11. California – Homann, Johann Baptist / Landteck, Zacharias.

[California shown as an Island] Geographische Universal-Zeig und Schlag-Uhr.

Original hand-coloured engraving, with the Cartographer showing California as an Island. Nürnberg, Homann, [c.1735]. Plate Size: 57 cm x 48.5 cm. Sheet Size: 60.5 cm x 51.7 cm. Original map. Very good, actually stunning, condition. Some faint trace of browning to upper corners of sheet. Very minor tears to edges at centre-fold.

12. Preißler, Johann Daniel / Preißler, Georg Martin.

Die durch Theorie erfundene Practic, Oder Gründlich-verfasste Reguln deren man sich als einer Anleitung zu berühmter Künstlere (sic) Zeichen-Wercken bestens bedienen kan (sic). [Drei Werke in sechs Teilen auf zwei Bände verteilt !] Vier Theile inclusive dem vierten “Fortsetzungsband”. Zwei Anhänge angebunden – Anhang I: L’Anatomia Deipittori del Signore Carlo Cesio, das ist: deutliche Anweisung und gründliche Vorstellung von der Anatomie der Mahler (sic), wie in den Gliedern des menschlichen Leibs die vornehmste Gebeine und Musculn, nach ihren Namen, Stellen, Anfängen und Enden, auch fordersten Verrichtungen, bey ihren unterschiedlichen Bewegungen und Handlungen zu erkennen, anzusehen und vorzustellen seyn; anfänglich von dem Kunst=berühmten Meister Carlo Cesio in netten und deutlichen Tabellen, auch kurtzen, doch gründlichen in Italiänischer Sprache beygefügten Erklärungen an das Licht gegeben: Nun aber zu mehrern Aufnahm der Mahler= und Zeichen=Kunst in das Teutsche getreulich übersetzet mitgetheilet von Johann Daniel Preißlern, der Nürnbergischen Kunstmahler=Academie Directore bey welchem sie auch zu finden. / Anhang II: Gründliche Anleitung welcher man sich im Nachzeichnen schöner Landschafften oder Prospecten bedienen kan (sic), den Liebhabern der Zeichen-Kunst mitgetheilet und eigenhändig in Kupfer gebracht, von Johann Daniel Preißler. Mit 104 Kupfertafeln von Georg Martin Preißler.

Mischauflage (vierte bis siebente Auflage). 5 Teile in 2 Bänden (vollständig). Nürnberg, Kunst-Mahler-Academie, 1747-1780. Folio. Band I enthält die Teile 1-3 mit der Vorrede und dem “Nöthigen Vorbericht” aufgeteilt auf die ersten zwei Teile. Paginierung: Teil I: (2 Bll.), 19 ganzseitige Kupfertafeln / Teil II: (5 Bll.), 18 ganzseitige Kupfertafeln / Teil III: (4 Bll.), 17 ganzseitige Kupfertafeln, (3 Bll.). Eine Kupfer in einer Ecke minimal beschmutzt. Band II enthält den vierten “Fortsetzungs” – Band und im Anhang das Werk von Carlo Cesio. Paginierung: Teil IV: (4 Bll.), 18 ganzseitige Kupfertafeln / ANHANG I: L’Anatomia Deipittori / Anatomie der Mahler – Paginierung: (2 Bll.), 16 ganzseitige Kupfer (im Stile Vesalius’ und Eustachius’) / Anhang II: Nachzeichnen schöner Landschaften – Paginierung: (2), 16 ganzseitige Kupfertafeln // Wunderschöne Halblederbände des späten 18.Jahrhunderts oder frühen 19.Jahrhunderts. Das Halbleder auf fünf unechten Bünden mit zweifarbigen Rückenschildchen und reicher Rückenvergoldung. Exzellenter Erhaltungszustand mit nur einem der Kupferstiche mit minimaler Verschmutzung. Eine der schönsten Ausgabe einer Malerschule die wir je gesehen haben.

13. 18th century Illustrated Edition of Paradise Lost – Milton, John.

Paradise Lost – A Poem in Twelve Books. A New Edition, with Notes of various Authors, by Thomas Newton [Complete with two Portraits and 12 plates].

Two Volumes (complete set). London, Printed for J. and R. Tonson and S.Draper, 1749. Large Quarto (23 cm x 27.5 cm). Pagination of Volume One: Frontispiece-Portrait of a young John Milton, [18 unnumbered pages of Dedication and Preface], LXI pages of “The Life of Milton”, [5 unnumbered pages of Homage in Verses by Samuel Barrow [Physician to Charles II. and admirer of Milton] and also the important poem on Milton’s Paradise Lost by Andrew Marvell [English Metaphysical Poet and Milton’s ‘Latin Secretary’], 16 pages of “A Critique upon the Paradise Lost – By Mr.Addison” [Joseph Addison], 459 pages with six (6) full-page engravings / Pagination of Volume Two: Frontispiece-Portrait of an elder John Milton (dated 1670), 444 pages including six (6) full-page engravings plus 132 unnumbered pages of Index. Hardcover / Modern, stunning half-leather bound to 18th-century style with gilt lettering and ornament on spine. Both Volumes now in protective Mylar. Excellent condition with only a few signs of foxing. The paper in fantastic condition, illustrations and portraits impressive; wide margins make this a great collectable. A rare opportunity to acquire this important publication in a firm and beautiful binding. The exceptional restoration was done by an english master-bindery.

14. Britain and Ireland – [Anonymous].

Views of Picturesque Locations in the British and Irish Isles – The Giant’s Causeway, Pistyll Rhaeadr, Staffa’s Fingal’s Cave and the Bullers of Buchan

Original engraving. Gentleman’s Magazine, and others, 1750. Plate Size: 13.5 x 9.5 cm – 15 cm x 21.5 cm. Sheet Size: 20 cm x 11.7 cm – 19.5 cm x 24.3 cm. Original engravings. In good- condition. Some browning evident. One sheet has significant tear with section of margin missing.

15. London – [Wren, Christopher]. (1632 – 1732).

Views of Christopher’s Wren’s London Landmarks – St Paul’s Cathedral, St Stephens’ Walbrook – and the Ironmongers Hall.

Original engravings. London et al, Gentleman’s Magazine, and others, [c.1750]. Plate Size: 19.5 cm x 11.5 cm – 26 cm x 19 cm. Sheet Size: 21 cm x 13 cm – 29 cm x 21 cm. Four original engravings in good+ condition with very minor occasional browning only.

16. Paris – Mondhare, Louis-Joseph. (1734 – 1799).

1er Vue des Boulvard pris de la Porte St Antoine on averty le Public que cette Vuë est graveé pour estre vuë au naturet dans l’Optique.

Original hand-coloured copper engraved vue d’optique. Paris, Mondhare, [c.1750-1780]. Plate Size: 38.7 cm x 23.2 cm. Sheet Size: 44.7 cm x 28. 6 cm Original print. In very good, actually remarkable, condition. Clean and crisp and radiant impression, with only the faintest trace of browning. Some very minor traces of light staining to outer margin corner.

17. Horological Illustration of the 18th century – [Scanavacca, Bartolomeo] Horologium / Orologio / Horology.

Original, 18th century italian manuscript on how to build a vertical clock with sound: “Come si Dissegni in practica un Orologio Verticale Italiano a suonodella Campana secondo le regole del Scanavacca” [Translates: “How to Draw an Italian Vertical Clock with the sound of the Bell in practice according to the rules of [Bartologmeo] Scanavacca”].

Italy, c.1750. A4. 22 pages with text, diagrams or drawings (partly in colour). Original Softcover Folder with original manuscript papers and drawings inside. Majority of the pages with damages and some with loss of text to outer margins. Extremely rare and interesting manuscript, also dealing with “Orologi a Sole Guili”.

18. One of the most beautiful works of 18th century Illustrated Italian History – Bartoli, Pietro Santi / Giacomo de Rossi / [Trajan – Caesar Nerva Trajanus].

Colonna Traiana [The rare 18th-century Folio-Edition on Trajan’s Column, in which, atypically, all Oblong-Folio-Planches have a centerfold and which includes the often missing, large 1,1 meter – foldout-plan of Trajan’s Column] – Colonna Traiana Eretta Dal Senato, E Popolo Romano All’Imperatore Traiano Augusto Nel Suo Foro In Roma. Scolpita Con L’Historie Della Guerra Dacica La Prima E La Seconda Espeditione, E Vittoria Contro Il Re Decebalo. Nuovamente Disegnata, Et Intagliata Da Pietro Santi Bartoli. Con L’Espositione Latina D’Alfonso Ciaccone, Compendiata Nella Vulgare Lingua Sotto Ciascuna Immagine, Accresciuta Di Medaglie, Inscrittioni, E Trofei, Da Gio. Pietro Bellori. Con diligente cura, e spesa ridotta à perfettione, e data in luce da Gio. Giacomo de Rossi dalle sue stampe, in Roma, alla Pace con Privilegio del S. Pontefice.

Roma, [Giacomo de Rossi] alla Pace con Privilegio del S. Pontefice, [1751]. Folio: (26.5 cm wide x 37 cm high). All planches usually in Oblong-Folio are center-folded in this version, allowing it to be bound in Folio. Pagination: 9 unnumbered plates, [including titlepage, engraved dedication to Louis XIV, and also the large Trajan-Foldout, measuring 110 cm x 36 cm)], followed by 119 plates folded into 238 plates, [while our copy is lacking the 14 pages with Alphonso Ciacono’s “Historia Utriusque Belli Dacici A Trajano Cæsare” and Index and Colophon at the end of the Volume, this flaw is rather unimportant because this Volume is all about the masterful art of over 125 engravings and the powerful Homage by Pietro Santi Bartoli to Trajan, Rome’s “Optimus Princeps”]. Fully restored Folio in dark green Morocco, bound to 18th century – style by an english master-bindery. Unusually excellent condition with the tiniest of wormhole-damage to the Dedication pages. The plates all in exceptional condition. The large Column-Plate spellbinding.

19. [English History Collection] – Fokke, Simon (1714 – 1784) / [Jan de Baen (1667 – 1700)].

Aftekening der Schilderye, op ‘t Stadhuis te Dordrecht geplaatst, ter gedagtenisse van de Overwinning by Chattam, in ‘t Jaar 1667, onder ‘t beleid van KORNELIS DE WIT. Rurwaard van Putten / [The Apotheosis of Cornelis de Witt, with the Dutch Raid on the Medway in the background – after Jan de Baen (1667 – 1700)].

Original copper-engraving from Jan Wagenaar’s “Vaderlandsche Historie”, published in Amsterdam between 1749-1759, in 21 volumes. Signed lower right corner: “S.Fokke fec”; on the left corner: “A. Schoumann del, naar ‘t Originele Model”. Amsterdam, 1759. Framed Picture size: 27 cm wide x 20 cm high. Size of the original engraving: 29 cm wide x 22 cm high. Framed. Excellent condition besides signs of a fold.

20. [Chiari, Giovanni] Vascellini, Gaetano.

Statue di Firenze [incluso: “Catalogo delle Statue del R. Giardino di Boboli colla Notizia dei Loro Autori”, “Catalogo delle Statue nel R. Palazzo de Pitti”, Catalogo delle Statue colla Notizia dei Loro Autori ec.” ec.]

Tres Parti (complete) [Tutto dichiarato come prima parte]. Firenze, Presso Giuseppe Volpini Cartolaro, no year [c. 1765]. Octavo. Collation complete. Pagination: Part I (Primo): Frontispiece copper-engraving with Florence in the background, 8 pages of text with introduction by Giovanni Chiari and the catalogue of statues in Boboli Garden, 25 plates each with 4 copper-engravings of Statues in Boboli Garden. Part II (Seconda): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues in Palazzo Pitti, 41 plates each with 4 copper-engravings of Statues in Pitti Palace. Part III (Terza): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues [″Catalogo delle Statue colla Notizia del Loro Autori ec. (incl. Michelangelo Buonarotti, Donatello etc.). Hardcover / Original bookblock rebound by Bayntun in Bath in a subtle and charming modern cloth with gilt lettering on new spine-label. Original endpapers preserved. Exceptional condition of this rare 18th century publication with only very faint signs of foxing. Provenance: Richard Meade, Ballymartle (with the Meade Family – crest as library stamp).