41. Martin, Benjamin.

Lingua Britannica Reformata: Or, A New Universal English Dictionary, under the following Titles, VIZ. I. Universal / II. Etymological / III. Orthographical / IV. Orthoepical / V. Diacritical / VI. Philological / VII. Mathematical / VIII. Philosophical.

The Second Edition, greatly improved and augmented. London / Bath / Salisbury, Printed for C.Hitch and L. Hawes, J.Hodges et. al. / W. Frederick / B. Collins, 1754. Octavo. Titlepage, XIII pages preface plus 724 unnumbered pages and 4 plates with mathematical and astronomical figures to the rear (collation complete). Hardcover / Professionally rebacked full leather by an english masterbinder. Gilt lettering on spine. Original endpapers preserved. Very good and firm condition with only minor signs of external wear. Name of 19th century preowner “Robert Osman’s book 1844” on endpaper. Text with only very occasional and minor staining. A wonderful example of this extremely scarce second edition of Martin’s english dictionary, published one year prior to Samuel Johnson’s dictionary.

42. McCulloch, Susan.

Contemporary Aboriginal Art – A guide to the rebirth of an ancient culture.

Australia, Allen & Unwin, 2001. 18.5 cm x 26 cm. 247 pages. Lavishly illustrated with colour plates throughout. Original, illustrated Softcover. Very good condition with only minor signs of external wear.

43. Mendelssohn Bartholdy / Jakob Ludwig Felix.

Collection / Sammelband of original, printed scores. The Volume contains the following scores: I. “Symphony No. 3” – Composed and Dedicated by Permission to her most gracious Majesty Queen Victoria, by Felix Mendelssohn Bartholdy, arranged as a Piano Forte Duett, by the author. Op. 56 (67 pages) London, Published by J.J.Ewer & Co., [c. 1860] / II. “Overture to Melusine”. Arranged for Piano Forte, composed by Felix Mendelssohn Bartholdy. Op. 32 (17 pages) London, Cramer, Addison & Beale, [c. 1839] / III. “Caprice”, for the Piano Forte, composed by Felix Mendelssohn Bartholdy. (15 pages) London, Cramer, Addison and Beale, [c. 1840] / IV. “Fantasia” on a Favourite Irish Melody for the Piano Forte. Composed by F. Mendelssohn Bartholdy (Op. 15) – 8 pages, London, Cramer, Addison & Beale, [c. 1840] / V. “Two Musical Sketches” for the Piano Forte. Composed by F. Mendelssohn Bartholdy. 7 pages – London, Cramer, Addison & Beale, [c. 1840] / VI. “Capriccio for the Piano Forte. Composed & Dedicated to Miss Honoria Taylor. By F. Mendelssohn Bartholdy (Op. 16) No. 2; 4 pages – London, Cramer, Addison & Beale, [c. 1840] / VII. “The Rivulet” Rondino for the Piano Forte. Composed and Dedicated to Miss Susan Taylor, by F. Mendelssohn Bartholdy (Op. 16) – No. 3; 4 pages – London, Cramer, Addison & Beale, [c.1840] / VIII. “Twenty-Seven Melodies” by Felix Mendelssohn Bartholdy, arranged for the Piano – Forte from his Ops. 8 and 9. In Four Books:– Book I, II, III and IV (13, 13, 13, 13 pages) – London, Ewer & Co., [c. 1840] All the four books have separate titlepages / IX. “Six two-part Songs, for Female Voices with Accompaniments of the Piano – Forte, composed by Felix Mendelssohn Bartholdy (Op. 63) – 29 pages; London, J.J.Ewer * Co., [c. 1840] / X. “The Garland”, by Thomas Moore Esq. Set to Music by Felix Mendelssohn Bartholdy. 5 pages; London, J.J.Ewer & Co., [c. 1840] //

London, Ewer / Addison / Beale and others, [c.1840 – 1863]. Folio. c 180 pages. Modern Hardcover, beautiful half morocco with gilt lettering on spine and marbled paper covered boards. Original Softcover, engraved scores bound in. Very good condition with only minor signs of external wear. Only three of the scores with some tears, one with a dampstain ! Overall an extremely attractive compilation of Mendelssohn’s work in a recent mster-binding. Highly collectable and a beautiful gift ! Ask for multiple images.

44. [Mielziner, Joseph “Jo”] Henderson, Mary C.

Mielziner – Master of Modern Stage Design. Foreword by Frank Rich.

New York, Back Stage Books, 2001. Oblong-Quarto. 320 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Rare Out-of-Print-title !

45. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

46. Montemayor, Jorge de.

Los Siete Libros de la Diana de George de Montemajor. Où sous le nom de Bergers & Bergeres sont compris les amours des plus signalez d’Espagne. Traduicts [sic] d’Espagnol en François, & conferez és deux langues. P.S.G.P. [édition bilingue française and castellane de ‘Diana’ de Jorge de Montemajor].

[Bilingual French-Castellan / Edição bilingue castelhano-francês]. Paris, De l’imprimerie d’Anthoine du Brueil, 1613. Small Octavo. Collated complete: Engraved titlepage, [6], 347, [21] pages. [Pagecount of 347 is incorrect and should be “694”, because only every second page is imprinted with progressing numeration]. Beautiful, recent Hardcover / Modern half-leather with gilt lettering on spine and marbled, paper-covered boards. New endpapers. Bookblock and interior in very good and firm condition. Faded dampstain to some of the text only. Very rare and important renaissance-publication.

47. [Musical Times / Jazz News / and others] / Hitching Collection.

Fantastic Collection of c. 750 (sevenhundredandfifty !) Issues of 20 important national and international Jazz & Classical Music – Magazines from the George Hitching Classical Music & Jazz Collection. The collection includes the following magazines: 1.″Classics” – The Review of Mid-Price and Budget Releases (10 issues / February 1992 – January 1993) / 2. “Music in the USSR” (6 Issues / July 1984 – March 1986) / 3. “Records and Recording” (5 Issues / 1970-1978) / 4. “Classical Music” – The Magazine of the Classical Music Profession (13 Issues / October 1997 – April 1998) / 5. “Opus” – The Classical Music Magazine (10 Issues / October 1986 – April 1988) / 6. “Musical America” – The Journal of Classical Music incorporating “Opus” (basically the follow-up magazine for Opus) (7 Issues – July 1988 – July 1989) / 7. “The Musical Times” (23 Issues (August 1993 – September 1995) / 8. “Organists’ Review” (37 Issues between March 1989 – November 2003) [including several IAO News which came with the “Organist’s Review”] / 9. “International Piano” (98 Issues published between Summer 2000 – October 2017) / 10. “International Record Review” (150 Issues between March 2000 – March 2015 plus one old issue from March 1970) / 11. “Slovak Music (5 Issues from 1990 – 1991) / 12. The Dvorak Society – For Czech and Slovak Music (Year-Book from 1991 – 1996 plus one issue – special edition UK and Ireland Tour 12-29 September 1991) / 13. “Czech Music” (8 Issues between Spring 1989 – Winter 1994) / 14. “The Monthly Letter – A Critical Review of recent Recordings” – (More than 250 Issues from October 1950 – November 1967) AND (January 1971 – December 1979) AND then going forward under a new name: “The Monthly Guide to Recorded Music” – January 1981 – December 1984) / 15. “International Classical Record Collector ICRC / Classical Recordings Quarterly CRQ (The World’s Leading Review of Vintage Classical Recordings” [The Review of Historic Recordings] (70 Issues published between May 1995 – Spring 2012) – This is always the same Magazine – edited by the wonderful Tully Potter with a few new owners in-between issues Autumn 2002 and Spring 2008 / 16. “International Piano Quarterly” – (11 Issues from the first issue in Autumn 1997 – Winter 2000) / 17. “International Opera Collector” – (13 Issues from Autumn 1996 – Autumn 1999) / 18. “The Pianola Journal” – The Journal of the Pianola Institute (21 Issues from No1. in 1987 – No. 21 in 2010 / 19. “Jazz Journal (28 Issues from March 1979 – March 1989) / 20. “Jazz News” – Ireland’s Jazz & Blues Magazine (14 Issues from No.1 in December 1986 – No.4 August 1989)

1950-2015. Octavo – Quarto. More than 30000 pages na dillustrations on classical music and Jazz within some of the most important musical Magazines of the second part of the 20th century. Original Softcover Magazines. All in very good condition with only minor signs of external wear. The price includes an upgrade to worldwide free shipping of the collection per DHL Express Courier.

48. Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

49. [Palme, Olof]

Fataburen – Nordiska Museets och Skansens Arsbok [signed and inscribed by former swedish prime minister Olof Palme to english theatre director Peter Ashmore: “To Peter – A Great Englishman and a true friend of Sweden – Your friend Olof Palme”].

1973. Octavo. 206 pages with several photographs. Original, illustrated Hardcover. Very good condition with only minor signs of external wear.

50. Pasternak, Boris.

Doktor Zhivago. [Rare Original Russian Edition]

Ann Arbor, The University of Michigan Press, 1959. Thick Octavo. [iv], 567, [1] pages. Original Hardcover / Publisher’s terra-cotta cloth with gilt lettering on spine. No jacket was issued for this book. In protective collector’s mylar. Excellent condition with only very minor signs of wear. Second printing of the first authorized edition in Russian (preceded only by two CIA-sponsored, and virtually unobtainable, editions printed in Italy and distributed at the Brussels World Fair in the summer of 1958). Exlibris Janice Clark. Wonderful collectable !