21. Hamsun, Knut.

La Faim. Traduit du Norvegien.

Première Édition originale française / [First French Edition of ‘Hunger’]. Paris, Albert Langen / Nilsson, 1895. Octavo. 322 pages. Reliure privée du 19ème siècle / Original private Hardcover with gilt lettering on spine. Bon etat / Very good condition with only minor signs of external wear.

22. [Hamsun, Knut] Hansen, Thorkild.

Processen mod Hamsun. [Signed by Thorkild Hansen]

3 Volumes (complete set). Denmark, Gyldendal, 1978. Large Octavo. 375, 157, 305 pages. Original Hardcover with illustrated dustjackets. The complete set in the original slipcase. Very good condition with only minor signs of external wear to the slipcase. Signed by Thorkild Hansen on the endpaper of the first Volume. The rare first edition of this groundbreaking biography of Norway’s most famous writer.

23. Hirschfeld, Albert (″Al”).

The American Theatre as seen by Hirschfeld.

First Ediiton. New York, George Braziller, 1961. Oblong-Quarto. [254 pages]. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition of the volume itself with only minor signs of wear. The rare dustjacket with very few minor tears and one small piece of the jacket (1 inch) missing). All illustrations in stunning condition. Beautiful publication.

24. [Homer] / Pope, Alexander [with William Broome and Elijah Fenton].

[Pope’s Homer] The Iliad of Homer / The Odyssey of Homer / [Stunning 18th century set of all 20 Volumes of Pope’s Works in their original, contemporary bindings with 26 full-page-engravings plus 1 large, folded Map of Greece, 1 large, folded illustration of the Battle of Troy, 1 folded illustration of Achilles Shield as well as 84 text-vignettes illustrating the Iliad and Odyssey / The engravings also include a frontispiece – portrait of Alexander Pope after a painting of Jean-Baptiste van Loo]. The set of Pope’s Homer is followed by “The Works of Pope – In Nine Volumes, Complete. With his last corrections, additions and Improvements: Together with the Commentary and Notes of his Editor”.

20 Volumes (complete set of Pope’s Homer and Pope’s Works). London, Charles Rivington / A.Millar and others, 1760 – 1766. Octavo (14 cm x 21 cm). Collation of Pope’s Homer and Pope’s Works follows here: Collation of Pope’s Homer: Volume One includes: an Essay on Homer by Pope, Book I and Book II of the Iliad with two Frontispiece – illustrations, CLI, 175 pages with five Text-Vignettes and one folded map of Greece [and “Phrygia” / Kingdom of Muska] / Volume Two includes: An Essay on Homer’s Battles, Book II – Book VII of the Iliad, 341 pages with five Text-Vignettes and with a stunning, folded map of Troy and the battlefield: “Troja cum Locis pertingentibus” / Volume Three includes: Book VIII to Book XII of the Iliad with ten Text-Vignettes on 304 pages / Volume Four includes: Book XIII to Book XVI of the Iliad with eight Text-Vignettes on 301 pages / Volume Five includes: Book XVII to Book XXI of the Iliad with ten Text-Vignettes and a stunning, folded engraving, showing the Shield of Achilles as described in Homer’s 18th Ilias, [added is a multi-page “Observation on the Shield of Achilles”], on 287 pages / Volume Six includes: Books XXII to Book XXIV of the Iliad with five Text-Vignettes, a two-page Epilogue for the Iliad by Alexander Pope [dated 1720], and “A Comparison between the Games of Homer and Virgil”, an “Index of Persons and Things”, “A Poetical Index to Homer’s Iliad”, an “Index of Arts and Sciences” with “a View of Homer’s Theology” [outlined in the Index are also Music, Geography, Physick, Military Art Astronomy, Architecture, Gymnastics, Agriculture and Rural Arts, Policy, Oratory etc.], on 212, [75], pages including the sectioning of Allegorical Fables in Homer, Allegorical and Fictitious Persons in Homer, The Marvellous or Supernatural Fictions in Homer, Characters of the Gods of Homer, as acting in the Physical or Moral capacities of those Deities [Jupiter, Juna, Apollo, Mars, Minerva, Venus, Neptune, Vulcan], Characters of the Heroes Achilles and Aeneas, Agamemnon, Ajax, Diomed, Hector, Idomeneus Menelaus, Nestor, Priam, Paris, Patroclus, Sarpedon, Ulysses and much more // Volume VII [being Volume One of The Odyssey]: Includes “A General View of the Epick [sic] Poem and of the Iliad and Odyssey, extracted from Bossu” and Book I to Book IV of the Odyssey with eight Text-Vignettes and some minor wormhole-damage decreasing from the titlepage to the end of the Volume, 240 pages / Volume VIII [being Volume Two of the Odyssey]: Includes Book V to Book IX of the Odyssey with nine Text-Vignettes on 272 pages / Volume IX [being Volume Three of the Odyssey]: Includes Book X to Book XIV of the Odyssey with nine Text-Vignettes on 316 pages / Volume X [being Volume Four of the Odyssey]: Includes Book XV to Book XIX of the Odyssey with eight Text-Vignettes on 277 pages with a faded dampstain to the core of the lower book-block / Volume XI [being Volume Five of the Odyssey]: Includes Book XX to Book XXIV of the Odyssey with an Epilogue [″Postscript”] by Alexander Pope, an Index to the Odyssey and an Addenda: “Homer’s Battle of the Frogs and Mice – by Mr.Archdeacon Parnel, corrected by Mr.Pope” with eight Text-Vignettes on 280, [20], 28 pages [one layer ever so slightly loosened, but still attached to the book-block// Collation of Pope’s Works: Volume I includes: Juvenile Poems / Pastorals etc. with Frontispice, Advertisement, Preface, [XLV], 288 pages with an additional two plates [Engravings for “Windsor Forest” and “The Rape of the Lock”] Faded dampstain to the illustration for “The Rape of the Lock” / Volume II includes: Pope’s Translations and Imitations, 272 pages with four plates, illustrating “Eloisa to Abelard”, “The Temple of Fame”, “January and May”, “The Wife of Bath” / Volume III includes: Moral Essays, Essays on Man and Essay on Satire, 362 pages, illustrated with eight plates of which one is detached and loosely inserted in its dedicated space verso page 203 / Volume IV includes: Satires and Epistles of Horace imitated, Satires of Dr.John Donne, etc., 336 pages, illustrated with three plates / Volume V includes the Dunciad in Four Books with a Frontispiece and five additional engravings (of which one engraving only covers half a page), 345 pages plus 14 pages of an Index / Volume VI includes Pope’s Miscellaneous Pieces in Verse and Prose, [including his Prefaces to Homer and Shakespeare], with 407 pages and one engraving faded dampstain to lower bookblock) / Volume VII includes the first Volume of Alexander Pope’s Letters, XXXII, 367 pages / Volume VIII includes the second Volume of Alexander Pope’s Letters, XI, 280 pages / Volume IX includes the third [and last] Volume of Alexander Pope’s Letters [including the 88 (!) letters to and from Jonathan Swift] XV, 372 pages //. Original Hardcover / 18th century full calf with gilt lettering and ornament on spine. Condition of the eleven Volumes of Pope’s Homer: An original set of all eleven volumes of Homer with their original patina, unaltered in 18th-century-condition and with very few Volumes with minor damage to the spines and some of the leather slightly rubbed and minimally loosened from the boards. Minor, faded dampstain to one Volume and decreasing wormhole-damage to one other Volume. All Volumes firm with one layer inside the Odyssey ever so slightly loosened. All illustrations, maps, folded engravings and allegorical Text-Vignettes within Pope’s Homer present and in excellent condition. Very good condition with only minor signs of external wear. / Condition of the additional set of nine Volumes of Pope’s works: Overall very good with all Volumes firm but two Volumes with some minor damage to the spines (Volumes I and IV). Occasionally some dampstaining in three of the nine Volumes but overall this nine volume-set of Poepe’s works is in still very good- condition with some pages being a little dusty and only one of the 24 engravings/ illustrations detached and loosely inserted. One of the rare opportunities to buy Alexander Pope’s Homer and collected works in an entire, original 18th century private library-set. From the collection of Daniel Conner, with his Exlibris / Bookplate to the pastedown //

25. Hsingyuan, Tsao / Naizheng, Zhu.

Transforming Pictures – A contemporary (Re)presenting of Traditional Thoughts. [Including the essays: A Hundred Years of Oil Painting in China / Understanding and Transforming of Being / Transforming Things into Mindimage / Meaning Beyond Image / Visualizing the Poetic Statement / Transforming Oil Painting(s) / With Transcriptions from the Preparation Workshop / Remarks on Translation].

Bilingual Edition in English / Chinese. Beijing, Foreign Language Press, 2009. Quarto (25.5 cm x 29 cm). 250 pages with illustrations throughout the book. Original Softcover. Excellent, close to new condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

26. [Inanna / Ishtar] Wolkstein, Diana / Kramer, Samuel Noah.

Inanna, Queen of Heaven and Earth – Her Stories and Hymns from Sumer.

Harper Perennial, 1983. Octavo. 256 pages. Original, illustrated softcover. New / Excellent condition.

27. [John Minihan Collection] – [Heaney, Seamus] Minihan, John.

First Day Cover of the commemorative stamp for Seamus Heaney. Signed by irish photographer John Minihan, whose portrait of Heaney was used for the stamp. The first day cover is illustrated with a quote from Heaney’s “Bogland”: “We have no prairies – To slice a big sun at evening – Everywhere the eye concedes to – Encroaching horizon…”

Dublin, Anpost, 2014. 19 cm x 13 cm. 1 page. Original Softcover. Excellent condition. Signed and dated by John Minihan on August 28th, 2014.

28. [Jones, David] Blamires, David.

David Jones: Artist and Writer.

Second Edition. Manchester, Manchester University Press, 1971. Octavo. 220 pages. Illustrated with six plates: 1. The Chester Play of the Deluge / 2. The Rime of the Ancient Mariner / 3. Portraits of a Boy / 4. The Terrace / 5. Thorn Cup / 6. Vexilla Regis. Original Softcover. Excellent condition with only minor signs of external wear.

29. [Kandinsky, Wassily] Weiss, Peg.

Kandinsky in Munich – The Formative Jugendstil Years [The Formative Art Nouveau Years].

Princeton, Princeton University Press, 1985. 8°. XXI, 268 pages text and 156 illustrations on plates. Original Softcover. Excellent condition with only minor signs of external wear.

30. Kirk, Malcolm / Strathern, Andrew.

Man as Art – New Guinea. [With an essay by Andrew Strathern: “Dress, Decoration and Art in New Guinea”]. Photographs by Malcolm Kirk.

San Francisco, Chronicle Books, 1993. Quarto. 144 pages with photographs throughout the whole book. Original Softcover. Very good condition with only minor signs of external wear. Private giftinscription !

31. Lawrence, D. H.

St.Mawr – Mockup – This is not the book but a unique Furniture Drawer (Toolbox) made by a D.H.Lawrence enthusiast. The Drawer was made in bookform and has the St.Mawr Emblemata on the cover and the title on the spine. Excellent craftsmanship. Leather covered board.

no place, c. 1930. Folio. Original Hardcover with leather covered boards. Hard to qualify this exceptional piece as Ephemera, but that is what it is. Very good condition with only minor signs of external wear. Dimensions are 45,5cm (high), 34cm (wide), 13cm (thick).

32. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

33. Mackenzie, Compton / Stone, Christopher.

The Gramophone / Collection of c.785 Issues of the influential classical music magazine from October 1935 – December 2002 including several Index – Volumes and special issues. This being one of the largest known, nearly complete runs of this magazine with some Issues missing here and there only. [From the George Hitching Music Collection]

England, 1935 – 2003. Octavo. More than 20000 pages of secret classical music knowledge. Original Softcovers. Very good condition with only minor signs of external wear and some of the early volumes with some fraying only. The price includes an upgrade to worldwide free shipping of the collection per UPS or DHL Express Courier.

34. [Manzur, David] Roberto Burgos Cantor / Fernando Cruz Kronfly / Jaime Duarte French / Gonzalo Hernández Alba / Bernardo Hoyos / Gonzalo Mallarino / Jorge Orlando Melo / Pilar Moreno de Ángel / R.H. Moreno-Durán / Laura Restrepo / Daniel Samper Pizano / Luis Zalamea.

Del Amor y del Fuego. Obra exclusivamente realizada para la presente edición por el maestro David Manzur.

Colombia, Tercer Mundo Editores, 1991. 4°. 270 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition. Very Rare !

35. McCulloch, Susan.

Contemporary Aboriginal Art – A guide to the rebirth of an ancient culture.

Australia, Allen & Unwin, 2001. 18.5 cm x 26 cm. 247 pages. Lavishly illustrated with colour plates throughout. Original, illustrated Softcover. Very good condition with only minor signs of external wear.

36. Mendelssohn Bartholdy / Jakob Ludwig Felix.

Collection / Sammelband of original, printed scores. The Volume contains the following scores: I. “Symphony No. 3” – Composed and Dedicated by Permission to her most gracious Majesty Queen Victoria, by Felix Mendelssohn Bartholdy, arranged as a Piano Forte Duett, by the author. Op. 56 (67 pages) London, Published by J.J.Ewer & Co., [c. 1860] / II. “Overture to Melusine”. Arranged for Piano Forte, composed by Felix Mendelssohn Bartholdy. Op. 32 (17 pages) London, Cramer, Addison & Beale, [c. 1839] / III. “Caprice”, for the Piano Forte, composed by Felix Mendelssohn Bartholdy. (15 pages) London, Cramer, Addison and Beale, [c. 1840] / IV. “Fantasia” on a Favourite Irish Melody for the Piano Forte. Composed by F. Mendelssohn Bartholdy (Op. 15) – 8 pages, London, Cramer, Addison & Beale, [c. 1840] / V. “Two Musical Sketches” for the Piano Forte. Composed by F. Mendelssohn Bartholdy. 7 pages – London, Cramer, Addison & Beale, [c. 1840] / VI. “Capriccio for the Piano Forte. Composed & Dedicated to Miss Honoria Taylor. By F. Mendelssohn Bartholdy (Op. 16) No. 2; 4 pages – London, Cramer, Addison & Beale, [c. 1840] / VII. “The Rivulet” Rondino for the Piano Forte. Composed and Dedicated to Miss Susan Taylor, by F. Mendelssohn Bartholdy (Op. 16) – No. 3; 4 pages – London, Cramer, Addison & Beale, [c.1840] / VIII. “Twenty-Seven Melodies” by Felix Mendelssohn Bartholdy, arranged for the Piano – Forte from his Ops. 8 and 9. In Four Books:– Book I, II, III and IV (13, 13, 13, 13 pages) – London, Ewer & Co., [c. 1840] All the four books have separate titlepages / IX. “Six two-part Songs, for Female Voices with Accompaniments of the Piano – Forte, composed by Felix Mendelssohn Bartholdy (Op. 63) – 29 pages; London, J.J.Ewer * Co., [c. 1840] / X. “The Garland”, by Thomas Moore Esq. Set to Music by Felix Mendelssohn Bartholdy. 5 pages; London, J.J.Ewer & Co., [c. 1840] //

London, Ewer / Addison / Beale and others, [c.1840 – 1863]. Folio. c 180 pages. Modern Hardcover, beautiful half morocco with gilt lettering on spine and marbled paper covered boards. Original Softcover, engraved scores bound in. Very good condition with only minor signs of external wear. Only three of the scores with some tears, one with a dampstain ! Overall an extremely attractive compilation of Mendelssohn’s work in a recent mster-binding. Highly collectable and a beautiful gift ! Ask for multiple images.

37. [Mielziner, Joseph “Jo”] Henderson, Mary C.

Mielziner – Master of Modern Stage Design. Foreword by Frank Rich.

New York, Back Stage Books, 2001. Oblong-Quarto. 320 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Rare Out-of-Print-title !

38. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

39. Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

40. [Palme, Olof]

Fataburen – Nordiska Museets och Skansens Arsbok [signed and inscribed by former swedish prime minister Olof Palme to english theatre director Peter Ashmore: “To Peter – A Great Englishman and a true friend of Sweden – Your friend Olof Palme”].

1973. Octavo. 206 pages with several photographs. Original, illustrated Hardcover. Very good condition with only minor signs of external wear.