11. [Degas, Edgar] Browse, Lillian.

Edgar Degas Ballet Dancers. Selected with an Introduction by Lillian Browse.

First Edition. London, The Folio Society, 1960. 22cm x 29.5cm. 79 pages. Original Hardcover. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn – photographer and artist Keith Money.

12. [Degas, Edgar] Matt, Leonard von / Rewald, John.

Degas. Sculpture. – The complete works photographed by Leonard von Matt. Introduction and critical catalogue by John Rewald.

First Edition. London, Thames and Hudson, 1957. 23cm x 28.5cm. 165 pages with LXXV black-and-white plates. Original Hardcover. Very good condition with some signs of external wear. Some minor traces of foxing only.

13. [Duncan, Isadora] Seroff, Victor.

The Real Isadora.

First Edition. New York, The Dial Press, 1971. 16cm x 23.5cm. 441 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear to the dustjacket and some foxing to the edges. From the collection of Margot Fonteyn – photographer and artist Keith Money.

14. Fisher, Hugh.

Ballerinas of Sadler’s Wells.

First Edition. London, Adam and Charles Black, 1954. 19cm x 25.5cm. 32 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. The dustjacket with an unprofessional repair. From the collection of Margot Fonteyn – photographer and artist Keith Money.

15. [Fonteyn, Margot] Clarke, Mary.

Margot Fonteyn. Photographs by Anthony Crickmay. Text by Mary Clarke.

First Edition. New York, Dance Horizons, 1976. 18cm x 23cm. 20 unnumbered pages. Original Paperback. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn – photographer and artist Keith Money.

16. [Fonteyn, Margot – Her personal copy] Reyna, Ferdinando.

A Concise History of Ballet.

Second Edition. New York, Grosset and Dunlap, 1965. 15cm x 21.5cm. 255 pages. 232 gravure illustrations, 16 in full colour. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn – photographer and artist Keith Money. Margot Fonteyn’s own copy with inscription to pastedown: “To Margo from Wally – Christmas ‘66”.

17. [Fonteyn, Margot] Franchi, Cristina.

Margot Fonteyn. Prima Ballerina Assoluta of the Royal Ballet.

First Edition. London, Oberon Books, 2004. 22.5cm x 26cm. 134 pages. Original Softcover. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn – photographer and artist Keith Money. With some angry annotations by Keith Money next to some of the images [″my version is better” / “Imagine ! ome editor actually chose this !! Unbelievable.” etc. etc.]

18. [Fonteyn, Margot] Frank, Elizabeth.

Margot Fonteyn.

First Edition. London, Chatto and Windus, 1958. 19cm x 25.5cm. 118, (1) pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. Dustjacket with some tears. From the collection of Margot Fonteyn – photographer and artist Keith Money this book comes with an amazing collection of newspaper-clippings on Margot Fonteyn.

19. Guest, Ivor.

La Fille mal Gardee. [With an original photographic postavcard by Houston Rogers – showing Nadia Nerina and David Blair in “La Fille mal Gardee”.

First Edition. London, The Dancing Times Limited, 1960. 13.5cm x 22cm. 71 pages. Original Paperback. Very good condition with only minor signs of wear. Bookblock cleanly detached. From the collection of Margot Fonteyn – photographer and artist Keith Money. With some remarks by Keith Money in the text.

20. Haskell, Arnold L.

The Beauty of Ballet. With an introductory essay by Arnold L. Haskell.

First Edition. London, Max Parrish, 1961. 21.5cm x 27.5cm. 124, (4) pages. 128 photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn – photographer and artist Keith Money with his annotation in the photographic Index in which a photograph of Svetlana Beriosova by Roy Round – photograph was mistaken for a Margot Fonteyn photograph.