1. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

2. Foster, Vere [Henry Louis / Lewis] / [Emily Albinia “Alba” Foster] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

Amazing Vere Foster-Collection including Educational Materials and as a centerpiece the “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page-letter, revealing several important details about the immediately favorable reviews and reception of the book [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels″£ with Blackie’s agent and gave instructions to send them but a few days later found they had been “untouched”. / The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. [See Full list of items which are part of this collection, on our website under the topic “Libraries & Collections”].

First Edition. London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (15 cm x 22 cm). Pagination: Frontispiece, IX, [3], 497 pages with 18 Illustrations (including frontispiece and one Vignette of the two Duchesses opposite page 1). Hardcover / Original, publisher’s green cloth with gilt lettering on spine. Very good condition with some minor signs of wear only. This is an astonishing find for the Vere Foster Research Community and the letter gives significant insight into the importance the publication had for him, its reception as seen by Vere Foster and it solves the riddle why an altertaion was necessary for the second edition [which Vere Foster explains in a brief note to the reader at the beginning of the second edition]. The heartfelt inscription to his niece Albinia Foster is also of great importance and to our knowledge the only presentation-copy of this book on the international market for the several decades we can look back at auction records.

3. [Adorno, Theodor W. / Horkheimer, Max / Benjamin, Walter] Haag, Karl-Heinz / Schweppenhäuser, Prof. Dr. Hermann.

Wichtige Frankfurter Schule-Sammlung von sehr bedeutenden Arbeitsexemplaren / Widmungsexemplaren / Autorenexemplaren, Autographen und Manuskript-Notiz-Zetteln des deutschen Philosophen Karl-Heinz Haag. Die Arbeitsexemplare (Sieben Buchtitel in neun (9) Bänden) und handschriftlichen Notizen und Autographen (Postkarten), stammen aus der privaten Bibliothek des Adorno und Horkheimer- Schülers, Karl-Heinz Haag. Die in der Sammlung enthaltenen Manuskript-Notizen und Autographen (Postkarten von Horkheimer) sind inhaltsreich und teilweise auch deshalb sehr bedeutend, weil es unter Insidern bekannt ist, dass Haag auch während seiner aktiven Zeit innerhalb der Frankfurter Schule notorisch wenig veröffentlicht und schriftlich kommentiert hat. Beiliegt ausserdem ein Zeitungsausschnitt zur Adorno-Lehrstuhl-Nachfolge. / Important, stunning collection of seven, signed or/and annotated association-copies (working-copies) from the private library of german philosopher Karl-Heinz Haag. Haag was pupil, friend and colleague of Adorno and Horkheimer and was one of the members of the Frankfurt School of Social Theory and Social Research. The collection of annotated books (Seven Booktitles in nine (9) volumes) also includes ephemera (Autograph postcards, newspaper-clipping, as well as several manuscript – pages of significant notes and thoughts by Karl-Heinz Haag regarding topics discussed in some of these publications). The collection is especially important because Haag published and commented notoriously little during and after his tenure in Frankfurt. [See complete set of photographs of this collection on our website].

Frankfurt u.a., Suhrkamp / Institute of Social Research / Kohlhammer etc., 1955 – 1972. Octavo. Paginierung / Collation: 1. Adorno – Aspekte der Hegelschen Philosophie (Inscribed, signed): 59 Seiten mit zahlreichen Annotationen /59 pages, heavily annotated / 2. Haag – Kritik der neueren Ontologie (Author’s copy): 59 Seiten / 59 pages / 3. Adorno – Drei Studien zu Hegel (Inscribed, signed): 172 Seiten mit zahlreichen Annotationen / 172 pages with annotations / 4. Horkheimer – Zur Kritik der instrumentellen Vernunft (Inscribed, signed): 353 Seiten mit vielen Anmerkungen und Anstreichungen / 353 pages, heavily annotated / 5. Horkheimer – Kritische Theorie (Inscribed, signed): XIV, 376, XI, 358 Seiten mit zahlreichen Anmerkungen und Anstreichungen / XIV, 376, XI, 358 pages, heavily annotated / 6. Schweppenhäuser – Tractanda (Inscribed, signed): 141 Seiten / 141 pages. Original Softcover and Hardcover – Volumes. Sehr guter Erhaltungszustand aller Publikationen mit teilweise eingelegten, handschriftlichen Notizen sowie ein alter Zeitungsartikel in dem der Zersetzungsprozess der Frankfurter Schule kommentiert wird. / All publications in very good condition with minor signs of wear. Amazing provenance and possibly one of the last important collections surfacing from the library of a member of the Frankfurt School. The inter-connection between Adorno – Haag – Horkheimer, reflected in Haag’s annotations, lends itself for study and new publications of criticism.

4. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire] / [Publisher Blackie & Son – Publishing House in Glasgow].

Publisher’s original “Private Library” – Correction-Copy of “The Two Duchesses”, for the “Second Edition”, with necessary alterations and wishes for changes marked by the corrector / publisher in pencil. Comparisons between pages allow to see the changes in effect if one compares the first and second edition. [A sensational find] / Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Excellent, very clean binding. Very good condition with some minor signs of wear only. “Publisher’s Copy” with the publisher’s library sticker and bookplate to pastedown: “Blackie & Son Limited – Private Library – Case Kd – Shelf 5” – Exlibris of Blackie & Son below the library-sticker.

5. Sikes, Sylvia / [Natural History of the African Elephant]

Personal Papers / Archive of Material Related to the Life and Career of Zoologist Sylvia Sikes, the Foremost African Elephant Specialist of her time. All materials from her personal collection / working copies and manuscript material. Including her extensive, two-volume-thesis: “Cardiovascular Disease in Freeliving Wild Animals with particular Reference to the African Elephant (Loxodonta africana)”. A collection of professional and academic papers, copies of Sikes’ monographs, zoological manuscripts and a plethora of photographs and personal newsletters, letters, pamphlets and manuscripts spanning seven decades of Sikes’ personal and professional life in Africa and the UK. The collection is composed of 92 specific pieces (some of which are comprised of one or more items). A detailed bibliography of the collection has been outlined in a Word Document (please request). The collection also includes personal copies of three monographs Sylvia Sikes has published, an original copy of her two-volume doctoral thesis, 37 academic articles and 5 unpublished draft manuscripts. There are also 7 booklets and a book by a third author among the collection. The collection is rounded off by a large number of vintage colour and monochrome photographs, letters, single-sheet newsletters, newspaper and magazine cuttings.

Africa and the UK, Various, 1937 – 2012. 21 cm x 26 cm – 24.5 cm x 31 cm. Circa 2,500+ pages. Numerous monochrome and colour photographs throughout the collection. Includes Hardcover book with dustjacket, softcover book, reprints of academic journal articles in paper wrappers and a variety of loose material in cellophane files. The archive, running from 1937 to 2012, is contained in two green (24.5 cm x 31 cm x 10.5 cm) boxes, four additional folders (32 cm x 24 cm) and two hardcover volumes (21.5 cm x 26cm). Very good condition.

6. [Rowe, Walter T.].

Original Numerology-Manuscript – Deciphering the Bible, Deciphering the Esoteric, Jewish, Christian, Biblical & Astrological Prophecies // Manuscript / Astrology – Occulta – Manuscript on c. 400 pages with an astonishing, meticulous Chronology and source-comparison on Prophecy, Pyramidology [″Mystery of the Great Pyramid”], Numerology, Astronomy, Astrology, Drawings and Plans of Pyramids versus Occult – Proof and meditations on the Number 666 and 888: “666 v 888 in relation to Israel”, “the opposing numbers from the original Hebrew with the “Pi sign” etc. etc. The Manuscript reads like a Self-Instruction and Proof of Thought by an Esoteric, highly religious “Truth-Seeker”, ranging from early Biblical Explanations of Historical Events to elaborate comparisons of “Bible Metallurgy” showing the “relation between practical metal work and the Bible” by comparing the architectural design of a “Blast Furnace” to “The Image of Daniel”, and continuing all the way to explanations for the Rise of Tyrants like Hitler. “Great Pi—Ratio in regard to Great War”, the “Atomic Scale” is discussed as well as the “Luciferian Sudama or Nigode Cave Temple”. The amount of connections to Jewish History is interesting: “Tracing Israel to Britain by Old Coinage”, “The Jewish Question”, “Testimony of Men of Letters as to Nationality of the British Race”, “Objections to British Israel” “The Statesmanship of Jesus”, “Fulness of the Gentiles”, “Reference to the lost House of Israel”, “Battle of the Gold Standard” etc. etc.

[Brixton], c. 1935 – 1950. Octavo (19 cm x 22,5 cm). 362 pages plus 58 pages, later inserted between page 304 and 305, plus XVIII pages of a thorough Index. With numerous illustrations and diagrams throughout the manuscript. Original Hardcover – Binder with manuscript / autographed pages. Very good condition with some minor signs of wear only. “Peel”-Memo Binder with Name-Label of the author to pastedown: “Walter T Rowe, 106, Dalberg Road, Brixton, SW2”.

7. Congo / Kongo – Leopold II of Belgium (1835-1909) – King of the Belgians and Owner / Absolute Ruler of the Congo Free State from 1885 to 1908.

Collection of four very important and meaningful manuscript letters by Leopold II to his administrator and Foreign Minister of the Congo – Free-State, Baron Adolphe de Cuvelier (1860-1931) with a total of 16 pages filled with Leopold’s instructions on pressing issues regarding a warning about an imminent visit by the Rector of the Mill-Hill Missionaries [probably Herbert Alfred Henry Vaughan (1832 – 1903)] and Leopold’s qualification of the visit of being detrimental to the Congo Free State (″ne travaillent pas pour l’État”). Leopold continues in another letter to talk about the hostile positions of english officials (consuls) and missionaries (″que les consuls anglais et les missionnaires anglais se conduisent bien mal envers l’État”). Interestingly, Leopold also touches on the nuisance of the german press criticizing Belgian Railway Lines and he is of the opinion that this is all happening in order to force the german parliament [″Reichstag”] to finance the building of the Tanganyika Railway [between Dar es Salaam and Kigoma]: (″cherche à effrayer l’opinion [en] Allemagne à propos de mes chemins de fer afin d’obtenir du Reichstag des fonds pour la ligne allemande vers le Tanganika”.

16 pages of MLS, Manuscript Letters (signed) on 10 leaves of Leopold’s official stationery “Château de Laeken” and “Palais de Bruxelles”. Laeken / Brussels, Château de Laeken [Palace of Laeken], 1901 – 1906. The leaves with different sizes (13,5 cm x 9 cm) and (18 cm x 11,5 cm). Excellent condition. Unsigned. Tremendously rare to find original letters by Leopold II on the open market in which the Colonial Free State and the protection against inquisitive visitors is discussed in such clear and instructive fashion. Leopold’s correspondence with Adolphe de Cuvelier shows how he is very much trying to still protect and influence the narrative of his Colonial Slavery Outpost even in the final years of his life.

8. Levy, Arthur Joseph / Zangwill, Israel.

Archive / Collection of more than 350 items, letters, documents, ephemera, pamphlets, manuscript notes, receipts , manuscript letters from the private library of Providence (Rhode Island) lawyer, Arthur (Art) Joseph Levy. The collection includes an important, controversial typescript-essay (8 pages) on Israel Zangwill’s address before the American Jewish Congress at Carnegie Hall on October 14th, 1923 (″Watchmen, what of the Night ?”); with manuscript annotations and remarks on Israel Zangwill’s position “the hopes of Jewry for the establishment of a Jewish State in Palestine are doomed to disappointment”. The collection includes a plethora of interesting letterheads of jewish organizations and also important documentation of Levy’s contribution to and support for the “Palestine Foundation Fund”, (receipt from Boston, Mass. June 1923). Levy, who was a graduate of Brown and Boston University Law School, practiced law in Providence, Rhode Island and led an active life as a member and leader of several Jewish civic organizations, such as the Jewish Family and Children’s Service, which he established and led for twenty years, Rhode Island Jewish Historical Society, the Temple Beth-El Brotherhood, the Miriam Hospital, the Touro Fraternal Association and the Jewish Home for the Aged of Rhode Island. He was also a prominent member of the American Bar Association, the Brown University Alumni Association and the Brown Club of Rhode Island. Highly regarded as a jurist, he was a member of the Commission to Consolidate State Laws, a member of the Advisory Committee of the Federal Tax Institute of New England and an editor of the Rhode Island Bar Journal. Included in this archive are a group of letters written during World War I discussing his role in the Jewish Welfare Board of the United States Army and Navy, an invitation to a fund-raising dinner for the Jewish Orphanage of Rhode Island, a group of documents and letters discussing the establishment of a Jewish country club in Providence, several documents from the early 1920s concerning the mostly Jewish fraternity Phi Epsilon Pi and several items relating to Levy’s personal life, such as personal letters, bills from clothiers and invitations to social events. (Main source of the description of this archive is the research of our colleague Greg Talbot from The Lawbook Exchange).

Providence (Rhode Island), Cambridge (Massachusetts), New York, 1917 – 1931. Octavo and A4. Two heavy folders with original documents. Very good condition with only minor signs of external wear.

9. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

10. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.