Complete Catalog (8315 items)

[Hannah More] - Sammelband / Collection with 18 rare Children's Books bound in One Miniature Volume

7731. [More, Hannah] & [Sherwood, Mary Martha] / [Society for Promoting Christian Knowledge].

Sammelband / Collection with 18 rare Children’s Books bound in One Miniature Volume. The Volume includes [chronologically]: 1. Hannah More – “The Lancashire Collier Girl – A True Story”. London, 1847. (29 pages with Frontispice and three text-illustrations) / 2. “The Obedient Child” – Luke II.40-52 (Prayer in Poetry-Form) / 16 pages. No Titlepage. No year of Printing / 3. “Martha Brown; or, The Industrious Daughter”. London, 1847. (16 pages with Frontispice) / 4. “The Deaf and Dumb Girl”. London, 1847. (16 pages with Frontispice) / 5. “The Effects of Disobedience”. London, 1847. (16 pages with Frontispice) / 6. “The Baker’s Boy”. London, 1847. (15 pages with Frontispice) / 7. “Dick and his Mother”. London, 1847. (16 pages with Frontispice) / 8. “The Sun behind the Cloud”. 8 pages (text complete but without titlepage and year) / 9. “The Cockchafers”. 8 pages. (Text complete with Text-illustration but without titlepage and year) / 10. “The Blind Sailor”. 8 pages. (Text complete with Text-illustration but without titlepage and year) / 11. “Good-Nature Rewarded”. London, 1847. (16 pages with Frontispice) / 12. “Robin Red-Breast”. 8 pages. (Text complete with Text-illustration but without titlepage and year) / 13. Mrs. Sherwood [That is: “Mary Martha Sherwood”] – “Soffrona and her Cat Muff”. New Edition. London, Printed for Houlston and Co., 1850 – Bound with the two beautiful printed wrappers and including the Frontispice and six text-illustrations / 14. [Hannah More] – “The Ostrich”. London, 1845. (16 pages with Frontispice-Illustration of an Ostrich and an additional text-illustration of a running Ostrich) / 15. “Effects of the Love of Finery; or. The Two Servant Girls”. London, 1847. (16 pages with Frontispice) / 16. “The Cottage on the Cliffs”. London, 1847. (16 pages with Frontispice) / 17. “The History of Tom White The Postilion”. In Two Parts. New edition. London, no year [c.1847]. Complete in two Parts. 80 pages with Frontispice and 14 Text-Illustrations. Minor staining to edge. Two pages with a minor tear. / 18. “The Barbary Doves”. London, [no year, c.1847]. 31 pages with Frontispice. Minor staining to edge.

London, Published for Promoting Christian Knowledge, 1847. Miniature Binding: 7.5 cm wide x 10 cm high. Hardcover / 19th century half-leather with gilt lettering on spine [″Stories”] and marbled-paper-covered boards. Binding firm. Bottom Spine with minor damage. Page 17 repaired. Receding Ink-stain to endpapers, Frontispice and first 29 pages. Interior otherwise very good. Very rare collection of moralizing 19th century children’s stories.

EUR 380,-- 

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[Schneemann, Eshleman, Bearings.

7732. [Schneemann, Carolee] Eshleman, Clayton.

Bearings. [Two fantastic association copies of this limited edition / Both copies from the library of Carolee Schneemann / Both, beautifully inscribed by Clayton Eshleman to Carolee Schneemann and one copy with an annotation and several interesting textmarkings by Carolee Schneemann].

First Edition. Santa Barbara, Capricorn Press, 1971. 22.5cm x 15.3cm. 22 (6) pages. Original illustrated softcover. Excellent condition of noth editions, with only minor signs of external wear. This is one of Eshleman’s most personal works, which explains why he inscribed it in two consecutive years to Carolee Schneemann. Clayton Esleman writes about the impact Rilke’s “Letters to a Young Poet” had on him in 1959. Carolee Schneemann has marked several passages which were important to her, among which is: “for in the sense that what is deeply sick in man today is his hate for his body, in that he has loaded the most energetic word he has for love-making with all the hostility he feels against the act of love. Don’t fuck with me, we say. Keep your fucking hands off. Fuck you. And that word, like a jungle interwoven with all kinds of lianas and vines of tensions, desires, and hate, can’t now possibly convey just its erotic energy – “. / Eshleman also leaves a short biographical note (in print) at the end of this Volume in which he critically describes his consequential status quo: “…..Moved to New York City the summer of 1966…..the bottom fell out: I left my family, moved into a hole in the corner of Greenwich Avenue and Bank Street and entered Reichian Therapy…..Presently living in Sherman Oaks, California, with my wife Caryl – and, as of last week, loaned orgone accumulator sitting expectantly in Garage….– 28 January 1971”.

EUR 480,-- 

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[Calder, Derrière Le Miroir N°190 - Février 1971 [With 5 lithographes originales

7796. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

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