101. Farming-Game 19th century / Spiel 19.Jahrhundert /

Rural Economy – Stamped Figures for colouring / Die Landwirthschaft – Figuren zum Ausmalen / La Economia Rustica – Figuras recortados para colorear / L’Economie Rurale – Figures decoupees pour colorier. – Game No./ Spiel No. 1849 – Serie III. Deponiert.

Bilingual Cover for children in England, Germany, Spain and France. [Deutschland / Allemagne / Germany], [c. 1890]. 26 cm x 17 cm x 1,5 cm. 30 figures / 30 figuren. With original flexible metal – stands. Some of the figures painted with the original colour palette. Original Hardcover with lithographed cover (Farmer bringin in the hay). Excellent condition with only minor signs of external wear. Very Rare agricultural children’s game ! / Shows farming scenes: Making butter, milking cows, Priest visiting, children playing, chicken, goats etc.

102. Ferrand, J.

Le charpentier-serrurier au XIXe siecle: Constructions en fer et en bois. Charpentes mixtes en fer, fonte & bois Charpentes decoratives pour ateliers, magasins, halles, hangars, pavillons, galeries, passerelles, terrasses, planchers, portes, etc. Avec 87 (sur cent) Planches en Couleurs et Texte.

Edition Originale !! Paris, Librairie Polytechnique de J. Baudry, no date / s.d. [1881]. Folio (36.5 cm x 28 cm). 32 pages texte plus 87 (sur 100) planches. [With 87 of 100 plates] Original Hardcover / Reliure originale. Reliure defraiche. / Binding broken and rubbed. Several planches with tears but overall in still very good condition ! A very rare work on early iron cast construction, architecture and design. Beautiful colour lithographs ! / Bel ouvrage d’architecture ! Bel ouvrage d’architecture décrivant les avancées techniques de la charpenterie de fer et fonte, quelques années avant l’érection de la Tour Eiffel, publié sous le patronage de M. Alphand, inspecteur général des Ponts et Chaussées, directeur des travaux de la ville de Paris. / Beautiful architectural work describing the technical progress of the iron and cast iron carpentry, a few years before the erection of the Eiffel Tower, published under the patronage of Mr. Alphand, inspector general of the Ponts et Chaussées, director of works of the city of Paris.

103. Finden, E. [Engraver] / Westall, William [Artist / After a Painting from William Westall].

Glenmire Bridge – Near Cork [Glanmire].

Original, 19th century Steel Engraving. London, Charles Tilt in Fleet Street, [1829]. 21 cm x 12 cm. Good condition with minor signs of wear to outer margins.

104. Fitzgibbon, Margaret.

Fitzgibbon – One That Always Remains – With an Essay by Aidan Dunne (″Human Ties”).

Cork, Triskel Arts Centre, 1992. Octavo. 32 pages including a photograph and short-biography of the aartist to the rear of the publication. Wih several image sof sculpture and art by Margaret Fitzgibbon. Original Softcover. Excellent condition with some minor signs of wear only. Signed and inscribed by the artist in September 1992.

105. Florence / Pisa – Carocci, G. et al.

Collection of six stunning, early 19th-century gouache-aquatints of Florence and Pisa including a rare segment showing a Funerary Procession in front of Giotto’s Campanile, part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. These very able and fantastically hand-coloured, original artworks, represent the peak of high-quality souvenirs for the European Traveller on their Grand Tour. [Loggia dei Lanzi / Cattedrale di Firenze / Piazza S. Trinita / Campanile Della Cattedrale di Firenze / Ponte S. Trinita / Campanile Di Pisa].

Original Aquatint (hand-applied water-colouring over copper engraving). Florence / Pisa, [c.1820]. Plate Sizes vary: 31 cm x 22.1 cm. Sheet Sizes vary: 34.6 cm x 26.5 cm. Original Gouache-Aquatint (hand-applied water-colouring over copper engraving). Florence/Pisa, [c.1820]. Plate-Sizes vary: c. 31 cm x 22.1 cm. Sheet Sizes vary: c. 34.6 cm x 26.5 cm. Besides some smaller damages to the Ponte S. Trinita-artwork in very good, actually stunning, condition. Clean, crisp and brightly coloured. All of these artworks are beautifully framed and the price includes worldwide free shipping per UPS – courier.

106. Foster, Michael, and Macklin, Thomas. [translators].

The Cimabue Crucifix.

London, The Royal Academy, c 1980. 22.5 cm x 26 cm. 138 pages. With 110 illustrations. Original Softcover. Excellent condition with only very minor signs of external wear. Includes a corresponding newspaper-clipping about the Cimabue Crucifix.

107. Foster, Sir Augustus [British Ambassador to the United States of America] / Sir Charles Stuart [Britain’s Ambassador to France and Russia, Charles Stuart, 1st Baron Stuart de Rothesay] / [Lady Bess Foster, (née Lady Elizabeth Christiana Hervey), later Duchess of Devonshire (1759-1824)] / [Vere Henry Louis Foster] / [Arthur Wellesley, 1st Duke of Wellington].

Archive of a fantastic series of 42 Autograph Letters (signed) / Manuscript Letters (signed) by Sir Augustus Foster, British Diplomat and British Ambassador to the United States of America, prior and at the outbreak of the War of 1812, Recipient of the ‘Declaration of War’ on the “HMS Colibri” (June 28th, 1812), Ambassador to Denmark (1814-1825) and Ambassador to Sardinia (1824-1840). The letters were written between 1815 and 1841, during his time as Ambassador of Denmark (Copenhagen) and from his posting in Turin, as Ambassador to the Kingdom of Savoy-Sardinia [Piedmont-Sardinia]. Fortyone (41) of the letters are addressed to his friend, Sir Charles Stuart, Baron Stuart de Rothesay (1779-1845), Secret Agent, Diplomat, privy councilor as well as British Ambassador to France and Ambassador to Russia and the Duke of Wellington’s distinguished administrator in Europe during the Napoleonic Wars. The 42nd letter in the Archive, is a meaningful, three-page-letter, written by Sir Augustus Foster from Copenhagen in the year 1818, to his mother, Lady Elizabeth (″Bess”) Foster” [(née Lady Elizabeth Christiana Hervey), later Duchess of Devonshire (1759-1824)]. The Letters comprise of sizes between Octavo and Quarto and amount to 130 pages in total, written from Turin (27) & other places, including Copenhagen, Stockholm, London, Calais and Geneva, 1815-1841 / Important: The Archive includes also three important publications which touch on the work of Sir Augustus Foster in America: [1.Richard Beale Davis: “Jeffersonian America – Notes on the United States of America – Collected in the years 1805-1806-1807 and 1811 and 1812 by Sir Augustus Foster, Bart. San Marino, The Huntingdon Library, 1954 / 2. An Extra-Illustrated Version of the publication “The Two Duchesses”, by Vere Foster (son of Sir Augustus Foster), in which an american collector injected a plethora of original engravings, portraits of british and american personalities like Alexander Hamilton, George Washington as well as other contemporaries of Sir Augustus Foster (see 80 photographs of this breathtaking set, bound in red-morocco, on our website) / 3. [James Madison / James Monroe / Sir Augustus Foster – War of 1812] – “Three messages, from the President of the United States, to Congress, in November 1811, together with Documents accompanying the same”. Washington; printed 1811. Re-Printed for J.Hatchard, Bookseller to her Majesty, opposite Albany, Piccadilly, 1812 – The material here relates directly to the war of 1812; much of it is in the form of correspondence between Sir Augustus John Foster, H.M. Minister in America and James Monroe, Secretary of State under James Madison from 1811 to 1817. Other significant contributors include Mr. Pinkney and Lord Wellesley. Extremely scarce original edition. (No copy of the 1811 edition located. Not in COPAC or Sabin)] See more than 200 Images for all these books and manuscript letters in the Augustus Foster Archive on our website under “Libraries & Collections” /

Turin / London / Stockholm / Copenhagen / Calais / Geneva, 1815 – 1841. Octavo – Quarto. The Letters are housed in a beautiful, bespoke Solander-Chemise. The original books are either bound in Morocco (″Two Duchesses”), original cloth with dustjacket (″Jeffersonian America”) or in the publisher’s original interim-wrappers (the rare 1812-printing of “Three messages, from the President of the United States, to Congress, in November 1811, together with Documents accompanying the same”). Very good condition with some minor signs of wear only.

108. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. Second Edition [Revised] Unique version of the second edition, with a multitude of additional, uncalled-for illustrations (Portraits) and an original engraving of Harper’s Ferry (Virginia).

One Volume bound in two Volumes due to added images (complete set). London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (15 cm x 22 cm). Pagination: Volume I: An extra-illustrated edition, with 96 plates instead of the only 18 plates which were called for according to the inventory pages of the set. Hardcover / Two stunning, privately commissioned, red morocco bindings with five raised bands as well as gilt lettering and ornament to spine, boards and inner pastedown-borders. Excellent condition with some minor signs of wear only. Both Volumes firm and endpapers intact. Interior beautiful and clean with a plethora of illustrations added into this rare second edition with the portraits reflecting personalities touched upon in the letters published by Vere Foster. The often rare portraits of contemporaries to the Duchess of Devonshire and Vere Foster’s father, Sir Augustus Foster, are of significance since many of them are now scarce as well.

109. Fountain, Robert / Coward, Malcolm (illustrator) / Whitcombe, Susie (illustrator).

The Art of the Traditional Circus: A History of the Circus and its Artists.

Askham, Palette Press, 2011. 27.5 cm x 21 cm. VIII, 216 pages. Original Hardcover with original dustjacket. Excellent, as new condition. Signed by the author Robert Fountain on the titlepage.

110. Fox Hunting – Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate III – At Fault.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good condition. Some minor traces of browning and paper imperfections to outer margins only.

111. Fox Hunting – Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate IV – The Death.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good- condition. Minor abrasion with slight tear to upper part of engraving.

112. France – Asselineau, Léon-Auguste. (1808 – 1889).

Èglise de St Germain-L’Auxerrois, À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition

113. France – Asselineau, Léon-Auguste. (1808 – 1889).

Intèrieur De St. Ètienne Du Mont À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.3 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition.

114. France – Asselineau, Léon-Auguste. (1808 – 1889).

La Maison Carée, À Nîmes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Very good condition with slight amounts of browning to outer margins only.

115. France – Maurice.

Costumes des Bressannes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [c.1860]. Plate Size: 20 cm x 30 cm. Sheet Size: 26.4 cm x 35 cm. Original lithograph. Excellent condition.

116. France – Mercereau, Charles. (1822 – 1864).

Le Pas de Roland, pres de Combo, (Environs de Bayonne) / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27 cm x 22 cm. Sheet Size: 34.6 cm x 26.3cm. Original lithograph. Excellent condition.

117. [Freke, John Evans / Lord Carbery] Neale, J.P. / Wallis, W.

Castle Freke [John Evans Freke / Lord Carbery Family Seat / Castlefreke – Rathbarry].

Original, 19th-century steel-engraving of the famous West Cork Castle of the Freke and John Evans-Freke – Family / Lord Carbery Family Seat. London, Neale, Bennett & Jones, 1820. 21,5 cm x 13,5 cm. In unusually, excellent condition. Extracted engraving from “Views of the Seats of Noblemen and Gentlemen in England, Wales and Scotland”. This fine engraving was drawn and published by J.P. Neale 1818-1829. The engraving comes with a separate, 4-page, descriptive text of “The Seat of John Evans Freke”. This illustration being a fine exterior view of Castle Freke in Cork, Ireland, titled and dated 1820.

118. Gaelic Fairy Tale Illustrations – [Mac Liammoír, Micheál] Ó Floinn, Tomás / Proinsias Mac Cana.

Scéalaíocht na Ríthe – [Stories of the Kings]. Tomás Ó Floinn agus Proinsias Mac Cana. A chuir in Eagar. Micheál Mac Liammoír a Mhaisigh.

Baile Átha Cliath, Saírséal & Dill, 1956. 18.1cm. 220, [4] pages. Including 6 plates with beautiful, tipped-in illustrations and their often missing, lettered tissue-guards. Hardcover. / Original, illustrated blue publisher’s cloth. Excellent condition with only minor signs of external wear / An underestimated publication with all illustrations in place. While the book was also published in softcover-cardboard, the first edition we offer here is the much better version.

119. Gaitskell, Charles D. / Hurwitz, Al.

Children and their Art – Methods for the Elementary School.

Third Edition. New York / Chicago etc., Harcourt Brace Jovanovich, 1975. Quarto (20 cm x 23,5 cm). XII, 547 pages. Original Hardcover. Excellent condition with some minor signs of wear only.

120. [Gallé, Emile] Garner, Philippe.

Emile Gallé.

Munchen, Prestel-Verlag, 1979. 24 cm x 31 cm. 107 pages. Illustrated throughout with numerous colour and black-and-white plates. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. Excellent monograph on Gallé.

121. Ganz, Nicholas / Manco, Tristan.

Graffiti World: Street Art From Five Continents.

London, Thames & Hudson, 2004. 23 cm x 24,5 cm. 375 pages with illustrations throughout. Original Hardcover. Excellent condition with only minor signs of wear.

122. Garner, Philippe.

Sixties Design.

Hong Kong / Köln / London etc., Taschen, 2008. 23,5 cm x 31 cm. 176 pages with Illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

123. Garton, Robin.

British Printmakers – 1855-1955. A Century of Printmaking from the Etching Revival to St Ives.

Special Collector’s Edition / Limited to 25 copies with Suite/3 prints. Devizes, Garton & Co, 1992. 26 cm x 32.5 cm. 326 pages. 585 illustrations. Hardcover / Publisher’s original quarter-leather with green buckram boards and raised bands. Gilt lettering on spine. Top edge gilt. With original green-cloth slipcase. Including the additional folio-suite of 3 prints: 1. ‘Nude with Pillow’ woodcut by John Nash / 2. ‘Abstract Flower Design’ by Enid Marx / 3. ‘Old Tree’ by Reynolds Stone. Near fine condition. Very rare edition of a stunning volume, excellently presented.

124. Geissler, Paul. (1881 – 1965).

Naples with Mount Vesuvius and Pompei in the background / Neapel mit Vesuv und Pompeji im Hintergrund.

Original Etching. Naples, c.1930. Beautifully Framed. Size of frame with etching: 42 cm x 50 cm. Size of actual etching: c. 38 cm x 30 cm. This original etching from the original plate comes from the estate of the artist and was posthumesly titled by the son of Paul Geissler. The etching is signed in the plate and has been produced probably after the 2nd world war. The german art critic Richard Braungart place Geissler “among the german masters of landscape and architectural etching”.

125. Geissler, Paul. (1881 – 1965).

Philadelphia in 1928 on South Broad Street looking towards City Hall, with traffic and, cars, policemen, construction on buildings.

Original Etching / Originale Radierung aus dem Nachlass von Geissler, Abzug von der Originalplatte. Munich, Geissler, c.1960. Beautifully Framed. Size of frame with etching: 49.5 cm x 57 cm. Size of actual etching: c. 43 cm x 32 cm. Signed in pencil by the executors of the Paul Geissler Estate / Excellent condition (mounted) and framed. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

126. Genovesi, Antonio.

Antonii Genuensis in regia Neapolitana Academia Antecessoris Elementorum Artis Logico-Criticae Libri V. [Elements of the Art Academy of Naples and Genoa and Anthony Antecessoris Logico-Criticae V.]

Editio Novissima ad Postremam Neapolitanam. Bassani, 1779. 8°. XVI, 352 pages. Softcover. With manuscript annotations on the last page. Binding rubbed and with tear to upper spine.

127. George, Sir Ernest. (1839-1922).

“Drury Lane” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

128. George, Sir Ernest. (1839-1922).

“Oxford Market” – Oxford Street / Old London.

Original Etching. London, The Fine Art Society, 1884. Beautifully Framed. Size of frame with etching: 41.5 cm x 52 cm. Siz of the etching itself: 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Beautifully mounted and framed (see images). With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

129. George, Sir Ernest. (1839-1922).

“Staple Inn” – Holborn / Old London.

Original Etching. London, The Fine Art Society, 1884. Beautifully Framed. Size of frame with Etching: 41.5 cm x 52 cm. Size of actual etching: 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Beautifully mounted and framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

130. George, Stefan [Hilsdorf, Theodor].

Originales Portrait des Dichters Stefan George.

Originales Silbergelatine Print / [Silver Gelatine Print] durch den Photographen Theodor Hilsdorf. Im originalen Karton-Umschlag montiert (Originalumschlag der photographischen Kunstanstalt Friedrich Müller, Inh. Hofphotograph Theodor Hilsdorf, Amalienstrasse 15, München – mit kleinem Adress-schildchen) Der Abzug durch Seidenpapier geschützt. Rückseitig mit Stempel und Nummer: (VIII/2) und unter der Photographie mit Bleistift signiert “Müller-Hilsdorf, 1928”. München, Kunstanstalt Friedrich Müller, 1928. Image / Photographie: 21 x 16,5 cm. Sheet / Blatt: 30 x 22,5 cm. Excellent condition. Very rare ! / Sehr seltene Originalphotographie.

131. Germany – Blaeu, Willem Janszoon. (1596 – 1673).

Celeberrimi Fluvii Albis nova Delineatio.

Original hand-coloured engraving. Amsterdam, Blaeu, 1628. Plate Size: 53 cm x 30.6 cm. Sheet Size: 60 cm x 48.7 cm. Original map. In very good condition. Clean and bright with generous margins. Very minor tear to centre-fold at lower edge. French text on reverse.

132. Germany – Justi, Ferdinand. (1837 – 1907).

Elder’s Advice. / Hessische Trachten-Szene.

Original Gouache. [no place], [c.1870]. Plate Size: 14 cm x 17.5 cm. Sheet Size: 21.6 cm x 32.7 cm. Original 19th century artwork. In excellent condition. Discreet duplicate stamp of ‘Regia Berolin.’ on reverse. Artist’s

133. Giraud, Jean “Moebius” / Jodorowsky, Alexandro.

The Incal. Complete First Edition – set of Volume I / Volume II / Volume III.

All Volumes are First Titan Editions from September, October and November 1988. 3 Volumes (complete set). London, Titan Books, 1988. Octavo. Each Volume with c. 90 pages (Total of c. 270 pages). Original Softcover. Excellent condition with only minor signs of external shelfwear to the Volumes (corners and lower edges very slightly frayed) . All Volumes appear to be nearly unread. Very rare Collection !

134. [Gloucester Cathedral] – Waller, Frederick S.

Gloucester Cathedral – Notes and Sketches by Frederick S.Waller.

Gloucester, John Bellows, 1890. Quarto (22 cm wide x 28 cm high). 14 pages text and six (6) full-page Lithographs, illustrating the Cathedral in detail and also including the wonderful Lithograph of a Birdseye-sketch of the Cathedral’s appearance as Norman Remains. Illustrated Softcover with lithographed wrappers. Very good condition with only minor signs of wear. An extremely rare publication on excellent paper and the plates in wonderful detail and condition. This is not the usual tourist pamphlet but a thorough architectural study of great importance for the History of this Abbey.

135. Goldman, Judith.

American Prints: Process & Proofs. [Chuck Close / Jim Dine / Helen Frankenthaler/ Jasper Johns / Frank Stella / Robert Motherwell / James Rosenquist etc.]

First edition. New York, Icon Editions, Harper & Row, Publishers – Whitney Museum of American Art, 1981. 20 cm x 25 cm. 176 pages. 144 illustrations, 43 in full colour. Original Hardcover with dustjacket. Designer Marcus Ratliff. Very good condition with only minor signs of external wear and one small tear on front dustjacket.

136. [Gore-Booth, Colum Robert] / [Lady Eva Selina Laura Gore-Booth] / [Constance Georgine Markievicz née Gore-Booth] / [Lissadell House County Sligo].

Two Manuscript Sketch-Books [12” x 10”] bearing the Bookplate “Lady Gore Booth – Lissadell, Sligo [No.43]”. Both Folio-Size Sketch Books titled ‘The “Wood” Sketch Book’, both issued by ‘St. John’s Wood Art School’: 29, Elm Tree Road, London, NW 8. [Founded 1878]. Each Sketch-Book has 50 pages and most pages have manuscript sketches with a few loose sketches tipped in. The very accomplished drawings all appear to be in pencil and show landscapes, trees, horses, portraits, male and female figures, skulls. They all appear to be in the same hand. Also, tipped in is a b/w photo, 6” x 4” mounted on a card. It is signed in pencil by Roberts of Paris. Stamped on the back is “Roberts” 11, Rue du Havre. In pencil, it states “Elizabeth aged 11, May 1922”. From our research it is certain, that Colum Robert Gore-Booth (1913-1959) attended St.John’s Wood Art School and these appear to be his Sketch-Pads, the only other member of the Gore-Booth family who went to London in order to become an artist was Colum’s aunt, Constanze Markiewicz, who attended Slade School of Art at the turn of the century but the drawings do not fit her style.

Two Volumes. London, St.John’s Wood Art Schools / Lissadell House County Sligo, c.1920 – 1930. Folio. Volume I: 118 pages (59 perforated sheets), with 87 studies, often with sketching on both sides of the sheets / Volume II: 100 pages (50 perforated sheets), with 46 studies inside the sketch-book plus two portrait-sketches loosely inserted, plus the photograph of one “Elizabeth”, dated May 1922 and signed by photographer “Roberts” 11, Rue du Havre, Paris. Publisher’s illustrated Hardcover. Very good condition with only minor signs of wear.

137. [Gray, Cleve / Motherwell, Robert] Smith, David.

David Smith – Exhibition Catalogue April 18 – May 13, 1950. [Cleve Gray’s personal copy]. [With a two page introduction / statement by Robert Mothwell].

New York, Willard Gallery, 1950. Small Octavo. 8 unnumbered pages. Original, illustrated softcover / stapled. Very good condition with only minor signs of external wear. Copy of american abstract expressionist painter Cleve Gray, with his name in ballpen on cover. One part of Motherwell’s introductory – statement with a pencil mark at the side highlighting this section: “When I saw David places his work against the mountains and sky, the impulse was plain, an ieffable desire to see his humanness related to exterior reality, to nature at least if not man, for the marvel of the felt scale that exists between a true work and the immovable world, the relation that makes both human”.

138. Greenaway, Kate.

Original Friendship Album / Album Amicorum with 4 colour-lithographs.

[London], ca. 1880. Oblong-12°. / Miniature Children’s Book (11 cm long x 7,3 cm high). 28 pages with 4 colour lithographs. Illustrated Hardcover. First page and two illustrations cleanly detached. Several entries of children in this friendship-album. The illustrated binding in very good condition. A Kate Greeneway Album Amicorum is extremely rare in any condition !

139. Gulbransson, Olaf.

Und So Weiter.

2.Auflage. Muenchen, Piper, 1973. Quarto. [102] Seiten, durchgehend illustriert. Original Hardcover with dustjacket in protective collector’s mylar. Excellent condition with only minor signs of external wear / Aussergewoehnlich gut erhalten.

140. Haacken, Frans. (1911 – 1979).

Totentanz / [Danse Macabre / Dance of Death – A cycle of nine original Woodcuts – A Danse Macabre] – Einige der Holzschnitte betitelt: Rex Tremendae Majestatis / Agnus Dei / Lux Perpetua / Domine Jesu / Lacrymosa / Dies Irae / Tuba.

Neun originale, signierte Holzschnitte / Holzschnittfolge von Haacken’s Handpresse mit Totentanz – Motiven. [Aachen], c.1950. Gerahmt: c. 28 cm x 35 cm. Holzschnitt: 16 cm x 22 cm. Alle Holzschnitte gerahmt. Sehr guter Zustand mit starken Gebrauchsspuren an den Rahmen von einigen Bildern. / All Woodcuts framed and with some stronger signs of wear to the framing. Price includes free internaional UPS.

141. [Haberl, Horst Gerhard] Pezold, Friederike.

Friederike Pezold – [Video Art / “Das Phänomen der Frauenkunst am Beispiel Friederike Pezold” / “The Phaenomenon of Female Art using the example of Friederike Pezold”] in: “Pfirsich15/75/76”.

Graz, Horst Gerhard Haberl, 1975. Folio (30 cm wide x 35 cm high). 52 unnumbered pages with text and illustration. Original, illustrated softcover. Very good condition with only minor signs of wear. With a private gift-inscription.

142. Hagen, Siegfried / Nemeczek, Alfred (Redaktion).

Volume I: documenta III – Malerei/Skulptur, Volume II: documenta III – Handzeichnungen.

Köln, Verlag M. DuMont Schauberg, 1964. 22,5 cm x 22,5 cm. Volume I: 416 Seiten, Volume II: 240 Seiten. Mit zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen. Original Hardcover in protective Mylar. 2 Bände (vollständig) / Two Volumes (complete). Sehr guter Zustand mit nur geringen Gebrauchsspuren.

143. Hajek, Lubor.

The Osaka Woodcuts. Reproductions by W. Forman. Catalogue by J.V. Neustupny.

London, Spring Books, No Year [Circa 1950]. 20.7 cm x 26.3 cm. Colour Frontispiece. 99 pages. 53 pages of colour illustrations with 1 fold-out. Hardcover / Illustrated Japanese Blockbook-style-binding. Black cloth-case with button and string loop. Binding stained but else in Very good+ condition with only minor signs of external wear. Slipcase slightly worn. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

144. Handcoloured Map Art of 18th century Scotland – [Millar, William] / [Grant, John] / [Leslie, William] Forsyth, Isaac / [Hugh Houstoun].

A Survey of the Province of Moray; Historical, Geographical, and Political. [Inscribed and dedicated by scottish Mapmaker William Millar / Including the amazing, large Map of Moray and the Nairn Shires by William Millar (51 cm x 49 cm) and the engraving of “Elgin Cathedral” (also by William Millar)].

First Edition. Aberdeen, Printed for Isaac Forsyth, Bookseller, Elgin, 1798. Octavo (14 cm x 21,5 cm). Folded, hand-coloured Frontispiece-Map by William Millar, Frotispiece-Engraving of the “Elgin Cathedral” , VIII, 353 pages. Original Hardcover / Original 18th or early 19th century leather with original spinelabel. The large, hand-coloured Map with a minor tear only. Corners slightly bumped. Spine slightly starting but overall in excellent condition with some minor signs of wear only. Interesting Provenance and signed manuscript dedication by the Cartographer and Mapmaker William Millar: From the library of Aberdeen Highlander, Major Hugh Houstoun, with a dedication: “April 27th, 1798 – To Major Hugh Houstoun – from his Much obliged and Humble Servant William Millar”.

145. Harbison, Peter.

Cooper’s Ireland – Drawings and Notes from an Eighteenth-Century Gentleman.

Dublin, The O’Brien Press, 2000. 23.s cm x 23.5 cm. 288 pages. 132 black and white plates throughout. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Very good+ condition with only minor signs of external wear.

146. [Harris and Sons].

Old English Furniture – Designers and Craftsmen.

Third Edition. London, M. Harris and Sons, 1947. Octavo. 107 pages with many plates and drawings of ornament. Original Hardcover. Excellent condition with only minor signs of external wear.

147. [Harris and Sons].

The English Chair. Its Evolution and History.

Second Edition. London, M. Harris and Sons, 1946. Octavo. 184 pages with XCVI (96) plates. Original Hardcover. Excellent condition with only minor signs of external wear.

148. Hartt, Frederick / Wilkins, David G. (revisions).

History of Italian Renaissance Art: Painting, Sculpture, Architecture.

Fourth Edition. London, Thames and Hudson, 1994 23 cm x 30 cm. 696 pages with hundreds of illustrations. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only very minor signs of external wear.

149. Harvey, William – [Harvey, William] van Bemmel, Willem (after the artist) / Houbraken, J. (engraver).

William Harvey M.D.

Original copper engraving portrait of english physician William Harvey, ″ first known physician to describe completely and in detail the systemic circulation and properties of blood”. The vintage engraving shows William Harvey, head-and-shoulders portrait, facing slightly left, in a medallion draped with cloth, also shows a drawing of the cardiovascular system, parts of a plant, and a snake entwined around a stick, suggesting a caduceus. [Amsterdam], J. Houbraken, no year [c.1770]. Beautifully Framed. Size of frame with Harvey’s portrait: 32 cm x 38 cm. Size of the actual portrait engraving: 9.5 cm x 15.5 cm. Excellent condition !

150. [Hatton, Brian] Cule, W. E.

The White Caravan. Illustrated by Brian Hatton.

London, James Nisbet & Co., Ltd., 1914. 15.5 x 22cm. 184 pages. With four colour illustration plates and decorative endpapers. Original, illustrated hardcover in protective Mylar. The binding in unusually excellent and firm condition. Endpapers undsiturbed and perfect. Foxed on the edges and some mild foxing inside. Very minor lesion to the outer margins of 6 pages only. Private gift-inscription and letter included: Inscribed “To Elsie with best wishes from E.Miller”. An original, signed letter by Aunt Miller to Elsie is loosely inserted. All the wonderful colour-plates by Brian Hatton are in place and in excellent condition. An extremely scarce book.