481. Vulliamy, Lewis / Spiers, R. Phene.

Examples of Classic Ornament from Greece & Rome. Drawn from the Originals by Lewis Vulliamy [Architect, Gold Medallist and Travelling Student of the Royal Academy]. A Series of Twenty Plates [Plate No. VI missing]. Selected from the Original Published Work and with Introductory & Descriptive Notes by R. Phene Spiers.

London, B.T. Batsford, 1907. Large Folio (43 cm x 50 cm). Preface and Notes, 19 plates (of 20). Original Hardcover with original ribbons in place. Excellent condition with only minor signs of external wear. The plates in excellent condition with only very minor signs of foxing. Very Rare publication !

482. Walker, Dorothy.

Modern Art in Ireland. Foreword by Seamus Heaney.

First Edition. Dublin, Lilliput Press, 1997. Quarto (24.5 cm wide x 28.5 cm high). 239 pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

483. [Walter Benjamin Collection] – [Benjamin, Walter] Haas, Willy / [Stefan Zweig / Heinrich Mann / Thomas Mann / etc.].

Die literarische Welt. [Mit zahlreichen Erstdrucken von Essays und Rezensionen von Walter Benjamin: “Die Technik des Schriftstellers in dreizehn Thesen” / Walter Benjamin – “Skandal im Théatre-Français” / Buch-Chronik der Woche von Walter Benjamin: “C.A.Bernoulli – Johann Jakob Bachofen und das Natursymbol” / Walter Benjamin – “J.P.Hebel – Ein Bilderrätsel zum 100.Todestag des Dichters” / Buch-Chronik der Woche von Walter Benjamin: “Franz Hessel” / Walter Benjamin – “Der Kaufmann im Dichter” / Walter Benjamin – “Aussicht ins Kinderbuch” (mit Abbildungen von Titeln aus der Sammlung Benjamin) / Walter Benjamin – “Noch ein Paar Neue Kinderreime” / Walter Benjamin – “Kinder” [I.Karussellfahrendes Kind / II. Zu Spaet gekommenes Kind / III. Verstecktes Kind”] / Titelseite als Kalenderblatt mit Karikatur-Portraits von Mitarbeitern der “Literarischen Welt”: u.a. Walter Benjamin, Walter Mehring, Willy Haas u.v.a. “Zum Neuen Jahr lasst Blumen sprechen” / “Wandkalender der “Literarischen Welt” fuer 1927 – Verse von Walter Benjamin / Zeichnungen von Rudolf Grossmann / Walter Benjamin – “Der Regisseur Meyerhold – In Moskau erledigt ?” – “Ein literarisches Gericht wegen der Inszenierung von Gogols ‘Revisor’” / Walter Benjamin – “Zur Lage der Russischen Filmkunst” / Walter Benjamin und Oscar A.H.Schmitz – “Eine Diskussion ueber russische Filmkunst und kollektivistische Kunst ueberhaupt” [Schmitz eroeffnet die Diskussion mit “Potemkinfilm und Tendenzkunst” – Walter Benjamin antwortet daraufhin dem “Bildungsphilister” Schmitz mit einer Polemik].

First Edition. Two Volumes with 94 Issues in total (31 issues in duplicate / 31 Hefte doppelt). Berlin, Ernst Rowohlt, 1925 – 1927. Folio. Pagninierung / Pagination of both Volumes: Volume I: The following 42 issues available in this collection are: 1. Jahrgang / Annual (1925): Nr. 2 und Nr. 4 / 2. Jahrgang (1926): Nr. 14, 19, Nr. 36 – Nr. 52 (17 Issues) / 3. Jahrgang / Annual (1927): Nr. 1-21 [Each issues with 8 pages with illustrations] / [Jedes Heft mit 8 Seiten incl. Abbildungen] / Volume II: 3. Complete Third Annual of 52 Issues for 1927): Kompletter 3. Jahrgang: Nummer 1-52. [Each issues with 8 pages with illustrations]. Illustrations in original woodcut-textillustrations are by Rudolf Großmann (several), Lili Réthi, B. F. Dolbin (several), Frans Masereel (several), George Grosz (Kinderzeichnungen), Renée Sintenis, Alfred Kubin, Max Beckmann, Man Ray and others. Hardcover (original title-wrappers inside a privately printed half-cloth binding) / Hardcover / Privater Halbleinenband der 20er Jahre. Small cutout to page 5 of Issue 2 (Advertising ? 8.4 x 14.5 cm) / (1 cm-tear to outer margin of all issues in Volume one – text not effected) / Titlepage of Issue 49, IInd Annual (1926), missing. Otherwise in very good condition with only minor signs of wear. While it would usually be desirable to have these issues in their original, unbound form, these two privately bound Volumes are actually a blessing and led to these issues to be preserved in unusually excellent condition. A Rare run of this peridocal, with a provenance of one “Frl. Nippoldt” (Miss Nippoldt), Weissenburgstr. 17 / Kleiner Ausschnitt auf Seite 5 der Nummer 2 von 1925 (Werbung) / (1 cm Einriss in den Rand der Nummern von Band 1 – Text nicht betroffen) / Titelblatt der Nummer 49 des II.Jahrgangs (1926) fehlt / Sonst sehr gut erhalten. Auch wenn eine ungebundene Broschur-Version dieser seltenen Zeitschrift einer Privatbindung normalerweise vorzuziehen ist, so ist in diesem Fall die Wahl der Bindung sehr gelungen und man ist fast dankbar wie gut die einzelnen Ausgaben dadurch erhalten wurden. Einige der Ausgaben haben einen alten Besitzvermerk: “Frl. Nippoldt” – “Weissenburgstr.17”, sowie gelegentliche, interessante Kommentare und Annotationen im Text (mit Bleistift)”.

484. [Walter Benjamin Collection] – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

485. [Warhol, Andy] Bailey, David.

Andy Warhol. Transcript of David Bailey’s ATV Documentary.

London, a bailey litchfield/mathews miller dunbar co-production, 1972. Folio (29 cm 38 cm). 80 unnumbered pages. Original Softcover. Very good condition with signs of wear. Minor signs of foxing.

486. Watson, Frank.

The Hush House: Cold War Sites In England.

London, Hush House Publishers, 2004. 29,5 cm x 24,5 cm. [48] pages with Illustrations throughout. Original Softcover. Excellent condition with only minor signs of wear. Signed by the Frank Watson !

487. Weber, Carmen Sylvia [Hrsg.]/Ungerer, Tomi [Ill.].

Tomi Ungerer, EKLIPS. Neues für die Augen von 1960 bis 2010. [Katalog zur Ausstellung Tomi Ungerer in der Kunsthalle Würth, Schwäbisch Hall, 13. Mai bis 19. September 2010].

Künzelsau, Swiridoff, 2010. 8°. 351 Seiten. Überwiegend Illustrationen. Original Hardcover with dustjacket / Originaler Ganzleinenband mit illustriertem Schutzumschlag. Very good condition with only minor signs of wear. Beautifully signed in his calligraphic hand by Tomi Ungerer. / Von Tomi Ungerer auf dem Zwischentitel kalligraphisch signiert.

488. [Weegee] (Arthur Fellig), Talmey, Allene.

Aperture Masters of Photography: Weegee.

Cologne, New York, Konemann Verlags Gmbh and Aperture Foundation, Inc. 1997. 21 cm x 21 cm. 95 pages. Original Hardcover with dustjacket. Cover design by Peter Feierabend. Very good condition with only minor signs of external wear.

489. Wells, Percy A. (1867-1956) / [Letter by Morris, Mary ‘May’ (Designer)] / [Letter by Allom, Sir Charles Carrick (english decorator)] / [Letter by Garnett, Prof. William (Experimental Physics)] / [Letter by Henry, Jacob Solomon (Furniture Maker)] / Letter by Hems, Harry (English architectural and ecclesiastical sculptor)] / [Letter: Image, Selwyn (British Artist & Designer of the Arts & Crafts Movement)] / [Letter: Russell, Sir Sydney Gordon (English Designer & Craftsman) / [Letter: Quennell, Marjorie (Courtney) (British historian, illustrator and Museum Curator at The Geffrye Museum) //

Small Archive / Manuscript Material, Letters, Designs, Books and Pamphlets as well as vintage photographs of Furniture like Chairs (Percy A. Wells Chair), Wardrobe, Advertising of Exhibitions [chaired for example by Christopher Hussey], etc. etc. This material all originates from Percy A. Wells’ personal collection and sensationally also includes a manuscript notebook / sketchbook with his drawings, designs and a detailed, typescript with autobiographical memories in which Wells details his decades of being involved in Furniture Design. Loosely inserted in the manuscript notebook / sketchbook, is a signed manuscript letter on stationery of Kelmscott Manor by Mary ‘May’ Morris, daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists’ model, Jane Morris [included is ephemeral material which for example informs about a pair of Episcopal Gloves, designed by William Morris’s daughter [May Morris] and the clipping continues: “Those who remember Morris’s attitude towards the Church will smile and reflect upon time’s revenges”]. The collection includes an abundance of information which easily can lead to a monograph on the life of Percy A. Wells. Detailed description of the Archive and all materials contained below (more details will be listed constantly).

Dulwich / Shoreditch / London a.o., Percy A.Wells Private Library, c.1900-c.1920. Octavo / Quarto / Folio. Hardcover Folder with loosely inserted material like letters and photographs, envelopes, signed and inscribed books and rare pamphlets with designs etc. Very good condition with only minor signs of wear. Fantstic Archive and lots of unpublished material of one of the more eminent Cabinet, Furniture and Chair – Designers which resulted from inspiration by William Morris’ Kelmscott – School. Percy A. Wells Chairs are still in regular demand today and sell for stunning prices (3000 £ etc.).

490. [Westmacott, C.M.] / [Lady Mary Wortley Montagu].

The Gazette of Fashion, and Magazine of The Fine Arts and Belle Lettres, dedicated by permission to His Royal Highness the Duke of York [With the rare Portrait of Lady Mary Wortley Montagu and an early case of “Musical Copyright” discussed on page 137]. Published in weekly, monthly and wuarterly parts. Composed of Original Papers and Music, with Reviews of Literature in General. Illustrated with numerous Engravings, Portraits of Eminent Persons and Subjects connected with Fashion and the Fine Arts.

Two Parts in one Volume (First half year from January to July, 1822). London, Published for C.M.Westmacott, by Hoffmann, 1822. Quarto (20 cm x 27 cm). Portrait-Frontispiece, 214, Portrait Frontispiece, 208 pages plus Index for both quarterly parts with listing of all engravings, scores of original pieces of music, portraits, engravings of the latest, “newest” Parisian Costumes etc. Original Hardcover / 19th – century half leather with gilt lettering on spine. With 11 instead of 23 full-page illustrations of which some included are not called for and others seem to have never been part of the collection. Some minor signs of wear only, a few very faint signs of foxing, a little dusty endpapers but especially the text and illustrations all in generally very good or even better condition with some minor signs of wear only. Extremely Rare !