Manuscript (17 items)

[Anonymous] Dante Alighieri / Cockerell, [La Divina Commedia] - "Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace" - Illuminated Devotional

4. Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

Original Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.

EUR 48.000,-- 

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Richardson, Song and Speech.

14. Richardson, Josiah (Editor) / [J.F. Lloyd – Photographer – Carmarthen / J.C.Portnell – Carmarthen].

Song and Speech. [Unique collection of the short-lived “Song and Speech” – Magazine, edited by Josiah Richardson in 1891 and accompanied by an autograph / manuscript letter-signed by Richardson].

Two Volumes in One (14 Issues in Total). Strand / London, “Song and Speech”, 1891-1892. 18 cm x 24 cm. Volume 1: No.1-12, 192 pages / Followed by parts of Volume 2: No.13 – No.1: 16 pages, No.13 – No.2: 16 pages. With numerous black-and-white illustrations and photographs throughout. [The pagination of this periodical changed from original 16 pages per number at the beginning of Volume I, to 8 pages towards the end of the first Volume. With the start of Volume II , in 1892, the periodical changed again to 8 pages per issue and also changed its numbering. We were not able to verify if this magazine was published beyond the May – Issue of 1892]. Hardcover / Private, decoratived half-leather with gilt lettering and ornament on spine. Very good condition with only minor signs of external wear. With the very interesting provenance of two Welsh men of Carmarthen: Victorian photographer J.F.Lloyd and J.C.Portnell. Bound by: ‘The “Welshman” Newspaper and Steam Printing Co. Lt., Bookbinders, Machine Rulers, & c., Carmarthen’ – with their bookbindery-label on pastedown. Includes manuscript-draft of a speech on endpaper titled ‘John Jones Chairman’, written by photographer J.F.Lloyd, Carmarthen. The calligraphed titlepage of this privately bound compilation shows the watermark ‘Annandale Polton’, of ‘Annandale and Polton Paper Mill Company’, which operated from 1825 until after the Second World War. Contains hand-written note on Page 1, dated January 29, 1896, signed by Editor Josiah Richardson’. This note also contains the blindstamped address of Josiah Richardson at ‘Gordon House, Wandsworth Common, S.W.’. In this note, Richardson telles the recipient that “I hope soon to go on with the publication of my Journal & should then be pleased to number you among my subscribers – Faithfully your Josiah Richardson”. The date of this note leads to the assumption that by 1896, the magazine had already ceased to exist and Richardson answers to one of his fans by expressing his hope to go on. The Volume also includes a manuscript – Index to the rear of the Volume. A very rare and uncommmon compilation of this early Magazine, with very interesting articles from “Pronounciation in Singing” to “Alteration of Music by Singers” to “Vocal Physiology” (Breathing / Principle of Breathing etc.), to “Stammering” etc.

EUR 475,-- 

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Sikes, Personal Papers and Archival Material Related to the Life and Career of S

16. Sikes, Sylvia / [Natural History of the African Elephant]

Personal Papers / Archive of Material Related to the Life and Career of Zoologist Sylvia Sikes, the Foremost African Elephant Specialist of her time. All materials from her personal collection / working copies and manuscript material. Including her extensive, two-volume-thesis: “Cardiovascular Disease in Freeliving Wild Animals with particular Reference to the African Elephant (Loxodonta africana)”. A collection of professional and academic papers, copies of Sikes’ monographs, zoological manuscripts and a plethora of photographs and personal newsletters, letters, pamphlets and manuscripts spanning seven decades of Sikes’ personal and professional life in Africa and the UK. The collection is composed of 92 specific pieces (some of which are comprised of one or more items). A detailed bibliography of the collection has been outlined in a Word Document (please request). The collection also includes personal copies of three monographs Sylvia Sikes has published, an original copy of her two-volume doctoral thesis, 37 academic articles and 5 unpublished draft manuscripts. There are also 7 booklets and a book by a third author among the collection. The collection is rounded off by a large number of vintage colour and monochrome photographs, letters, single-sheet newsletters, newspaper and magazine cuttings.

Africa and the UK, Various, 1937 – 2012. 21 cm x 26 cm – 24.5 cm x 31 cm. Circa 2,500+ pages. Numerous monochrome and colour photographs throughout the collection. Includes Hardcover book with dustjacket, softcover book, reprints of academic journal articles in paper wrappers and a variety of loose material in cellophane files. The archive, running from 1937 to 2012, is contained in two green (24.5 cm x 31 cm x 10.5 cm) boxes, four additional folders (32 cm x 24 cm) and two hardcover volumes (21.5 cm x 26cm). Very good condition.

EUR 2.800,-- 

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