201. [Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

202. [Homer] / Pope, Alexander [with William Broome and Elijah Fenton].

[Pope’s Homer] The Iliad of Homer / The Odyssey of Homer / [Stunning 18th century set of all 20 Volumes of Pope’s Works in their original, contemporary bindings with 26 full-page-engravings plus 1 large, folded Map of Greece, 1 large, folded illustration of the Battle of Troy, 1 folded illustration of Achilles Shield as well as 84 text-vignettes illustrating the Iliad and Odyssey / The engravings also include a frontispiece – portrait of Alexander Pope after a painting of Jean-Baptiste van Loo]. The set of Pope’s Homer is followed by “The Works of Pope – In Nine Volumes, Complete. With his last corrections, additions and Improvements: Together with the Commentary and Notes of his Editor”.

20 Volumes (complete set of Pope’s Homer and Pope’s Works). London, Charles Rivington / A.Millar and others, 1760 – 1766. Octavo (14 cm x 21 cm). Collation of Pope’s Homer and Pope’s Works follows here: Collation of Pope’s Homer: Volume One includes: an Essay on Homer by Pope, Book I and Book II of the Iliad with two Frontispiece – illustrations, CLI, 175 pages with five Text-Vignettes and one folded map of Greece [and “Phrygia” / Kingdom of Muska] / Volume Two includes: An Essay on Homer’s Battles, Book II – Book VII of the Iliad, 341 pages with five Text-Vignettes and with a stunning, folded map of Troy and the battlefield: “Troja cum Locis pertingentibus” / Volume Three includes: Book VIII to Book XII of the Iliad with ten Text-Vignettes on 304 pages / Volume Four includes: Book XIII to Book XVI of the Iliad with eight Text-Vignettes on 301 pages / Volume Five includes: Book XVII to Book XXI of the Iliad with ten Text-Vignettes and a stunning, folded engraving, showing the Shield of Achilles as described in Homer’s 18th Ilias, [added is a multi-page “Observation on the Shield of Achilles”], on 287 pages / Volume Six includes: Books XXII to Book XXIV of the Iliad with five Text-Vignettes, a two-page Epilogue for the Iliad by Alexander Pope [dated 1720], and “A Comparison between the Games of Homer and Virgil”, an “Index of Persons and Things”, “A Poetical Index to Homer’s Iliad”, an “Index of Arts and Sciences” with “a View of Homer’s Theology” [outlined in the Index are also Music, Geography, Physick, Military Art Astronomy, Architecture, Gymnastics, Agriculture and Rural Arts, Policy, Oratory etc.], on 212, [75], pages including the sectioning of Allegorical Fables in Homer, Allegorical and Fictitious Persons in Homer, The Marvellous or Supernatural Fictions in Homer, Characters of the Gods of Homer, as acting in the Physical or Moral capacities of those Deities [Jupiter, Juna, Apollo, Mars, Minerva, Venus, Neptune, Vulcan], Characters of the Heroes Achilles and Aeneas, Agamemnon, Ajax, Diomed, Hector, Idomeneus Menelaus, Nestor, Priam, Paris, Patroclus, Sarpedon, Ulysses and much more // Volume VII [being Volume One of The Odyssey]: Includes “A General View of the Epick [sic] Poem and of the Iliad and Odyssey, extracted from Bossu” and Book I to Book IV of the Odyssey with eight Text-Vignettes and some minor wormhole-damage decreasing from the titlepage to the end of the Volume, 240 pages / Volume VIII [being Volume Two of the Odyssey]: Includes Book V to Book IX of the Odyssey with nine Text-Vignettes on 272 pages / Volume IX [being Volume Three of the Odyssey]: Includes Book X to Book XIV of the Odyssey with nine Text-Vignettes on 316 pages / Volume X [being Volume Four of the Odyssey]: Includes Book XV to Book XIX of the Odyssey with eight Text-Vignettes on 277 pages with a faded dampstain to the core of the lower book-block / Volume XI [being Volume Five of the Odyssey]: Includes Book XX to Book XXIV of the Odyssey with an Epilogue [″Postscript”] by Alexander Pope, an Index to the Odyssey and an Addenda: “Homer’s Battle of the Frogs and Mice – by Mr.Archdeacon Parnel, corrected by Mr.Pope” with eight Text-Vignettes on 280, [20], 28 pages [one layer ever so slightly loosened, but still attached to the book-block// Collation of Pope’s Works: Volume I includes: Juvenile Poems / Pastorals etc. with Frontispice, Advertisement, Preface, [XLV], 288 pages with an additional two plates [Engravings for “Windsor Forest” and “The Rape of the Lock”] Faded dampstain to the illustration for “The Rape of the Lock” / Volume II includes: Pope’s Translations and Imitations, 272 pages with four plates, illustrating “Eloisa to Abelard”, “The Temple of Fame”, “January and May”, “The Wife of Bath” / Volume III includes: Moral Essays, Essays on Man and Essay on Satire, 362 pages, illustrated with eight plates of which one is detached and loosely inserted in its dedicated space verso page 203 / Volume IV includes: Satires and Epistles of Horace imitated, Satires of Dr.John Donne, etc., 336 pages, illustrated with three plates / Volume V includes the Dunciad in Four Books with a Frontispiece and five additional engravings (of which one engraving only covers half a page), 345 pages plus 14 pages of an Index / Volume VI includes Pope’s Miscellaneous Pieces in Verse and Prose, [including his Prefaces to Homer and Shakespeare], with 407 pages and one engraving faded dampstain to lower bookblock) / Volume VII includes the first Volume of Alexander Pope’s Letters, XXXII, 367 pages / Volume VIII includes the second Volume of Alexander Pope’s Letters, XI, 280 pages / Volume IX includes the third [and last] Volume of Alexander Pope’s Letters [including the 88 (!) letters to and from Jonathan Swift] XV, 372 pages //. Original Hardcover / 18th century full calf with gilt lettering and ornament on spine. Condition of the eleven Volumes of Pope’s Homer: An original set of all eleven volumes of Homer with their original patina, unaltered in 18th-century-condition and with very few Volumes with minor damage to the spines and some of the leather slightly rubbed and minimally loosened from the boards. Minor, faded dampstain to one Volume and decreasing wormhole-damage to one other Volume. All Volumes firm with one layer inside the Odyssey ever so slightly loosened. All illustrations, maps, folded engravings and allegorical Text-Vignettes within Pope’s Homer present and in excellent condition. Very good condition with only minor signs of external wear. / Condition of the additional set of nine Volumes of Pope’s works: Overall very good with all Volumes firm but two Volumes with some minor damage to the spines (Volumes I and IV). Occasionally some dampstaining in three of the nine Volumes but overall this nine volume-set of Poepe’s works is in still very good- condition with some pages being a little dusty and only one of the 24 engravings/ illustrations detached and loosely inserted. One of the rare opportunities to buy Alexander Pope’s Homer and collected works in an entire, original 18th century private library-set. From the collection of Daniel Conner, with his Exlibris / Bookplate to the pastedown //

203. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

204. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

205. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

206. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

207. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

208. Lescure, Jean / [André Frénaud].

Original Typescript with manuscript annotations and corrections of “Poèmes métaphysiques”. Jean Lescure’s personal copy with corrections and additions to his earliest collection of poems. Loosely inserted into the collection are the three pages of the typescript for “Apologie de L’Aveugle – à André Frénaud” reflecting his close friendship and collaboration with André Frénaud [according to our research, Rachel E. Perry identifies in her essay “Histoire De L’Aveugle: Matiérisme’s Critique of Vision” that Jean Lescure composed this poem together with Paul Eluard and it was published in “A la gloire de la main” in 1949]. The poems in the Typescript / Manuscript of Lescure are all dated between 1937 and 1940. The original composition of the poem-cyle “Trois chansons de mer pour l’equinoe” is completely replaced by an autographe, manuscript-entry of Lescur. The poems in this original Typescript/Manuscript of “Poèmes métaphysiques” are titled: “Porte ouverte ou fermee” (″mars-avril 1939”)/ “Dialectique d’un printemps” (″hiver 1937 – ler 5 decembre 1939”)/ “Present de la journee” (″5-6 decembre 1939”) / “Noel pour une fille que fleurisse le jour” (″7-18 decembre 1939”) / “Chant montagnard pour saluer la fin de l’hiver” (″Fev. 1940-Mars 1941”)/ “La Nourriture de l’Amour”(″Fevrier 1941 – Mars 1942”)/ “Double aspect de l’iris” (″20 dec. 1939 – Jan.1940”) / “Double Fer” (″Jan – 25 avril 1940”) / “Debut sur le jour” / “Aspect de la Solitude” / “Chansons de mer pour l’equinoxe” [1.Chanson du patron – 2. Chanson du gabier (Manoeuvre a la vie pare et vire) – [Chansons du precheur] – 3. Chanson du timonier] (″Sept – Oct 41”) //

[France], c. 1945 – 1949. Quarto (21,5 cm x 27 cm). 33 pages plus 3 pages “″Apologie de L’Aveugle”. Original Softcover. Excellent condition with some minor signs of wear only.

209. Radcliffe, Ann.

The Mysteries of Udolpho – A Romance; interspersed with some pieces of Poetry.

First Dublin Edition / First Irish Edition. 3 Volumes [complete set]. Dublin, , by Hillary and Barlow, for Messrs. P. Wogan, W. Jones, and H. Colbert, 1794. Small Octavo (17.5 cm x 11 cm). Collation complete: Volume I: 310 pages / Volume II: 321 pages / Volume III: 357 pages. [Few pages with misprinted numerals, as often the case, but all pages in order and complete]. Original, unaltered, 18th-century full leather with gilt lettering on original spinelabels. Very rare, complete set of the first Dublin Edition. Very good- condition with stronger signs of external wear but all three Volumes in firm, original condition. Lesions to the leather-covered-boards and some stronger rubbing to extremeties. Interior with only very few problems. All three Volumes used to have two endpapers before and after the text and some of these endpapers are torn or missing. Textblock in general very good with some very minor and only occasional staining only. In Volume I, tear to corner of page 101/102 and 135/136. Faded stain to only the outer margins of pages 239 to 310 (text never affected). Volume II with small tear to pages 21/22 / Volume III with lesion to page 281/282 and tear to corner 305. These all sound worse than they are and the set is still in very good- condition. From the library of the Meade family in Ballymartle, the titlepage of each Volume bears the name of Helena Meade. An extremely rare and highly collectable set of one of the rarest titles in english literature.

210. [Herrick, Robert] / John Nott [Bristol] / Barron Field.

Working copy with annotations and inscription by Editor John Nott and also being an “Association Copy” between John Nott and Barron Field of: “Select Poems from the Hesperides, or Works both Human and Divine of Robert Herrick, Esq. with occasional remarks by J.N. [in our copy, Nott has completed his pseudonym himself and reveals the “Nott”, followed by “M.D”]. – Accompanied also with the Head, Autographe and Seal of the Poet [this Frontispiece is missing in our copy].

Bristol, Printed and Published by J.M.Gutch, no year [1810]. Octavo. IV, 253 pages, followed by an interleaved section at the end of the book, being the original, printed Review by Barron Field from “The Quarterly Review” in 1810 in which Barron Field reviews Nott’s publication of Herrick’s Hesperides, which Nott has inscribed Hardcover / Modern half-leather in style of early 19th-century bindings. Very good condition with only minor signs of wear. Inscribed: “Barron Field – from the editor, Dr. Nott of Bristol – Hotwell [Waters]”. This being the original copy which Dr.John Nott sent to Barron Field for Review. With additional annotations and explanations on page 5, where Nott elaborates on 17th century poet Alexander Brome being the inspiration for the idea of Poem VII “No Loathsomeness in Love” and then Nott wrote down part of the poem by Brome in ink: “I vow I am so far from loving none….” (9 lines). Other annotation in ink (Nott) and pencil (possibly Barron Field) throughout the Volume.