201. Couvée, M. M.

19th Century Album with 31 fantastic, large vintage photographs of Germany, Austria and Italy. Many of these early photographs are on Frankfurt am Main, but also Berlin, Heidelberg and classic travel – locations along the Rhine are included / Also interspersed are some other european destinations like Lugano, Venice and Salzburg (these all in colour). – All Photographs original Albumen Prints. / Album mit 31 grossformatigen, fantastischen, originalen Photographien von deutschen und europaeischen Stadtansichten des 19. Jahrhunderts, vorwiegend Frankfurt am Main [mit traumhaften und ungewoehnlichen Ansichten von Frankfurt und Sachsenhausen / Kaiserstrasse mit Strassenbahn / Rossmarkt / Goetheplatz / Alte Oper / Palmengarten / Wiesbaden – Kursaalplatz / Eschenheimer Turm / Kaiser-Wilhelm-Denkmal / Main mit Untermainbruecke und Angler mit zwei Jungen davor / aber auch Stadtansichten von Berlin (″Blick nach den Linden” in Farbe – in colour), Lugano (in Farbe – in colour), Boppard (in Farbe – in colour), Heidelberg (in Farbe – in colour), Salzburg, Königstein im Taunus (in Farbe – in colour), Remagen (in Farbe – in colour), Coblenz, Lahneck, Sooneck, Braubach und Marxburg, Wiesbaden, Bingen und Venedig (in Farbe – in colour)/

La Haye / Dresden, Couvée / Stengel & Co., c. 1895 – 1900. Quer Quart / Oblong Quarto. 31 large photographs mounted on cardboard. Original Hardcover / Exzellente Halblederausgabe mit vergoldetem Titel auf dem Vorderdeckel. / Album with gilt lettering. Ungewoehnlich gut erhaltenes Album mit phantastischen Aufnahmen die auch das buergerliche Leben mit eingefangen haben. / Excellent condition with only minor signs of external wear.

202. [Fly Fishing / Angling – Collection] – [Connemara / Fly Fishing in 19th century Ireland] Anonymus [Bowden-Smith, Richard].

Fly Fishing in Salt & Fresh Water. With Six Plates, representing artificial Flies, etc. [Handcoloured]. [With a special chapter on Flyfishing in Connemara – Fly-Fishing Lough Ina, near Clifden, in Bertraghboy Bay, at the Skyard Rocks, at Deer Island and off the Isle of Mweenish and the Isle of Arran].

First and only edition. London, John van Voorst, 1851. Octavo. VIII, 74, (1) pages plus VI plates (including the frontispiece) of which V plates are beautifully handcoloured. Hardcover / Original publisher’s blindstamped cloth. Very good condition with only minor signs of external wear. With some fraying to two pages. Unbelievably rare edition with the excellent handcoloured plates in fresh colours and overall excellent condition.

203. Prinzhorn, Hans.

Bildnerei der Geisteskranken aus der Prinzhorn – Sammlung / Art of the Insane from the Prinzhorn-Sammlung.

Heidelberg, Galerie Rothe, 1967. Quarto. 64 Seiten mit 98 Abbildungen. Original Hardcover mit dem seltenen, bedruckten Schutzumschlag. Rare publication on the correlation between art and schizophrenia with several images and explanatory notes (all in german language) / Sehr guter Zustand. Der fragile Schutzumschlag etwas gebräunt und mit kleineren Einrissen. Beiliegend eine interessante Rezension aus der FAZ vom 13.November 1967.

204. Giraud, Jean “Moebius” / Jodorowsky, Alexandro.

The Incal. Complete First Edition – set of Volume I / Volume II / Volume III.

All Volumes are First Titan Editions from September, October and November 1988. 3 Volumes (complete set). London, Titan Books, 1988. Octavo. Each Volume with c. 90 pages (Total of c. 270 pages). Original Softcover. Excellent condition with only minor signs of external shelfwear to the Volumes (corners and lower edges very slightly frayed) . All Volumes appear to be nearly unread. Very rare Collection !

205. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

206. Phoenix Park Dublin – Anonymus.

Phoenix Park in Dublin with Wellington Monument.

Original 19th century Gouache painting with title in ink mounted separately. Dublin, c. 1880. Beautifully framed. Size of the Gouache in the frame: 36 cm x 38.5 cm. The Gouache itself measures: 15 cm high x 19 cm wide. Excellent condition of this very accomplished and atmospheric work, capturing the full romance of the early 19th century Phoenix Park.

207. [Brassai] (that was Gyula Halász).

The Secret Paris of the 30’s. Translated from the French by Richard Miller.

First American Edition. New York, Pantheon Books, 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

208. [Manzur, David] Roberto Burgos Cantor / Fernando Cruz Kronfly / Jaime Duarte French / Gonzalo Hernández Alba / Bernardo Hoyos / Gonzalo Mallarino / Jorge Orlando Melo / Pilar Moreno de Ángel / R.H. Moreno-Durán / Laura Restrepo / Daniel Samper Pizano / Luis Zalamea.

Del Amor y del Fuego. Obra exclusivamente realizada para la presente edición por el maestro David Manzur.

Colombia, Tercer Mundo Editores, 1991. 4°. 270 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition. Very Rare !

209. Palm House Conservatory Belfast – Anonymus.

Palm House Conservatory – Botanical Garden in Belfast.

Original 19th century Gouache painting with title in ink mounted separately. Belfast, c. 1880. Beautifully framed. The frame with the Gouache measures: 36 cm x 38.5 cm. The Gouache itself measures: 15 cm high x 19 cm wide. Excellent condition of this beautiful original artwork showing the spectacular 19th century Palm House with surroundings.

210. Clark, Timothy / C. Andrew Gerstle, Aki Ishigami, Akiko Yano.

Shunga – Sex and Pleasure in Japanese Art. Timothy Clark, C. Andrew Gerstle, Aki Ishigami, Akiko Yano.

London, British Museum Press, 2013. 30 cm. 536 pages with many color illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Very good condition iwth only very minor signs of wear.

211. [John Montague Collection] – Montague, John / Louis le Brocquy / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / 3. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France). 4. Manuscript Letter by Jacques Dupin of John Montague in which he also speaks of Louis le Brocquy / 5. Collection of eight Letters, one Postcard and some ephemeral items among which is the original catalogue “Ireland’s Literary Renaissance – 20th Century Portraits [including the Portraits of John Montague (and Thomas Kinsella) by Louis le Brocquy on page 62/63] created by James White for the Irish Promotion Exhibition called “Irish Ways” at Marshall Field’s in Chicago between 15th September – 4th October 1980. Includes a manuscript letter by James White to John Montague, dated 26/11/1980 / Also included in this lot is the very interesting letter by John Montague’s friend at Brown University, Elinor Shaffer, reporting to Montague about the large Writing programme at Brown with “shoals of Poets and Novelists representing different schools and regions”. Elinor Shaffer is very much enthusiastic that even Publisher’s in Residence are now present at Brown and she gives an example in Jay Loughlin [James Laughlin (1914-1997) American poet and the influential founder of New Directions Publishing] who “is the present incumbent and who is giving a seminar on his own list and is praised fro his public-spirited charity in handing out Pound and Williams.” Elinor Shaffer continues: “Gone are the days when students would riot at the hint of capitalist monopolygoverning the choice of texts. It seem Pound told him [James Laughlin] inthe twenties that he would one day make a good publisher (on being shown his poems). These ensconced and laundered literary figures seem a far cry from the old SF’ Berkeley poetic scene of the ‘60’s – Love, Elinor” / 6. Original State of New York Legislative Resolution No.1230 by Senator Daly, “Recognizing the distinguished author and poet John Montague” (John Montagu’s personal copy / 7. Three XXL – original Photographs showing John Montague and colleagues in honorary degree- Cloaks at UCC Cork, including a newspaper-article //

France / Ireland, Carros / Cork, 1980-1983. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art, collection of vintage photos of honorary doctorate degree-Montague at UCC Cork. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

212. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of Louis le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive manuscript-information in Louis le Brocquy’s hand like “Sold to:…..” etc. etc. / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in Louis le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

213. Wight, Thomas.

Colophon Woodcut: “Welcom The Wight That Bringeth Such Light” – Titled in a tablet: ‘Imprinted at London by T. East for Iohn Wight [In lilac ink below this line is also the name ‘W. Shawe’]. Wight’s effigy holds ‘Scientia’ and flanking him are ‘Rhetorica’ and ‘Gramatica’.

London, T.East for Iohn Wight, 1584. 17 cm x 11.8 cm. 1 sheet. Mounted on 19th century paper. Very good condition with only minor signs of a faded dampstain.

214. Kay, John.

Collection of three original engravings [portraits of english Judges] by scottish caricaturist and engraver John Kay.

[Edinburgh], [Hugh Paton], [c. 1838-1842]. 13 cm x 18 cm (Images) / 24 cm x 30 cm (mounts). 3 sheets, signed in the plate. All three portraits are beautifully framed. Price of this collection includes worldwide free shipping per UPS courier.

215. Medical Illustration in Dermatology – Goldschmid, Edgar.

Entwicklung und Bibliographie der Pathologisch-Anatomischen Abbildung.

Leipzig, Karl W. Hiersemann, 1925. Quarto (25 cm x 31 cm). 301 Seiten text plus 44 fantastisch-farbige Tafeln in Lichtdruck mit den original-bedruckten Schutzfolien / 301 pages plus 44 fantastic colour-plates with their original tissue-guards. Seltene, originale Halblederausgabe des Hiersemann-Verlags / Rare, original publisher’s Hardcover (red halfleather with paper-covered-boards). Sehr guter Zustand mit nur geringen Gebrauchsspuren / Very good condition with only minor signs of external wear. Extremely important landmark-publication in medicine, focusing on the importance of colour-illustration in dermatological diagnostics.

216. Horological Illustration of the 18th century – [Scanavacca, Bartolomeo] Horologium / Orologio / Horology.

Original, 18th century italian manuscript on how to build a vertical clock with sound: “Come si Dissegni in practica un Orologio Verticale Italiano a suonodella Campana secondo le regole del Scanavacca” [Translates: “How to Draw an Italian Vertical Clock with the sound of the Bell in practice according to the rules of [Bartologmeo] Scanavacca”].

Italy, c.1750. A4. 22 pages with text, diagrams or drawings (partly in colour). Original Softcover Folder with original manuscript papers and drawings inside. Majority of the pages with damages and some with loss of text to outer margins. Extremely rare and interesting manuscript, also dealing with “Orologi a Sole Guili”.

217. Medical Illustration of Dermatology – Goldschmid, Edgar.

Entwicklung und Bibliographie der Pathologisch-Anatomischen Abbildung [Mit einem beiliegenden, signierten Brief des Verfassers Edgar Goldschmid an Dr.M.Krieg in Wien / Datiert im Februar 1956 auf Briefpapier des im Schweizer Exil lebenden Edgar Goldschmid (Lausanne) / Including a signed letter by Edgar Goldschmid].

Leipzig, Karl W. Hiersemann, 1925. Quarto (25 cm x 31 cm). 301 Seiten text plus 44 fantastisch-farbige Tafeln in Lichtdruck mit den original-bedruckten Schutzfolien / 301 pages plus 44 fantastic colour-plates with their original tissue-guards. Seltene, originale Halblederausgabe des Hiersemann-Verlags / Rare, original publisher’s Hardcover (red halfleather with paper-covered-boards). Ehemaliges Exemplar der Universitaet Groningen (Stempel auf Titel: Universitatis Groninganae Bibliotheca – Pathologisch-Anatomisches Laboratorium). Minimal berieben und der Einband gering fleckig. Sehr guter Zustand mit nur geringen Gebrauchsspuren – Professionell reparierte Bindung (neu aufgebunden unter Verwendung der Originalbindung) / Recently rebacked and professionally repaired, former copy of the library of the University of Groningen (library stamp to titlepage) / Very good condition with only minor signs of external wear. Extremely important landmark-publication in medicine, focusing on the importance of colour-illustration in dermatological diagnostics.

218. Geissler, Paul. (1881 – 1965).

Naples with Mount Vesuvius and Pompei in the background / Neapel mit Vesuv und Pompeji im Hintergrund.

Original Etching. Naples, c.1930. Beautifully Framed. Size of frame with etching: 42 cm x 50 cm. Size of actual etching: c. 38 cm x 30 cm. This original etching from the original plate comes from the estate of the artist and was posthumesly titled by the son of Paul Geissler. The etching is signed in the plate and has been produced probably after the 2nd world war. The german art critic Richard Braungart place Geissler “among the german masters of landscape and architectural etching”.

219. [Magasin des Enfans].

Le Bureau Typographique: Livre élémentaire, À l’usage des Enfans. Orné de 24 Jolis Tableaux des Arts Et Métiers, Propres à Intéresser la Curiosité des Enfans, et à leur faire aimer la Lecture.

Premiere Edition. À Londres [London], Au Magasin des Enfans, chez Didier & Tebbett, 1808. Duodecimo (13.5 cm x 9 cm). IV, 108 pp. Reliure originale / Original Hardcover in modern, bespoke built solander-box with title-label. Collation complete. No endpapers. Includes all 24 engravings. One plate (″Epicier”) with small tear and paperloss (illustration not effected). Some pages loosened. Binding fragile and nearly detached. A little rough but very rare and still in collectable condition.

220. [Fly Fishing / Angling – Collection] – Brabazon, Wallop [Rath House, Drogheda] / Cooper, William / [Provenance: William Le Fanu]

The Deep Sea and Coast Fisheries of Ireland, with suggestions for the working of a Fishing Company. Illustrated by William Cooper. Dedicated by Permission to the Commissioners of Public Works in Ireland. [With 21 Plates]

Original First Edition. Dublin / London / Derby, James McGlashan / Simpkin, Marshall & Co. / Richardson and Sons, 1848. Octavo. Folded Frontispiece, X, 111 pages with 21 plates (original Lithographs often large folding). Hardcover / Original publisher’s cloth, embossed with gilt lettering to cover. Excellent condition of one of the rarest books on the History of irish commercial fishing and suggestions for professionalizing irish fishing industry in the 19th century. This book comes from the library of irish engineer William Le Fanu, with his bookplate to the pastedown and a stamp “Board of Public Works” to the dedication-page. The books interior with all the lithographic illustrations in very good condition. Occasional foxing only. Extremely rare; very scarce publication ! This is a superior example of this book; with all illustrations in place and in excellent condition.

221. 19th century Medical Illustration in Gynecology – Pouchet, F.A.

Théorie Positive l’Ovulation Spontanée de la Fécondation des Mammifères et de l’Espèce Humaine, basée sur l’observation de toute la série animale.

[Two Volumes: Text plus Atlas / Texte et Atlas]. Paris, J.-B. Baillière, 1847. 23,5 cm x 31 cm. Texte: XXXVI, 479 pp. / Atlas: 30 pp. texte et 20 planches chromolithographiques [With atlas volume bound in the original printed boards, twenty chromolithographic plates, one fold-out, and tissue guards]. Atlas: Reliure original / Original Hardcover / Text-Volume: Library-Binding. Binding stained and corners rubbed. Some foxing thoughout the text-volume. Slight water damage to some of the text pages.

222. Medical Illustration of 19th century Books on Ophthalmology – [Augenheilkunde / Brillen] Anonymus.

Ueber Augen, Augenübel, Kurzsichtig- und Weitsichtigkeit, Brillen und Ferngläser. Oder: Kurze Anweisung, ein gutes Gesicht zu erhalten und ein mangelhaftes zu verbessern. Aus den Schriften bewährter Augenärzte und Optiker gezogen. Mit einem ausgemalten Kupfer über den Bau des menschlichen Auges.

Eichstädt / Leipzig, bei J.M.Beyer / bei J.A.Barth, 1824. Octav (11,5 cm x 19,5 cm). VI, [1], 94 Seiten mit einer hand-kolorierten Tafel. Softcover / Originale Interims-Broschur. Unbeschnitten. Sehr guter Zustand mit nur geringen, rein aeusserlichen Gebrauchsspuren. Innen minimal stockfleckig.

223. Medical Illustration in Dermatology – Goldschmid, Edgar / [Georges Sarton].

Entwicklung und Bibliographie der Pathologisch-Anatomischen Abbildung. [Mit Autograph: TLS – Mit einem zweiseitigen Brief an Dr.Krieg in Wien, der von Goldschmid den Entwurf eines Nekrologs zu Georges Sarton erhofft hatte und diesen in Form dieses Briefs bekommt (von Goldschmid voll signiert) / Typed Letter (two pages, signed) by Edgar Goldschmid; the letter being a draft of an obituary on Georges Sarton (in german)].

Leipzig, Karl W. Hiersemann, 1925. Quarto (25 cm x 31 cm). 301 Seiten text plus 44 fantastisch-farbige Tafeln in Lichtdruck mit den original-bedruckten Schutzfolien / 301 pages plus 44 fantastic colour-plates with their original tissue-guards. Originales Ganzleinen des Hiersemann-Verlags / Original publisher’s cloth. Sehr guter Zustand mit nur geringen Gebrauchsspuren. Offensichtlich Handexemplar von Dr.Krieg (Wien) mit Anmerkungen in Bleistift auf dem Vorsatz (″Bei G[oldschmid] zufragen”) und gelegentlich im Text mit Korrekturen und Anmerkungen neben den von Goldschmid verfassten Bibliographien, moeglicherweise fuer eine nie erschienene zweite Auflage. / Very good condition with only minor signs of external wear. Extremely important landmark-publication in medicine, focusing on the importance of colour-illustration in dermatological diagnostics. This being the personal copy of Dr.Krieg (Vienna), with some annotations in pencil, reflecting questions and additional suggestions to some of the bibliographical entries, possibly for a second edition of the work.

224. Illustration of 19th century street cries in – Fournel, Victor [Maurice Nalet].

Les Cris de Paris, Types et Physionomies D’Autrefois [Painted Binding]. Ouvrage accompagné de 72 gravures.

Paris, Firmin-Didot, 1888. Octavo. 221, [2] pages [illustrations supplémentaires incluses] / Inter-leaved with some uncalled for, additional illustrations on street-cries and information (interleaved newspaper clipping from 19th century france (″Un Flaneur”/″La derniere ravaudeuse”). Brochure originaux imprimés dans une reliure privée du 19e siècle à couverture rigide / Reliure peinte avec illustration de “marchand de poisson”. / Original printed wrappers in private 19th-century Hardcover / Quarter pigskin-binding over marbled paper-covered boards with spine titled in ink and ink-illustration of “marchand de poisson” to lower spine. De la bibliothèque de l’architecte français Maurice Nalet / Very good condition with only minor signs of external wear. Exlibris / Bookplate of french architect Maurice Nalet to pastedown.

225. [Vanity Fair] Bowles, Thomas Gibson / [Fantastic collection of political caricature portraits of 19th century American Politicans / British Politicians]

Vanity Fair: A Weekly Show of Political, Social & Literary Wares – Complete Annual for the year 1872 with 51 full-page portraits of victorian statesmen of england as well as the united states of america (Hamilton Fish, Ulysses S. Grant, Horace Greeley etc.), politicians, writers, artists, “men of the day” and men of influence, portrayed in chromolithography / chromolithographs in colour (January 6, 1872 – June 29, 1872 & July 6, 1872 – December 28, 1872 ).

London, Vanity Fair, 1872. Folio. 208, 208 pages. Complete set. Interleaved with 51 chromolithographic portraits. Beautifully restored, original Hardcover (half-leather with orginal spine (gilt letttering and ornament). With new, linen-covered boards, using the original pastedowns and endpapers. A stunning Volume in excellent condition. All illustrations in wonderful colour.

226. Rare Illustrations of 19th century Oxford University – [Hopkins, T.H.T. (Thomas Henry Toovey Hopkins (1831–1885)] Heywood, James.

Illustrations of the Principal English Universities. [With several Aquatints and Lithographical plates showing academical dress and University ceremonies by R. W. Buss, R. B. Harraden] – [This was the personal copy of Thomas Henry Toovey Hopkins, Bursar at Magdalen College Oxford and Curator of the University Chest etc.]. Collected by James Heywood, M.A. F.R.S.

[Oxford], James Heywood, [1843]. Octavo. IV pages of Title and Contents plus 44 plates / This being coloured lithographs [collation complete]. Original Hardcover / Original cloth with gilt lettering to front board. The boards of this volume are cleanly detached, spine is missing. Interior pages and illustrations all complete, including endpapers with the personal Library Stamp of Hopkins: “T.H.T.Hopkins – Magd, Coll. Oxford” on the endpaper and titlepage. Complete with all plates. Only very occasional, minor signs of foxing. Extremely scarce and wonderful publication on the student-life in Oxford and Cambridge during the first half of the 19th century ! Wonderful provenance.

227. Somerville, Edith / Ross, Martin [Violet Martin].

A Patrick’s Day Hunt. [Engraved & Printed at the Racquet Court Press by Edmund Evans].

Westminster [London], Archibald Constable & Co., no year [c.1902]. Oblong Folio. 47 pages with eight (8) plates in colour and several illustrations in black-and-white. Original, illustrated Hardcover, now in professional colloctor’s Mylar. Some of the plates with some minor staining, one plate cleanly detached. But all plates in wonderful and vibrant condition overall (see photographs).

228. [Heaney, Seamus / Flanagan, T.P.] Kennedy, S. B.

T.P. Flanagan, RHA, PPRUA. [Signed by Seamus Heaney and T.P.Flanagan] Foreword by Seamus Heaney / Catalogue by Martyn Anglesea / An appreciation by John Belmore with notes on selected pictures by T.P. Flanagan and J.K. Jamison. A special edition of this book is limited to one hundred signed copies of which seventy-five are offered for sale. This is one of the 25 copies which were not for sale. It is signed by Seamus Heaney and T.P.Flanagan on the front free endpaper and its provenance is an eminent irish art collection.

Dublin, Four Courts Press in association with the Ulster Museum, 1995. Folio (24 cm x 28 cm). 96 pages with many illustrations in colour and photographs. Softcover. Some staining to endpaper and edge, leading into the outer margins of some pages. Text and illustrations not affected. While the staining is not pretty, this is one of the rare occasions to acquire one of the scarcer signed items from Seamus Heaney (1 of 25 copies from an edition of only 100 signed copies).

229. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

230. Sacchi, Luisa / Sartori, Cristina / Francone, Marcello.

The Pirelli Calendar – 40 Years Complete.

London, Thames & Hudson, 2004. Folio (29 cm x 28 cm). 519 pages with hundreds of photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with minor signs of wear to dustjacket. Binding firm and strong. Stunning because it is now in a protective sleeve.

231. [Anonymous].

Guide to Killarney and Glengariff. With a Map and Six Plates.

New Edition, revised and corrected. Dublin, William Curry, Jun. and Company, 1835. 11 cm x 17 cm. Frontispiece, [4], 130 pages. Hardcover / Original publisher’s cloth with spinelabel and label on frontcover. Some staining to the binding but otherwise firm and with the original endpapers intact. Interior in very good condition besides some pages and illustrations being a little dusty. Few illustrations with faded dampstain. Rare and early publication for the tourist in 19th century Ireland. With name of prewoner in ink on titlepage: “Robert Morrison, Shanakiel, Cork”.

232. Wright, Rev. G.N.

A Guide to the County of Wicklow. Illustrated by Engravings, after the Designs of George Petrie, Esq. and a Large Map of the County [the large map is missing].

Original, true first edition from 1822. London, Printed for Baldwin, Cradock and Joy, 1822. Small Octavo. Frontispiece, XII, [1],159, [7] pages. With 4 [of 5] illustrations, including Frontispiece. Original Hardcover of the early 19th century. Binding in poor condition. Illustrations slightly stained only. First layer of the bookblock slightly detached. Even though the large folding map and one of the iillustrations is missing , a rare and important, early tourguide through Wicklow with romantic descriptions of Bray, Glendalough,Luggelaw etc.

233. Natural History Illustration of Monsters and Superstitions – Pouchet, F.A.

The Universe – Or, The Infinitely Great and The Infinitely Little. Illustrated by 270 Engravings on Wood, from Drawings by A. Paquet, Mesnel, and Emile Bayard.

Sixth Edition. London, Blackie & Son, 1882. Octavo. Frontispiece, XVI, 564 pages. Original, very decorative Prize-Binding for the “Hastings & St.Leonards-on-Sea Ladies College (English Prize for the Year 1885) / Full, dark green morocco with embossed ornament and gilt lettering on spine. Stunning, marbled endpapers with gilt ornament-border to pastedowns. Binding firm and besides some minor rubbing to spine and corners in very good+ condition.

234. Cunard Liner Interior Illustrations – [Cunard].

History of the Cunard Steamship Company – (Extracted from “The Illustrated Naval and Military Magazine”) – [This rare publication originates from the “Publicity-Department of the Cunard Line” and come together with a vintage Passenger-Card of the Cunard Royal Mail Steamer “Batavia” showing a Cabin Plan verso and an image of Samuel Walters’ painting of the “Batavia” on the front].

[London], [Illustrated Naval and Military Magazine] / [Allen & Co.], [1886]. Octavo. Frontispiece, 31 pages text, interspersed with 13 engravings (including Frontispiece) and an Appendix with Cabin Plans. Original Hardcover with Cunard-Company-Crest. Professionally restored and rebacked by an english masterbinder. Excellent condition. Cunard’s own copy with several stamps from Cunard “Please return to Publicity Dept. – The Cunard S.S.Co. Ltd. – Cunard Building – Liverpool”. Further stamp of preowner “Arthur C. Wardle”, Liverpool Historian.

235. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

236. Gaelic Fairy Tale Illustrations – [Mac Liammoír, Micheál] Ó Floinn, Tomás / Proinsias Mac Cana.

Scéalaíocht na Ríthe – [Stories of the Kings]. Tomás Ó Floinn agus Proinsias Mac Cana. A chuir in Eagar. Micheál Mac Liammoír a Mhaisigh.

Baile Átha Cliath, Saírséal & Dill, 1956. 18.1cm. 220, [4] pages. Including 6 plates with beautiful, tipped-in illustrations and their often missing, lettered tissue-guards. Hardcover. / Original, illustrated blue publisher’s cloth. Excellent condition with only minor signs of external wear / An underestimated publication with all illustrations in place. While the book was also published in softcover-cardboard, the first edition in Hardcover, which we offer here, is the much better version.

237. Clergue, Lucien.

Footprints of the Gods. With a Foreword by Lucien Clergue: “Twelve Years at Point Lobos” / With an Essay by Jim Hughes titled: “Sign of Life and Death”.

First US Edition. Boca Raton [Florida], Iris Publications, 1989. Small Folio (23 cm x 30.5 cm). 96 pages with spectacular photographs on 55 color plates throughout. Original softcover. This colour-photographic treatise is devoted entirely to the topography of Point Lobos, California, the beach made famous by Edward Weston, decades earlier. With an introduction by Jim Hughes. A very good copy in publisher’s illustrated wrappers. Spine slightly starting. Inscribed and signed by Lucien Clergue to the great American gallerist, Leo Castelli: “Pour Leo Castelli, son admirateur arlesien, avec l’hommage de Lucien Clergue – Arles, I/VII/89”. A wonderful association, additionally enriched by an artist-postcard of Lucien Clergue’s “Point Lobos” – Photograph, with a personal message to Leo Castelli by someone called “Ames” (?).

238. Yoshida, Tetsuro.

Das japanische Wohnhaus.

Erste Ausgabe. Tübingen, Wasmuth, 1954. 4. 204 Seiten mit zahlreichen Abbildungen. Originaler Leinenband mit illustriertem Schutzumschlag. Der Umschlag angeraendert und mit kleinen Einrissen. Mit kleinem, eingeklebten Geschenk-Schildchen auf dem Vorsatzblatt. Selten in dieser sehr guten Erhaltung mit dem originalen Umschlag.

239. Illustrations for The Odyssey – Rössing, Karl.

Interessante Sammlung von originalen Briefen des Österreichischen Autors Karl Rössing and den künstlerischer Leiter der Bauerschen Gießerei, Dr. Konrad Bauer. Die detaillierten Briefe geben Aufschluss zur Entstehungsgeschichte der Publikation “Bilder zur Odyssee”, welche im Jahr 1955 in Frankfurt herausgegeben wurde. Karl Rössing spricht mit Bauer zum Thema Korrekturen im Satz, Einbanddecken, Mäander, Papierauswahl, Tondruck, Einbandgestaltung, Autorenexemplaren, Ausstellung in Braunschweig, Rezensionsverweigerung von Benno Reiffenberg, Verwendung des Buchs als Geschenk an den Bundespraesidenten (damals Theodor Heuss), “ganz einfach deshalb weil er ein fuer Kunstdinge aufgeschlossener Mensch ist”, etc. etc. Der Sammlung liegt eine originale Tuschzeichnung über Bleistift, sowie ein Probedruck des Titelholzstichs bei. Die fertige Buchausgabe liegt ausserdem hier im Originalschuber vor.

Stuttgart / Frankfurt, Prof.Karl Rössing / Der Goldene Brunnen / Bauersche Gießerei, 1950-1957. Octavo. 9 Briefe, davon einige auch umseitig oder zweiseitig. Zusammen 14 Seiten auf 10 Blatt plus eine Tuschzeichnung und Probedruck des Titelholzschnitts. Das fertige Buch in original Hardcover im Schuber. Sehr guter Zustand. Bedeutende Dokumentation zur Buchproduktion und enger Zusammenarbeit zwischen Illustrator.

240. [Walter Benjamin Collection] – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

241. Willoughby, Bob.

Jazz in LA. With texts by Herb Geller / Bob Willoughby / Mike Zwerin. Edited and compiled by Ingo Wulff.

[No.158 of only 200 Signed copies of the rare, Limited Edition]. Kiel, Nieswand Verlag, 1990. Large Folio (48 cm x 34.5 cm). 17 full-page-photographs on heavy archival paper. With a hidden chapter in the rear: “Bob Willoughby’s favourite Tunes”. Original Hardcover (spine comprises of a brass tube). Excellent condition with minor signs of exceptional condition. The publication was very successful and experienced a second, revised edition which was not signed. This first, limited edition, signed by the groundbreaking jazz-photographer Bob Willoughby, is exceedingly scarce and should not be mistaken for the “normal” edition, which looks the same but is not signed and limited.

242. Porter Jr., LCDR William Hamilton / [Howard Chandler Christy].

Archive of Naval Captain, Lieutenant commander [LCDR] William Hamilton Porter Jr.‘s Love Letters to his wife Amy Manning Porter and letters to his mother Barbara Hamilton Porter, from his service during and after graduating from United States Naval Academy Annapolis MD, 1914. The Collection includes not only the Yearbook of the Brigade of Midshipmen, called “Lucky Bag”, signed with nearly all Graduates and with numerous amazing photographic illustrations of sports like American Football, Lacrosse, early photographs of Basketball and Baseball – Teams, images of visits to Ireland etc., but the collection includes nearly 50 manuscript letters by LCDR Porter from the USS Alden, USS Columbia, writing back home to his wife Amy between 1916 and 1920, reflecting his first tour of duty and sending letters from Constantinople, Smyrna, Venice, Dalmatia, Split, Naples, Samsoun, etc. The collection is full of reports of life on ship and upcoming tours to Naples, Genoa and Villefranche, relationship to the captain, Porter’s view on politics etc. Telegram about “USS Alden and two Destroyers of the 26th Division to be designated by USADRA proceed to Manila”. / Fantastic archive of an Annapolis Graduate with amazing artwork by Howard Chandler Christy in the “Lucky Bag” and a collection of letters in all its complete scarcity of completeness. The collection also includes the original letter of “Washington Granite Monumental” to Porter’s wife upon Porter’s burial at Arlington National Cemetery (he died in 1937).

Baltimore (Maryland) / Annapolis / USS Alden etc., 1916-1920. Octavo. Lucky Bag [Vol. XXI [Volume 21] of the Annual of the Brigade of Midshipmen at Annapolis / Two Ringfolders with original letters, telegrams and some photographs. Excellent condition with some minor signs of wear only. Check out a large collection of high quality photographs on our website, depicting Baseball, Crew Rwoing, Handball, Basketball and Baseball at the Academy in Annapolis. Rare collection with the wonderful original signatures of nearly all Graduates who served with LCDR Porter.

243. [Mac Liammóir, Micheál / Ó Conaire, Pádraic] O’ Neill, Eamonn.

The Woman at the Window and Other Stories. Translated from the Irish of Pádraic Ó Conaire by Eamonn O Neill. New Edition – With Illustrations by Micheál Mac Liammóir.

Dublin and Cork, The Talbot Press, no year [c. 1931]. Octavo (15 cm x 22,5 cm). Frontispiece, 127 pages. Original Hardcover with original, beautifully illustrated dustjacket in protective Collector’s Mylar. Unusually excellent condition with some minor signs of wear only. Privately inscribed on the endpaper “For Jim – Christmas 1947”. A very unusual condition of this amazzing publication.

244. Arts Council of Great Britain.

Homage to Barcelona – The City and its Art 1888-1936 : [exhibition catalogue].

London, Arts Council, 1985. Quarto (21.5 cm x 28 cm). 328 pages with illustrations throughout. Original Softcover. Name of preowner on endpaper. Excellent condition with some minor signs of wear only.

245. [Holzer, Jenny] Waldman, Diane.

Jenny Holzer.

New York, Solomon R. Guggenheim Museum : H.N. Abrams, [1989]. 26 x 28cm. 116 pages with illustrations throughout. Original Softcover. Excellent condition with some minor signs of wear only.

246. [Warhol, Andy] Bailey, David.

Andy Warhol. Transcript of David Bailey’s ATV Documentary.

London, a bailey litchfield/mathews miller dunbar co-production, 1972. Folio (29 cm 38 cm). 80 unnumbered pages. Original Softcover. Very good condition with signs of wear. Minor signs of foxing.

247. Andreotti, Giulio / Museum of Fine Arts / Accademia Italiana.

Rediscovering Pompeii.

4th edition / Bilingual Edition: Italiano / English. Rome, [Italy], L’Erma di Bretschneider, 1992. Folio (24.5 cm x 30.5 cm). 287 pages. Illustrated throughout. Original Softcover. Excellent condition with some minor signs of wear only.

248. [Sisley, Alfred] Steves, MaryAnne / Cahn, Isabelle.

Alfred Sisley. Edited by MaryAnne Stevens ; with contributions by Isabelle Cahn and [five] others.

London, Royal Academy of Art, [1992]. 29 cm. 304 pages with illustrations (black and white, colour). Original Softcover. Excellent condition with some minor signs of wear only.

249. Jones, Owen.

Grammar of Chinese Ornament. Selected from objects in the South Kensington Museum and other collections.

London, Studio Editions, [1987]. 34 cm. 100 Plates with ornaments. Original Hardcover with dustjacket. Very minor signs of foxing to the endpapers only. Excellent condition with some minor signs of wear only.

250. [Westmacott, C.M.] / [Lady Mary Wortley Montagu].

The Gazette of Fashion, and Magazine of The Fine Arts and Belle Lettres, dedicated by permission to His Royal Highness the Duke of York [With the rare Portrait of Lady Mary Wortley Montagu and an early case of “Musical Copyright” discussed on page 137]. Published in weekly, monthly and wuarterly parts. Composed of Original Papers and Music, with Reviews of Literature in General. Illustrated with numerous Engravings, Portraits of Eminent Persons and Subjects connected with Fashion and the Fine Arts.

Two Parts in one Volume (First half year from January to July, 1822). London, Published for C.M.Westmacott, by Hoffmann, 1822. Quarto (20 cm x 27 cm). Portrait-Frontispiece, 214, Portrait Frontispiece, 208 pages plus Index for both quarterly parts with listing of all engravings, scores of original pieces of music, portraits, engravings of the latest, “newest” Parisian Costumes etc. Original Hardcover / 19th – century half leather with gilt lettering on spine. With 11 instead of 23 full-page illustrations of which some included are not called for and others seem to have never been part of the collection. Some minor signs of wear only, a few very faint signs of foxing, a little dusty endpapers but especially the text and illustrations all in generally very good or even better condition with some minor signs of wear only. Extremely Rare !

251. Fitzgibbon, Margaret.

Fitzgibbon – One That Always Remains – With an Essay by Aidan Dunne (″Human Ties”).

Cork, Triskel Arts Centre, 1992. Octavo. 32 pages including a photograph and short-biography of the aartist to the rear of the publication. Wih several image sof sculpture and art by Margaret Fitzgibbon. Original Softcover. Excellent condition with some minor signs of wear only. Signed and inscribed by the artist in September 1992.

252. Long, Richard.

Richard Long.

New York, N.Y., Thames and Hudson / Solomon R. Guggenheim Museum, 1986. 27 cm. 237 pages with 244 illustrations, 29 in colour and 215 in duotone. Original Hardcover with dustjacket. Excellent condition with some minor signs of wear only.

253. North, Marianne.

A Vision of Eden – The Life and Work of Marianne North. Preface by J. P. M. Brenan ; Foreword by Anthony Huxley ; Biographical note by Brenda E. Moon.

New York, Holt, Rinehart and Winston, 1980. 26 cm. 240 pages. Illustrated. Original Hardcover with dustjacket. Excellent condition with some minor signs of wear only.

254. Deluxe Illustrated Children’s Book – Kipling, Rudyard.

All the Puck Stories. With Illustrations by H.R.Millar and Charles E.Brock.

First Deluxe Edition (Published simultaneously with the trade edition). London, MacMillan and Co., 1935. Octavo. Frontispiece-Illustration, X, 670, [2] pages. Illustrated throughout. Original Hardcover / Decorative full red leather with gilt lettering and gilt illustration of Puck on the front board. In its original, rare dustjacket. The dustjacket frayed with some loss. The Volume itself in excellent condition with some minor signs of wear to upper and lower hinge only.

255. Gaitskell, Charles D. / Hurwitz, Al.

Children and their Art – Methods for the Elementary School.

Third Edition. New York / Chicago etc., Harcourt Brace Jovanovich, 1975. Quarto (20 cm x 23,5 cm). XII, 547 pages. Original Hardcover. Excellent condition with some minor signs of wear only.

256. Handcoloured Map Art of 18th century Scotland – [Millar, William] / [Grant, John] / [Leslie, William] Forsyth, Isaac / [Hugh Houstoun].

A Survey of the Province of Moray; Historical, Geographical, and Political. [Inscribed and dedicated by scottish Mapmaker William Millar / Including the amazing, large Map of Moray and the Nairn Shires by William Millar (51 cm x 49 cm) and the engraving of “Elgin Cathedral” (also by William Millar)].

First Edition. Aberdeen, Printed for Isaac Forsyth, Bookseller, Elgin, 1798. Octavo (14 cm x 21,5 cm). Folded, hand-coloured Frontispiece-Map by William Millar, Frotispiece-Engraving of the “Elgin Cathedral” , VIII, 353 pages. Original Hardcover / Original 18th or early 19th century leather with original spinelabel. The large, hand-coloured Map with a minor tear only. Corners slightly bumped. Spine slightly starting but overall in excellent condition with some minor signs of wear only. Interesting Provenance and signed manuscript dedication by the Cartographer and Mapmaker William Millar: From the library of Aberdeen Highlander, Major Hugh Houstoun, with a dedication: “April 27th, 1798 – To Major Hugh Houstoun – from his Much obliged and Humble Servant William Millar”.

257. [Rees-Mogg, William / Cholwell House] [Lever, Charles].

Arthur O’Leary – His Wanderings and Ponderings in Many Lands. Edited by his friend, Harry Lorrequer and Illustrated by George Cruikshank. [William Rees-Mogg’s personal copy from his library at Cholwell House and with his armorial Bookplate / Exlibris to pastedown].

New Edition. London, Henry Colburn, 1845. Octavo. Frontispiece-Portrait of Arthur O’Leary, 364 pages with ten illustrations by Cruikshank (including the Frontispiece). Hardcover / Original 19th century half leather with two spine-labels, professionally rebacked and restored by a professional bookbindery. Original pastedowns retained with the original bookbindery-label of C.T.Jefferies & Sons from Bristol. Some of the Cruikshank-plates very good, some with strong foxing (as usual). The text fresh and clean. After the restoration, this Volume is now in excellent condition with some minor signs of wear only.

258. [Emerson, George Waldo] Brydges, Sir S. Egerton.

Censura Literaria. Containing Titles, Abstracts and Opinions of Old English Books. With Original Disquisitions, Articles of Biography, and Other Literary Antiquities. With the articles classed in chronological order under their separate heads.

Second Edition. 7 of 10 volumes. 1, 2, 3, 4, 6, 8, 10. (Incomplete). London, Longman, Hurst, Rees, Orme, and Brown, 1815. 16 cm x 24 cm. Vol. 1: VIII, LXIII, 432 pages. / Vol. 2: VIII, 450 pages. / Vol. 3: VII, 434 pages. / Vol. 4: VII, 435 pages. / Vol. 6: VIII, 416 pages. / Vol. 8: VIII, 411 pages. / Vol. 10: VIII, 580 pages. Original Hardcover. Volume 1 has dampstaining on boards, front board detached. Volume 8 has small dampstain on front board. All volumes with stronger rubbing, fading on boards, otherwise good condition with content intact.

259. Litchfield, Frederick.

Illustrated History of Furniture. [With Chapters on Japanese Furniture and Early Machine-Made Furniture as well as an Appendix with Names of Furniture-Artists and Furniture Manufacturers]. From the Earliest to the Present Time. With numerous illustrations.

Third Edition. London, Truslove & Hanson, 1893. 21 x 29 cm. XX, 280 pages with many illustrations throughout the text. Original Hardcover. Leather with gilt lettering. Very good condition with minor signs of external wear (Upper spine with minor damage). From the library of furniture-historian Claudia Kinmonth. The free front endpaper is detached and loosely inserted.

260. [Wheeler, R.E.M. / Piggott, Stuart / Childe, V. Gordon / Kramrisch, Stella / Cookson, M.B. / Ghosh, A. / Krishna Deva / Krishnaswamy, V.D. / Naqvi, S.A.A. / Agravala, V.S. / Chakravarti, N.P.].

ANCIENT INDIA – Bulletin of the Archaeological Survey of India – Number 2-5 (1946-1949).

5 volumes in 4. (Includes the double-number 1947-1948). Calcutta, The Baptist Mission Press, 1946-1949. Quarto (21,5 cm x 27,5 cm). Volume 2 (July 1946): 137 pages with numerous photographic plates and large fold-out maps / Volume 3 (January 1947): 150 pages with numerous photographic plates and large fold-out maps / Volume 4 (Double Number): 321 pages with numerous photographic plates and large fold-out maps / Volume 5: 113 pages with numerous photographic plates and large fold-out maps. Original Softcover. Good condition with signs of wear only to the wrappers – Inside very good.

261. [Building News].

The Building News and Engineering Journal – Six Volumes bound in Five – With c. 600 original, stunning Lithographs of Architectural Buildings and Designs [Volume XIV (which is the complete Year 1867, January to December, but erroneously says 1868 on spine) / Volume XXII and Volume XXIII (which is the complete Year 1872, January to December) PLUS: Three Volumes with hundreds of plates / illustrations for the years 1873, 1877 and 1878. Being the very rare Illustrations / Plates – Volumes only (no text) for 1873: Volume The Twenty-Fourth / Volume Twenty-Fifth and 1877: Volume The Thirty-Second / Volume The Thirty-Third and 1878: Volume The Thirty-Fourth and Volume The Thirty-Fifth.

London, Office for Publication and Advertisements, 1868 / 1872 / 1873 / 1877 / 1878. (23 cm x 32.5 cm). All Five Volumes together contain c. 600 stunning lithographs / plates of which c. 180 are large, double-page-plates. [c. 60 plates missing or defect.] Original Hardcover / Original half leather with gilt lettering to spine. Overall very firm and in very good condition of the five volumes with occasional pages missing or some illustrations torn (see detailed descriptions of pagination). The 1873 Volume excellent. The Volumes 1877 and 1878 with some stronger fraying and dampstain-damage to the corners (Illustrations NOT effected). The price for these 5 heavy Volumes includes international free UPS Express shipping.

262. Riddell, Robert.

The Carpenter and Joiner, Stair Builder and Hand-Railer. With fifty-eight plates and a Series of Card-Board Models.

London / Edinburgh / Glasgow, William Mackenzie, no year [c.1874]. Folio (28 cm x 35 cm). Frontispiece, 124 pages text and 58 plates [The Frontispiece counts as Plate 58]. Original Hardcover with gilt lettering on board and reinforced, contemporary “workshop binding”. Good condition with signs of external wear. Inside a little dusty but firm and complete !!

263. [Walter Benjamin Collection] – [Benjamin, Walter] Haas, Willy / [Stefan Zweig / Heinrich Mann / Thomas Mann / etc.].

Die literarische Welt. [Mit zahlreichen Erstdrucken von Essays und Rezensionen von Walter Benjamin: “Die Technik des Schriftstellers in dreizehn Thesen” / Walter Benjamin – “Skandal im Théatre-Français” / Buch-Chronik der Woche von Walter Benjamin: “C.A.Bernoulli – Johann Jakob Bachofen und das Natursymbol” / Walter Benjamin – “J.P.Hebel – Ein Bilderrätsel zum 100.Todestag des Dichters” / Buch-Chronik der Woche von Walter Benjamin: “Franz Hessel” / Walter Benjamin – “Der Kaufmann im Dichter” / Walter Benjamin – “Aussicht ins Kinderbuch” (mit Abbildungen von Titeln aus der Sammlung Benjamin) / Walter Benjamin – “Noch ein Paar Neue Kinderreime” / Walter Benjamin – “Kinder” [I.Karussellfahrendes Kind / II. Zu Spaet gekommenes Kind / III. Verstecktes Kind”] / Titelseite als Kalenderblatt mit Karikatur-Portraits von Mitarbeitern der “Literarischen Welt”: u.a. Walter Benjamin, Walter Mehring, Willy Haas u.v.a. “Zum Neuen Jahr lasst Blumen sprechen” / “Wandkalender der “Literarischen Welt” fuer 1927 – Verse von Walter Benjamin / Zeichnungen von Rudolf Grossmann / Walter Benjamin – “Der Regisseur Meyerhold – In Moskau erledigt ?” – “Ein literarisches Gericht wegen der Inszenierung von Gogols ‘Revisor’” / Walter Benjamin – “Zur Lage der Russischen Filmkunst” / Walter Benjamin und Oscar A.H.Schmitz – “Eine Diskussion ueber russische Filmkunst und kollektivistische Kunst ueberhaupt” [Schmitz eroeffnet die Diskussion mit “Potemkinfilm und Tendenzkunst” – Walter Benjamin antwortet daraufhin dem “Bildungsphilister” Schmitz mit einer Polemik].

First Edition. Two Volumes with 94 Issues in total (31 issues in duplicate / 31 Hefte doppelt). Berlin, Ernst Rowohlt, 1925 – 1927. Folio. Pagninierung / Pagination of both Volumes: Volume I: The following 42 issues available in this collection are: 1. Jahrgang / Annual (1925): Nr. 2 und Nr. 4 / 2. Jahrgang (1926): Nr. 14, 19, Nr. 36 – Nr. 52 (17 Issues) / 3. Jahrgang / Annual (1927): Nr. 1-21 [Each issues with 8 pages with illustrations] / [Jedes Heft mit 8 Seiten incl. Abbildungen] / Volume II: 3. Complete Third Annual of 52 Issues for 1927): Kompletter 3. Jahrgang: Nummer 1-52. [Each issues with 8 pages with illustrations]. Illustrations in original woodcut-textillustrations are by Rudolf Großmann (several), Lili Réthi, B. F. Dolbin (several), Frans Masereel (several), George Grosz (Kinderzeichnungen), Renée Sintenis, Alfred Kubin, Max Beckmann, Man Ray and others. Hardcover (original title-wrappers inside a privately printed half-cloth binding) / Hardcover / Privater Halbleinenband der 20er Jahre. Small cutout to page 5 of Issue 2 (Advertising ? 8.4 x 14.5 cm) / (1 cm-tear to outer margin of all issues in Volume one – text not effected) / Titlepage of Issue 49, IInd Annual (1926), missing. Otherwise in very good condition with only minor signs of wear. While it would usually be desirable to have these issues in their original, unbound form, these two privately bound Volumes are actually a blessing and led to these issues to be preserved in unusually excellent condition. A Rare run of this peridocal, with a provenance of one “Frl. Nippoldt” (Miss Nippoldt), Weissenburgstr. 17 / Kleiner Ausschnitt auf Seite 5 der Nummer 2 von 1925 (Werbung) / (1 cm Einriss in den Rand der Nummern von Band 1 – Text nicht betroffen) / Titelblatt der Nummer 49 des II.Jahrgangs (1926) fehlt / Sonst sehr gut erhalten. Auch wenn eine ungebundene Broschur-Version dieser seltenen Zeitschrift einer Privatbindung normalerweise vorzuziehen ist, so ist in diesem Fall die Wahl der Bindung sehr gelungen und man ist fast dankbar wie gut die einzelnen Ausgaben dadurch erhalten wurden. Einige der Ausgaben haben einen alten Besitzvermerk: “Frl. Nippoldt” – “Weissenburgstr.17”, sowie gelegentliche, interessante Kommentare und Annotationen im Text (mit Bleistift)”.

264. [Inisfada / Genevieve Garvan Brady / William J. Babington Macaulay] American Art Association.

Antique Furniture, Tapestries, Rugs, Other Art Property – Including four famous Gothic Tapestries and a Superb Sixteenth Century Ispahan Carpet – Collection of Genevieve Garvan Brady [Mrs. William J. Babington Macaulay]. [With a large amount of ephemera, newspaper-clippings with reports on the auction, admission-tickets etc.]. With chapters on Linen and Lace / Porcelain / Japanese Carved Ivories / Tsuba and Lacquer Boxes / French, Spanish and Italian Renaissance Furniture and Decorations / Garden Furniture / Lists also famous artwork like James Abbott McNeill Whistler’s “Lady Archibald Campbell, as Orlando” / etc. etc. Public Sale on the Premises INISFADA – Manhasset – Long Island.

Manhasset, American Art Association, 1937. 20,5 x 29 cm. 555 pages – Illustrated throughout. Original Hardcover. Excellent, firm condition with minor signs of external wear. The full auction catalogue from this May 1937 sale of 2115 lots from the estate of Genevieve Garvan Brady (1879-1938), at one time married to Nicholas Frederic Brady (1878-1930) and then to Irish Diplomat William J. Babington Macaulay.

265. Edelman, Asher B.

“Selection” – Oeuvres De La Collection – Exposition du 10 juin au 13 octobre 1991. This publication shows original art, exhibted by artists including Rafael Ferrer, Bruce Nauman, Robert Morris, Keith Haring, Walter de Maria, Jenny Holzer, John Chamberlain, Andy Warhol (Oxidation Painting), Haim Steinbach (Together Naturally), David Salle (Head in the Door) etc.

Lausanne, Musee D’Art Contemporain, 1991. Quarto. 174 pages of text and illustrations. [Text in English and French]. Original Softcover. Very good condition with only very minor signs of wear. Stamp of preowner on endpaper.

266. Holden, Constance W.

Hellas – Drawings by Constance W.Holden with Selections from the Greek Dramatists.

Limited Edition. Boston, Thomas Todd Company, 1969. Folio (32 cm x 41 cm). 62 pages with numerous illustrations. Original Hardcover with dustjacket. The rare dustjacket with tears. The Volume itself in very good condition with only minor signs of wear.

267. Benoit-Lévy, Georges.

Maisons de Campagne sans Etage et Bungalows.

[Paris], Librairie Ch. Massin, [1926]. Folio (24 cm x 33,5 cm) / [Grand in-4]. 4 p. Texte et 48 planches. Hardcover / Original, illustratedl publisher’s chemise with three original laces. Excellent condition / Exemplaire en tres bon état.

268. Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main.

Raumkonzepte – Konstruktivistische Tendenzen in Bühnen- und Bildkunst 1910-1930 // Enthält u.a. die folgenden Essays: Hubertus Gassner – Zum Rhythmus in Bild- und Bühnenwerken des Konstruktivismus / Hannelore Kersting – Popowa und Lissitzky – Zwei russische Konstruktivisten / De Stijl – Mondrian und de Stijl / Bauhaus – Maler des Bauhaus / Deutsche Konstruktivisten – Der szenische Konstruktivismus in Deutschland / Maria Porrmann: Politisches Theater – Konstruktivisten, Gottkonstruktivisten und die proletarische, sozialistische Kultur / Hannelore Kersting: Prinzip Collage und Musiktheater / Maria Müller: Dada – Merz – Konstruktivismus – Versuch einer Annäherung / Uwe Schareck – Die Veränderung des Sehens – Film, Prinzip Montage und künstlerische Avantgarde in den zwanziger Jahren /

Frankfurt am Main, Städelsches Kunstinstitut, 1986. 23 x 28 cm. 391 Seiten. Softcover/ kartoniert. Sehr guter Zustand mit nur ganz minimalen Gebrauchsspuren.

269. [Luckombe, Philip / Smith, Charles].

Luxury Reprint of “The Compleat Irish Traveller” [With high quality Reproductions of the 31 original Plates of detailed Maps of County Cork in the 18th century, County Kerry in the 18th century and Waterford in the 18th century, as well as some of the earliest engravings of Irish Towns here for the first time reproduced as beautiful Artworks for framing and housed in a special, handmade Folder. The publication was just recently enlarged with a detailed, Topographical Index (July 2023)]. Complete Title: “The Compleat Irish Traveller, containing A general Description of the most Noted Cities, Towns, Seats, Buildings, Loughs &c. in the Kingdom of Ireland, Interspersed with Observations on the Manners, Customs, Antiquities, Curiosities and Natural History of that Country. With Elegant Copper Plates”. [With 31 original Plates after Charles Smith, including Frontispiece, this Reprint / Facsimile is the result of 10 years of research and purchase of three (3) original versions of the First Edition from the year 1788. The first Editions known to Inanna Rare Books all had different quantities of Plates and Maps included. This Reprint by Inanna Rare Books has been produced from an extremely clean version of the original and shows the most complete set of illustrations and XL-Size Maps and Artworks we could find in any of the original editions. The publication shows not only Maps of County Cork, County Kerry and County Waterford but also Views of Irish Cities and Towns in these Counties of the Province of Munster and besides the wonderful Historical Plan of Cork City this set also includes the very rare Plan of the “Grand Canal from Dublin to the River Shannon” (see detailed list of all the illustrations present at the end of this description)].

Luxury Limited-Edition-Reprint of the First Edition by Luckombe in 1788. Two Volumes plus extra Folder with 31 Plates reprinted as Artworks for framing. Skibbereen (County Cork), Inanna Rare Books Publishing, 1788. Octavo (13.5 cm x 21 cm). Pagination: Volume I: Frontispiece, engraved Titlepage, XXX, 189 pages plus recently published Index (July, 2023) / Volume II: Engraved Titlepage, 263 pages plus recently published Index (July, 2023). Plus large, bespoke made Folder with thirtyone (31) Reproductions of the Maps, Plans and Illustrations which usually were folded inside this publication and now for the first time have been liberated from the book and were published as the beautiful works of art they are. Textvolume: Volume I and II of the text bound in one beautiful half-leather-volume with gilt lettering on spine, bound in the style of the 18th century / Illustrations-Folder with 31 reprinted illustrations of Towns and Maps of Ireland but mainly of Munster, bound in bespoke made half-cloth with paper-covered boards and pasted Reprint of the original titlepage. Excellent, new condition. One of only 300 printed. [Inanna Rare Books – Reprint & Facsimile – Series].

270. Wood, Christopher.

Victorian Painting.

First North American Edition. Boston, Mass./New York, N.Y./London, Bulfinch Press, 2000. Quarto (27 cm wide x 29 cm high). 384 pages with 500 illustrations (mainly in colour) and an Index. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. With a private gift-inscription.

271. [Haberl, Horst Gerhard] Pezold, Friederike.

Friederike Pezold – [Video Art / “Das Phänomen der Frauenkunst am Beispiel Friederike Pezold” / “The Phaenomenon of Female Art using the example of Friederike Pezold”] in: “Pfirsich15/75/76”.

Graz, Horst Gerhard Haberl, 1975. Folio (30 cm wide x 35 cm high). 52 unnumbered pages with text and illustration. Original, illustrated softcover. Very good condition with only minor signs of wear. With a private gift-inscription.

272. [Crozier, William (″Bill”)] Crouan, Katharine / Kennedy, S. B. / Vann, Philip.

William Crozier. [Signed by William “Bill” Crozier during a Summer Exhibition at James Wray & Co. (including the invitation to the former owners of this book) and the book comes with a small collection of little catalogues and publications on Crozier, advertising material etc.]. Edited by Katharine Crouan / With Essays by S.B.Kennedy and Philip Vann.

Hampshire / Burlington, Lund Humphries, 2007. 8°. 208 pages. Original Hardcover with dustjacket. Excellent condition with only minor signs of external wear. Signed by Bill Crozier on the titlepage.

273. Bott, Gerhard.

Jugendstil. Art Nouveau. Modern Style. Nieuwe Kunst – Kunsthandwerk um 1900. Ergänzung und Bearbeitung der Neuerwebungen durch Carl Benno Heller.

Zweite, erweiterte Auflage. Damstadt, Eduard Roether Verlag, 1973. 22,5 x 29 cm. 456 Seiten. Hardcover/ Gebundene Ausgabe. Leinen. Sehr guter Zustand mit minimalen Gebrauchsspuren.

274. Storck, Gerhard.

Artist’s Proof. Künstlerisch erprobt. Graphische/ fotografische Arbeiten aus den letzten dreissig Jahren. Herausgegeben vom Kaiser Wilhelm Museum Krefeld.

Köln, Oktagon, 1998. 24 x 32 cm. XLVII, 175 Seiten. Softcover/ Kartoniert. Sehr guter Zustand mit minimalen Gebrauchsspuren.

275. Klever, Katrin und Ulrich.

Exotischer Schmuck.

München, Mosaik Verlag, 1977. 23 x 30 cm. 144 Seiten. Hardcover/ Gebundene Ausgabe. Leder. In Mylar. Sehr guter Zustand mit minimalen Gebrauchsspuren.

276. [Picasso, Pablo] Parmelin, Helene.

Bei Picasso. Mit 33 Abbildungen. Deutsch von Madeleine Jean.

Berlin, F.A. Herbig Verlagsbuchhandlung, 1962. 20 x 24,5 cm. 237 Seiten. Hardcover/ Gebundene Ausgabe. Sehr guter Zustand mit minimalen Gebrauchsspuren.

277. [Gore-Booth, Colum Robert] / [Lady Eva Selina Laura Gore-Booth] / [Constance Georgine Markievicz née Gore-Booth] / [Lissadell House County Sligo].

Two Manuscript Sketch-Books [12” x 10”] bearing the Bookplate “Lady Gore Booth – Lissadell, Sligo [No.43]”. Both Folio-Size Sketch Books titled ‘The “Wood” Sketch Book’, both issued by ‘St. John’s Wood Art School’: 29, Elm Tree Road, London, NW 8. [Founded 1878]. Each Sketch-Book has 50 pages and most pages have manuscript sketches with a few loose sketches tipped in. The very accomplished drawings all appear to be in pencil and show landscapes, trees, horses, portraits, male and female figures, skulls. They all appear to be in the same hand. Also, tipped in is a b/w photo, 6” x 4” mounted on a card. It is signed in pencil by Roberts of Paris. Stamped on the back is “Roberts” 11, Rue du Havre. In pencil, it states “Elizabeth aged 11, May 1922”. From our research it is certain, that Colum Robert Gore-Booth (1913-1959) attended St.John’s Wood Art School and these appear to be his Sketch-Pads, the only other member of the Gore-Booth family who went to London in order to become an artist was Colum’s aunt, Constanze Markiewicz, who attended Slade School of Art at the turn of the century but the drawings do not fit her style.

Two Volumes. London, St.John’s Wood Art Schools / Lissadell House County Sligo, c.1920 – 1930. Folio. Volume I: 118 pages (59 perforated sheets), with 87 studies, often with sketching on both sides of the sheets / Volume II: 100 pages (50 perforated sheets), with 46 studies inside the sketch-book plus two portrait-sketches loosely inserted, plus the photograph of one “Elizabeth”, dated May 1922 and signed by photographer “Roberts” 11, Rue du Havre, Paris. Publisher’s illustrated Hardcover. Very good condition with only minor signs of wear.

278. Wells, Percy A. (1867-1956) / [Letter by Morris, Mary ‘May’ (Designer)] / [Letter by Allom, Sir Charles Carrick (english decorator)] / [Letter by Garnett, Prof. William (Experimental Physics)] / [Letter by Henry, Jacob Solomon (Furniture Maker)] / Letter by Hems, Harry (English architectural and ecclesiastical sculptor)] / [Letter: Image, Selwyn (British Artist & Designer of the Arts & Crafts Movement)] / [Letter: Russell, Sir Sydney Gordon (English Designer & Craftsman) / [Letter: Quennell, Marjorie (Courtney) (British historian, illustrator and Museum Curator at The Geffrye Museum) //

Small Archive / Manuscript Material, Letters, Designs, Books and Pamphlets as well as vintage photographs of Furniture like Chairs (Percy A. Wells Chair), Wardrobe, Advertising of Exhibitions [chaired for example by Christopher Hussey], etc. etc. This material all originates from Percy A. Wells’ personal collection and sensationally also includes a manuscript notebook / sketchbook with his drawings, designs and a detailed, typescript with autobiographical memories in which Wells details his decades of being involved in Furniture Design. Loosely inserted in the manuscript notebook / sketchbook, is a signed manuscript letter on stationery of Kelmscott Manor by Mary ‘May’ Morris, daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists’ model, Jane Morris [included is ephemeral material which for example informs about a pair of Episcopal Gloves, designed by William Morris’s daughter [May Morris] and the clipping continues: “Those who remember Morris’s attitude towards the Church will smile and reflect upon time’s revenges”]. The collection includes an abundance of information which easily can lead to a monograph on the life of Percy A. Wells. Detailed description of the Archive and all materials contained below (more details will be listed constantly).

Dulwich / Shoreditch / London a.o., Percy A.Wells Private Library, c.1900-c.1920. Octavo / Quarto / Folio. Hardcover Folder with loosely inserted material like letters and photographs, envelopes, signed and inscribed books and rare pamphlets with designs etc. Very good condition with only minor signs of wear. Fantstic Archive and lots of unpublished material of one of the more eminent Cabinet, Furniture and Chair – Designers which resulted from inspiration by William Morris’ Kelmscott – School. Percy A. Wells Chairs are still in regular demand today and sell for stunning prices (3000 £ etc.).

279. [Gloucester Cathedral] – Waller, Frederick S.

Gloucester Cathedral – Notes and Sketches by Frederick S.Waller.

Gloucester, John Bellows, 1890. Quarto (22 cm wide x 28 cm high). 14 pages text and six (6) full-page Lithographs, illustrating the Cathedral in detail and also including the wonderful Lithograph of a Birdseye-sketch of the Cathedral’s appearance as Norman Remains. Illustrated Softcover with lithographed wrappers. Very good condition with only minor signs of wear. An extremely rare publication on excellent paper and the plates in wonderful detail and condition. This is not the usual tourist pamphlet but a thorough architectural study of great importance for the History of this Abbey.

280. [Rossetti] Beerbohm, Max / [John Gilbert “Jack” Bohun Lynch].

Rossetti and his Circle [Association Copy – Inscribed / Signed by Max Beerbohm to his friend, Biographer and fellow Caricaturist, (John Gilbert)″Jack [Bohun] Lynch”].

First Edition. London, William Heinemann, 1922. Quarto. Frontispiece, IX, [1] pages with 23 tipped-in plates (including the now famous Oscar Wilde – Caricature) with lettered tissue-guards. Original Hardcover with original dustjacket. The dustjacket very poor and fragmented but the Volume itself in excellent, firm condition. All colour-plates with tissue-guards in place and in wonderful condition. Excellent association-copy with the personal inscripton by Max Beerbohm to his friend Jack Lynch by incorporating the half-title: “Jack Lynch’s copy of [Rossetti and his Circle] from Max – 1923”.

281. King, David / David King & Sons, Ltd.

Illustrated Catalogue for the Year 1923 of David King & Sons, Ltd. – Architectural and General Ironfounders – Keppoch Iron Works, Possilpark, Glasgow – Listing: Rain Water Pipes and Connections, Gutters etc. / Soil Pipes and Connections / Drain Pipes and Connections / Covers and Frames, etc. [with an Appendix showing Ironwork – Designs from the Ornamental Section of the Company with beautiful “Cast Iron Railings” / “Fire Escape Stairs” / “Cast Iron Newels” / “Cast Iron Spiral Stairs” / “Cast Iron Lamp Pillars” / “Cast Iron Designs for Canopy (using the example of “The Grosvenor Picture House” [Cinema] / “Cast Iron Design for a Bandstand in a Park”].

Glasgow / Leeds / Aberdeen, David King & Sons Ltd., 1923. Oblong Quarto (32 cm wide x 25 cm high). The Catalogue includes Sectin II – V with an appendix of beautiful cast ironworks in Parks etc. Pagination: Section II: 72 pages (pages 7, 8 and 9 heavily stained)/ Section III: 13 pages / Section IV: 13 pages / Section V: 28 pages Original Hardcover. Very good condition with only minor signs of wear. Four pages stained. Binding firm. A very rare catalogue !

282. REVO Electric Co. Ltd.

“Electrical Specialities” List No.14 [Original Sales-Catalogue of REVO Street Lighting, Brackets and Cast Iron and Porcelain Fittings (with a section on Bulkhead Fittings)].

[Tipton, Staffordshire], [REVO ELECTRIC Co.Ltd. / Britannia Works], no year (c.1930?). Octavo. 160 pages. Hardcover / Original publisher’s half-cloth. Binding shaky and dusty with front board nearly detached. Overall in still good + condition with only minor signs of wear and the interior-pages with illustrations are very good, bright and clean.

283. Le Brocquy, Louis.

The Head Image.

Kinsale, Gandon Editions, 1996. 24 cm wide x 30 cm high. Frontispiece, 183 pages with fantastic illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very rare in this Excellent condition with only minor signs of wear.

284. Crawford Art Gallery [Cork].

[c]artography – Map – Making as Artform.

Cork, Crawford Art Gallery, Octavo. 61 pages. Hardcover. Very good condition with only minor signs of wear.

285. [Frömel, Gerda].

Gerda Frömel – A Retrospective. [ Irish Museum of Modern Art 10 April – 5 July, 2015].

Dublin, Irish Museum of Modern Art, 2015. Octavo. 124 pages. Illustrated throughout. Illustrated Hardcover. Very good condition with only minor signs of wear. A very rare book now !

286. Posner, David / Hockney, David.

A Rake’s Progress – a poem in five sections. First edition (with the often missing Errata sheet bound in to the rear of the Volume)

No. 218 of a limited edition of 450 copies. London / New York, Lion and Unicorn Press, 1962. Square Folio (39.5 cm wide x 36 cm high). 84 unnumbered pages with illustrations by Hockney throughout. Hardcover / Designed by John Tomlinson. Very good condition with only minor signs of wear. Wonderful, firm example of this rare publication.

287. Paolozzi, Eduardo.

The Metallization Of A Dream. Reproductions. With a commentary by Lawrence Alloway.

Handnumbered: No.218 [of c. 400]. London, Lion and Unicorn Press, 1963. Quarto (22 cm wide x 26.5 cm high). Frontispiece, 64 pages with illustrations (some in colour) throughout the publication. With four (4) photo-lithographs. Original, illustrated, blindstamped Hardcover. Unusually excellent condition with only minor signs of wear.

288. [Golub, Leon] Bird, Jon.

Leon Golub – Echoes of the Real.

London, Reaktion, 2000. 223 pages. Illustrated Softcover. Excellent, close to new condition with only minor signs of wear.

289. [Raphael / Raffaello Sanzio da Urbino] Dussler, Luitpold.

Raphael – A critical catalogue of his pictures, wall-paintings and tapestries.

London, Phaidon, 1971. 19 cm wide x 27.2 cm high. 220 pages / Illustrated throughout. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

290. Cox, Gerard.

“Ordering Wood”. [With an Introduction by Peter Murray].

Cork, Crawford Municipal Gallery, 1988. 21 cm wide x 29.8 cm high. 16 pages with numerous illustrations in colour of wooden sculpture. Original Softcover. Excellent condition with only minor signs of wear.

291. [Murray, Peter / Brooke, Peter / Kissane, Sean / Kennedy, Roisin / Coulter, Riann / Hall, Dickon / Crawford Art Gallery].

Analysing Cubism.

First and only edition of this rare Exhibition Catalogue. Cork, Ireland, IMMA / Crawford Art Gallery, 2013. 30 cm. 149 pages. With illustrations, mainly in colour. Original, illustrated Hardcover. Excellent, close to new condition with only minor signs of wear.

292. [Firestone, Evan R. Davis, John / Prown, Jules David / Stella, Frank ].

American Art – Summer 1996 Issue [with the essay by Evan Firestone: The Death of Moby Dick – Vincent Desiderio’s ‘The Progress of Self Love’].

Smithsonian Institution, 1996. Quarto. 85 pages. Illustrated Softcover. Very good condition with only minor signs of wear.

293. Arakawa [Shusaku] and Madeleine Gins.

The Mechanism of Meaning.

Revised Edition. New York, Abbeville Press, 1988. Quarto (29 cm wide x 29 cm high). 161 pages (including six translucent pages at the rear) and the two often missing, loosely inserted cards which show a reproduction of a micrograph of zirconium from the Atomic Resolution Microscope at the Lawrence Berkeley Laboratory, University of California. Original Hardcover with illustrated dustjacket. Minor staining to dustjacket. Otherwise in very good condition with only minor signs of wear.

294. [Gibbings, Robert] Empson, Patience / Balston, Thomas.

The Wood Engravings of Robert Gibbings with some recollections by the Artist [Also included is some rare Ephemera: The Six-Page Original Advertising and Order-Leaflet for this publication].

First Edition. London, J.M.Dent & Sons, 1959. Quarto (213 cm wide x 28 cm high) Pagination: Colour-frontispiece on Japanese paper, XLIV, 355 pages [with over 1000 wood engravings by Robert Gibbings and 16 pages of “Recollections by the Artist”]. Original Hardcover (Buckram) with the original publisher’s clear jacket with Red Lettering. A stunning, must-have publication in very good condition with only minor signs of wear.

295. King, Linda / Sisson, Elaine.

Ireland, Design and Visual Culture: Negotiating Modernity, 1922-1992. Edited by Linda King and Elaine Sassoon.

First Edition. Cork, Cork University Press / School of Creative Arts IADT, 2011. Octavo (17 cm wide x 24 cm high). 312 pages. Illustrated throughout. Original Hardcover with illustrated dustjacket. Unusually excellent, as new condition with only minor signs of wear. One of the most remarkable and one of the rarest books on Irish Design and Visual Culture.

296. Irish Society of Botanical Arts.

EireAnnach [Éireannach] – Celebrating Native Plants of Ireland. Botanical Art Worldwide 2018.

Dublin, ISBA, 2018. Quarto (21 cm wide x 29.5 cm high). 136 pages with numerous illustrations throughout. Illustrated Softcover. Unusually excellent. close to new condition with only minor signs of wear.

297. Walker, Dorothy.

Modern Art in Ireland. Foreword by Seamus Heaney.

First Edition. Dublin, Lilliput Press, 1997. Quarto (24.5 cm wide x 28.5 cm high). 239 pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

298. Humphreys, Ian.

Selected Paintings 2007 – 2017 [One of 200 copies with an original, signed lithograph of “Bach Elegy Study 5”].

Limited Edition. Reading, Trafalgar Press, [2017]. Quarto (31 cm wide x 28.6 cm). 83 pages with numerous illustrations of Paintings in Colour. Original Hardcover with original dustjacket (with a cover-photograph of Ian Humphreys by John Minihan). Very good condition with only minor signs of wear.

299. Josephson, Hans.

Portfolio – A Project conceived by Kilimanjaro in collaboration with Hauser & Wirth and Lismore Castle Arts, published on occasion of Hans Josephson’s exhibition at Lismore Castle, Ireland (12 May – 30 September, 2012).

Lismore, 2012. Large – Folio (30 cm wide x 42.5 cm high). Loosely inserted is a Pamphlet of four publications (Essays and Interviews in newspaper-size), center-fold within the pamphlet is a colour-spread-photograph of a sculpture by Hans Josephson, loosely inserted into the Portfolio is another Pamphlet (a large, folded newspaper-style publication called “documentation”), subtitled: “Events, materials, works and locations involved in the development of the work of the sculptor Hans Josephson and his exhibition at Lismore Castle Arts, finally, an additional, folded newspaper-style pamphlet, dedicated to one sculpture. Original Hardcover Portfolio with large pamphlets inside. The Portfolio excellent in its exterior but with foxing inside. The loosely oinserted pamphlets are all like new !

300. Chearnley, Samuel / (Edited by William Laffan).

Miscelanea Structura Curiosa.

Tralee, Churchill House Press, 2005. Quarto. 180 pages, with illustrations throughout. Original Hardcover with illustrated dustjacket. Dustjacket slightly stained, otherwise in very good condition with only minor signs of wear.