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Wemyss, Original SIGNED Portrait of the Sir Rosslyn Wemyss with Mudrous / Mudros Papers

44. [Cyprus / Famagusta / Mudros Content] – [Wemyss, Admiral of the Fleet Sir Rosslyn / Governor of Moudros] – Lukach, Harry Charles [later Sir Harry Luke] / [Admiral of the Fleet, Sir Rosslyn Erskine Wemyss / Admiral of the Fleet Sir John Michael de Robeck].

[Collection of five items of Signed Portrait of Sir Rosslyn Wemyss and Excellent Manuscript-Letter – Exchange with Harry Lukach, later Sir Harry Luke] The collection includes: 1. Original SIGNED Portrait of Sir Rosslyn Wemyss, while Rear Admiral, Senior Officer and Governor of Moudros / Mudros / 2. Together with autographed and signed manuscript-letter by Sir Rosslyn to his friend and subordinate, Harry Lukach [later Sir Harry Luke], who obviously had sent him congratulations when Wemyss was appointed as Admiral Sir Jellicoe’s replacement in December 1917 as First Sea Lord: “My dear Lukach – it was nice of you to send me your telegram but you will realize that I haven’t looked upon my appointment as an object for congratulations, though it is none the less nice that I should receive them from my friends. I had a letter from your father the other day, who told me that he thought it was possible that you decided to get out of your present Job, & that if so I could possibly be [?] for you to do so. If you have any ideas on the subject, do write & let me know, for you may be quite sure that I shall be only too glad to do anything to help you in that direction, for as I have told you before, I think that your powers should be need in some less circumscribed area than where you are at present – All good luck – Believe me – Yours very sincerely (s o) R.E. Wemyss” (dated 5th January, 1918) / 3. Together with Harry Lukach’s answer in a manuscript letter from February 11th, 1918, on Stationery of “Famagusta Club – Cyprus”: “Dear Sir Rosslyn, I am most grateful for your letter of the 5th January, & for your kindness in thinking of me among your many preoccupations. I need scarcely assure you that I am only too anxious to [?] what Service under the Admiralty, if this were possible, as I feel that, although I have recently been given promotion inside Cyprus to the Commissionship of Famagusta, I might perhaps be of more use at present Day in Palestine, the Balkans, or Elsewhere in the Near or Middle East than here. If any Naval Mission in those theatres required someone to do work of a kind for which you thought me fitted, I do not think the CO would think of declining to second me if you were to be good enough to ask for my services, especially as I am known to you personally through having had the privilege of serving on your Staff, Yours very sincerely (so) HCLukach”. / 4. Together with a stunning Typescript-copy of Luke’s application from his post in Famagusta, Cyprus, to the Secretary of State for the Colonies on 31 October, 1918, in which Luke lists his many achievements and asks for an administrative or political appointment in Turkey or Persia “if on conclusion of peace any territories in those countries should pass under British administration or control (this typescript is written while Lukach is Commissioner of Famagusta, Cyprus and he mentions the service under Sir Rosslyn Wemyss) – Luke also includes a typescript of C.D. Fenn for the Chief Secretary to Government in the year 1916 in which the Government confirms appreciation of his valuable service in connection with the administration of Mudros. Luke kept all these items together in his collection with the scrapbook-collection of printed Mudros – Orders he received from Wemyss and de Robeck while on Mudros (see below description of item No.5).

[This item is part of the Sir Harry Luke – Archive / Collection]. Mudros, Authority, c. 1918. 33,5 cm x 21,5 cm. Size of the Original Photograph Portrait of Sir Rosslyn Wemyss: Image: 14.5 cm wide x 19.5 cm high, signed in ink and mounted on board which measures 17.5 cm wide x 22.7 cm high. / The Volume with official documents counts c. 100 pages. Original Hardcover. The extremely rare photograph of Sir Rosslyn Wemyss in very good condition and beautifully signed and only with some minor signs of wear / The Mudros – Volume of official orders by Wemyss, de Robeck and Lukach with some minor staining to boards, very occasional only some foxing to pages. Otherwise in excellent condition.

EUR 275.000,-- 

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[Anonymous] Dante Alighieri / Cockerell, [La Divina Commedia] - "Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace" - Illuminated Devotional

50. [Anonymous] Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

[La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.

EUR 125.000,-- 

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