Association Copy (119 items)

Adorno / Horkheimer / Haag - Wichtige Sammlung von bedeutenden Arbeitsexexemplaren / Widmungsexemplaren / Autorenexemplaren der Frankfurter Schule

1. [Adorno, Theodor W. / Horkheimer, Max / Benjamin, Walter] Haag, Karl-Heinz / Schweppenhäuser, Prof. Dr. Hermann.

Wichtige Frankfurter Schule-Sammlung von sehr bedeutenden Arbeitsexemplaren / Widmungsexemplaren / Autorenexemplaren, Autographen und Manuskript-Notiz-Zetteln des deutschen Philosophen Karl-Heinz Haag. Die Arbeitsexemplare (Sieben Buchtitel in neun (9) Bänden) und handschriftlichen Notizen und Autographen (Postkarten), stammen aus der privaten Bibliothek des Adorno und Horkheimer- Schülers, Karl-Heinz Haag. Die in der Sammlung enthaltenen Manuskript-Notizen und Autographen (Postkarten von Horkheimer) sind inhaltsreich und teilweise auch deshalb sehr bedeutend, weil es unter Insidern bekannt ist, dass Haag auch während seiner aktiven Zeit innerhalb der Frankfurter Schule notorisch wenig veröffentlicht und schriftlich kommentiert hat. Beiliegt ausserdem ein Zeitungsausschnitt zur Adorno-Lehrstuhl-Nachfolge. / Important, stunning collection of seven, signed or/and annotated association-copies (working-copies) from the private library of german philosopher Karl-Heinz Haag. Haag was pupil, friend and colleague of Adorno and Horkheimer and was one of the members of the Frankfurt School of Social Theory and Social Research. The collection of annotated books (Seven Booktitles in nine (9) volumes) also includes ephemera (Autograph postcards, newspaper-clipping, as well as several manuscript – pages of significant notes and thoughts by Karl-Heinz Haag regarding topics discussed in some of these publications). The collection is especially important because Haag published and commented notoriously little during and after his tenure in Frankfurt. [See complete set of photographs of this collection on our website].

Frankfurt u.a., Suhrkamp / Institute of Social Research / Kohlhammer etc., 1955 – 1972. Octavo. Paginierung / Collation: 1. Adorno – Aspekte der Hegelschen Philosophie (Inscribed, signed): 59 Seiten mit zahlreichen Annotationen /59 pages, heavily annotated / 2. Haag – Kritik der neueren Ontologie (Author’s copy): 59 Seiten / 59 pages / 3. Adorno – Drei Studien zu Hegel (Inscribed, signed): 172 Seiten mit zahlreichen Annotationen / 172 pages with annotations / 4. Horkheimer – Zur Kritik der instrumentellen Vernunft (Inscribed, signed): 353 Seiten mit vielen Anmerkungen und Anstreichungen / 353 pages, heavily annotated / 5. Horkheimer – Kritische Theorie (Inscribed, signed): XIV, 376, XI, 358 Seiten mit zahlreichen Anmerkungen und Anstreichungen / XIV, 376, XI, 358 pages, heavily annotated / 6. Schweppenhäuser – Tractanda (Inscribed, signed): 141 Seiten / 141 pages. Original Softcover and Hardcover – Volumes. Sehr guter Erhaltungszustand aller Publikationen mit teilweise eingelegten, handschriftlichen Notizen sowie ein alter Zeitungsartikel in dem der Zersetzungsprozess der Frankfurter Schule kommentiert wird. / All publications in very good condition with minor signs of wear. Amazing provenance and possibly one of the last important collections surfacing from the library of a member of the Frankfurt School. The inter-connection between Adorno – Haag – Horkheimer, reflected in Haag’s annotations, lends itself for study and new publications of criticism.

EUR 3.800,-- 

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[Behring, Collection of nine important Emil von Behring - offprints from the Exile-library of Prof. Dr. Hans Sachs

11. [Behring, Emil von / Sachs, Hans].

Collection of nine important Emil von Behring – offprints from the Exile-library of Prof. Dr. Hans Sachs, german serologist who had to flee Nazi-germany and died in his Dublin exile in 1945. The collection also includes the original offprint of an obituary for Emil von Behring, published by Hans Sachs in the “Frankfurter Zeitung” in 1917. The rare Offprint by Paul H. Römer (with epilogue by Emil von Behring), is inscribed to Dr.Hans Sachs. The offprints included in this collection are (in order of their publication): 1. Emil von Behring und F(ranz) Nissen – Ueber bacterienfeindliche Eigenschaften verschiedener Blutserumarten – Ein Beitrag zur Immunitätsfrage (1890) / 2. Emil von Behring und (Erich) Wernicke – Ueber Immunisierung und Heilung von Versuchsthieren bei der Diphterie (1892) / 3. Emil von Behring – Über Heilprinzipien, insbesondere über das ätiologische und das isopathische Heilprinzip (1898) / 4. Emil von Behring – Tuberkulosebekämpfung – Vortrag gehalten auf der Versammlung von Naturforschern und Ärzten am 25. September 1903 in Kassel – [Mit Besitzer-Stempel von Dr.Hans Sachs auf Titelbroschur und Titelblatt / With ownership-stamp of Dr. Hans Sachs on cover and titlepage] / 5. Paul H. Römer (Nebst einem Nachwort von Emil von Behring) – Ueber die Einwirkung des galvanischen Stroms auf Tetanus-Gift, Tetanus-Antitoxin und Toxin-Antitoxin-Gemische – [Mit handschriftlicher Widmung von Paul Römer “Herrn Dr.Sachs sehr ergebenst – v. V.” [vom Verfasser] / Inscribed by Paul Römer to Dr.Hans Sachs] – [Paul Heinrich Römer, from Kirchhain (near Marburg, Germany), was an important colleague of Behring and Sachs. Subsequently, Römer’s experimental studies on Polio led to Jonas Edward Salk’s and Albert Bruce Sabin’s development of a Polio-vaccine. According to Rudolf Siegert [specialist for the History of the ‘Marburg-Virus’], Paul Heinrich Römer, who died at the early age of 40 in World War One, should have been credited with discovery of the Polio remedy / 6. Emil von Behring – Indikationen für die serumtherapeutische Tetanusbekämpfung (1914) / 7. Emil von Behring und Richard Hagemann – Ueber das Diphterieschutzmittel “TA” (Mit 1 Tafel) und Emil von Behring – Aufgaben und Leistungen meines neuen Diphterieschutzmittels und Richard Hagemann – Ueber von Behring’s neues Diphterieschutzmittel (1914) / 8. Emil von Behring – Experimentelle Analyse und Theorie der anaphylaktischen und apotoxischen Vergiftung (1914) / 9. Emil von Behring (Marburg) – Indikationen und Kontra-Indikationen fuer das neue Diphterieschutzmittel “TA” (1914) / 10. Hans Sachs (Frankfurt) – Nachruf / Obituary – Emil von Behring (Sonderabdruck aus der Frankfurter Zeitung – Erstes Morgenblatt vom 4.April 1917)//

Wiesbaden / Leipzig / Berlin / Marburg , Thieme / Elwert / u.a., 1890 – 1914. Octavo. Original Softcover. Very good condition with only minor signs of external wear / The earliest offprint by Behring and Nissen, with a faded dampstain to lower margins / Otherwise with some minor fraying to some of the offprints only. Rare, important collection and very interesting association between Emil von Behring, the first Nobel Laureate of Medicine and Dr.Hans Sachs, jewish serologist and pioneer in efficient diagnosis of syphilis and one of the sad examples of the purge of scientists by Hitler’s regime in 1930s germany. / The collection also comes with several important works of Reference including: 1. A copy of Derek S. Linton’s stunning work: “Emil von Behring – Infectious Disease, Immunology, Serum Therapy” – [Philadelphia, 2005] / 2. also part of the collection is Arthur M. Silverstein’s work on “A History of Immunology” – [San Diego, 1992] see images of this collection !

EUR 1.000,-- 

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Collection of important [signed and inscribed] offprints and publications by Nobel Laureate Werner Forssmann

16. [Cardiac catheterization / Nobel Price Lecture] – Forssmann, Dr. Werner.

Collection of important offprints, publications and correspondence (signed letters etc.) by Nobel Laureate Werner Forssmann, many of which are inscribed and signed by Forssmann to his colleague, irish cardiologist and clinical scientist, Eoin O’Brien. The collection includes: 1. A signed / inscribed version of Forssmann’s first offprint-edition of his Nobel-Lecture: “Die Rolle der Herzkatheterung und Angiocardiographie in der Entwicklung der Modernen Medizin” (pages 177 – 181, Stockholm, 1957, SIGNED and beautifully inscribed to O’Brien in July 1976) / 2. A signed, original Offprint: “The Evolution of Modern Cardiology” (11 pages, SIGNED Offprint from “Perspectives in Biology and Medicine – Vol.12, No.1, Autumn 1968) / 3. A Signed / Inscribed Offprint: “Die Sondierung des Rechten Herzens”, 1957-Reprint of the original 1929 – publication, (4 pages with portrait of Forssmann, published in “Therapeutische Berichte”, 29, 5, 1957) / 4. A Signed, original Offprint: “Euthanasie” (with minor tear), (7 pages, SIGNED, Offprint from Deutsche Apotheker-Zeitung Heft 31, Seiten 1127-1133, 1975) / 5. Signed TLS (Typed Letter Signed by Forssmann to Eoin O’Brien, fellow cardiologist in Ireland). / 5. First english edition of Werner Forssmann – “Experiments on Myself – Memoirs of a Surgeon in Germany”, together with two TLS (Typed Letters Signed) by Translator Hilary Davies to Eoin O’Brien, who Peer-reviewed the book. Hilary Davies also included a press-release for the book and gave Eoin O’Brien access to Forssmann by alerting him to Forssmann’s address in Germany. Included are Eoin O’Brien’s typescripts of his correspondence with Forssmann.

Germany, 1956 – 1976. Octavo. Very good condition with only minor signs of wear. Signed and inscribed items by Forssmann are of great rarity. The Nobel Lecture alone is very scarce and very rarely available signed.

EUR 4.800,-- 

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[de Man, Collection of five books from the library of Paul de Man and Pat de Man

20. [de Man, Paul] Durling, Robert M. / Rosiek, Jan / Weiss, T.[Theodore Russell Weiss] / Hughes, Langston / Levin, Harry.

Collection of five books from the library of Paul de Man and Pat de Man. Three of the books inscribed/signed by the author’s. The Collection includes: 1. Robert M. Durling – The Figure of the Poet in Renaissance Epic. [Inscribed by Durling: “For Paul de Man – with fond regards – Bob”] / 2. Jan Rosiek – Figures of Failure – Paul de Man’s Criticism 1953-1970 [Unsigned / Not inscribed] / 3. T. Weiss – The Catch – The Twayne Library of Modern Poetry [Inscribed by Weiss: “To Pat + Paul, for real friendship + a book of their own soon. Ted”] / 4. Edward J. Mullen – Langston Hughes in the Hispanic World and Haiti [Inscribed by Langston Hughes: “Ma cheri Pat, may this slight token of appreciation for your past (and hopefully) future, intellectual ministrations to your petit frère recall to you fond memories of your peregination. Love, Langston – Chritmas, 1979 (Late, as usual)”] / 5. Karry Levin – Grounds for Comparison [Unsigned / Not inscribed].

Cambridge (Mass.) / Aarhus / New York and others, Harvard University Press / Archon Books / Twayne Publishers / Aarhus University Press, 1951 – 1992. 8°. Volume I.: VIII, 280 pages / Volume II: 247 pages / Volume III: 77 pages / Volume IV: 193 pages / Volume V: 423 pages. Three Volumes in original Hardcover with original dustjacket in protective Mylar / One Volume in Softcover / One Volume in Hardcover. Very good condition. From the library of Paul de Man. Especially the Durling – Volume of interest. Inscribed by the author: “For Paul de Man with fond regards – Bob”.

EUR 780,-- 

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Doughty - Travels in Arabia Deserta. [Patrick Leigh Fermor's personal copy with three first editions of Leigh Fermor's Travel Writing]

26. [Fermor, Patrick Leigh] Doughty, Charles M.

Travels in Arabia Deserta. With an Introduction by T. E. Lawrence. [Patrick Leigh Fermor’s personal copy] / [Also including all three Volumes of his autobiographical journey (one of them signed), on foot across Europe from the Hook of Holland to Constantinople in the years 1933 – 1934].

Second Impression of the ‘New and definitive Edition’. Two Volumes (complete set). London, Jonathan Cape, 1943. 20 cm x 26 cm. Volume I: Frontispice- Portrait of Doughty, 674 pages. Volume II: 696 pages. With both Volumes including each the beautiful large colour-fold-out-map in the rear showing “North Western Arabia and Negd”. Hardcover / Publisher’s original buckram with gilt lettering on spine and original dustjackets in protective collector’s Mylar. Deckled fore- and tail-edges. Coloured top edges. Very good condition with only minor signs of external wear. Dustjackets slightly stained and price-clipped. Interior is bright and clean. Patrick Leigh Fermor’s personal copy with his name in ink on the endpaper of Volume II: “Patrick Leigh Fermor. London, July 1945.”. Leigh Fermor obviously rewarded himself with the purchase of Doughty’s masterpiece directly after World War Two. Stunning item, manifesting Doughty’s heavy influence on Patrick Leigh Fermor’s Travel writing. The set includes also three first editions in original dustjackets, of Patrick Leigh Fermor’s famous Travel writings: A Time of Gifts, Between the Woods and the Water [SIGNED], The Broken Road (with the second book, “Between the Woods and the Water” signed by Patrick Leigh Fermor.

EUR 1.000,-- 

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Vere Foster, Publisher's original "Private Library" - Correction-Copy of "The Two Duchesses"

29. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire] / [Publisher Blackie & Son – Publishing House in Glasgow].

Publisher’s original “Private Library” – Correction-Copy of “The Two Duchesses”, for the “Second Edition”, with necessary alterations and wishes for changes marked by the corrector / publisher in pencil. Comparisons between pages allow to see the changes in effect if one compares the first and second edition. [A sensational find] / Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Excellent, very clean binding. Very good condition with some minor signs of wear only. “Publisher’s Copy” with the publisher’s library sticker and bookplate to pastedown: “Blackie & Son Limited – Private Library – Case Kd – Shelf 5” – Exlibris of Blackie & Son below the library-sticker.

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Vere Foster, The Two Duchesses - Presentation copy with important manuscript letter [signed and inscribed]

30. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

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Montague / Dorgan - Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections

54. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

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[Schneemann, Eshleman, Bearings.

88. [Schneemann, Carolee] Eshleman, Clayton.

Bearings. [Two fantastic association copies of this limited edition / Both copies from the library of Carolee Schneemann / Both, beautifully inscribed by Clayton Eshleman to Carolee Schneemann and one copy with an annotation and several interesting textmarkings by Carolee Schneemann].

First Edition. Santa Barbara, Capricorn Press, 1971. 22.5cm x 15.3cm. 22 (6) pages. Original illustrated softcover. Excellent condition of noth editions, with only minor signs of external wear. This is one of Eshleman’s most personal works, which explains why he inscribed it in two consecutive years to Carolee Schneemann. Clayton Esleman writes about the impact Rilke’s “Letters to a Young Poet” had on him in 1959. Carolee Schneemann has marked several passages which were important to her, among which is: “for in the sense that what is deeply sick in man today is his hate for his body, in that he has loaded the most energetic word he has for love-making with all the hostility he feels against the act of love. Don’t fuck with me, we say. Keep your fucking hands off. Fuck you. And that word, like a jungle interwoven with all kinds of lianas and vines of tensions, desires, and hate, can’t now possibly convey just its erotic energy – “. / Eshleman also leaves a short biographical note (in print) at the end of this Volume in which he critically describes his consequential status quo: “…..Moved to New York City the summer of 1966…..the bottom fell out: I left my family, moved into a hole in the corner of Greenwich Avenue and Bank Street and entered Reichian Therapy…..Presently living in Sherman Oaks, California, with my wife Caryl – and, as of last week, loaned orgone accumulator sitting expectantly in Garage….– 28 January 1971”.

EUR 480,-- 

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[Tey, Josephine Tey - John Gielgud Collection of stunning Association copies

92. [Tey, Josephine / Daviot, Gordon] / [Gielgud, John].

Josephine Tey – John Gielgud Collection of stunning Association copies of Plays which crucially defined both of their careers as writers and actors. The collection includes important, signed and inscribed association – copies of the two significant productions “Richard of Bordeaux” and “Queen of Scots”, both from John Gielgud’s personal library and with manuscript inscriptions to John Gielgud [and Laurence [Larry] Olivier] by Josephine Tey, aka Gordon Daviot, aka Elizabeth MacKintosh. The collection includes: 1. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux – A Play in Two Acts” – With John Gielgud’s Bookplate (Ex Libris). The ultimate Association-copy, warmly and lengthy inscribed by Josephine Tey to John Gielgud. First Edition. London, Victor Gollancz, 1933 / 2. “Richard of Bordeaux” – Original Programme of “The Streatham Hill Theatre”, 1934. Signed by John Gielgud / 3. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – Original File-copy with dustjacket and Publisher’s wrapper “The Play of the Year” at the New Theatre” – First Edition, 1933 / 4. Gordon Daviot [Josephine Tey] Gordon Daviot – “Richard of Bordeaux – A Play in Two Acts” – [Fifth Edition, 1933] – Special Cast, Producer and Production-Signed copy and inscribed to one “Eileen Grainger”, with the most interesting dedications in manuscript signatures – Signed and inscribed by lead actor and producer John Gielgud [Richard II], Signed and inscribed by leading Lady, actress Gwen Ffrangcon-Davies, Signed and inscribed by Gordon Daviot [Josephine Tey], Also beautifully signed and inscribed with a musical score by Shakespeare-composer and Musical Director for John Gielgud, Herbert Menges OBE ! / 5. “Queen of Scots – A Play in Three Acts” – The Ultimate Association-copy, inscribed by Josephine Tey to her producer: “John Gielgud – from ‘his Gordon Daviot’ / July 1934” / 6. Gordon Daviot – “Queen of Scots – A Play in Three Acts” – Association-copy, signed and warmly and lengthy inscribed by Josephine Tey to Laurence Olivier / 7. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – A Softcover-Version of the Play in Fourth Impression, 1933 / 8. Josephine Tey – “The Daughter of Time” – First Edition, Second Impression (Second Printing). London, Peter Davies, July 1951 [The First Edition was in June 1951]. Original Hardcover with the slightly frayed original dustjacket in Mylar / 9. John Gielgud – “Early Stages” – New and Revised Edition. London, The Falcon Press, 1948. With pages of detail about the work of John Gielgud with Gordon Daviot [Josephine Tey] / 10. Jennifer Morag Henderson – “Josephine Tey – A Life” – With a Foreword by Val McDermid. Sandstone Press, 2015 //

London, Victor Gollancz, 1933 – 1948. Octavo. Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear.

EUR 12.800,-- 

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