11. Medical Illustration in Dermatology – Goldschmid, Edgar / [Georges Sarton].

Entwicklung und Bibliographie der Pathologisch-Anatomischen Abbildung. [Mit Autograph: TLS – Mit einem zweiseitigen Brief an Dr.Krieg in Wien, der von Goldschmid den Entwurf eines Nekrologs zu Georges Sarton erhofft hatte und diesen in Form dieses Briefs bekommt (von Goldschmid voll signiert) / Typed Letter (two pages, signed) by Edgar Goldschmid; the letter being a draft of an obituary on Georges Sarton (in german)].

Leipzig, Karl W. Hiersemann, 1925. Quarto (25 cm x 31 cm). 301 Seiten text plus 44 fantastisch-farbige Tafeln in Lichtdruck mit den original-bedruckten Schutzfolien / 301 pages plus 44 fantastic colour-plates with their original tissue-guards. Originales Ganzleinen des Hiersemann-Verlags / Original publisher’s cloth. Sehr guter Zustand mit nur geringen Gebrauchsspuren. Offensichtlich Handexemplar von Dr.Krieg (Wien) mit Anmerkungen in Bleistift auf dem Vorsatz (″Bei G[oldschmid] zufragen”) und gelegentlich im Text mit Korrekturen und Anmerkungen neben den von Goldschmid verfassten Bibliographien, moeglicherweise fuer eine nie erschienene zweite Auflage. / Very good condition with only minor signs of external wear. Extremely important landmark-publication in medicine, focusing on the importance of colour-illustration in dermatological diagnostics. This being the personal copy of Dr.Krieg (Vienna), with some annotations in pencil, reflecting questions and additional suggestions to some of the bibliographical entries, possibly for a second edition of the work.

12. Headlam, Maurice / [Arland Ussher].

Irish Reminiscences [Association – copy between Maurice Headlam and Arland Ussher, not only signed and inscribed in length by Maurice Headlam but also including two 4-page-manuscript letters by Maurice Headlam to Arland Ussher, reflecting on Ussher’s publication “The Face and Mind of Ireland”].

First edition. London, Robert Hale Limited, 1949. Octavo. Frontispiece – Photograph, 244 pages. Hardcover with original dustjacket. Very good condition with only minor signs of wear. Inscribed and signed on endpaper. Two manuscript letters loosely inserted. Manuscript entry, correction/explanation/annotations by Maurice Headlam to Arland Ussher on page 166 and page 175.

13. Jasinski, René.

Original Manuscript of Jasinski’s work ‘Molière et le Misanthrope’ together with 4 pages of conclusion to the chapters with annotations and extensive corrections by Jasinski.

[Cambridge, Massachusetts], no year [c.1948-1949] Octavo. 94 pages of manuscript notes and chapters 1, 2 and 4 of the final work with the 4 pages of conclusions in an envelope titled “Professor Rene Jasinski – 25 Little Hall, Cambridge 38 – Massachusetts”. With the dedication page planned and outlined: “A ma soeur Cécile affectueusement – R.J.”. Softcover. The paper brittle and several of the pages held together by paperclips. Some of the pages with tears and stronger signs of fraying. The defining work that secured Jasinski a place at Harvard.

14. Kayser, Rudolf / [Ilse Löwenthal-Einstein Kayser / Zohn, Harry / Eva Urgiss-Kayser / Walter ?]

Ilse – Ein Requiem – Signed and inscribed by Rudolf Kayser: “Für Walter zur Erinnerung an uns beide ! – Rudolf Kayser” – [From the library and collection of Harry Zohn with TLS loosely inserted: Typed Letter – signed by Eva Urgiss and addressed to Harry Zohn in New York, 1967. The amazing letter refers to Harry Zohn having alerted her to have found this book in the Rare Book Catalogue of Rare Book Dealer Rosenthal (possibly Bernard & Ruth Rosenthal) and Eva Urgiss is outraged about the fact that this very personal, only privately printed publication, which was only handed out to very few close friends, would have been sold to a rare book dealer and this rare bookdealer having the audacity to offer the book for sale. Eva Urgiss continues to speculate that she knows only of three Walter’s who could have been the recipients and she will investigate. She expresses how happy she is that Harry Zohn has purchased the book.]

[Holland], Privatdruck, 1936. Duodecimo (11 cm x 15 cm). 56 pages. Original Hardcover,professionally restored with new endpapers. Excellent condition in protective Mylar. Beautifully signed and inscribed. Unbelievably rare exile-publication.

15. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

16. Congo / Kongo – Leopold II of Belgium (1835-1909) – King of the Belgians and Owner / Absolute Ruler of the Congo Free State from 1885 to 1908.

Collection of four very important and meaningful manuscript letters by Leopold II to his administrator and Foreign Minister of the Congo – Free-State, Baron Adolphe de Cuvelier (1860-1931) with a total of 16 pages filled with Leopold’s instructions on pressing issues regarding a warning about an imminent visit by the Rector of the Mill-Hill Missionaries [probably Herbert Alfred Henry Vaughan (1832 – 1903)] and Leopold’s qualification of the visit of being detrimental to the Congo Free State (″ne travaillent pas pour l’État”). Leopold continues in another letter to talk about the hostile positions of english officials (consuls) and missionaries (″que les consuls anglais et les missionnaires anglais se conduisent bien mal envers l’État”). Interestingly, Leopold also touches on the nuisance of the german press criticizing Belgian Railway Lines and he is of the opinion that this is all happening in order to force the german parliament [″Reichstag”] to finance the building of the Tanganyika Railway [between Dar es Salaam and Kigoma]: (″cherche à effrayer l’opinion [en] Allemagne à propos de mes chemins de fer afin d’obtenir du Reichstag des fonds pour la ligne allemande vers le Tanganika”.

16 pages of MLS, Manuscript Letters (signed) on 10 leaves of Leopold’s official stationery “Château de Laeken” and “Palais de Bruxelles”. Laeken / Brussels, Château de Laeken [Palace of Laeken], 1901 – 1906. The leaves with different sizes (13,5 cm x 9 cm) and (18 cm x 11,5 cm). Excellent condition. Unsigned. Tremendously rare to find original letters by Leopold II on the open market in which the Colonial Free State and the protection against inquisitive visitors is discussed in such clear and instructive fashion. Leopold’s correspondence with Adolphe de Cuvelier shows how he is very much trying to still protect and influence the narrative of his Colonial Slavery Outpost even in the final years of his life.

17. [100 Years Buddenbrooks in America] Mann, Thomas.

Buddenbrooks. [First American Edition in stunning condition with an amazing, signed Letter by Thomas Mann, thanking an admirer for reflecting on reading his masterpiece “Buddenbrooks”. Signed on 21st of June 1940, on personalized stationery of Thomas Mann from Princeton, New Jersey, Mann wrote: “Thank you for writing to me and for telling me that you liked ‘Buddenbrooks’ when you read it recently at Colby College. It gave me pleasure, too, to know that you heard my daughter Erika lecture and had ‘thoroughly enjoyed’ yourself. With all good wishes, yours sincerely. Thomas Mann” ]. Translated from the German by H. T. Lowe-Porter [American Translator Mrs. Helen Tracy Lowe-Porter].

Two Volumes (complete set). New York, Knopf, 1924. Octavo. 389, 359 pages. Original Hardcover with the very rare, original dustjackets in breathtaking condition (now in protective collector’s Mylar). Unusually Fine condition with the meaningful letter by Nobel Laureate Thomas Mann.

18. Marryat, Frederick [Admiral Sir Arthur Cavenagh Leveson].

Poor Jack. Illustrated by Clarkson Stanfield.

London, Henry G. Bohn, 1859. 18 cm. VIII, 500 pages. Illustrations, including frontispiece, in black and white. Original illustrated hardcover. Good condition with only very minor signs of external wear. There is noticeable rubbing to the spine and it has become slightly frayed at its top and bottom; also, an inside page has been cut/torn. Inscribed and signed by Admiral Sir Arthur Cavenagh Leveson to Charles E. Hoyle in 1928.

19. Porter Jr., LCDR William Hamilton / [Howard Chandler Christy].

Archive of Naval Captain, Lieutenant commander [LCDR] William Hamilton Porter Jr.‘s Love Letters to his wife Amy Manning Porter and letters to his mother Barbara Hamilton Porter, from his service during and after graduating from United States Naval Academy Annapolis MD, 1914. The Collection includes not only the Yearbook of the Brigade of Midshipmen, called “Lucky Bag”, signed with nearly all Graduates and with numerous amazing photographic illustrations of sports like American Football, Lacrosse, early photographs of Basketball and Baseball – Teams, images of visits to Ireland etc., but the collection includes nearly 50 manuscript letters by LCDR Porter from the USS Alden, USS Columbia, writing back home to his wife Amy between 1916 and 1920, reflecting his first tour of duty and sending letters from Constantinople, Smyrna, Venice, Dalmatia, Split, Naples, Samsoun, etc. The collection is full of reports of life on ship and upcoming tours to Naples, Genoa and Villefranche, relationship to the captain, Porter’s view on politics etc. Telegram about “USS Alden and two Destroyers of the 26th Division to be designated by USADRA proceed to Manila”. / Fantastic archive of an Annapolis Graduate with amazing artwork by Howard Chandler Christy in the “Lucky Bag” and a collection of letters in all its complete scarcity of completeness. The collection also includes the original letter of “Washington Granite Monumental” to Porter’s wife upon Porter’s burial at Arlington National Cemetery (he died in 1937).

Baltimore (Maryland) / Annapolis / USS Alden etc., 1916-1920. Octavo. Lucky Bag [Vol. XXI [Volume 21] of the Annual of the Brigade of Midshipmen at Annapolis / Two Ringfolders with original letters, telegrams and some photographs. Excellent condition with some minor signs of wear only. Check out a large collection of high quality photographs on our website, depicting Baseball, Crew Rwoing, Handball, Basketball and Baseball at the Academy in Annapolis. Rare collection with the wonderful original signatures of nearly all Graduates who served with LCDR Porter.

20. Illustrations for The Odyssey – Rössing, Karl.

Interessante Sammlung von originalen Briefen des Österreichischen Autors Karl Rössing and den künstlerischer Leiter der Bauerschen Gießerei, Dr. Konrad Bauer. Die detaillierten Briefe geben Aufschluss zur Entstehungsgeschichte der Publikation “Bilder zur Odyssee”, welche im Jahr 1955 in Frankfurt herausgegeben wurde. Karl Rössing spricht mit Bauer zum Thema Korrekturen im Satz, Einbanddecken, Mäander, Papierauswahl, Tondruck, Einbandgestaltung, Autorenexemplaren, Ausstellung in Braunschweig, Rezensionsverweigerung von Benno Reiffenberg, Verwendung des Buchs als Geschenk an den Bundespraesidenten (damals Theodor Heuss), “ganz einfach deshalb weil er ein fuer Kunstdinge aufgeschlossener Mensch ist”, etc. etc. Der Sammlung liegt eine originale Tuschzeichnung über Bleistift, sowie ein Probedruck des Titelholzstichs bei. Die fertige Buchausgabe liegt ausserdem hier im Originalschuber vor.

Stuttgart / Frankfurt, Prof.Karl Rössing / Der Goldene Brunnen / Bauersche Gießerei, 1950-1957. Octavo. 9 Briefe, davon einige auch umseitig oder zweiseitig. Zusammen 14 Seiten auf 10 Blatt plus eine Tuschzeichnung und Probedruck des Titelholzschnitts. Das fertige Buch in original Hardcover im Schuber. Sehr guter Zustand. Bedeutende Dokumentation zur Buchproduktion und enger Zusammenarbeit zwischen Illustrator.