by Roberts of Paris. Stamped on the back is “Roberts” 11, Rue du Havre. In pencil, it states “Elizabeth aged 11, May 1922”. From our research it is certain, that Colum Robert Gore-Booth (1913-1959) attended St.John’s Wood Art School and these appear to be his Sketch-Pads, the only other member of the Gore-Booth family who went to London in order to become an artist was Colum’s aunt, Constanze Markiewicz, who attended Slade School of Art at the turn of the century but the drawings do not fit her style.

Two Volumes. London, St.John’s Wood Art Schools / Lissadell House County Sligo, c.1920 – 1930. Folio. Volume I: 118 pages (59 perforated sheets), with 87 studies, often with sketching on both sides of the sheets / Volume II: 100 pages (50 perforated sheets), with 46 studies inside the sketch-book plus two portrait-sketches loosely inserted, plus the photograph of one “Elizabeth”, dated May 1922 and signed by photographer “Roberts” 11, Rue du Havre, Paris. Publisher’s illustrated Hardcover. Very good condition with only minor signs of wear.

9. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

10. Street, Evelyn

Beara Hills / Caha Mountains with Hungry Hill and Sugarloaf.

Oil on Canvas. Bantry (West Cork), 1971. Framed: 159 cm wide x 129 cm high. Canvas: 152 cm wide x 122 cm high. Unusually excellent condition of this striking XXL – Painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

11. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

12. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

13. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

14. Pierre, Frédéric.

Du Coin De L’Oeil La Pleine Lune. [With thirteen (13) stunning, original and signed erotic, colour-engravings]. Gravé et imprimé par Frédéric Pierre à l’atelier de l’été Juin – Septembre 1991. Texte par A. Kallur / C. Aldridge / F. Pierre.

Henley-on-Thames / Stockholm, Published by Artwenty, September 1991. Folio (31.3 cm wide x 41.4 cm high). (3), 27, (1) sheets of finest BFK Rives Velin Paper with deckled edges. Hardcover / Original blue cloth with gilt lettering on spine and ornament on board. Excellent, as new condition. No.10 of only 21 copies, signed by the artist. The entire edition of this artist-book comprised of 28 copies of which 7 copies were numbered in roman numerals from I – VII and accompanied by an original, unique and signed engraving [please enquire for one of the roman numbered editions]. This is one of the 21 copies without the additional engraving. EXTREMELY Rare !!!

15. Florence / Pisa – Carocci, G. et al.

Collection of six stunning, early 19th-century gouache-aquatints of Florence and Pisa including a rare segment showing a Funerary Procession in front of Giotto’s Campanile, part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. These very able and fantastically hand-coloured, original artworks, represent the peak of high-quality souvenirs for the European Traveller on their Grand Tour. [Loggia dei Lanzi / Cattedrale di Firenze / Piazza S. Trinita / Campanile Della Cattedrale di Firenze / Ponte S. Trinita / Campanile Di Pisa].

Original Aquatint (hand-applied water-colouring over copper engraving). Florence / Pisa, [c.1820]. Plate Sizes vary: 31 cm x 22.1 cm. Sheet Sizes vary: 34.6 cm x 26.5 cm. Original Gouache-Aquatint (hand-applied water-colouring over copper engraving). Florence/Pisa, [c.1820]. Plate-Sizes vary: c. 31 cm x 22.1 cm. Sheet Sizes vary: c. 34.6 cm x 26.5 cm. Besides some smaller damages to the Ponte S. Trinita-artwork in very good, actually stunning, condition. Clean, crisp and brightly coloured. All of these artworks are beautifully framed and the price includes worldwide free shipping per UPS – courier.

16. [Irish Traditional Boat Building / Manuscript Day-book Passage West] Roberts, Capt. R.E.

Manuscript Folio Day-book of Passage West (County Cork) Boat-builder, Captain R.E. Roberts [direct relation of relative of Capt. R.R. Roberts of ‘The Sirius’]. With original correspondence, manuscript and typed letters to Roberts, Drafts of his replies and notes on wishes of clients regarding the building of Boats, delivery of Oars, detailed wishes of clients for the building of boats. Orders which reached Roberts range from Yachts and their accoutrements to Punts and Dinghies. Clients included C.W. Read, solicitor (insurance claim for gangway accident on the S.S. Amarglin), Miss Hill (‘daughter of H. Hill, Architect, regarding the Yacht “Yodash”), A.J. Wolfe (Yacht “Marion”), J.F. Quain of Ardmore etc. (see further details below).

Passage West (County Cork), 1939-1940. Folio (21.5 cm wide x 31.5 cm high). 242 pages of an alphabetized Ledger of which 48 pages are full of manuscript-entries and numerous other pages have been used to tip-in letters which Roberts received from clients. With numerous further letters, postcards loosely inserted. Original Hardcover. Binding in rough but still firm condition with stronger signs of external wear. Fantastic example of a Day-to-Day Order-Book of an irish Traditional Boat Builder, active in the war-years of 1939 and 1940. Captain R.E. Roberts Boat-building Business, being a direct relative of R.R.Roberts (″The Sirius”), is a great example of traditional succession in irish craftsmanship. The Day-book gives us insight into the wishes of clients, pricing, quotes and reason of orders and how on the one hand irish Traditional Boat-Building was revered abroad and also greatly supported and sought after by the local irish population. Roberts’ Boat-Building-company also had contracts from overseas and the correspondence reflects the hard times and imminent outbreak of war, which plays a role in the worries of Robert’s clients and must have had an enormous impact on his company. Client W.R.ffrench Mullen speaks in a letter from April 15th, 1939 of the fear of not being able to come and meet his boatbuilder: “I am (unless Europe boils up before in the next forty-eight hours) coming over on about a fortnights leave, leaving London Saturday next.” In another letter from May 2nd, 1939, ffrench Mullen hopes “the boat is progressing well” and that the company of D.O’Brien Corkery & Co. can deliver it in their lorry to Kenmare. Roberts notes about this client in his day-book an important message to one of his builders: “My client says he knows nothing about sailing – would you suggest that the area of Sails be in the Small Side for Safety – the boat is for use on the Kenmare River”. Roberts notes about another client, Mrs. Howell of Fountaintown, who ordered a 11ft boat for children on Sunday 4-9-38 for Easter 1939 – Quoted 22 per ft = £12 / Roberts notes about “Miss Hill from Monkstown (daughter of Lt.Hill Architect) ordered 7-1-39 Centre Board Boat, Spirit Sail (brown), oars, rudder, Name on transome “YOLDASH”, varnished top sides painted underneath – agreed price £16 – To be ready for Easter Holidays – Took Boat away 7-4-39 – pleased”. / More details on other orders below.

17. Smyth, Nicola Josephine. (*1969)

“Soulmates”.

Original Artwork / Oil on Canvas. Ireland, 2015. Framed: 61 cm wide x 81 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

18. Smyth, Nicola Josephine. (*1969)

“My Forest of Dreams”.

Original Artwork / Acrylic on Canvas. Ireland, 2020. Framed: 46 cm wide x 81 cm high. Artwork (canvas): 35 cm wide x 70 cm high. Signed.

19. Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

20. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

21. [Beethoven, Ludwig van] Göbel, E. F. [C. Jäger].

Ludwig van Beethoven (1770 – 1827).

Stunning, original 19th century Gouache of Beethoven by E.F. Göbel; after a painting of Beethoven by Carl Jaeger (1833-1887), which is now in the possession of the Library of Congress. Germany, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 48 cm x 34,5 cm. Outer margins slightly frayed only. Extraordinary 19th century painting with fresh impression of the signature-face of this timeless composer.

22. di Poggibonsi, Niccolo / [Noe Bianchi; Joannes Cola; Piero Ciza].

Viaggio da Venetia al Santa Sepolcro & Al Monte Synai.

Niccolo Zoppino and Vincenzo di Paolo, [1521]. Small Octavo (15.5x11cm). D1-4 (disbound) and E1-O8 (84 leaves) – and therefore lacking entirely the first 3 gatherings, half the fourth and everything after O8. This represents about two thirds of the book as published, which contained 128 leaves. Hardcover / Bound in modern vellum with the armorial bookplate of ‘William Bliss’ and blanks preceding the text amounting to the first 4 gatherings and afterwards. D1-4 are laid in and heavily worn with traces of an early inscription on the first leaf; the bound gatherings are in good to very good condition, a little staining. Overall 116 of the book’s 158 wood cuts are present, none of them the double-page city views. Comparison with other examples of this book suggests that this is one of the editions published by Zoppino in Venice between 1518 and 1538 all of which survive in tiny numbers.

23. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

24. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

25. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

26. [Sackville-West / Jekyll, Gertrude / Bowles, E.A. / Beales, Peter and many others]

Collection of 80 books on Garden History & Garden Design, mainly from the collection of Ann Geneva. The collection includes not only classics from Vita Sackville-West or Gertrude Jekyll but also some fantastic publications on the Social History of Gardens, Design of Period Gardens, History of Ancient Roman Gardens etc. etc.

London and others, Michael Joseph / Longmans, Green and many others, c.1906 – 2004. Octavo. More than 5000 pages with numerous illustrations and plans. Original Hardcover and Softcover-Bindings, ften with their illustrated dustjackets in protective collector’s Mylar. Very good condition with only minor signs of external wear. [Please ask for a full list with details and photographs of the books included in this collection]. The price includes an upgrade to worldwide free shipping of the collection per UPS Express Courier.

27. [Russell, Lord John / John Russell, 6th Duke of Bedford].

Family – Bible of John Russell, 6th Duke of Bedford, with his bookplate to the Pastedown / The Holy Bible – Containing The Old and New Testaments : Translated out of the Original Tongues : And With The Former Translations diligently compared and revised, by his Majesty’s Special Command [The titlepage of the New Testament reads: “The New Testament of Our Lord and Saviour Jesus Christ : Translated out of the Original Greek : And With The Former Translations Diligently Compared and Revised”]. Appointed to be read in Churches.

Stereotype Edition. Two Volumes in One (complete). London, Printed by George Eyre and Andrew Straha, 1817. Small Octavo. 1119 pages [Old Testament] / 343 pages [New Testament]. Hardcover / Excellent, full green morocco, with rich gilt tooling and lettering. Very good condition with only minor signs of wear. Extraordinary little hand-bible of the 6th Duke of Bedford.

28. [Luckombe, Philip / Smith, Charles].

Luxury Reprint of “The Compleat Irish Traveller” [With high quality Reproductions of the 31 original Plates of detailed Maps of County Cork in the 18th century, County Kerry in the 18th century and Waterford in the 18th century, as well as some of the earliest engravings of Irish Towns here for the first time reproduced as beautiful Artworks for framing and housed in a special, handmade Folder. The publication was just recently enlarged with a detailed, Topographical Index (July 2023)]. Complete Title: “The Compleat Irish Traveller, containing A general Description of the most Noted Cities, Towns, Seats, Buildings, Loughs &c. in the Kingdom of Ireland, Interspersed with Observations on the Manners, Customs, Antiquities, Curiosities and Natural History of that Country. With Elegant Copper Plates”. [With 31 original Plates after Charles Smith, including Frontispiece, this Reprint / Facsimile is the result of 10 years of research and purchase of three (3) original versions of the First Edition from the year 1788. The first Editions known to Inanna Rare Books all had different quantities of Plates and Maps included. This Reprint by Inanna Rare Books has been produced from an extremely clean version of the original and shows the most complete set of illustrations and XL-Size Maps and Artworks we could find in any of the original editions. The publication shows not only Maps of County Cork, County Kerry and County Waterford but also Views of Irish Cities and Towns in these Counties of the Province of Munster and besides the wonderful Historical Plan of Cork City this set also includes the very rare Plan of the “Grand Canal from Dublin to the River Shannon” (see detailed list of all the illustrations present at the end of this description)].

Luxury Limited-Edition-Reprint of the First Edition by Luckombe in 1788. Two Volumes plus extra Folder with 31 Plates reprinted as Artworks for framing. Skibbereen (County Cork), Inanna Rare Books Publishing, 1788. Octavo (13.5 cm x 21 cm). Pagination: Volume I: Frontispiece, engraved Titlepage, XXX, 189 pages plus recently published Index (July, 2023) / Volume II: Engraved Titlepage, 263 pages plus recently published Index (July, 2023). Plus large, bespoke made Folder with thirtyone (31) Reproductions of the Maps, Plans and Illustrations which usually were folded inside this publication and now for the first time have been liberated from the book and were published as the beautiful works of art they are. Textvolume: Volume I and II of the text bound in one beautiful half-leather-volume with gilt lettering on spine, bound in the style of the 18th century / Illustrations-Folder with 31 reprinted illustrations of Towns and Maps of Ireland but mainly of Munster, bound in bespoke made half-cloth with paper-covered boards and pasted Reprint of the original titlepage. Excellent, new condition. One of only 300 printed. [Inanna Rare Books – Reprint & Facsimile – Series].

29. [Ravilious, Eric] Shakespeare, William.

“Twelfth Night or, What You Will” by William Shakespeare – With Engravings by Eric Ravilious. With 29 wood-engravings by Eric Ravilious, printed in Grey and Maroon.

No.47 of a limited Edition of 275 copies on Batchelor Paper. Waltham Saint Lawrence, Berkshire, The Golden Cockerel Press, 1932. Folio (24.3 cm wide x 34 cm high). Pagination: Endpaper, (2), 41 leaves, (1), Endpaper. With 29 wood-engravings throughout. Hardcover / Original half-leateher, bound by Sangorski & Sutcliffe, with their bindery-stamp to pastedown. Binding wonderfully firm and cloth only slightly rubbed, else an excellent copy pf a very scarce book from the beloved Golden Cockerel Press.

30. [Justinian].

Corpus Juris Civilis. [The Blaeu – Edition from 1663-1664 with an interesting alteration in form of the most delicate addition of an alphabetized register to the pages and even more interesting a manuscript-dedication [annotation] from a Tutor to his pupil, as well as a manuscript evaluation of this edition and a loosely inserted piece of paper with legal notations].

Editio Nova. Prioribus correctior. Two Parts in One Volume (complete). Amsterdam & Leiden, Apud Ioannem Blaeu et Dan. Elzevirios / Apud Franciscum Hackium [Ludwig & Daniel Elzevier, Frans Hack], MDCLXIV [1663-1664]. Octavo. Pagination: Volume I: (24), 1037 pages / Volume II: 820, (2) pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

31. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

32. Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

33. Smyth, Nicola Josephine. (*1969)

“Les Fleurs Malade”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Artwork (canvas): 60 cm wide x 77 cm high. Signed.

34. Smyth, Nicola Josephine. (*1969)

“In the Cornfield II”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Unframed. Artwork (canvas): 90 cm wide x 100 cm high. Signed.

35. Smyth, Nicola Josephine. (*1969)

“In the Cornfield I”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Framed: 74,5 cm wide x 90,5 cm high. Artwork (canvas): 63 cm wide x 78 cm high. Signed.

36. Smyth, Nicola Josephine. (*1969)

“But you didn’t”.

Original Artwork / Acrylic on Canvas. Ireland, 2011. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

37. Smyth, Nicola Josephine. (*1969)

“Alien Trees II”.

Original Artwork / Acrylic on Canvas. Ireland, 2013. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

38. Smyth, Nicola Josephine. (*1969)

“Alien Trees I”.

Original Artwork / Acrylic on Canvas. Ireland, 2015. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

39. Baert-Duholant, Charles-Alexandre-Balthazar-François de Paule baron de / Jean-Denis Barbié du Bocage.

Tableau de la Grande-Bretagne, De L’Irlande et des Possessions Angloises dans les quatre parties du Monde. [With five (5) large, folded Maps by Jean-Denis Barbié du Bocage: Large, oblong folded Map/Plan of Gibraltar / England / Scotland / Ireland / India] / [With four (4) stunning copper-engravings: Grotte de Fingal, Chaussée des Géants / Plan et vue de Gibraltar / Combat de Boxe (Pugilists)] / [With two (2) portraits: 1.Portrait of William Pitt (after William Owen) and 2. Portrait of Charles Jacques Fox (after Karl Anton Hickel)].

Four Volumes (complete set). Paris, Chez H.J.Jansen, L’An 8me [1800]. Octavo (20 cm x 13.5 cm). Collation: Volume I: (8), 459, (1), 11 pages with Eleven (11) copper-engravings of which are: 5 Maps / Plans and 4 Engravings: The folded view of Fingals Cave (″Grotte de Fingal dans l’Ile de Staffa” – (19.5 cm x 31 cm) / “Folded Plate of the Giants Causeway (″Vue occidentale de la Chaussee des Geans et des Caps voisins” (19.5 cm x 31 cm)) / Fantastic, large Map/Plan of Gibraltar by Jean-Denis Barbié du Bocage, with a Birds-Eye-View of the Ville de Gibraltar (19.5 cm x 63.5 cm) [also showing the Ville Irlandaise on Gibraltar] / Scenic View of Gibraltar (″Vue de Gibraltar, prise du cote de l’Espagne” (19.5 cm x 32 cm) / Large Fold-Out-Map of England by Jean-Denis Barbié du Bocage with an Inset-View of Stonehenge (43 cm x 48.5 cm) / Large Fold-Out-Map of Scotland by Jean-Denis Barbié du Bocage, including the Western Isles and Shetland, with a stunning Inset-View of the irish pilgrimage-mountain Croagh Patrick [Craig-Phadrick] in Westport, Ireland (33 cm x 39 cm)/ Large Fold-Out-Map of Ireland with an Inset-View of the Lakes of Killarney (36 cm x 40.5 cm) / Volume II: 532, (1), 12 pages with Large Fold-Out-Map of India (″Possessions Anglaises”) by Jean-Denis Barbié du Bocage – the large India-Map showing areas as far as Tibet, Siam, Sumatra and the Andaman Islands, Ceylon, Burma (53.5 cm x 40.5 cm) / Volume III: 502, 48, (2) pages with two portraits: Guillaume Pitt [William Pitt] & Charles Jacques Fox (each 19.5 cm x 12 cm)/ Volume IV: 486, 22, (2) pages with the very famous Fold-out-Illustration of Pugilists / Boxers at Odiham in Hampshire [″Combats de Boxers a Odiham”] showing a boxing-match between Humphrey and Mendoza (29.5 cm x 19.5 cm). Hardcover / Original, very decorative original half leather bindings with gilt lettering and ornament on spine. All four Volumes in protective Collector’s Mylar. Very good condition with only minor signs of external wear. Very minor wormhole-damage to a few pages.

40. Dubuffet, Jean.

La botte à nique.

Genève, Albert Skira, 1973. Slim Fpolio Box with Oxtcavo Volume and Slim-Folio Screen-print separate. 112 pages (collation complèt) plus une sérigraphie (Silkscreen: ‘Quatre Figures’) dans une chemise séparée. Original Hardcover in original box with additional folder for the silkscreen. Complete, a fantastic publication ! Some signs of foxing ! Otherwsie in EXCELLENT condition with only minor signs of wear and including the often missing screen-print in the separate chemise. / Edition originale, Exemplaire No.38 des 165 exemplaires numérotés sur vélin d’Arches. Notre exemplaire est bien complet de sa sérigraphie présentée sous une chemise à part.

41. Marx, Karl.

Capital – A Critical Analysis of Capitalist Production [Working copy of Harvard Economist Edmund Earle Lincoln] Translated from the Third German Edition, by Samuel Moore and Edward Aveling and Edited by Friedrich Engels.

Thirteenth Edition (1909) of the first Edition 1886. London, William Glaisher, 1909. Octavo. XXXI, 816 pages. Original Hardcover / Original publisher’s cloth with gilt lettering on spine. Excellent, firm condition with only minor signs of wear. From the library of eminent Harvard Economist and specialist on Inflation, Edmund Earle Lincoln (1888 – 1958), with his name in ink on the endpaper, and obviously bought during his his time at Oxford University in 1910, when he acquired his BA and continued to pursue his MA in 1914. This was obviously Lincoln’s working copy, with several markings in the text, especially in the section on “over-work” and child-labor.

42. Grossman, Henryk / Grossman, Henryk / Meyer, Gerhard.

Originales, hektagrophiertes Typoskript mit Manuskript – Eintraegen und handschriftlichen Ergaenzungen von Henryk Grossmann: “Marx und die Klassische Oekonomie oder Die Lehre vom Kapitalfetisch” – Von Henryk Grossmann signiert und an seinen Exil – Kollegen, den Ökonom Gerhard Meyer gesendet. [Beiliegend: 11-seitige Kritik von Meyer an Grossman’s Arbeit / Meyer (dokumentiert wurde der Erhalt der Kritik mit einem handschriftlichen Vermerk “received July 3, 1937) / Auf dem Typoskript der Kritik befinden sich bereits auf der ersten Seite handschriftliche Anmerkungen z.B. zu Grossmann’s Buch “Akkumulations- und Zusammenbruchsgesetz des kapitalistischen Systems” nimmt] /

[New York], [1937]. A 4. Paginierung: Das Typoskript hat 192 Seiten, die Arbeit von Gerhard Meyer 11 Seiten, ausserdem beiliegende handschriftliche Aufgabenstellung (3 Seiten). Original Softcover. Sehr selten ! Es handelt sich hier wahrscheinlich um einen Vorlaeufer des hektographierten Typoskripts “Marx, die klassische Nationalökonomie und das Problem der Dynamik” (New York: Institut für Sozialforschung, 1941).

43. [The Rare Volume One] – O’Brien, Fitz-James.

The Diamond Lens [14 pages in: The Atlantic Monthly, Volume I – January, 1858 – No. III] – Here on Offer is a the original bound inaugural Volume I of “The Atlantic Monthly”, signed and inscribed, possibly by a distant family-member of Fitz-James O’Brien: “D.D.O’Brien, Mallow” – “Presented by D.D.O’Brien to L. O’Kelly”. A later, 19th century ownership-signature is: “John L. Williams”. The entire Volume includes the following numbers: Volume I – November 1857 – No.I. / Volume I – December 1857 – No. II. / Volume I – January 1858 – No. III. / Volume I – February 1858 – No. IV. / Volume I – March 1858 – No. V. / Volume I – April 1858 – No. VI //

Boston, The Atlantic Monthly, 1857-1858. Octavo. IV, 768 pages. Hardcover / Original Half-leather with gilt lettering on spine. Binding in poor but still good + condition with some stronger signs of wear, spine starting, mild foxing throughout and some faded damp-staining to the outer paper-margins inside only. Endpaper, Half-title and titlepage slightly detached. This is the very rare inaugural Atlantic Volume with a wonderful irish provenance, possibly even a relation to Fitz-James O’Brien.

44. [Clerke, Agnes Mary].

Collection of eight publications by and about Agnes Mary Clerke plus one autographed / signed manuscript-letter by Agnes Clerke [The letter answers the request of a fellow german Astronomer who complimented her on her History of Astronomy and asked for her permission to translate her latest work). The recipient is possibly german astronomer R.Engelmann who wrote about Nebula. The letter dates from 1891 and is written in perfect german (Agnes Clerke was known to have written reviews and letters in French, German, Greek and Italian). This rare collection includes the following books: 1. A.M.Clerke – Geschichte der Astronomie während des neunzehnten Jahrhunderts. Gemeinfasslich dargestellt. (Autorisierte deutsche Ausgabe von H.Maser) – First german edition of “A popular History of Astronomy during the 19th century” from 1889 – with a signed, contemporary manuscript letter by Agnes Clerke in german (!) regarding this publication / 2. Agnes Clerke – Familiar Studies in Homer (London, 1892) / 3. Agnes Clerke – “The Herschels and Modern Astronomy” (with a loosely inserted portrait of Sir William Herschel) (London, 1895) / 4. Agnes Clerke – “A popular History of Astronomy during the 19th century” (The important Fourth Edition, revised and corrected by the author) (London, Adam and Charles Black, 1902) – Famously: With the vintage photographs pasted to frontispiece and titlepage / 5. Agnes Clerke – “The System of the Stars” – Second Edition (London, 1905) / 6. Agnes Clerke – Modern Cosmogonies (London, 1905) / 7. Agnes Clerke – “A popular History of Astronomy during the 19th century” 1908-Reprint of the important Fourth Edition, revised and corrected by the author) (London, Adam and Charles Black, 1908) / 8. Mary Brueck / Mary Brück – Agnes Mary Clerke & The Rise of Astrophysics (Cambridge University Press, 2002).

A mixture of first and later editions. Berlin / London, Springer / Cassell / Longmans & Green and others, 1889 – 1908. Octavo. More than 2500 pages with many illustrations and diagrams etc. / The vintage letter has two pages filled and signed by Clerke in ink / The only modern publication within the collection is a very important monograph on Clerke by scientist Mary Brueck / Mary Brück, published by Cambridge University Press (275 pages). Original Hardcovers in bespoke protective collector’s Mylar. Very good condition with only minor signs of external wear. A stunning collection of all the major publications by this important woman astronomer. Agnes Clerke paved the way for women in science and must be seen as the pioneer female astronomer. The price includes worldwide free shipping of the collection per UPS Express Courier.

45. [Calder, ALexander] Wilbur, Richard.

A BESTIARY – [One of 50 copies on luxurious Rives-mould, signed by Calder and Wilbur].

New York, Printed at the Spiral Press for Pantheon Books, 1955. Folio (24 cm wide x 32.5 cm high). Original Hardcover / Half red morocco, beige buckram boards with gilt lettering on spine and gilt stamped illustration to front board. A very fine copy in the original board slipcase with very minor signs of shelfwear to the slipcase only. Spine very sightly sunned. A fantastic book with quotes from Yeats and Kafka and many other writers, illustrated by Calder!

46. Gould, Robert Freke.

The History of Freemasonry – Its Antiquities, Symbols, Constitutions, Customs, Etc. – Embracing an Investigation of the Records of the Organisations of the Fraternity in England, Scotland, Ireland, British Colonies, France, Germany, and the United States [of America]. Derived from Official Sources.

Six Volumes (complete set). London, Thomas C. Jack, 1887. Quarto (23 cm wide x 29 cm high). Pagination: Volume I: Frontispiece – Portrait of The Prince of Wales in Full Masonic Regalia, Pages 1 – 252 (continued in Volume II), 8 Illustrations (including Frontispiece) / Volume II: Frontispiece – Portrait of Colonel Le Gendre Starkie, Pages continue from Volume I = page 253 – page 504, with 8 Illustrations (including Frontispiece) / Volume III: Frontispiece – Portrait of his Grace the Duke of Abercorn, 248 pages with 9 Illustrations / Volume IV: Pages continue from Volume III = page 249 – page 502, with 8 Illustrations (including Frontispiece) / Volume V: Frontispiece – Portrait of The Earl Percy, 250 pages, with 8 Illustrations / Volume VI: Pages continue from Volume V: page 251 – page 502, with 8 illustrations (including Frontispiece). Hardcover / Original, bright blue publisher’s cloth with decorative gilt-ornament to each bindings. A stunning set in Near Mint condition with only very minor signs of wear.

47. Pierre, Frédéric.

“Meme les Dieux ont ami de toi” [With five (5) original and signed erotic, colour-engravings]. 5 gravures érotiques par Frédéric Pierre.

1991. Quarto (25 cm wide x 30 cm high). Six sheets of folded velin of which the first sheet is the title and introductory Poems “The Fruit of your Body” and the following five sheets are the original erotic gravures, titled, limited and signed by the artist Frédéric Pierre. Hardcover / Original blue clamshell-box, housing the artwork. Excellent, as new condition. No.18 of only 21 copies, signed by the artist. EXTREMELY Rare !!!

48. Moncrieff, A.R. Hope / Mackenzie, Donal A. / Squire, Charles.

Myth and Legend in Literature and Art. Collection of six Volumes in breathtaking Arts and Crafts bindings of the Gresham Publishing Company: I. A.R.Moncrieff – Classic Myth and Legend. With Illustrations in Colour & Monochrome from famous Paintings & Statuary. / II. Charles Squire – Celtic Myth & Legend, Poetry and Romance. With Illustrations in Colour & Monochrome after Paintings by J.H.F.Bacon & other Artists (and with the section on “Finn and the Fenians”) / III. Donald A. Mackenzie – Indian Myth and Legend. With Illustrations in Colour by Warwick Goble and numerous monochrome Plates. / IV. Donal A. Mackenzie – Egyptian Myth and Legend – With Historical Narrative Notes on Race Problems, Comparative Beliefs etc. / V. A.R.Hope Moncrieff – Romance & Legend of Chivalry. With Illustrations in Colour & Monochrome from Drawings and Famous Paintings./ VI. Donal A. Mackenzie – Teutonic Myth and Legend. An Introduction to the Eddas & Sagas, Beowulf, The Nibelungenlied, etc. //

First Edition / Original Art Nouveau – Edition ! Six Volumes. London, Gresham Publishing Company, no year [c.1910]. Octavo. c.2500 pages with numerous illustrations and photographs (see images). Hardcover / Original, very decorative Art Nouveau / Arts and Crafts – Publisher’s Bindings (some signed E W / EWO) The most in-depth-publication of the early 20th century with many lesser known sagas and myths as well as some philosophical essays on mythology and paganism / Excellent condition with only minor signs of external wear and some very minor signs of foxing. Rare in this exceptional condition ! Perfect gift for the collector and lover of mythology !

49. [Stanley Cavell Collection] – Cavell, Stanley [Stanley Louis Goldstein].

Collection of important and rare publications by and on american philosopher Stanley Cavell. The books in this collection originate from the personal library of Stanley Cavell, his friends Victor and Jacqueline, as well as from the library of philosopher Graham Parkes [Please see each title described and photographed in our section “Libraries & Collections” and search for “Stanley Cavell Collection”]. The collection includes: 1. Must We Mean What We Say ? – Modern philosophical essays in morality, religion, drama, music and criticism. First Edition, 1969. Signed and inscribed by Stanley Cavell / 2. Stanley Bates and Ted Cohen – More on what we say. First Edition. Chicago, Middlebury College, 1972 / 3. Cavell, Stanley – Themes out of School. Effects and Causes. San Francisco, North Point Press, 1984. Signed and inscribed by Stanley Cavell / 4. Cavell, Stanley. The World Viewed – Reflections on the Ontology of Film. New York, The Viking Press, 1971. Signed and inscribed by Stanley Cavell in the year 1971, to his friends Victor and Jacqueline / 5. [Cavell, Stanley] Oksenberg Rorty, Amélie. The Many Faces of Philosophy. Reflections from Plato to Arendt. First Edition. Oxford and others, Oxford University Press, 2003. Signed and inscribed by the Editor to Cavell. / 6. [Cavell, Stanley] – Massimo Cacciari – Architecture and Nihilism: On the Philosophy of Modern Architecture – Stanley Cavell’s personal copy with notes and annotations. / 7. [Cavell, Stanley] Desan, Wilfrid – The Tragic Finale – An Essay on the Philosophy of Jean-Paul Sartre – with interesting annotations and textmarkings by Stanley Cavell / 8. Cavell, Stanley. Pursuits of Happiness – the Hollywood Comedy of Remarriage. Massachusetts, Harvard University Press, 1981. From the librray of philosopher Graham Parkes / 9.Cavell, Stanley. The World Viewed- Reflections on the Ontology of Film. Enlarged Edition. Massachusetts, Harvard Universaity Press, 1979. From the library of philosopher Graham Parkes.

New York / Cambridge / and others, Charles Scribner’s Sons / Harper / Yale University Press / Oxford University Press / Viking Press etc., 1969-2003. Large Octavo (17 cm x 23,5 cm). XXIX, 365 pages. Hardcover / Original cloth / Softcover. All books in very good or better condition; many signed or inscribed. A rare opportunity to look into the mind of an important philosophical thinker through his annotations and notes, especially in the book on Sartre.

50. [Curtayne, Alice] / McKevitt, P. / Lucey, C. / Conway, J. Jacobus / Christus Rex Society of Irish Diocesan Priests / Rísteard Ó Cíonga [Richard King as Illustrator] / etc.

Alice Curtayne as Contributor to Irish Periodicals / Journals / Digests. The collection aims for completion and collects not only issues of periodicals with contributions by Alice Curtayne but hopes to complete each set of periodicals to which Alice Curtayne contributed between the years of 1930 and 1980, in order to allow for cross-referencing of contributors, study cooperation between illustrators and Alice Curtayne, her influence and acceptance as early female contributor in a men’s world, possibly even deciphering pseudonyms under which Curtayne might have written or essays she might have contributed to but her name was omitted; in general: circumstances which have not been detected yet. The Collection is documented thoroughly in professional images and descriptions on our website and includes to date: I. Alice Curtayne as Contributor to “The Irish Digest”: 1. “The Irish Digest” from September 1940 – including the article: Alice Curtayne – “Lament of an Author” / II. Alice Curtayne as Contributor to “Christus Rex”: “Christus Rex” – An Irish Quarterly Journal of Sociology. A Collection of 24 issues of the important and underrated publication “Christus Rex” including: 1. Volume XX, No.4 of “Christus Rex”: Alice Curtayne – “The Council and Women” ]. / III. Alice Curtayne as Contributor to “The Furrow”: “The Furrow” – Monthly Journal published by the Leinster Leader, Naas and Edited by Rev. J.G.McGarry. A Collection of 56 issues of the Journal, including two issues with Curtayne – publications: 1. “Saint Patrick in his Confession” – (In: “The Furrow” from March 1951) and 2. “Marillac Manor” (in “The Furrow” from July 1959) and 3. “Ecumenism in Dublin” (In “The Furrow” from February 1966) / IV. Alice Curtayne as Contributor to “The Capuchin Annual”. Including: 1. Alice Curtayne – “For the Septcentenary of St.Anthony of Padua (1231 – 1931)” – [including a portrait photograph of Alice Curtayne] / 2. Alice Curtayne – “Five Irish Saints” (″The Living Patrick” / “Saint Colmcille – Irishman” / “Saint Brendan – The Navigator” / “Saint Ita” / “The Method of Saint Columbus” / (In: Capuchin Annual 1945-1946 – with Illustrations in color by Stained Glass Artist, Rísteard Ó Cíonga [Richard King].

Naas, Christus Rex Publications, 1949 – 1967. Octavo. 81 Issues with different amounts of pages and content. Overall c. 4800 pages. Original Softcover. Excellent condition with some minor signs of wear only. Some of the issues with annotations and some with a former library-stamp. Very rare run of these periodicals which invited contributions from other women writers like Ita Meehan.