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Manuscript Letter Signed (41 items)

Archive of a fantastic series of 42 Autograph Letters (signed) / Manuscript Letters (signed) by Sir Augustus Foster

15. Foster, Sir Augustus [British Ambassador to the United States of America] / Sir Charles Stuart [Britain’s Ambassador to France and Russia, Charles Stuart, 1st Baron Stuart de Rothesay] / [Lady Bess Foster, (née Lady Elizabeth Christiana Hervey), later Duchess of Devonshire (1759-1824)] / [Vere Henry Louis Foster] / [Arthur Wellesley, 1st Duke of Wellington].

Archive of a fantastic series of 42 Autograph Letters (signed) / Manuscript Letters (signed) by Sir Augustus Foster, British Diplomat and British Ambassador to the United States of America, prior and at the outbreak of the War of 1812, Recipient of the ‘Declaration of War’ on the “HMS Colibri” (June 28th, 1812), Ambassador to Denmark (1814-1825) and Ambassador to Sardinia (1824-1840). The letters were written between 1815 and 1841, during his time as Ambassador of Denmark (Copenhagen) and from his posting in Turin, as Ambassador to the Kingdom of Savoy-Sardinia [Piedmont-Sardinia]. Fortyone (41) of the letters are addressed to his friend, Sir Charles Stuart, Baron Stuart de Rothesay (1779-1845), Secret Agent, Diplomat, privy councilor as well as British Ambassador to France and Ambassador to Russia and the Duke of Wellington’s distinguished administrator in Europe during the Napoleonic Wars. The 42nd letter in the Archive, is a meaningful, three-page-letter, written by Sir Augustus Foster from Copenhagen in the year 1818, to his mother, Lady Elizabeth (″Bess”) Foster” [(née Lady Elizabeth Christiana Hervey), later Duchess of Devonshire (1759-1824)]. The Letters comprise of sizes between Octavo and Quarto and amount to 130 pages in total, written from Turin (27) & other places, including Copenhagen, Stockholm, London, Calais and Geneva, 1815-1841 / Important: The Archive includes also three important publications which touch on the work of Sir Augustus Foster in America: [1.Richard Beale Davis: “Jeffersonian America – Notes on the United States of America – Collected in the years 1805-1806-1807 and 1811 and 1812 by Sir Augustus Foster, Bart. San Marino, The Huntingdon Library, 1954 / 2. An Extra-Illustrated Version of the publication “The Two Duchesses”, by Vere Foster (son of Sir Augustus Foster), in which an american collector injected a plethora of original engravings, portraits of british and american personalities like Alexander Hamilton, George Washington as well as other contemporaries of Sir Augustus Foster (see 80 photographs of this breathtaking set, bound in red-morocco, on our website) / 3. [James Madison / James Monroe / Sir Augustus Foster – War of 1812] – “Three messages, from the President of the United States, to Congress, in November 1811, together with Documents accompanying the same”. Washington; printed 1811. Re-Printed for J.Hatchard, Bookseller to her Majesty, opposite Albany, Piccadilly, 1812 – The material here relates directly to the war of 1812; much of it is in the form of correspondence between Sir Augustus John Foster, H.M. Minister in America and James Monroe, Secretary of State under James Madison from 1811 to 1817. Other significant contributors include Mr. Pinkney and Lord Wellesley. Extremely scarce original edition. (No copy of the 1811 edition located. Not in COPAC or Sabin)] See more than 200 Images for all these books and manuscript letters in the Augustus Foster Archive on our website under “Libraries & Collections” /

Turin / London / Stockholm / Copenhagen / Calais / Geneva, 1815 – 1841. Octavo – Quarto. The Letters are housed in a beautiful, bespoke Solander-Chemise. The original books are either bound in Morocco (″Two Duchesses”), original cloth with dustjacket (″Jeffersonian America”) or in the publisher’s original interim-wrappers (the rare 1812-printing of “Three messages, from the President of the United States, to Congress, in November 1811, together with Documents accompanying the same”). Very good condition with some minor signs of wear only.

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Vere Foster, "Presentation Copy of "The Two Duchesses" with Autograph / Manuscript-Letter

16. Foster, Vere [Henry Louis / Lewis] / [Emily Albinia “Alba” Foster] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

Amazing Vere Foster-Collection including Educational Materials and as a centerpiece the “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page-letter, revealing several important details about the immediately favorable reviews and reception of the book [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels″£ with Blackie’s agent and gave instructions to send them but a few days later found they had been “untouched”. / The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. [See Full list of items which are part of this collection, on our website under the topic “Libraries & Collections”].

First Edition. London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (15 cm x 22 cm). Pagination: Frontispiece, IX, [3], 497 pages with 18 Illustrations (including frontispiece and one Vignette of the two Duchesses opposite page 1). Hardcover / Original, publisher’s green cloth with gilt lettering on spine. Very good condition with some minor signs of wear only. This is an astonishing find for the Vere Foster Research Community and the letter gives significant insight into the importance the publication had for him, its reception as seen by Vere Foster and it solves the riddle why an altertaion was necessary for the second edition [which Vere Foster explains in a brief note to the reader at the beginning of the second edition]. The heartfelt inscription to his niece Albinia Foster is also of great importance and to our knowledge the only presentation-copy of this book on the international market for the several decades we can look back at auction records.

EUR 9.500,-- 

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Vere Foster, The Two Duchesses - Presentation copy with important manuscript letter [signed and inscribed]

17. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

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Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many and related items

19. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

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