Energy and the Evolution of Culture. [Original first edition offprint from “American Anthropologist”].
American Anthropologist, 1943. Octavo. 21 pages. Original Offprint / Stapled Wrappers. Very good condition with some minor signs of wear only. From the library of Professor Henry David Aiken.
Leslie Alvin White (January 19, 1900, Salida, Colorado – March 31, 1975, Lone Pine, California) was an American anthropologist known for his advocacy of theories of cultural evolution, sociocultural evolution, and especially neoevolutionism, and for his role in creating the department of anthropology at the University of Michigan Ann Arbor. He was president of the American Anthropological Association (1964).
White’s views were formulated specifically against the Boasians, with whom he was institutionally and intellectually at odds. This antagonism often took on an extremely personal form: White referred to Franz Boas’s prose style as “corny” in the American Journal of Sociology. Robert Lowie, an arch-cultural relativist disciple of Boas[editorializing], referred to White’s work as “a farrago of immature metaphysical notions”, shaped by “the obsessive power of fanaticism [which] unconsciously warps one’s vision.″
One of the strongest deviations from Boasian orthodoxy was White’s view of the nature of anthropology and its relation to other sciences. White understood the world to be divided into cultural, biological, and physical levels of phenomena. Such a division is a reflection of the composition of the universe and was not a heuristic device. Thus, contrary to Alfred L. Kroeber, Kluckhohn, and Edward Sapir, White saw the delineation of the object of study not as a cognitive accomplishment of the anthropologist, but as a recognition of the actually existing and delineated phenomena which comprise the world. The distinction between ‘natural’ and ‘social’ sciences was thus based not on method, but on the nature of the object of study: physicists study physical phenomena, biologists biological phenomena, and culturologists (White’s term) cultural phenomena.
The object of study was not delineated by the researcher’s viewpoint or interest, but the method by which he approached them could be. White believed that phenomena could be explored from three different points of view: the historical, the formal-functional, and the evolutionist (or formal-temporal). The historical view was essentially Boasian, dedicated to examining the particular diachronic cultural processes, “lovingly trying to penetrate into its secrets until every feature is plain and clear.” The formal-functional is essentially the synchronic approach advocated by Alfred Radcliffe-Brown and Bronislaw Malinowski, attempting to discern the formal structure of a society and the functional interrelations of its components. The evolutionist approach is, like the formal approach, generalizing; but it is also diachronic, seeing particular events as general instances of larger trends.
Boas claimed his science promised complex and interdependent visions of culture, but White thought that it would delegitimize anthropology if it became the dominant position, removing it from broader discourses on science. White viewed his own approach as a synthesis of historical and functional approach because it combined the diachronic scope of one with the generalizing eye for formal interrelations provided by the other. As such, it could point out “the course of cultural development in the past and its probable course in the future” a task that was anthropology’s “most valuable function”.
As a result, White frequently championed nineteenth century evolutionists in a search for intellectual predecessors unclaimed or denounced by Boasians. This stance can be clearly seen in his views of evolution, which are firmly rooted in the writings of Herbert Spencer, Charles Darwin, and Lewis H. Morgan. While it can be argued that White’s exposition of Morgan and Spencer’s was tendentious, it can be safely said that White’s concepts of science and evolution were firmly rooted in their work. Advances in population biology and evolutionary theory passed White by and, unlike Steward, his conception of evolution and progress remained firmly rooted in the nineteenth century.
For White, culture was a superorganic entity that was sui generis and could be explained only in terms of itself. It was composed of three levels: the technological, the social organizational, and the ideological. Each level rested on the previous one, and although they all interacted, ultimately the technological level was the determining one, what White calls “The hero of our piece” and “the leading character of our play”. The most important factor in his theory is technology: “Social systems are determined by technological systems”, wrote White in his book, echoing the earlier theory of Lewis Henry Morgan.
White spoke of culture as a general human phenomenon, and claimed not to speak of ‘cultures’ in the plural. His theory, published in 1959 in The Evolution of Culture: The Development of Civilization to the Fall of Rome, rekindled the interest in social evolutionism and is counted prominently among the neoevolutionists. He believed that culture–meaning the total of all human cultural activity on the planet–was evolving. White differentiated three components of culture: technological, sociological, and ideological. He argued that it was the technological component which plays a primary role or is the primary determining factor responsible for the cultural evolution. His materialist approach is evident in the following quote: “man as an animal species, and consequently culture as a whole, is dependent upon the material, mechanical means of adjustment to the natural environment”. This technological component can be described as material, mechanical, physical, and chemical instruments, as well as the way people use these techniques. White’s argument on the importance of technology goes as follows:
Technology is an attempt to solve the problems of survival.
This attempt ultimately means capturing enough energy and diverting it for human needs.
Societies that capture more energy and use it more efficiently have an advantage over other societies.
Therefore, these different societies are more advanced in an evolutionary sense.
For White “the primary function of culture” and the one that determines its level of advancement is its ability to “harness and control energy.” White’s law states that the measure by which to judge the relative degree of evolvedness of culture was the amount of energy it could capture (energy consumption).
White differentiates between five stages of human development. At first, people use the energy of their own muscles. Second, they use the energy of domesticated animals. Third, they use the energy of plants (so White refers to agricultural revolution here). Fourth, they learn to use the energy of natural resources: coal, oil, gas. Fifth, they harness nuclear energy. White introduced a formula,
P = ET,
where E is a measure of energy consumed per capita per year, T is the measure of efficiency in utilising energy harnessed, and P represents the degree of cultural development in terms of product produced. In his own words: “the basic law of cultural evolution” was “culture evolves as the amount of energy harnessed per capita per year is increased, or as the efficiency of the instrumental means of putting the energy to work is increased”. Therefore, “we find that progress and development are effected by the improvement of the mechanical means with which energy is harnessed and put to work as well as by increasing the amounts of energy employed”. Although White stops short of promising that technology is the panacea for all the problems that affect mankind, like technological utopians do, his theory treats the technological factor as the most important factor in the evolution of society and is similar to ideas in the later works of Gerhard Lenski, the theory of the Kardashev scale of Russian astronomer Nikolai Kardashev, and some notions of technological singularity. (Wikipedia)
EUR 375,--
© 2024 Inanna Rare Books Ltd. | Powered by HESCOM-Software