101. Kilroy, Thomas.

The Big Chapel.

First Edition. London, Faber and Faber Ltd., 1971. 20.6cm x 13.6cm. 254 pages. Original Hardcover with original dustjacket. Inscribed and signed by Thomas Kilroy to John O’Meara on the endpaper. Edge stained ! Some minor staining to the dustjacket as well. Very Rare and wonderful collectable !

102. Kipling, Rudyard.

Many Inventions [Signed by Kipling].

Uniform Edition. London, MacMillan and Co., 1913. Octavo. IX, 387, [2] pages. Hardcover / Original red cloth with gilt lettering to spine and ornament to front cover. Binding stronger rubbed but firm and holding. Overall very good with some minor foxing. Signed by Rudyard Kipling on titlepage. Private entry regarding the signing of the book by Kipling to the preowner of the book who subsequently gave it to the final owner.

103. Kizaki, Satoko.

The Phoenix Tree and other stories. Translated by Carol A. Flath.

First Edition. Tokyo, Kodansha International, 1990. 15 x 22 cm. 242 pages. Original Hardcover with dustjacket in protective Mylar. Excellent condition with only minor signs of external wear.

104. Knowles, James Sheridan / Willan Smith, Robert.

Virginius – A Tragedy. In Five Acts. As Performed at the Theatre Royal, Covent Garden. (First Edition, 1820) / Bound together with: The Hunchback – A Play in Five Acts (Fourth Edition, 1832). [Presentation copy / Signed copy]

Two Volumes in One. London, Printed for James Ridgway, 1820. Octavo. Pagination: Virginius – 85, (3) pages / Hunchback – VIII, (2), 118 pages. Hardcover / Original, contemporary green cloth with original red morocco label to spine. The Volume is now in protective Mylar. Stronger signs of foxing to “Virginius” but still in very good condition. Inscribed by James Sheridan Knowles to one Robert Willan Smith on the titlepage:″To Mr. Willan with the affectionate Respect + Gratitude of the Author”. Sheridan Knowles had a chance to be Willan’s successor but decided for a literary and acting career. / “The Hunchback” in excellent condition, also with inscription and signature of Knowles on the titlepage and with the ownership-inscription of Robert Willan Smith. Rare Cork related !

105. Kotzebue, August von / [Plumptre, Anne].

The Constant Lover; Or, William and Jeanette: A Tale. From the German of Augustus von Kotzebue. To which is prefixed “An Account of the Literary Life of the Author” [with the printed dedication by Kotzebue to his friend Charles Georg Graumann] / Also included (separately bound): “Pizarro – The Spaniards in Peru; or, The Death of Rolla. A Tragedy, in Five Acts:. The original of the play, Performing at the Theatre-Royal, Drury Lane, under the title of PIZARRO. Translated from the German by Anne Plumptre – Translator of Kotzebue’s “Virgin of the Sun”, &c.

First Edition. Three Volumes in one Solander Box. Dublin, Printed by William Porter / Printed for J. Moore, 1799. Small Octavo (11 cm x 17 cm). Pagination of the two Volume-Set: “The Constant Lover / Account of the Literary Life of Kotzebue”: Volume I: XIV, 203 pages / Volume II: 216 pages / Pagination for the accompanying Volume: “Pizarro”: 102 pages. Hardcover / Stunning, recent half leather and marbled-paper-covered-boards with gilt lettering and ornament to spine, bound to style of the 18th/19th century. All three Volumes housed in a bespoke built Solander Box (see plenty of images on our website). Excellent condition. From the library of Susannah Townsend-Meade (Ballymartle), with her name to titlepage. The accompanying Volume bears the name of one Mary Johnston. The “Constant Lover”, with the “Account of Kotzebue’s Life” is a very scarce publication !

106. Lao She [Shu Qingchun].

The Drum Singers. [The rare english Translation]. Translated by Helena Kuo / Illustrated by Shi Guoliang.

Hong Kong, Joint Publishing Company (JPC), 1987. Octavo. XII, 254 pages. Softcover. Very good condition with only minor signs of wear.

107. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

108. Le Clerc, M.E.

Mistress Beatrice Cope or Passages in the Life of a Jacobites Daughter.

London, Hurst and Blackett, Ltd. No date (c.1900). 13 cm x 19 cm. 335 pages. Original hardcover Excellent condition with only very minor signs of external wear. Some wear along cover-edges. Browning and spotting of page-edges. Binding slightly strained in places but intact. Clean inside.

109. Lescure, Jean / [André Frénaud].

Original Typescript with manuscript annotations and corrections of “Poèmes métaphysiques”. Jean Lescure’s personal copy with corrections and additions to his earliest collection of poems. Loosely inserted into the collection are the three pages of the typescript for “Apologie de L’Aveugle – à André Frénaud” reflecting his close friendship and collaboration with André Frénaud [according to our research, Rachel E. Perry identifies in her essay “Histoire De L’Aveugle: Matiérisme’s Critique of Vision” that Jean Lescure composed this poem together with Paul Eluard and it was published in “A la gloire de la main” in 1949]. The poems in the Typescript / Manuscript of Lescure are all dated between 1937 and 1940. The original composition of the poem-cyle “Trois chansons de mer pour l’equinoe” is completely replaced by an autographe, manuscript-entry of Lescur. The poems in this original Typescript/Manuscript of “Poèmes métaphysiques” are titled: “Porte ouverte ou fermee” (″mars-avril 1939”)/ “Dialectique d’un printemps” (″hiver 1937 – ler 5 decembre 1939”)/ “Present de la journee” (″5-6 decembre 1939”) / “Noel pour une fille que fleurisse le jour” (″7-18 decembre 1939”) / “Chant montagnard pour saluer la fin de l’hiver” (″Fev. 1940-Mars 1941”)/ “La Nourriture de l’Amour”(″Fevrier 1941 – Mars 1942”)/ “Double aspect de l’iris” (″20 dec. 1939 – Jan.1940”) / “Double Fer” (″Jan – 25 avril 1940”) / “Debut sur le jour” / “Aspect de la Solitude” / “Chansons de mer pour l’equinoxe” [1.Chanson du patron – 2. Chanson du gabier (Manoeuvre a la vie pare et vire) – [Chansons du precheur] – 3. Chanson du timonier] (″Sept – Oct 41”) //

[France], c. 1945 – 1949. Quarto (21,5 cm x 27 cm). 33 pages plus 3 pages “″Apologie de L’Aveugle”. Original Softcover. Excellent condition with some minor signs of wear only.

110. Lewis, Sinclair.

It Can’t Happen Here [The Novel that tells you what will happen to your family if America gets a Dictator].

4th Reprint of the 1939 Edition (with the rare dustjacket). New York, Triangle Books, 1941. Octavo. 458 pages. Original publisher’s Hardcover with the rare, illustrated dustjacket, including the rear flap with the photograph of an idyllic american living-room secenery. In protective Mylar. From the private library of Walter Blake, with his personal stamp to the titlepage. In excellent condition with only minor signs of wear. The dustjacket extremely scarce in this condition.

111. Linklater, Eric.

A Year of Space: A Chapter in Autobiography.

London, The Reprint Society, 1954. 13 cm x 19 cm. 319 pages. Original hardcover. Very good condition with some clear signs of external wear. Contains stamp by previous owner.

112. Lowry, Malcolm.

Lunar Caustic. Traduit de l’anglais par Clarisse Francillon.

Paris, Julliard, 1963. 8°. 116 pages. Broché. Exemplaire No. 292. Trés bon état. / Fantastic condition of this rare edition in french. [Collection “Les Lettres nouvelles”]

113. Lowth, Robert.

[On the Sacred Poetry of the Hebrews] De Sacra Poesi Hebræorum : Prælectiones Academicæ Oxonii habitæ a Roberto Lowth, et poeticæ publico prælectores; nunc episcopo oxoniensii. Subjicitur Metricæ Harianæ brevis confutatio: et Oratio Crewiana.

Editio Tertia, emendatior. Oxonii, E Typographeo Clarendoniano [Imprimatur, J. Browne, Vice-Can. Oxon], 1775. 13 cm x 22 cm. (8), 515 pages plus 11 pages Index and Errata. Original Hardcover / Beautiful 18th century calf with gilt lettering and ornament to spine and the wonderful original marbled endpapers. With the original spinelabel. Very good condition with only very minor signs of external wear. This edition printed on excellent paper with no foxing !

114. MacPherson, James.

Fingal, An Ancient Epic Poem in Six Books : Together with several other Poems, composed by Ossian the Son of Fingal. Translated from the Gallic [Gaelic] Language by James MacPherson.

First Edition. Dublin, Printed for Richard Fitzsimons in High-Street, 1762. Small Octavo. [8], XX, 304 pages. Hardcover / Original 18th century full leather with original spine-label. Binding slightly rubbed but in firm condition. Some very minor paper-defects to endpaper. Overall in very good condition with only minor signs of wear. From the library of one “John Courtenay”, with his name in ink on the titlepage. This is possibly John Courtenay (22 August 1738 – 24 March 1816), who was an Irish officer in the British Army, later becing a politician in England. He was a Whig member of Parliament (MP) at Westminster from 1780 to 1807, and again in 1812. (Wikipedia)

115. Martin, Benjamin.

Lingua Britannica Reformata: Or, A New Universal English Dictionary, under the following Titles, VIZ. I. Universal / II. Etymological / III. Orthographical / IV. Orthoepical / V. Diacritical / VI. Philological / VII. Mathematical / VIII. Philosophical.

The Second Edition, greatly improved and augmented. London / Bath / Salisbury, Printed for C.Hitch and L. Hawes, J.Hodges et. al. / W. Frederick / B. Collins, 1754. Octavo. Titlepage, XIII pages preface plus 724 unnumbered pages and 4 plates with mathematical and astronomical figures to the rear (collation complete). Hardcover / Professionally rebacked full leather by an english masterbinder. Gilt lettering on spine. Original endpapers preserved. Very good and firm condition with only minor signs of external wear. Name of 19th century preowner “Robert Osman’s book 1844” on endpaper. Text with only very occasional and minor staining. A wonderful example of this extremely scarce second edition of Martin’s english dictionary, published one year prior to Samuel Johnson’s dictionary.

116. [Masereel, Frans] Verhaeren, Émile / Uzanne, Octave.

Quinze Poèmes d’Émile Verhaeren. Illustrés de 57 Gravures sur Bois, Dessinees et Gravées par Frans Masereel et suivis d’un Souvenir a Verhaeren par Octave Uzanne.

Paris, Edtions Georges Cres & Cie, 1917. 4°. CIII pages. Hardcover / Full leather with gilt lettering to spine and gilt decorated boards. Boards with some stronger signs of wear. One of 1350 exemplaires sur papier anglais.

117. Mastretta, Ángeles.

Lovesick. Translated from the Spanish by Margaret Sayers Peden.

New York, Riverhead Books, 1997. 15 cm x 23 cm. 292 pages. Original Softcover. Very good+ condition with only minor signs of external wear. This is a bound galley and uncorrected proof for review purposes only. Signed and inscribed by the author. Includes ephemera as original letter from The Putnam Publishing Group to the reviewer that accompanied this book as well as a biography of the author and advanced praise.

118. Mathers, E. Powys.

The Eastern Anthology – Anthology of Eastern Love. Eastern Love: Volumes I & II & III: The Lessons of a Bawd and Harlot’s Breviary. English Versions of the Kuttanimatam of Damodaragupta and Samayamatrika of Kshemendra. Volume I: The Lessons of a Bawd of Damodaragupta. Volume II: The Harlot’s Breviary of Kshemendra. Volume III: The Book of Women and The Education of Wives.

3 Volumes in one (complete set). London, John Rodker For Subscribers, 1927. 15.2 cm x 23.5 cm. Pagination: Vol I: Colour frontispiece with tissue guard, 92 pages / Vol II: Colour frontispiece with tissue guard, 100 pages / Vol III: Colour frontispiece with tissue guard, 152 pages. Hardcover / Beautiful, actually stunning, private full morocco in Art Deco – Style (see images), Excellent condition with only minor signs of external wear. Deckled edges. Top edge gilt. Gilt on spine and red leather hardcover. Minor discolouration and staining to front and rear pastedown enpapers and endpapers. This edition of the Kuttanimatam of Damodaragupta, the Samayamatrika of Kshemendra, the Zenan-Nameh of Fazil-Bey, and Ta’Dib Ul-Nisvan, being Volume I, II and III of the “Eastern Art of Love”, are here translated into English for the first time, by E. Powys Mathers. This edition of 1,000 copies on all rag paper was printed by Messrs. Molyneux, 3 & 4, New Street Hill, London. The copper plate engravings are by Hester Sainsbury and have been printed and hand coloured by Messrs. A. Alexander and Sons, Ltd. This copy is No. 695.

119. [McAfee, Mildred Helen] de la Mare, Walter.

Ding Dong Bell.

London, Selwyn & Blount Ltd., 1924. 13 cm x 19 cm. IX, 76 pages. Original Hardcover with the rare illustrated dustjacket in protective collector’s Mylar. Very good condition with only minor signs of external wear. Inscribed and fully signed by de La Mare to American academic Mildred Helen McAfee Horton on front free endpaper: “Helen McAfee with all good wishes from Walter de la Mare – June 1924”.

120. McCullough, Helen Craig.

Tales of Ise – Lyrical Episodes from Tenth-Century Japan. Translated, with an Introduction and Notes by Helen Craig McCullough.

Stanford, California, Stanford University Press, 1968. 14.5 cm x 22.5 cm. 277 pages. Original Hardcover (yellow ochre cloth with title in gilt lettering on spine). Very good condition with only minor signs of external wear and an interesting bookplate on front pastedown.

121. McDonnell, Hector (Illustrator).

The Night Before Larry was Stretched [with signed etching]. With an introduction by Terence de Vere White.

Belfast, The Blackstaff Press, 1984. 20.5 cm x 13 cm. IX, 96 pages. Original Hardcover in original slipcase. Number 48 out of a limited edition of 500 copies / Excellent, close to new condition. Includes orignial, signed etching.

122. McGahern, John.

That They May Face the Rising Sun. [SIGNED].

Uncorrected Proof. London, faber and faber, 2001. Octavo. 298 pages. Original Softcover in Collector’s Mylar. Very good condition with only minor signs of wear. Signed by John McGahern on the Title Page. From the Library of Canadian Literary Critic John Metcalf, with his name on the front free endpaper.

123. Meister, Ernst.

Ausstellung – Gedichte von Ernst Meister [Originalausgabe / wahrscheinlich das originale Korrekturexemplar des Autors oder Verlags].

Erste Ausgabe. Marburg, Verlag Marburger Flugblätter, 1932. Oktav. 64 Seiten. Original Softcover (cremefarbene Englisch-Broschur mit roter Betitelung). Der Buchblock minimal von der Broschur gelöst. Sonst in sehr gutem Zustand, mit Merkmalen eines Korrekturexemplars: Der obere Schnitt etwas uneben, einige Seiten mit handschriftlicher, zusätzlicher Numerierung (und auch Anmerkung) die eine andere Paginierungsfolge oder Reihenfolge der Gedichte suggeriert. Einige Textstellen mit handschriftlicher Änderung einzelner Buchstaben. Kurze Widmung auf dem Vorsatzblatt: “f. Ulla” (nicht verifizierbar ob von Meister). Das Gedicht “Der Gebückte” mit einer handschriftlichen Anmerkung die eine eventuelle, dreimalige Wiederholung des ersten Teiles (‘Er geht’) mit zwei Fragezeichen erwägt. Sehr seltene, erste Veröffentlichung von Ernst Meister. Der Fund dieser Ausgabe ist eine kleine Sensation da Ernst Meister die Auflage persönlich vernichtete nachdem der Verlag Ihm die Bücher zurückgesendet hatte. Seine Ehefrau Else Meister rettete, laut einigen Quellen, nur einige wenige Exemplare aus der Mülltonne. / Als Zugabe zu der Ausgabe liegt dem Band eine Sammlung von sehr seltenen “Mitteilung[en] für Freunde” bei. Ernst Meister hat diese “Im Handsatz als Manuskript gedruckt”. Beiliegen No.2 – 6 der Mitteilungen”. Diese sind signiert mit dem Namenszug “Ernst Meister” versehen und der Jahreszahl der Herausgabe auf der Titelbroschur.

124. Milton, Johann [Milton, John].

[Das verlorene Paradies] Das Verlohrne Paradies, aus dem Englischen Johann Miltons in Reimfreye Verse übersetzt, und mit eignen sowohl als andrer Anmerkungen begleitet von Friedrich Wilhelm Zacharia. Mit Kupfern.

Zweyte, durchaus verbesserte Ausgabe. Zwei Teile in einem Band (vollständig). Altona [Hamburg], David Iversen, Koenigl. priviligierte Buchhandlung in Holstein, 1762-1763. Octak (16,5 cm x 23.5 cm). Portrait-Frontispiz Miltons, [12], 266, 248 Seiten mit 12 ganzseitigen Kupfertafeln (plus Frontispiz). Portrait Miltons von C. Fritzsch. Die 12 blattgrossen Kupfertafeln von C. Fritzsch und Meil nach Haymann. Hardcover / Originaler, zeitgenoessischer Pappband mit handschriftlichem Rueckenschildchen. Bindung firm und sehr gut erhalten. Die gesamte Ausgabe in wunderbarer Erhaltung mit nur ganz geringen Anzeichen von vereinzelten Stockfleckchen. Stempelchen auf Titelblatt. Kleines, ganz dezentes Namensetikett des Vorbesitzers auf dem hinteren Vorsatzblatt.

125. Milton, John.

Paradise Lost: Books I and II only.

London, Longmans, Green, & Co., 1898. 11 cm x 17 cm. Vol. I: 83 pages/ Vol. II: 93 pages. Original softcovers. Very good condition with only very minor signs of external wear.

126. [Mirror Club, The] / Henry Mackenzie / William Craig / Alexander Abercromby / Alexander Fraser Tytler.

The Mirror – A Periodical Paper, Published at Edinburgh in the Years 1779 and 1780 [″Veluti in Specula”].

Fourth Edition overall [First Dublin Edition]. In Two Volumes (complete set). Dublin, Printed by T.Henshall for T.Walker, 1782. Small Octavo (10 cm x 18 cm). VI, 288, VIII, 288 pages. Hardcover / Original 18th century leather with new spinelabels, made to style. Both Volumes now in protective Mylar. Some minor wormhole-damage to the last 20 pages of Volume Two.Minor lesions to some pages only. Faded dampstain to both Volumes. Still, both Volumes firm and complete. Important scottish enlightenment publication. From the library of one “John Courtenay”, with his name in ink on the titlepages of both Volumes. This is possibly John Courtenay (22 August 1738 – 24 March 1816), who was an Irish officer in the British Army, later becing a politician in England. He was a Whig member of Parliament (MP) at Westminster from 1780 to 1807, and again in 1812. (Wikipedia)

127. Monro, Thomas [Editor] / [Bishop George Horne / Samuel Johnson].

Olla Podrida, A Periodical Paper, published at Oxford in the year 1787.

First Irish Edition. Dublin, Printed by P. Byrne (108) Grafton – Street, 1787. Octavo (11 cm x 17 cm). 286 pages. Hardcover / Original 18th century full leather with original spine-label. Binding with some stronger rubbing and minor loss to leather on spine. Still very firm and tight. Minor signs of a faded dampstain to a small part of the first 10 pages only. Otherwise very clean. From the library of Richard Meade (Ballymartle), with his Exlibris / Bookplate to pastedown and his name in ink to the title-page.

128. Montagu, Mary Wortley.

The Works of the Right Honorable Lady Mary Wortley Montagu – Including Her Correspondence, Poems, and Essays. Published by Permission from Her Genuine Papers. [Including a Facsimile – “Extract from a letter written by Lady Montagu Wortleyfrom Belgrade to Mr. Wortley at Pera, describing the effects of inoculation for the Small Pox”].

First Edition. In Five Volumes (complete set). London, Printed for Richard Phillips, 1803. Small Octavo. Volume I: Portrait-Frontispiece of Lady Montagu by Sir Godfrey Kneller, V,309, [1] pages with 11 illustrations/folded facsimiles (including frontispiece) / Volume II: XI, 339 pages / Volume III: 288 pages / Volume IV: 326 pages / Volume V: 292 pages plus 36 unnumbered pages of an Index. Hardcover / Original, very decorative full leather-bindings of the early 19th century with original spine-labels and gilt lettering on spine. Besides some minor rubbing and some minor discoloration to the spines from white paint, the complete set is in firm and overall very good condition with only minor signs of wear. Previous owner’s name in ink on

129. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

130. Moore, George.

Conversations in Ebury Street. [With an interesting full-page manuscript letter by George Moore, written in ink into the book verso titlepage].

Second edition. New York, Boni and Liveright, Inc., 1924. 14.5 x 21.5cm. 315 pages. Original hardcover with spine label. Deckled edges. With a fantastic, full-page, signed message written inside the book by George Moore. Very good – condition of the binding with signs of external wear (some spotting). Moore responds in his manuscript note on the halftitle possibly to the request of Frieda Lawrence, wife of D.H.Lawrence, who requested a copy of Moore’s book “The Pastoral Loves of Daphnis and Chloe”. Moore sent her instead this edition.

131. Moore, John.

A Journal During a Residence in France, From the Beginning of August, To the Middle of December, 1792. To Which is Added an Account of the Most Remarkable Events That Happened at Paris from That Time to the Death of the Late King of France. [Including the Hand-coloured Map].

First Irish Edition. Two Volumes (complete set). Dublin, Printed for P.Byrne, J.Moore, B.Dugdale, W.Jones, Colbert and J.Rice, 1793. Small-Octavo (11.5 cm x 17.5 cm). 303, 570 pages plus a Hand-coloured “Map of General Dumourier’s Campaign on the Meuse” (showing the area between Metz and Reims as well as Sedan and Nancy). Hardcover / Modern half-leather bound to the style of the 18th-century with spinelabels. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Bookplate / Exlibris of Richard Meade of Ballymartle attached to pastedown of Volume I. Excellent condition !

132. [Moore, John] / [Anonymous: “By the Author of Zeluco”].

Edward. Various Views of Human Nature, Taken From Life and Manners, Chiefly in England.

First Irish Edition. Two Volumes (complete set). Dublin, Printed for P.Wogan, P.Byrne, J.Moore, J.Rice, W.Watson and Son, G. Folingsby etc. etc., 1797. Small-Octavo (11.5 cm x 17.5 cm). 331, 376 pages. Hardcover / Original 18th-century leather with original spinelabels. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Bindings a little shaky but still intact; stronger rubbed with loss to labels. Bookplate / Exlibris of Richard Meade of Ballymartle attached to pastedown of Volume I.

133. [Moore, John] / [Anonymous: “By the Author of Zeluco and Edward”].

Mordaunt. Sketches of Life, Characters, and Manners, in Various Countries; Including the Memoirs of A French Lady of Quality. By the Author of Zeluco and Edward.

First Irish Edition. Three Volumes (complete set). Dublin, Printed for W. Watson and Son, G. Burnet, G. Folingsby etc. etc., 1800. Small-Octavo (10.5 cm x 17 cm). II, 239, 276, 283 pages. Hardcover / Original 18th/19th-century leather with original spinelabels. All three Volumes in protective Mylar. The labels and spoine slightly damaged only. All Volumes firm and in overall very good condition. From the library of Richard Meade (Ballymartle), with his bookplate to the pastedown of Volume I. Bindings a little shaky but still intact; stronger rubbed with loss to labels. Bookplate / Exlibris of Richard Meade of Ballymartle attached to pastedown of Volume I.

134. [Moore, Leonard] Rolfe, Frederick Baron Corvo.

Letters to Leonard Moore. Edited and with an Introduction by Cecil Woolf and Rabbi Bertram W. Korn and Epilogue by Leonard Moore.

First edition / Limited Edition: One of only 290 copies. London, Nicholas Vane, 1960. 16 x 24 cm. 76 pages. Hardcover / Original cloth. Excellent, near Fine condition of a very rare book. [The Centenary Edition of the Letters of Frederick William Rolfe: II].

135. Morgan, Thais E.

Men Writing the Feminine. Literature, Theory, and the Question of Genders.

Albany, New York, State University of New York Press 1994. 15.5 cm x 23.5 cm. 207 pages. Original Hardcover. Very good condition with only minor signs of external wear.

136. [Morrison, John / Midleton / Castlemartyr] / [Prior, Matthew].

Poems on Several Occasions by the late Matthew Prior [Including “Memoirs of the Life of Mr.Prior” / Including: “Solomon on the Vanity of the World” / “An Ode Humbly Inscrib’d to the Queen, on the Glorious Success of her Majesty’s Arms, MDCCVI. Written in Imitation of Spenser’s Style” / “Alma, or the Progress of the Mind – In three Cantos” / “Downhall – A Ballad – To the Tune of King John and the Abbott of Canterbury” ].

First and Forurth Edition. Two Volumes (complete set). London, J.R.Tonson and S.Draper and H.Linto / C.Hitch at the Red Lyon and J. Hodges at the Looking-Glass, 1754. Small-Octavo (10,5 cm x 16,5 cm). Volume I [First Edition, printed by Tonson]: [11], 402, [3] pages with two title-pages/ Volume II: [Fourth Edition, printed by C. Hitch and J.Hodges], Frontispiece, LXXII, 356 pages with two full-page copper-engravings by van Gucht (plus engraved Frontispiece). Original Hardcover. Very good condition with only minor signs of wear. With the name “John Morrison” on the titlepage of both Volumes [possibly the 18th century – Architect John Morrison from Midleton, with a connection to Castlemartyr]. These books came subsequently from, the Library of Daniel Conner, Connerville / Bandon / Manch House in which also a set of Buffon, from the library of Richard Boyle Bernard, Dean of Leighlin and MP for Bandon Bridge was included.

137. [Nabokov, Vladimir] Rampton, David.

Vladimir Nabokov – A Critical Study of the Novels.

Cambridge, Cambridge University Press, 1984. 13.5 cm x 21.5 ccm. X, 233 pages. Softcover. Cover design by Jan van de Watering with a cover photograph of Vladimir Nabokov in Montreux, 1968. Very good condition with only minor signs of external wear.

138. Nai’an, Shi / Guanzhong, Luo.

Outlaws of The Marsh. Translated by Sidney Shapiro.

Three Volumes (complete set). Bejing, Foreign Languages Press, 1980. 13.6 cm x 20.2 cm / 13.6 cm x 21.2 cm Volume I (Modern softcover): pages 1 – 597 / Volume II (Original 1980 Hardcover-Edition): pages 561 – 1133 of the overall set. Black and white illustrations / Vol III (Original 980 Hardcover-Edition): pages 1135 – 1605 of the overall set. Black and white illustrations. Original Hardcover with dustjacket in protective collector’s Mylar and one Softcover – Volume. All three volumes in very good+ condition. A substituted set with Volume I being a later edition in paperback ! Only very minor foxing to dustjackets and edging of Volume II and III. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

139. [Nerses IV / Saint Nerses of Armenia / David L. Arthur].

Preces Sancti Nersetis Clajensis Armeniorum Patriarchae. Viginti quatuor linguis editae. [Polyglot Edition of 24 Prayers by Saint Nerses with interesting Typography of different languages like Gaelic (Gaeilge), Hebrew, Syrian etc.].

Venice, Insula S. Lazari, 1837. Duodecimo. Portrait Frontispiece, engraved title, (4), 434 pages. Original Hardcover / Contemporary full leather with original spinelabel and gilt ornament on spine and boards. Binding rubbed. One corner slightly damaged. Rear panel stronger rubbed. Minor, faded dampstain to first four pages, frontispiece and some pages within. Overall very good ! From the library of David L. Arthur / ExLibris / Bookplate of David L. Arthur to pastedown, with his Motto: “Tout Vient De Dieux”.

140. Oates, Joyce Carol.

Angel of Light.

New York, E.P. Dutton, 1981. 16 cm x 24 cm. 434 pages. Original hardcover with original dustjacket in protective Mylar. Excellent condition with only very minor signs of external wear. Inscribed and signed by Joyce Carol Oates.

141. O’Brien, Edna.

House of Splendid Isolation.

London, Weidenfeld & Nicolson, 1994. 16cm x 24cm. 216 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition. Beautifully signed and inscribed during a promotional booktour by author Edna O’Brien during a visit to the english booktown Hay-on-Wye in the year 1994.

142. O’Casey, Sean.

Three Volumes of Sean O’Casey’s famous Autobiography: I. I Knock at the Door – Swift Glances Back at Things That Made Me (Rare Second Edition, Printed in the year of the First Edition, 1939) / III. Drums under the Windows (First Edition 1945) / VI. Sunset and Evening Star (First Edition, 1954).

Three Volumes (of Six). London, MacMillan & Co., 1939 – 1954. Octavo (15 cm x 22 cm). Volume I (″I Knock at the Door”): includes a fine Frontispiece-Photograph of “Mrs.Susan Casside in a Gala Dress”, VII, 268, [3] pages / Volume III (″Drums under My Window”): includes a Frontispiece-Photograph of “The Rev.E.M.Griffin”, 339, [2] pages / Volume VI (″Sunset and Evening Star”: includes a very fine Frontispiece-Photograph of “The O’Casey’s” [Niall O’Casey, Breon O’Casey, Sean O’Casey, Shivawn [Shivaun] O’Casey, Eileen O’Casey], VII, 311, [1] pages. Original Hardcover with illustrated dustjackets. All three Volumes in their original state with the original dustjackets frayed but still very good. Volume I and III with two excellent Bookplates / Giftnote to dustjacket of Volume I; Giftnote to endpaper of Volume VI. Exlibris to pastedown “The Vernons” with artwork from artist H. Cutler” .

143. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

144. Overbury, Sir Thomas.

His Wife. – With Additions of New Characters and Many Other Wittie Conceits Never Before Printed. [With a manuscript inscription by a contemporary owner of the book [″Alexander Keith”] about Overbury going on an “Embassy to Muscovy” (Russia)]

The fifteenth Impression. London, Printed by R.E. for Robert Allot and are to be sold at the sign of the Beare in Pauls Church-yard, 1632. Duodecimo (9,8 cm x 14,5 cm). 317 unnumbered pages (collated complete). 18th century Hardcover (full leather with gilted spinelabel ‘Overbury’). The binding professionally repaired. 18th century endpaper with handwritten notes in ink. Manuscript exlibris ‘Paul Exner ex libris 939’. Several contemporary ownership signatures within the book (for example Henry Grier, 12th of Apryll 1687). Titlepage professionally repaired. Wonderful example of this rare book.

145. Pasternak, Boris.

Doktor Zhivago. [Rare Original Russian Edition]

Ann Arbor, The University of Michigan Press, 1959. Thick Octavo. [iv], 567, [1] pages. Original Hardcover / Publisher’s terra-cotta cloth with gilt lettering on spine. No jacket was issued for this book. In protective collector’s mylar. Excellent condition with only very minor signs of wear. Second printing of the first authorized edition in Russian (preceded only by two CIA-sponsored, and virtually unobtainable, editions printed in Italy and distributed at the Brussels World Fair in the summer of 1958). Exlibris Janice Clark. Wonderful collectable !

146. [Pearse, Patrick / Pearse, Pádraic] Pádraig Anraí Mac Piarais.

An Mháthair agus sgéalta eile. [The Mother and Other Stories].

Second Edition with Vocabulary. Dun Dealgan [Dundalk], The Dundalgan Press [William Tempest], 1927. 19.5cm x 12.8cm. 95 pages with frontispiece and further beautiful illustrations throughout the publication. Original, illustrated softcover. Excellent condition of the rare softcover-issue with only minor signs of external wear.

147. Pearson, Michael.

Imagined Places – Journeys Into Literary America. With photographs by John Lawrence and Joel Mednick.

Jackson (Mississippi), London, University of Mississippi, 1991. 16 cm x 23.5 cm. XIX, 323 pages. Original Hardcover with dustjacket. Front cover of dustjacket: detail from ‘Breaks the Blank Day’, a painting by Lynn Green Root. Author photo by Bob Firek. Very fine condition with only minor signs of external wear.

148. Pellico, Silvio.

Opere Complete. Con le Addizioni di P. Maroncelli.

Napoli, Franc. Rossi, 1848. 14.3 cm x 22 cm. XXI, 529 pages. Original Hardcover with marbled boards. Good+ condition with only minor signs of external wear. Spine shedding, rubbed and separated from book block. Corners rubbed. Heavy foxing to edges. Minor foxing to pastedowns, endpapers and to pages throughout. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

149. Petersen, Nis.

Spildt Mælk.

Copenhagen, Gyldendalske Tranebøger, 1968. Octavo. 216 pages. Original, illustrated Softcover by Mogens Poulsen. Excellent condition with only minor signs of wear.

150. [Pound, Ezra] Carpenter, Humphrey.

A Serious Character – The Life of Ezra Pound.

London, Boston, Faber and Faber, 1988. 16.5 cm x 24 cm. XII, 1005 pages. Illustrated with 24 pages of black-and-white photographs. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. Contains two minor items of ephemera from ‘The Times Literary Supplement’ 1989 [Review of the book by William H.Gass in TLS in January 1989 and Responses to the review, also printed in TLS, in February 1989].