11. Geigy-Hagenbach, Karl.

Album von Handschriften berühmter Persönlichkeiten von Mittelalter bis zur Neuzeit [Album with historical signatures of famous personalities from the Medieaval times until the Modern Period].

Trilingual edition in english, french and german. Basel, Rud. Gering, 1925. 4°. 4 Bl., 206 Seiten. Hardcover / Originales Halbleinen. Sehr guter Zustand mit nur ganz geringen Gebrauchsspuren. Einführung in deutsch, englisch und französisch / Introduction en francaise, anglaise et allemande / Introduction in french, englisch and german. Excellent condition of this rare publication.

12. Schlatter, Adolf.

Der Glaube im Neuen Testament. Eine Untersuchung zur neutestamentlichen Theologie. [HANDEXEMPLAR SCHLATTER’S mit handschriftlichen Annotationen / Manuskript – Anmerkungen]. Eine von der Haager Gesellschaft zur Vertheidigung der christlichen Religion gekrönte Preisschrift.

Erste Ausgabe. Leiden, E.J.Brill, 1885. Gross-Oktav. Durchschossenes Exemplar welches speziell für Schlatter in zwei Bände aufgeteilt wurde. Durchgehende Paginierung. Band I: V, 304 Seiten / Band II: Seiten 305 – 591. Privates Halbleder der Zeit. Rücken teilweise angebrochen. Exlibis Schlatters in beiden Bänden (″Er trägt alles durch das Wort seiner Kraft” – Dr.Adolf Schlatter). Das Werk voller umfangreicher Annotation in Schlatter’s Hand. Einige wenige Annotationen in Stenographie.

13. Sommer, James van / Spohr, Louis / Keller, Karl / Beethoven, Ludwig van / Hummel, Johann Nepomuk / Weber, Carl Maria von / Eberwein, Traugott Maximilian / etc.

Manuscript of: “Songs &c., chiefly by German Composers. With English Words by James van Sommer, by whom also the Music was ruled and transcribed”. / 19th century Manuscript by british composer James van Sommer with transcriptions of German Lieder in poetry form and score. Marvellous original manuscript with early transcriptions into english of some unusual composers. The manuscript in a beautiful and steady hand in ink/ Originales Manuskript von Transkriptionen teilweise ungewoehnlicher Lieder deutscher und europaeischer Komponisten des spaeten 18. und fruehen 19.Jahrhunderts. Wundervolle, sehr akkurate Handschrift.

[England, possibly Hoxton], James van Sommer, 1837. Octavo. 157 pages. Modern, unsophisticated Hardcover with new endpapers. Excellent condition.

14. Fry, Christopher.

Autographed Manuscript Dialogue from “Venus Observed” – One full – page manuscript, signed.

England, c. 1990. Octavo. 1 pages. Original Softcover. Very good condition with only minor signs of external wear.

15. Rinpoche, Lama Zopa / Lama Yeshe / Schultheis, Rob / Pir Vilayat Inayat Khan.

Collection of belongings from a british citizen who was a follower of Lama Yeshe and Lama Zopa Rinpoche and who became a Tibetan Monk / Buddhist Monk in the 1970’s under Lama Zopa Rinpoche and Lama Yeshe.

Bodhgaya, c.1972. Octavo. Softcover. Very good condition with only minor signs of external wear. From the library of a tibetan / buddhist monk.

16. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

17. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

18. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

19. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

20. [Family History of Sir Harry Luke / de Zander] – [Luke, Harry] Zander, C.L.v. / Bielitz / Bielsk / Lemberg / Polish Ancestry with Louis de Zander (Deutsch Eylau/Old Prussia) and connections to the swedish “Zander” – family].

Album Amicorum from the early 19th century of the De Zander Family from Poland, Bielitz, Lemberg Vienna and other areas / Album Amicorum von C.L. von Zander mit insgesamt 40 Eintraegen von Mitgliedern der Familie von Zander [de Zander] und Freunden aus der Umgebung von Bielitz, Lemberg, Biala und Wien/ Album Amicorum of C. L. von Zander (recorded in the area of Vienna, Bielitz, Biala and Lemberg between 1814 and 1822. Eintraege von Louis von Zander, Caroline de Zander (nee de Zander), Ludwig von Zander (Bielitz, 23.September 1814), Carl von Zander (Pless im Maerz, 1816), Josef Krammer, Christian Traugott Schuberth, Caroline von Zander, Caroline Schluse (Pless, 1816), Jon, Henr. Zander (Bielitz, 1818) [Johann Heinrich Zander] / Carl Johann Zander / Charlotte von Zander (Bielitz, 1814) / Friederica von Zander (Mother of the owner of this Album Amicorum – possibly Frederica Elizabeth Klimke) / etc. Weitere Eintraege von Carl Ferdinand Sennewaldt, Johann Millikowski (Lemberg, 1814), Carl Sartory, Anton Manhardt, Jacob Thomke (Biala, 1816), Franz Kuenzl, Rosalie Jeney (Lemberg, 1814), Gottfried Samuel Bauer (Bielitz, 1814) etc., Franz Krippner, (Wien, 1822).

[This item is part of the Sir Harry Luke – Archive / Collection]. Wien / Lemberg / Bielitz / Biala, [Album auf Papier von J. Pospischil], c. 1814-1822. Quer – Octavo. Mehr als 100 Blatt, davon 40 mit handschriftlichen Eintraegen. / More than 100 leaves with 40 manuscript – entries of families of the von Zander / de Zander Family. Original Hardcover / Originaler, sehr dekorativer Ganzlederband mit reicher Vergoldungund Verzierung / Stunning full morocco with extensive decorations and gilt lettering and ornament to both boards. Exzellente Erhaltung / Excellent condition of the early 19th century Manuscript – Album of a member of the “de Zander” – Family. The Album comes with a very interesting pamphlet, a historical account by Louis de Zander about his families life and genealogical histories from his ancestry in Poland to his family’s troubles in Bielsk / Bielitz. From the personal collection of Sir Harry Luke.